0:00:08.676,0:00:11.806 [Fred Wilson: Beauty & Ugliness] 0:00:11.806,0:00:14.497 Frumusete 0:00:14.497,0:00:16.661 Frumusete, frumusete, frumusete 0:00:16.661,0:00:18.718 Sunt foarte interesat de frumusete. 0:00:18.718,0:00:20.895 [Venice Biennale, 2003] 0:00:20.895,0:00:22.307 Sunt interesat de frumusete 0:00:22.307,0:00:24.220 daca te gandesti la frumusete ca 0:00:24.220,0:00:25.749 o experienta visuala unica 0:00:25.749,0:00:27.558 Dar sunt, de asemenea, interesat in frumusete 0:00:27.558,0:00:33.583 si prin ce inselesuri ascunde. 0:00:33.583,0:00:38.471 Lumea e complexa, 0:00:38.471,0:00:40.185 si deseori noi incercam sa 0:00:40.185,0:00:40.654 ne separam de toate aceste experiente. 0:00:40.654,0:00:43.987 "Asta e frumos. " "Asta este urat." 0:00:43.987,0:00:46.179 "Este o experienta frumoasa-- asta e tot ce e..." 0:00:46.179,0:00:47.648 "... nu are niciun inteles." 0:00:47.648,0:00:57.818 Sau "intelesul nu e important." 0:00:57.818,0:00:59.447 Oamenii trebuie sa se preocupe cu faptul ca 0:00:59.447,0:01:03.051 exista insemnatate in frumusete-- 0:01:03.051,0:01:04.814 exista insemnatate in uratenie. 0:01:04.814,0:01:05.759 [The Studio Museum in Harlem, 2004] 0:01:05.759,0:01:08.932 Si astfel, in toata munca mea -- daca pot-- 0:01:08.932,0:01:18.327 incerc sa creez aceasta tensiune. 0:01:18.327,0:01:20.096 The whipping post and chairs sunt un exemplu perfect 0:01:20.096,0:01:21.412 deoarece scaunele sunt asa de frumoase; 0:01:21.412,0:01:25.296 iar whipping post cu siguranta nu este. 0:01:25.296,0:01:27.174 Ele erau de la prima expozitie pe care am facut-o 0:01:27.174,0:01:29.727 cu colectiile de muzeu. 0:01:29.727,0:01:31.937 A fost in Maryland Historical Society in 1992. 0:01:31.937,0:01:39.189 Este o gama traditionala. 0:01:39.189,0:01:41.050 Nu este nicio manipulare a obiectelor 0:01:41.050,0:01:42.558 alta decat pozitia lor. 0:01:42.558,0:01:44.716 Si asta schimba insemnatatea, 0:01:44.716,0:01:46.823 sau relatia 0:01:46.823,0:01:48.138 sau ceea ce noi credem despre ele. 0:01:48.138,0:01:50.474 Si asta este totul atunci 0:01:50.474,0:01:51.668 cand eu lucrez cu muzee 0:01:51.668,0:01:55.652 si deseori cand lucrez la studio. 0:01:55.652,0:01:59.062 uitandu-ne la arta decorativa a scaunelor de inalta clasa 0:01:59.062,0:02:02.565 si la stalp de biciuire 0:02:02.565,0:02:03.974 ei au o asa de diferita istorie, 0:02:03.974,0:02:06.412 dar relateaza foarte direct ca 0:02:06.412,0:02:08.202 acei oamenii care stateau pe scaune 0:02:08.202,0:02:10.633 aveau un fel de relatie cu 0:02:10.633,0:02:18.173 cei care erau pe stalpul de biciuire 0:02:18.173,0:02:20.275 Nerecunoscand ca lucrurile sunt complexe 0:02:20.275,0:02:22.818 ca frumusetea e complexa 0:02:22.818,0:02:24.726 cred ca e o problema 0:02:24.726,0:02:26.486 in faptul ca oamenii vor sa faca asta. 0:02:26.486,0:02:29.323 Deci, imi place sa fac arta complexa pentru oameni. 0:02:29.323,0:02:32.294 Rasete 0:02:32.294,0:02:35.052 pentru ca asta e lumea mea. 0:02:35.052,0:02:37.615 Rasete 0:02:37.615,0:02:41.615 Fred Wilson: Beauty & Ugliness | "Exclusive" | Art21