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[Marina Abramović: Učna ura petja]

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Veste, kot otrok sem imela veliko težav

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in veliko strahov.

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Bila sem strašansko sramežljiva.

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[ABRAMOVIĆ] Snemate?

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[MOŠKI, IZVEN KADRA] Snemam.

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[ABRAMOVIĆ] V redu, torej ...

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[YORK] Torej, narediti morate ...

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[ABRAMOVIĆ, IZVEN KADRA] Tako sem v trenutku, ko sem imela opravka s performansom,

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kot prvo, res hotela premagati svoje strahove,

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in, kot drugo,

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kolikor mogoče izzvati svoje fizične omejitve,

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saj veste, da vidiš, da ima duh

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oblast nad telesom.

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[Nora York: učiteljica petja]

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[YORK] Da bi zapeli,

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vdihnite do dna pljuč zadaj.

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[ABRAMOVIĆ] Prav.

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[YORK] Vdihnite torej ...

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Namesto gor v prsi

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poskusite vdihnitii v spodnji del.

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Vdihnite torej ...

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[OBE VDIHNETA IN IZDIHNETA]

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[YORK] Da, dobro!

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[ABRAMBOVIĆ] Trenutno delam z Bobom Wilsonom

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na gledališki predstavi z naslovom

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"Življenje in smrt Marine Abramović".

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On ureja -

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sestavlja moje življenje, tako kot ga sam vidi.

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Ko nastopam, se popolnoma nadzorujem,

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kar pa zadeva življenje, nadzor rada opustim.

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Za umetnika je to nekaj najtežjega

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v njegovem življenju.

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[YORK] Ko vdihneš, da bi zapel,

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so tvoja rebra v popolnem razmahu in občutiti želiš ...

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[ABRAMOVIĆ, IZVEN KADRA] Res rada poskušam ljudi peti

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in zmeraj sem jim zavidala ta talent,

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da lahko poješ.

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Kakor da bi lahko odprl svoje srce

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in izpel svojo dušo.

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Jaz tega nisem mogla.

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[YORK] Imate pevsko zgradbo!

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Imate ličnice ...

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[ABRAMOVIĆ, POJOČ "ŽIVLJENJE V ROŽNATEM"]

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Ko me prime za roko ...

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[YORK] Da! Da! Da! Da!

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[ABRAMOVIĆ] ... je vse videti mehko ...

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[YORK] Ah, da!

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[YORK] Recite "sol" ...

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[ABRAMOVIĆ] Sol ...

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[YORK] Izpojte, no, samoglasnik ...

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[ABRAMOVIĆ, ZADRŽUJOČ SAMOGLASNIK] "Sol."

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[YORK] Zdaj pa se s konico jezika

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dotaknnite zob.

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[OBE HKRATI] Sol.

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[ABRAMOVIĆ] Ko sem bila zelo mlada,

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sem se morala učiti klavirja,

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in spominjam se, da sem ure klavirja strašno sovražila.

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Spomnim se, da je učitelj celo leto dni

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prihajal k hiši

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in da je po enem letu

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prišel k moji materi in rekel:

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"Denar jemljem za nič.

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Nima in nikoli ne bo imela

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glasbenega posluha."

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[YORK] ... zvok naprej."

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[ABRAMOVIĆ, ZADRŽUJOČ SAMOGLASNIK] Sol.

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[YORK] Pravilno.

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[ABRAMOVIĆ] To sem vzela kot

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dokončno trditev

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in nikoli nisem hotela peti,

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niti misliti, da bom kdaj pela.

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[ABRAMOVIĆ] Sol,

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sol na mojih ranah,

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da bi omilila prozaično bolečino,

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da bi zaskelela transcenentalno."

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[YORK] Smem predvajatii Antonyjevo različico ...

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[ABRAMOVIĆ] Da.

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[YORK] ... da lahko zraven zapojeva?

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[ABRAMOVIĆ] Antony Hegarty pripravlja glasbo za to predstavo.

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Ustvaril je devet pesmi.

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[IZ ZVOČNIKOV IGRA GLASBA]

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[OBE, POJOČ OB POSNETKU] Sol na mojih ranah,

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da bi oslabila običajnejšo bolečino ...

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[ABRAMOVIĆ, IZVEN KADRA] Skladba, ki jo je Antony spisal zame

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in je res namenjena duhovno stanje moje sorte

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in jo je navdihnilo moje delo,

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se imenuje "Sol na mojih ranah".

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Ko je Bob odločil, da jo bom odpela,

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sem bila povsem sumničava.

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Rekla sem mu: "Pa saj vendar ne znam peti, ne znam peti."

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[YORK] Poskusite tako, kakor da bi ... [SIKANJE]

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[ABRAMOVIĆ, ZUNAJ KADRA] Antony mi je govoril:

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"Zapojte kot Marlene Dietrich."

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Odvrnila sem: "Ja, ko ima slab dan!" [SMEH]

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[SIKANJE]

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[ABRAMOVIĆ, IZVEN KADRA] Zadevo sem vzela zares

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in si rekla, "prav,

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poskusim lahko z nekaj učnimi urami petja,

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pa bom videla, če zmorem."

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[YORK] Da omili ...

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[OBE] Da omili ...

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[ABRAMOVIĆ] Gre za dihanje

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in za številne druge reči ...

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In vendar sem še vedno negotova

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in upam, da bo delovalo.

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No, zaenkrat je tako

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[ABRAMOVIĆ] Sol,

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sol na mojih ranah,

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da omili prozaično bolečino.