1
00:00:02,760 --> 00:00:04,140
[数据调制解调器的声音]

2
00:00:10,680 --> 00:00:11,500
[《终极幻想》中的主题音乐]

3
00:00:11,620 --> 00:00:13,820
[雅各比·萨特怀特]
得了癌症，按道理讲人就会死亡。

4
00:00:13,820 --> 00:00:16,620
而有了现代技术，
基本上患者就得救了。

5
00:00:20,460 --> 00:00:22,580
小的时候，我患了癌症。

6
00:00:22,580 --> 00:00:25,080
在医院里，
我就玩《终极幻想》。

7
00:00:27,480 --> 00:00:31,580
那是我在受到重创时期
逃避现实的办法。

8
00:00:31,580 --> 00:00:34,720
我把它作为一个创作者的自然选择。

9
00:00:36,400 --> 00:00:39,120
也许我一生都在怀疑自己的死亡。

10
00:00:39,120 --> 00:00:41,100
我一直在做一些东西
让我自己能够

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见证这些物体
然后可以说我还活着。

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[萨特怀特母亲的录音]
-- 寂静的瞬间。

13
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所以我最初去了 Pioneer Works
当常驻技术人员，

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用 3D 方式打印
我母亲消费对象的图像。

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我妈妈的做法就像
石膏底料或底漆。

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基本就像是我新想法
以及

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表现这些想法的基础。

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[萨特怀特母亲的录音]
-- 抱歉啦。

19
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[唱]
♪ 抱歉啦，你受苦啦 ... ♪

20
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[萨特怀特]
她创作了 150 首无伴奏合唱曲

21
00:02:03,640 --> 00:02:09,140
用最热门的40 首曲，
模仿传统歌曲的标准。

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创作歌曲是一大部分。

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她会在精神病院里做这些。

24
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也会在家里做。

25
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[歌声继续]
♪ 我的生活一团糟，若是有些事我不知道... ♪

26
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[萨特怀特]
我和来自 Teengirl Fantasy 的尼克·淮斯，

27
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我们俩花了大约两年把这些
合唱曲转成电子舞曲

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同时，我也在为其制作视觉效果，

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因为我想制作一张
虚拟现实专辑。

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我属于千禧一代，对 Instagram 和 iPhone 着迷。

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我依靠它、把它当作原始材料，

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尝试使其具有触感和刺激性，

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使其感觉像皮肤一样。

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过程很松散，没有计划。

35
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在某种意义上，就像用数据语言，
发现优美的作品。

36
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在 Pioneer Works 的展览，
通过不同的媒介体现我的作品，

37
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包括雕塑、视频

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表演，和 3D 动画。

39
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我是在探索如何
在数字世界中制作雕塑。

40
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一共有四个展柜
探索我多年以来

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展示的不同主题：

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运动、

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美国梦文物、

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金钱、

45
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以及药品。

46
00:03:51,100 --> 00:03:54,560
所以基本上是些对
这种文化的抽象反映。

47
00:04:00,780 --> 00:04:02,680
-- 让我觉得像电子游戏里的角色。

48
00:04:03,460 --> 00:04:05,700
--就像你可以操纵我，走来走去，

49
00:04:05,709 --> 00:04:08,499
-- 我像第三个人 Lara Croft 射手什么的。

50
00:04:08,500 --> 00:04:10,340
-- 天哪，真烦人。

51
00:04:13,420 --> 00:04:15,280
如果这些事都自己来做，

52
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你不知道它可能变成什么。

53
00:04:17,280 --> 00:04:21,560
将好主意委派给团队的潜力

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比给单个人要大得多。

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