[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:21.02,0:00:24.42,Default,,0000,0000,0000,,TAUBA AUERBACH: I want to\Nlearn new things constantly.
Dialogue: 0,0:00:25.100,0:00:30.00,Default,,0000,0000,0000,,And I'm always trying to\Nfind the pattern behind things.
Dialogue: 0,0:00:32.08,0:00:35.69,Default,,0000,0000,0000,,I've educated myself about\Na number of scientific or
Dialogue: 0,0:00:35.69,0:00:39.16,Default,,0000,0000,0000,,mathematical\Nprinciples through crafts
Dialogue: 0,0:00:39.16,0:00:41.37,Default,,0000,0000,0000,,like weaving and paper marbling.
Dialogue: 0,0:00:41.37,0:00:47.89,Default,,0000,0000,0000,,♪ethereal ambient music♪
Dialogue: 0,0:00:47.89,0:00:52.85,Default,,0000,0000,0000,,To marble paper, it's all\Nabout relationships and ratios.
Dialogue: 0,0:00:55.61,0:00:58.80,Default,,0000,0000,0000,,You have to mix your paints so\Nthat they float on the water and
Dialogue: 0,0:00:58.80,0:01:00.88,Default,,0000,0000,0000,,so that they spread out –
Dialogue: 0,0:01:01.93,0:01:04.34,Default,,0000,0000,0000,,not too much, not too little.
Dialogue: 0,0:01:04.34,0:01:06.66,Default,,0000,0000,0000,,♪undulating ethereal music♪
Dialogue: 0,0:01:06.66,0:01:09.12,Default,,0000,0000,0000,,There's a limit to how\Ncontrolled it can be.
Dialogue: 0,0:01:09.12,0:01:15.26,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:01:15.26,0:01:20.07,Default,,0000,0000,0000,,I like that idea quite a lot of\Ncultivating your sensitivity in
Dialogue: 0,0:01:20.07,0:01:23.28,Default,,0000,0000,0000,,this really\Npracticed, purposeful way.
Dialogue: 0,0:01:25.08,0:01:29.78,Default,,0000,0000,0000,,And I've used paper marbling as\Nthe source material for a lot of
Dialogue: 0,0:01:29.78,0:01:31.54,Default,,0000,0000,0000,,my public works.
Dialogue: 0,0:01:31.54,0:01:37.71,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:01:37.71,0:01:41.15,Default,,0000,0000,0000,,It seems appropriate to me\Nto work in a lot of different
Dialogue: 0,0:01:41.15,0:01:44.39,Default,,0000,0000,0000,,materials and\Nmedia and processes...
Dialogue: 0,0:01:49.65,0:01:53.04,Default,,0000,0000,0000,,because I'm focusing\Non connectivity and the
Dialogue: 0,0:01:53.04,0:01:55.85,Default,,0000,0000,0000,,relationship between\Nlots of different things.
Dialogue: 0,0:02:05.20,0:02:06.83,Default,,0000,0000,0000,,Every time people\Ncome to my studio,
Dialogue: 0,0:02:06.83,0:02:09.19,Default,,0000,0000,0000,,I like to show\Nthem these shelves,
Dialogue: 0,0:02:09.19,0:02:12.14,Default,,0000,0000,0000,,because there are just so many\Ntreasures on them and things
Dialogue: 0,0:02:12.14,0:02:14.45,Default,,0000,0000,0000,,that I like to live\Nwith and think with.
Dialogue: 0,0:02:14.96,0:02:17.86,Default,,0000,0000,0000,,Some ashes of artwork\Nthat burned in a fire.
Dialogue: 0,0:02:19.17,0:02:21.09,Default,,0000,0000,0000,,This is a sea sponge.
Dialogue: 0,0:02:21.09,0:02:25.52,Default,,0000,0000,0000,,The water pressure where this\Ncreature lives is very extreme.
Dialogue: 0,0:02:25.52,0:02:28.98,Default,,0000,0000,0000,,The architecture of this\Nskeleton has been studied for
Dialogue: 0,0:02:28.98,0:02:30.00,Default,,0000,0000,0000,,its strength.
Dialogue: 0,0:02:30.00,0:02:32.92,Default,,0000,0000,0000,,It's a powerfully\Nstrong lattice shape.
Dialogue: 0,0:02:33.20,0:02:35.28,Default,,0000,0000,0000,,I would say I had a really\Nprofound experience with this
Dialogue: 0,0:02:35.28,0:02:36.83,Default,,0000,0000,0000,,puzzle, actually.
Dialogue: 0,0:02:36.83,0:02:41.20,Default,,0000,0000,0000,,It takes over a thousand moves\Nto disentangle this bar from
Dialogue: 0,0:02:41.20,0:02:42.46,Default,,0000,0000,0000,,these rings.
Dialogue: 0,0:02:42.46,0:02:45.94,Default,,0000,0000,0000,,I got to where there\Nwas just one ring left.
Dialogue: 0,0:02:45.94,0:02:49.58,Default,,0000,0000,0000,,It turned out that having\None ring left was sort of the
Dialogue: 0,0:02:49.58,0:02:53.66,Default,,0000,0000,0000,,equivalent of having\Ngone as far as possible
Dialogue: 0,0:02:53.66,0:02:57.30,Default,,0000,0000,0000,,into a maze in the\Nwrong direction.
Dialogue: 0,0:02:57.30,0:02:58.08,Default,,0000,0000,0000,,[laughs]
Dialogue: 0,0:02:58.08,0:03:00.80,Default,,0000,0000,0000,,And I had to\Ncompletely backtrack,
Dialogue: 0,0:03:00.80,0:03:02.83,Default,,0000,0000,0000,,put all the rings back on, and\Nthen take them off a slightly
Dialogue: 0,0:03:02.83,0:03:04.11,Default,,0000,0000,0000,,different way.
Dialogue: 0,0:03:05.69,0:03:08.80,Default,,0000,0000,0000,,And so I felt like this\Npuzzle taught me a lot about the
Dialogue: 0,0:03:08.80,0:03:12.00,Default,,0000,0000,0000,,assumptions that you make\Nabout progress along the way.
Dialogue: 0,0:03:13.32,0:03:23.81,Default,,0000,0000,0000,,♪ethereal synth music♪
Dialogue: 0,0:03:23.81,0:03:27.90,Default,,0000,0000,0000,,I am quite compelled\Nby things that just barely work.
Dialogue: 0,0:03:28.75,0:03:31.66,Default,,0000,0000,0000,,The near-impossibility is key.
Dialogue: 0,0:03:33.00,0:03:35.37,Default,,0000,0000,0000,,I stumbled upon this beading\Ntechnique
Dialogue: 0,0:03:35.37,0:03:38.86,Default,,0000,0000,0000,,via a chemist from Taiwan.
Dialogue: 0,0:03:39.85,0:03:43.07,Default,,0000,0000,0000,,He's been using this\Ntechnique to model molecules,
Dialogue: 0,0:03:43.07,0:03:48.63,Default,,0000,0000,0000,,and in his models, the beads are\Nthe bonds between the atoms.
Dialogue: 0,0:03:49.22,0:03:52.65,Default,,0000,0000,0000,,Now I'm trying to do something\Nof my own with the technique.
Dialogue: 0,0:03:54.10,0:03:57.81,Default,,0000,0000,0000,,I'm interested in the edges of\Nwhere a system coheres and
Dialogue: 0,0:03:57.81,0:04:00.21,Default,,0000,0000,0000,,where it starts to\Nfray and come apart,
Dialogue: 0,0:04:00.21,0:04:04.52,Default,,0000,0000,0000,,and also where the edges of our\Nunderstanding and comprehension
Dialogue: 0,0:04:04.52,0:04:06.70,Default,,0000,0000,0000,,fray and start to come apart...
Dialogue: 0,0:04:09.46,0:04:13.83,Default,,0000,0000,0000,,like my own limitations and\Nthen some more collective limitations,
Dialogue: 0,0:04:15.86,0:04:18.19,Default,,0000,0000,0000,,either because we\Nhaven't gotten there yet
Dialogue: 0,0:04:18.19,0:04:21.97,Default,,0000,0000,0000,,or it's just really out of\Nbounds for the human mind.
Dialogue: 0,0:04:26.38,0:04:28.63,Default,,0000,0000,0000,,[mouse clicking]
Dialogue: 0,0:04:28.63,0:04:30.56,Default,,0000,0000,0000,,♪choral singing\Nplaying from computer♪
Dialogue: 0,0:04:30.56,0:04:33.03,Default,,0000,0000,0000,,The kind of learning I'm really\Ninterested in is not just to
Dialogue: 0,0:04:33.03,0:04:37.67,Default,,0000,0000,0000,,learn a fact but to change how\NI digest and think about all
Dialogue: 0,0:04:37.67,0:04:39.14,Default,,0000,0000,0000,,[chuckling] future facts.
Dialogue: 0,0:04:40.17,0:04:44.25,Default,,0000,0000,0000,,For example, my friend Cameron\Nsent me this Bulgarian state
Dialogue: 0,0:04:44.25,0:04:46.25,Default,,0000,0000,0000,,television choir record.
Dialogue: 0,0:04:46.25,0:04:57.57,Default,,0000,0000,0000,,♪singing in Bulgarian♪
Dialogue: 0,0:04:57.57,0:04:59.55,Default,,0000,0000,0000,,-[Tauba VO] I felt like there\Nwere sounds in there that had
Dialogue: 0,0:04:59.55,0:05:02.50,Default,,0000,0000,0000,,that effect on me or that I\Ncould never come back from,
Dialogue: 0,0:05:02.50,0:05:04.39,Default,,0000,0000,0000,,in the best possible way.
Dialogue: 0,0:05:05.55,0:05:09.61,Default,,0000,0000,0000,,The first time I was told about\Nthe idea of different sizes of
Dialogue: 0,0:05:09.61,0:05:13.34,Default,,0000,0000,0000,,infinity, that was an\Nidea I never came back from.
Dialogue: 0,0:05:13.34,0:05:20.71,Default,,0000,0000,0000,,♪Bulgarian\Nsinging continues♪
Dialogue: 0,0:05:20.71,0:05:23.28,Default,,0000,0000,0000,,Encountering the idea of\Nfour-dimensional space and the
Dialogue: 0,0:05:23.28,0:05:28.54,Default,,0000,0000,0000,,shapes that inhabit it has been\Na tool for retuning my gaze,
Dialogue: 0,0:05:28.54,0:05:30.66,Default,,0000,0000,0000,,retuning my imagination.
Dialogue: 0,0:05:34.19,0:05:37.42,Default,,0000,0000,0000,,Ideally, it would be nice to\Nmake something that isn't just
Dialogue: 0,0:05:37.42,0:05:40.14,Default,,0000,0000,0000,,an image that a\Nperson might remember,
Dialogue: 0,0:05:41.89,0:05:46.30,Default,,0000,0000,0000,,but an image that has a tiny\Neffect on all images after that.
Dialogue: 0,0:06:03.57,0:06:05.70,Default,,0000,0000,0000,,I love painting so much,
Dialogue: 0,0:06:06.60,0:06:08.57,Default,,0000,0000,0000,,and there's so many different\Nways to approach it as
Dialogue: 0,0:06:08.57,0:06:10.15,Default,,0000,0000,0000,,a technology.
Dialogue: 0,0:06:10.15,0:06:17.48,Default,,0000,0000,0000,,♪energetic\Noscillating synths♪
Dialogue: 0,0:06:17.48,0:06:20.22,Default,,0000,0000,0000,,During college, I was just\Nlooking for a summer job,
Dialogue: 0,0:06:20.22,0:06:22.88,Default,,0000,0000,0000,,and I thought, "I'm\Ngonna try the sign shop!"
Dialogue: 0,0:06:24.22,0:06:28.38,Default,,0000,0000,0000,,I worked at New Bohemia Signs in\NSan Francisco as an apprentice
Dialogue: 0,0:06:28.38,0:06:31.22,Default,,0000,0000,0000,,and assistant for\Nabout three years,
Dialogue: 0,0:06:31.62,0:06:33.100,Default,,0000,0000,0000,,and they were just\Nbeautiful hand-painted signs.
Dialogue: 0,0:06:33.100,0:06:36.64,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:06:36.64,0:06:38.83,Default,,0000,0000,0000,,In sign painting,\Nif you go too fast,
Dialogue: 0,0:06:38.83,0:06:40.50,Default,,0000,0000,0000,,you're gonna be sloppy.
Dialogue: 0,0:06:41.05,0:06:44.49,Default,,0000,0000,0000,,But then if you go too\Nslowly to try to be perfect,
Dialogue: 0,0:06:44.49,0:06:47.05,Default,,0000,0000,0000,,it really doesn't\Nlook very graceful.
Dialogue: 0,0:06:48.21,0:06:52.65,Default,,0000,0000,0000,,I really learned a lot about\Nfinding a kind of sweet spot,
Dialogue: 0,0:06:54.54,0:06:58.10,Default,,0000,0000,0000,,which is something I think about\Na lot in lots of different ways.
Dialogue: 0,0:07:02.66,0:07:10.57,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:07:12.70,0:07:15.64,Default,,0000,0000,0000,,I love painting and I\Nthink I'll always do it,
Dialogue: 0,0:07:16.03,0:07:19.33,Default,,0000,0000,0000,,but I think I just select the\Nmedium that's gonna serve the
Dialogue: 0,0:07:19.33,0:07:23.64,Default,,0000,0000,0000,,idea best, so\Nsometimes that's painting,
Dialogue: 0,0:07:23.64,0:07:28.81,Default,,0000,0000,0000,,but a painting can't do the same\Nthing that a piece of glass can,
Dialogue: 0,0:07:28.81,0:07:29.98,Default,,0000,0000,0000,,for example.
Dialogue: 0,0:07:29.98,0:07:34.44,Default,,0000,0000,0000,,So when I felt like a certain\Nset of ideas called for working
Dialogue: 0,0:07:34.44,0:07:38.02,Default,,0000,0000,0000,,in glass, I went and\Nlearned how to flame-work glass.
Dialogue: 0,0:07:40.74,0:07:44.03,Default,,0000,0000,0000,,That's my approach to\Nmaterials and media.
Dialogue: 0,0:07:59.11,0:08:02.75,Default,,0000,0000,0000,,[rumbling and churning]
Dialogue: 0,0:08:02.75,0:08:05.17,Default,,0000,0000,0000,,The Wave Organ is one\Nof my favorite places
Dialogue: 0,0:08:05.17,0:08:06.84,Default,,0000,0000,0000,,in San Francisco.
Dialogue: 0,0:08:08.16,0:08:10.24,Default,,0000,0000,0000,,It's pretty close\Nto where I grew up.
Dialogue: 0,0:08:10.48,0:08:14.36,Default,,0000,0000,0000,,[rumbling and churning]
Dialogue: 0,0:08:17.47,0:08:20.17,Default,,0000,0000,0000,,Essentially, it's, like, a\Nwhole bunch of pipes that are
Dialogue: 0,0:08:20.17,0:08:24.04,Default,,0000,0000,0000,,half-submerged in the water, and\Nat different levels of the tide,
Dialogue: 0,0:08:24.04,0:08:26.37,Default,,0000,0000,0000,,you get different\Nsounds out of them.
Dialogue: 0,0:08:28.17,0:08:32.19,Default,,0000,0000,0000,,I think I'm so attached to it\Nbecause it exists across a
Dialogue: 0,0:08:32.19,0:08:34.54,Default,,0000,0000,0000,,boundary of air\Nand water and sand.
Dialogue: 0,0:08:34.54,0:08:40.04,Default,,0000,0000,0000,,[rumbling and churning]
Dialogue: 0,0:08:40.04,0:08:43.22,Default,,0000,0000,0000,,The whole instrument is played\Nby the sort of instability of
Dialogue: 0,0:08:43.22,0:08:46.93,Default,,0000,0000,0000,,this boundary, and it's\Ndifferent every time I go.
Dialogue: 0,0:08:48.64,0:08:51.99,Default,,0000,0000,0000,,When I talk about trying to\Ncultivate the right state of
Dialogue: 0,0:08:51.99,0:08:55.75,Default,,0000,0000,0000,,mind, that's one of the\Nthings I'm trying to get to --
Dialogue: 0,0:08:56.19,0:09:00.00,Default,,0000,0000,0000,,to be somewhere that\Nisn't a hard edge.
Dialogue: 0,0:09:06.60,0:09:23.60,Default,,0000,0000,0000,,♪wonky single\Nnotes playing♪
Dialogue: 0,0:09:23.60,0:09:26.82,Default,,0000,0000,0000,,♪wonky organ music playing♪
Dialogue: 0,0:09:26.82,0:09:28.45,Default,,0000,0000,0000,,-[Tauba] I think\Nthat sounds good too.
Dialogue: 0,0:09:29.15,0:09:31.49,Default,,0000,0000,0000,,What do you think of how\Nlong I hold that note there?
Dialogue: 0,0:09:31.49,0:09:32.80,Default,,0000,0000,0000,,-[Cameron]I think that was good.
Dialogue: 0,0:09:32.80,0:09:34.79,Default,,0000,0000,0000,,But I did think that the\Ntiming was a little...
Dialogue: 0,0:09:35.40,0:09:36.67,Default,,0000,0000,0000,,-iffy.\N-[Tauba] Wonky?
Dialogue: 0,0:09:36.67,0:09:37.62,Default,,0000,0000,0000,,-[Cameron] On that one.
Dialogue: 0,0:09:37.62,0:09:38.33,Default,,0000,0000,0000,,-[Tauba] Mm-hm.
Dialogue: 0,0:09:38.33,0:09:42.66,Default,,0000,0000,0000,,-[Tauba VO] The Auerglass is a\Ntwo-person interdependent pump
Dialogue: 0,0:09:42.66,0:09:46.60,Default,,0000,0000,0000,,organ that I made with my\Nfriend Cameron Mesirow,
Dialogue: 0,0:09:46.60,0:09:49.06,Default,,0000,0000,0000,,who performs under\Nthe name Glasser,
Dialogue: 0,0:09:49.06,0:09:51.35,Default,,0000,0000,0000,,and so it's A-U-E-R, glass.
Dialogue: 0,0:09:51.35,0:09:54.53,Default,,0000,0000,0000,,♪Auerglass playing♪
Dialogue: 0,0:09:54.53,0:09:58.79,Default,,0000,0000,0000,,The Auerglass started when\NCameron and I decided we wanted
Dialogue: 0,0:09:58.79,0:10:01.52,Default,,0000,0000,0000,,to make an instrument that\Nrequired cooperation between two
Dialogue: 0,0:10:01.52,0:10:03.24,Default,,0000,0000,0000,,people to play.
Dialogue: 0,0:10:03.24,0:10:06.00,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:10:06.00,0:10:08.02,Default,,0000,0000,0000,,Each player only\Nhas half a keyboard,
Dialogue: 0,0:10:08.02,0:10:10.87,Default,,0000,0000,0000,,so there's a four-octave\Nkeyboard that's been divided up
Dialogue: 0,0:10:10.87,0:10:12.96,Default,,0000,0000,0000,,between the two sides\Nin alternating notes --
Dialogue: 0,0:10:12.96,0:10:16.61,Default,,0000,0000,0000,,one has C, the next\None C sharp, et cetera.
Dialogue: 0,0:10:16.61,0:10:18.64,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:10:18.64,0:10:23.21,Default,,0000,0000,0000,,Each player pumps air for\Nthe other player's notes.
Dialogue: 0,0:10:23.21,0:10:27.19,Default,,0000,0000,0000,,Cameron's way of putting it is\Nthat we have to breathe for one another.
Dialogue: 0,0:10:28.29,0:10:32.67,Default,,0000,0000,0000,,[cheers and applause]
Dialogue: 0,0:10:32.67,0:10:35.28,Default,,0000,0000,0000,,♪Auerglass playing♪
Dialogue: 0,0:10:35.28,0:10:39.14,Default,,0000,0000,0000,,Playing the Auerglass feels\Njust barely not impossible.
Dialogue: 0,0:10:39.78,0:10:43.29,Default,,0000,0000,0000,,The instrument has this quality\Nof near-symmetry but just off by
Dialogue: 0,0:10:43.29,0:10:46.82,Default,,0000,0000,0000,,a click that feels like a\Nreally activating relationship.
Dialogue: 0,0:10:46.82,0:10:47.54,Default,,0000,0000,0000,,-It's hard!
Dialogue: 0,0:10:47.54,0:10:48.37,Default,,0000,0000,0000,,-Yeah, it's hard.
Dialogue: 0,0:10:48.37,0:10:50.58,Default,,0000,0000,0000,,[cheers and applause]
Dialogue: 0,0:10:50.58,0:10:52.96,Default,,0000,0000,0000,,-[Tauba VO] It's great when\Nwe achieve that synchronicity,
Dialogue: 0,0:10:52.96,0:10:56.89,Default,,0000,0000,0000,,but I feel like the times when\Nwe fumble in our performances,
Dialogue: 0,0:10:56.89,0:10:59.54,Default,,0000,0000,0000,,I end up being\Nreally fond of them.
Dialogue: 0,0:10:59.54,0:11:15.20,Default,,0000,0000,0000,,♪Auerglass playing♪
Dialogue: 0,0:11:21.65,0:11:25.72,Default,,0000,0000,0000,,I do a lot of drawings that\Ninvolve this knit structure,
Dialogue: 0,0:11:25.72,0:11:29.01,Default,,0000,0000,0000,,and I often figuratively lose\Nthe thread when I'm drawing,
Dialogue: 0,0:11:29.01,0:11:31.03,Default,,0000,0000,0000,,I lose the rhythm.
Dialogue: 0,0:11:33.50,0:11:36.75,Default,,0000,0000,0000,,They're really\Nfast, spontaneous work.
Dialogue: 0,0:11:38.11,0:11:41.31,Default,,0000,0000,0000,,And then sometimes, I get kind\Nof fixated on completing one
Dialogue: 0,0:11:41.31,0:11:47.09,Default,,0000,0000,0000,,long connected form that has a\Nset of changing rules to it.
Dialogue: 0,0:11:49.20,0:11:53.03,Default,,0000,0000,0000,,It's almost impossible not to\Ngo into a kind of trance state.
Dialogue: 0,0:11:53.03,0:11:56.44,Default,,0000,0000,0000,,♪Auerglass playing♪
Dialogue: 0,0:11:56.44,0:11:58.47,Default,,0000,0000,0000,,Often, when I'm\Ndrawing, I ask myself,
Dialogue: 0,0:11:58.47,0:12:00.07,Default,,0000,0000,0000,,"Can I move from the wrist?
Dialogue: 0,0:12:00.07,0:12:02.33,Default,,0000,0000,0000,,Can I move from the\Nfingers, from the elbow,
Dialogue: 0,0:12:02.33,0:12:05.09,Default,,0000,0000,0000,,from the shoulder, from\Nthe center of my chest?"
Dialogue: 0,0:12:05.09,0:12:08.33,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:12:08.33,0:12:11.60,Default,,0000,0000,0000,,I feel like a better\Nthinker when I draw.
Dialogue: 0,0:12:12.21,0:12:17.37,Default,,0000,0000,0000,,There's so much wisdom embedded\Nin techniques and procedures for
Dialogue: 0,0:12:17.37,0:12:20.10,Default,,0000,0000,0000,,crafts passed from\Nperson to person.
Dialogue: 0,0:12:21.96,0:12:26.30,Default,,0000,0000,0000,,I think that if you're a person\Nwho marbles end papers for books
Dialogue: 0,0:12:26.30,0:12:29.09,Default,,0000,0000,0000,,for decades, you\Nknow just as much
Dialogue: 0,0:12:29.09,0:12:33.65,Default,,0000,0000,0000,,about viscosity and\Nflow as a scientist.
Dialogue: 0,0:12:36.28,0:12:38.81,Default,,0000,0000,0000,,But you know it through your\Nfingertips and your senses,
Dialogue: 0,0:12:38.81,0:12:41.11,Default,,0000,0000,0000,,and in a different way.
Dialogue: 0,0:12:41.11,0:12:48.66,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:12:48.66,0:12:51.70,Default,,0000,0000,0000,,The body is a\Nvaluable thinking tool.
Dialogue: 0,0:12:52.69,0:12:56.56,Default,,0000,0000,0000,,In the past, I was really moving\Nthrough the world from my head
Dialogue: 0,0:12:56.56,0:12:58.22,Default,,0000,0000,0000,,primarily.
Dialogue: 0,0:13:01.80,0:13:04.79,Default,,0000,0000,0000,,But now, the enterprise\Nis more about trust,
Dialogue: 0,0:13:04.79,0:13:10.41,Default,,0000,0000,0000,,and a change for me in the last\Ndecade is to draw on my own body
Dialogue: 0,0:13:10.41,0:13:11.41,Default,,0000,0000,0000,,for knowledge.
Dialogue: 0,0:13:11.41,0:13:16.77,Default,,0000,0000,0000,,♪♪♪
Dialogue: 0,0:13:19.18,0:13:24.42,Default,,0000,0000,0000,,[cheers and applause]
Dialogue: 0,0:13:27.03,0:13:35.56,Default,,0000,0000,0000,,♪ ethereal ambient music ♪