[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.00,0:00:03.00,Default,,0000,0000,0000,,[silence]
Dialogue: 0,0:00:06.100,0:00:07.100,Default,,0000,0000,0000,,[blows air]\N[chuckles]
Dialogue: 0,0:00:08.60,0:00:10.10,Default,,0000,0000,0000,,[metallic clack]
Dialogue: 0,0:00:10.10,0:00:11.70,Default,,0000,0000,0000,,[marble rolling]
Dialogue: 0,0:00:16.00,0:00:19.70,Default,,0000,0000,0000,,Hannes: - What has been going on\Nin the beautiful world of the MMX this week?
Dialogue: 0,0:00:19.70,0:00:26.24,Default,,0000,0000,0000,,Martin: - Yeah, it was really time to try to do\Nsomething about the sound of the marble funnels.
Dialogue: 0,0:00:26.24,0:00:29.72,Default,,0000,0000,0000,,When we designed these marble funnels\Nit was just like trying to make them
Dialogue: 0,0:00:29.72,0:00:34.70,Default,,0000,0000,0000,,look as cool as possible, you know, and\Non the Marble Machine a special design requirement
Dialogue: 0,0:00:34.70,0:00:37.20,Default,,0000,0000,0000,,is to leave a lot of air and space.
Dialogue: 0,0:00:37.20,0:00:43.66,Default,,0000,0000,0000,,I wanted a kind of transparent funnel,\Nbut all transparent materials are like plastic
Dialogue: 0,0:00:43.66,0:00:46.89,Default,,0000,0000,0000,,and I knew I didn't want a plastic funnel,
Dialogue: 0,0:00:46.89,0:00:50.90,Default,,0000,0000,0000,,so we ended up with this steel cage,\Nthe stainless steel cage,
Dialogue: 0,0:00:50.90,0:00:56.10,Default,,0000,0000,0000,,and I was like over the moon happy about\Nthe looks and the function and everything,
Dialogue: 0,0:00:56.10,0:00:58.40,Default,,0000,0000,0000,,but the big problem was the sound.
Dialogue: 0,0:00:58.40,0:01:03.50,Default,,0000,0000,0000,,And the team members kept asking me:\N"Is it not going to be a problem with the sound?"
Dialogue: 0,0:01:03.50,0:01:07.68,Default,,0000,0000,0000,,And I was like "No, signal-to-noise,\Nwe just choose the right microphone".
Dialogue: 0,0:01:07.68,0:01:12.30,Default,,0000,0000,0000,,That is kind of a very naive\Nway of doing things.
Dialogue: 0,0:01:12.30,0:01:16.100,Default,,0000,0000,0000,,This naivety has now caught up with me\Nand the sound of the stainless steel funnels
Dialogue: 0,0:01:17.00,0:01:19.40,Default,,0000,0000,0000,,is actually a real problem.
Dialogue: 0,0:01:19.40,0:01:22.30,Default,,0000,0000,0000,,So here you can hear a test I made with the hi-hat.
Dialogue: 0,0:01:22.30,0:01:25.90,Default,,0000,0000,0000,,I recorded this with a very strange microphone,\Nso it sounds bad
Dialogue: 0,0:01:25.90,0:01:29.60,Default,,0000,0000,0000,,but you can hear clearly\Nthat the sound of the marble funnels
Dialogue: 0,0:01:29.60,0:01:33.30,Default,,0000,0000,0000,,is actually equally strong as the sound of the hi-hat.
Dialogue: 0,0:01:33.30,0:01:37.04,Default,,0000,0000,0000,,[loud metallic sound]\N[louder metallic clack]
Dialogue: 0,0:01:45.20,0:01:48.92,Default,,0000,0000,0000,,As I explained, you can fix this by\Nputting contact microphone on the hi-hat
Dialogue: 0,0:01:48.92,0:01:53.90,Default,,0000,0000,0000,,or putting a microphone much closer to the\Nhi-hat away from the funnels and stuff like that
Dialogue: 0,0:01:53.90,0:01:57.40,Default,,0000,0000,0000,,but I wanted to try to fix this problem at the source
Dialogue: 0,0:01:57.40,0:02:01.20,Default,,0000,0000,0000,,by actually reducing the sound of the funnels themselves.
Dialogue: 0,0:02:01.20,0:02:08.08,Default,,0000,0000,0000,,When I told about this problem we were swamped\Nby the idea to dip the funnels in plastidip.
Dialogue: 0,0:02:08.46,0:02:13.28,Default,,0000,0000,0000,,I didn't have plastidip but Alex\Nordered me these products that is like plastidip,
Dialogue: 0,0:02:13.28,0:02:16.64,Default,,0000,0000,0000,,so it was time to take the funnels off the machine
Dialogue: 0,0:02:16.64,0:02:19.36,Default,,0000,0000,0000,,and start to coat them with this
Dialogue: 0,0:02:19.36,0:02:23.12,Default,,0000,0000,0000,,transparent rubber coating for automotive industries.
Dialogue: 0,0:02:23.12,0:02:28.68,Default,,0000,0000,0000,,Today I've been making a lot of coatings\Nand I'm not really happy yet, but this is the funnels
Dialogue: 0,0:02:28.68,0:02:33.40,Default,,0000,0000,0000,,and I want to put some more coatings\Nand I can really already feel
Dialogue: 0,0:02:33.78,0:02:35.42,Default,,0000,0000,0000,,that the metal sound is gone.
Dialogue: 0,0:02:35.42,0:02:40.80,Default,,0000,0000,0000,,Hannes: - Oh wow!\NMartin: - It's more of a duller sound.
Dialogue: 0,0:02:40.80,0:02:45.60,Default,,0000,0000,0000,,So right now I'm going to head over\Non the Marble Machine and try this on the machine.
Dialogue: 0,0:02:45.60,0:02:48.72,Default,,0000,0000,0000,,So the feel of this funnel is completely different
Dialogue: 0,0:02:48.72,0:02:52.44,Default,,0000,0000,0000,,and the rubber looks great; It just created a gloss.
Dialogue: 0,0:02:52.92,0:02:55.36,Default,,0000,0000,0000,,So I attached it here...
Dialogue: 0,0:02:55.48,0:02:56.54,Default,,0000,0000,0000,,[less metallic thump]
Dialogue: 0,0:02:58.96,0:02:59.98,Default,,0000,0000,0000,,Well...
Dialogue: 0,0:03:00.54,0:03:01.54,Default,,0000,0000,0000,,[another thump]
Dialogue: 0,0:03:02.72,0:03:07.68,Default,,0000,0000,0000,,Oh, it's so much better; It isn't perfect\Nbut it's so much better.
Dialogue: 0,0:03:07.69,0:03:08.77,Default,,0000,0000,0000,,[another thump]
Dialogue: 0,0:03:09.52,0:03:11.34,Default,,0000,0000,0000,,Wow, did you hear that?
Dialogue: 0,0:03:11.50,0:03:12.52,Default,,0000,0000,0000,,[another thump]
Dialogue: 0,0:03:14.08,0:03:18.40,Default,,0000,0000,0000,,I think I can increase the layer thickness\Nto reduce the sound further.
Dialogue: 0,0:03:18.40,0:03:23.98,Default,,0000,0000,0000,,Maybe use a real plastidip product where\NI'm actually dipping the funnels rather than spraying.
Dialogue: 0,0:03:26.32,0:03:29.40,Default,,0000,0000,0000,,Let's now add this that hasn't had a treatment.
Dialogue: 0,0:03:30.04,0:03:31.08,Default,,0000,0000,0000,,[metallic sound]
Dialogue: 0,0:03:32.80,0:03:33.88,Default,,0000,0000,0000,,[metallic sound]
Dialogue: 0,0:03:41.20,0:03:43.30,Default,,0000,0000,0000,,And go back to the treated one.
Dialogue: 0,0:03:45.88,0:03:46.92,Default,,0000,0000,0000,,[softer sound]
Dialogue: 0,0:03:47.70,0:03:50.28,Default,,0000,0000,0000,,Wow, did you hear that,\Nwhen I was holding here?
Dialogue: 0,0:03:51.32,0:03:52.38,Default,,0000,0000,0000,,[softer sound]
Dialogue: 0,0:03:55.92,0:03:58.28,Default,,0000,0000,0000,,Holding there.
Dialogue: 0,0:04:14.72,0:04:15.90,Default,,0000,0000,0000,,- Are you happy with it?
Dialogue: 0,0:04:16.44,0:04:18.32,Default,,0000,0000,0000,,- I'm really really happy.
Dialogue: 0,0:04:18.32,0:04:22.64,Default,,0000,0000,0000,,If, as you can see in the before and after,\Nwe made a big difference
Dialogue: 0,0:04:22.64,0:04:28.42,Default,,0000,0000,0000,,and it just looks actually better,\Nso, yeah, it's a big success actually.
Dialogue: 0,0:04:28.42,0:04:31.39,Default,,0000,0000,0000,,I'm really happy this was a really annoying thing.
Dialogue: 0,0:04:31.39,0:04:33.66,Default,,0000,0000,0000,,You know what Tim Keller told me the other day?
Dialogue: 0,0:04:34.10,0:04:35.12,Default,,0000,0000,0000,,- What?
Dialogue: 0,0:04:35.78,0:04:38.90,Default,,0000,0000,0000,,- He said that the Marble Machine X\Nis not sunken cost fallacy.
Dialogue: 0,0:04:39.86,0:04:41.68,Default,,0000,0000,0000,,I was so happy to hear.\N[chuckles]
Dialogue: 0,0:04:41.68,0:04:44.82,Default,,0000,0000,0000,,- Okay, he's a good liar, though.
Dialogue: 0,0:04:44.82,0:04:48.06,Default,,0000,0000,0000,,[laughter]
Dialogue: 0,0:04:49.60,0:04:52.54,Default,,0000,0000,0000,,Martin: - You say goodbye to the audience, Hannes.
Dialogue: 0,0:04:52.54,0:04:57.16,Default,,0000,0000,0000,,- See you later.\NThis was the final episode of Wintergatan Wednesdays.
Dialogue: 0,0:04:58.02,0:04:59.56,Default,,0000,0000,0000,,I think we ended on a high note.
Dialogue: 0,0:05:00.68,0:05:05.58,Default,,0000,0000,0000,,Well, Martin, surely the funnels weren't the only thing\Nyou worked on this week.
Dialogue: 0,0:05:05.90,0:05:10.42,Default,,0000,0000,0000,,After renovating the music studio I'm back as\Nproject manager for the Marble Machine X project.
Dialogue: 0,0:05:10.42,0:05:14.40,Default,,0000,0000,0000,,I'm working on these yellow tasks\Nof populating the task list
Dialogue: 0,0:05:14.40,0:05:17.20,Default,,0000,0000,0000,,and the task list looks like this;
Dialogue: 0,0:05:17.20,0:05:20.10,Default,,0000,0000,0000,,And we have quite a lot of fun things going on.
Dialogue: 0,0:05:20.10,0:05:23.90,Default,,0000,0000,0000,,Lucas is working on a lifting solution
Dialogue: 0,0:05:23.90,0:05:25.90,Default,,0000,0000,0000,,which we're gonna put some
Dialogue: 0,0:05:25.90,0:05:31.06,Default,,0000,0000,0000,,bolts in the legs of the Marble Machine to make it\Neasy for me to move it around when recording video;
Dialogue: 0,0:05:31.06,0:05:33.62,Default,,0000,0000,0000,,Richard is working on these cyber capos.
Dialogue: 0,0:05:33.62,0:05:36.80,Default,,0000,0000,0000,,Here's the inbound ramps, was a discord suggestion,
Dialogue: 0,0:05:36.80,0:05:41.38,Default,,0000,0000,0000,,they're gonna make it silent\Nwhen the marbles go into the plywood gear here.
Dialogue: 0,0:05:41.38,0:05:44.56,Default,,0000,0000,0000,,When I'm looking at the issues list\NI've been color coding things,
Dialogue: 0,0:05:44.56,0:05:49.28,Default,,0000,0000,0000,,so the yellow is the ongoing tasks,\Nthe green is the finished tasks,
Dialogue: 0,0:05:49.28,0:05:52.94,Default,,0000,0000,0000,,all these green ones over here is me\Nfixing the music studio.
Dialogue: 0,0:05:53.12,0:05:58.90,Default,,0000,0000,0000,,The blue issues is everything that's going to be solved\Nwith the marble divider redesign.
Dialogue: 0,0:05:59.52,0:06:04.26,Default,,0000,0000,0000,,I have realized that I almost delegated\Neverything that I can delegate right now
Dialogue: 0,0:06:04.26,0:06:10.82,Default,,0000,0000,0000,,so that's quite an achievement for the PM butterfly\Nand now I need to design some stuff in CAD
Dialogue: 0,0:06:10.82,0:06:13.44,Default,,0000,0000,0000,,before I can delegate it too for manufacturing.
Dialogue: 0,0:06:13.44,0:06:16.82,Default,,0000,0000,0000,,So today I'm gonna do exactly\Nthat with this pink task here;
Dialogue: 0,0:06:16.82,0:06:19.42,Default,,0000,0000,0000,,Issue number 60: Conveyor belt intro.
Dialogue: 0,0:06:19.42,0:06:24.42,Default,,0000,0000,0000,,So let's head over to Fusion 360\Nand look at the old design.
Dialogue: 0,0:06:24.42,0:06:28.85,Default,,0000,0000,0000,,As you can see there's a lot of parts\Nand when I tried this design on the machine
Dialogue: 0,0:06:28.85,0:06:31.60,Default,,0000,0000,0000,,I realized this is way over complicated.
Dialogue: 0,0:06:31.60,0:06:37.02,Default,,0000,0000,0000,,We don't need to constrain the marbles\Nas hard as I thought; That just causes issues.
Dialogue: 0,0:06:37.02,0:06:41.82,Default,,0000,0000,0000,,We can just basically make an open tray\Nfor the conveyor belt to pick up marbles in
Dialogue: 0,0:06:41.82,0:06:44.50,Default,,0000,0000,0000,,So I can delete all this.
Dialogue: 0,0:06:44.50,0:06:46.96,Default,,0000,0000,0000,,But I don't want to redesign this from scratch,
Dialogue: 0,0:06:46.96,0:06:51.12,Default,,0000,0000,0000,,I'm just going to basically butcher the old design.
Dialogue: 0,0:06:51.12,0:06:55.82,Default,,0000,0000,0000,,You can see the little triangle I get there?\NIt's because I'm in the middle of the line.
Dialogue: 0,0:06:55.82,0:06:58.08,Default,,0000,0000,0000,,So I'm just gonna add a little here...
Dialogue: 0,0:06:58.08,0:07:00.100,Default,,0000,0000,0000,,Let's add 40 millimeters...
Dialogue: 0,0:07:01.00,0:07:02.74,Default,,0000,0000,0000,,See, I'm locking onto the line there
Dialogue: 0,0:07:02.74,0:07:05.98,Default,,0000,0000,0000,,and that means the spline is tangential with the side.
Dialogue: 0,0:07:05.98,0:07:08.20,Default,,0000,0000,0000,,So I'm happy with that shape
Dialogue: 0,0:07:08.20,0:07:12.70,Default,,0000,0000,0000,,and then I can just cut and take mirror
Dialogue: 0,0:07:12.70,0:07:15.90,Default,,0000,0000,0000,,and I'm gonna choose\Nthis line and this line,
Dialogue: 0,0:07:15.90,0:07:19.85,Default,,0000,0000,0000,,I'm gonna de-choose this line\Nand then I'm gonna choose this line as a middle line
Dialogue: 0,0:07:19.85,0:07:25.15,Default,,0000,0000,0000,,and there you see it's mirroring on the other side,\Nso now we have a symmetric shape.
Dialogue: 0,0:07:25.16,0:07:29.04,Default,,0000,0000,0000,,I have an 18 millimeter opening of the PMMA pipe.
Dialogue: 0,0:07:29.26,0:07:31.58,Default,,0000,0000,0000,,I want this opening of the PMMA pipe
Dialogue: 0,0:07:31.58,0:07:34.20,Default,,0000,0000,0000,,to be tangential with the level of the floor
Dialogue: 0,0:07:34.20,0:07:35.30,Default,,0000,0000,0000,,like that.
Dialogue: 0,0:07:35.30,0:07:36.60,Default,,0000,0000,0000,,Boom!
Dialogue: 0,0:07:36.60,0:07:40.48,Default,,0000,0000,0000,,And then if I make a 22 millimeter,\Nwhich is outer diameter,
Dialogue: 0,0:07:40.48,0:07:43.100,Default,,0000,0000,0000,,and I x-ed that so it's\Nnot a construction line anymore.
Dialogue: 0,0:07:44.00,0:07:47.98,Default,,0000,0000,0000,,If I then show the body\NI can then make an extrusion
Dialogue: 0,0:07:47.98,0:07:52.40,Default,,0000,0000,0000,,and then we have a cut-out for the pipe so,\Nminus 20 millimeters,
Dialogue: 0,0:07:52.40,0:07:54.80,Default,,0000,0000,0000,,that's the entry of the pipe.
Dialogue: 0,0:07:54.80,0:07:58.64,Default,,0000,0000,0000,,This whole thing is hurting my CAD pride now.
Dialogue: 0,0:07:58.64,0:08:00.88,Default,,0000,0000,0000,,I'm gonna start over next to it...
Dialogue: 0,0:08:00.88,0:08:06.100,Default,,0000,0000,0000,,"New component", yes, I'm gonna throw you away,
Dialogue: 0,0:08:07.00,0:08:10.30,Default,,0000,0000,0000,,"Size of a marble", 15.875...
Dialogue: 0,0:08:10.30,0:08:11.50,Default,,0000,0000,0000,,Boom!
Dialogue: 0,0:08:11.50,0:08:14.44,Default,,0000,0000,0000,,This, the thickness of the acrylic, 15.
Dialogue: 0,0:08:15.28,0:08:19.76,Default,,0000,0000,0000,,So cute they are, the marbles they are\Nwaiting to be picked up by the conveyor belt!
Dialogue: 0,0:08:20.24,0:08:23.30,Default,,0000,0000,0000,,And I want this angle to be...
Dialogue: 0,0:08:23.30,0:08:25.50,Default,,0000,0000,0000,,eight degrees.\NBoom!
Dialogue: 0,0:08:25.50,0:08:28.46,Default,,0000,0000,0000,,And I want this little detent to be a little bit longer,
Dialogue: 0,0:08:28.46,0:08:31.40,Default,,0000,0000,0000,,and I can go back to my plane
Dialogue: 0,0:08:31.40,0:08:34.24,Default,,0000,0000,0000,,and do it five degrees instead.
Dialogue: 0,0:08:34.24,0:08:37.36,Default,,0000,0000,0000,,Did you see how that little detent became longer
Dialogue: 0,0:08:37.36,0:08:40.40,Default,,0000,0000,0000,,because I'm, like, reducing the angle of the plane?
Dialogue: 0,0:08:40.40,0:08:44.40,Default,,0000,0000,0000,,So now again I can cut the opening for the PMMA pipe
Dialogue: 0,0:08:44.40,0:08:47.42,Default,,0000,0000,0000,,and now we're gonna make a top side of this.
Dialogue: 0,0:08:47.43,0:08:49.56,Default,,0000,0000,0000,,We don't need six screws, Martin.
Dialogue: 0,0:08:49.56,0:08:54.44,Default,,0000,0000,0000,,That's typical Martin-2019 idea.
Dialogue: 0,0:08:54.44,0:08:56.90,Default,,0000,0000,0000,,Four screws is enough
Dialogue: 0,0:08:56.90,0:09:01.80,Default,,0000,0000,0000,,and the acrylic stock is 15,\Nso we take this 15 millimeter straight up,
Dialogue: 0,0:09:01.80,0:09:05.70,Default,,0000,0000,0000,,so I actually cut a little bit here\Non the underside so we could {\i1}clamp{\i0}
Dialogue: 0,0:09:05.70,0:09:08.40,Default,,0000,0000,0000,,with the screws on this PMMA pipe.
Dialogue: 0,0:09:08.40,0:09:10.70,Default,,0000,0000,0000,,You will see the PMMA pipe from the top;
Dialogue: 0,0:09:10.70,0:09:13.68,Default,,0000,0000,0000,,It's actually pretty cool.\N[mouse clicks]
Dialogue: 0,0:09:13.68,0:09:17.52,Default,,0000,0000,0000,,Here you can clearly see\Nthe cutout I made for the clamping.
Dialogue: 0,0:09:17.52,0:09:20.32,Default,,0000,0000,0000,,I think that feature is really nice in this design.
Dialogue: 0,0:09:20.32,0:09:28.08,Default,,0000,0000,0000,,Are you ready for the final comparison?\NThis is Martin Molin à la 2019.
Dialogue: 0,0:09:28.08,0:09:32.80,Default,,0000,0000,0000,,This is Martin à la 2020. [chuckles]
Dialogue: 0,0:09:32.80,0:09:35.48,Default,,0000,0000,0000,,No complicated top side
Dialogue: 0,0:09:35.48,0:09:39.98,Default,,0000,0000,0000,,and we're not like trying to constrain the marbles\Nmore than they need to be constrained.
Dialogue: 0,0:09:39.98,0:09:42.34,Default,,0000,0000,0000,,I've noticed that the marbles are behaving great
Dialogue: 0,0:09:42.34,0:09:46.14,Default,,0000,0000,0000,,if they're just free in a tray\Nthe conveyor belt is picking them up.
Dialogue: 0,0:09:46.14,0:09:48.88,Default,,0000,0000,0000,,This part broke when the conveyor belt broke.
Dialogue: 0,0:09:48.88,0:09:52.10,Default,,0000,0000,0000,,So now I'm just gonna upload this step file into dropbox,
Dialogue: 0,0:09:52.10,0:09:54.42,Default,,0000,0000,0000,,put the dropbox link in a project chapter,
Dialogue: 0,0:09:54.42,0:09:56.20,Default,,0000,0000,0000,,send it off to the octopus
Dialogue: 0,0:09:56.20,0:10:02.96,Default,,0000,0000,0000,,and in a couple of weeks this part will arrive to me\Nmanufactured, hopefully, and it will work. Yeah!
Dialogue: 0,0:10:02.96,0:10:06.98,Default,,0000,0000,0000,,And I put it on Discord and Alex CNC\Naccepted the task.
Dialogue: 0,0:10:06.98,0:10:11.10,Default,,0000,0000,0000,,Alex CNC has made all the acrylic parts\Nwith flame polishing and stuff, so
Dialogue: 0,0:10:11.10,0:10:12.10,Default,,0000,0000,0000,,I was very happy.
Dialogue: 0,0:10:12.10,0:10:17.36,Default,,0000,0000,0000,,Hannes: - And speaking about the e-team:\NI've been talking to Christof, a new face in the team.
Dialogue: 0,0:10:17.36,0:10:20.96,Default,,0000,0000,0000,,What are you currently working on,\Non the machine itself?
Dialogue: 0,0:10:20.96,0:10:23.80,Default,,0000,0000,0000,,Christof: - Mainly I'm responsible for the sound wiring,
Dialogue: 0,0:10:23.80,0:10:27.68,Default,,0000,0000,0000,,which is the pure wiring.\NSo I'm not picking a microphone,
Dialogue: 0,0:10:27.68,0:10:30.50,Default,,0000,0000,0000,,that's easier if you're close to the machine,\Nthat's Martin,
Dialogue: 0,0:10:30.50,0:10:34.64,Default,,0000,0000,0000,,but getting all the microphones that are\Nalready on the machine
Dialogue: 0,0:10:34.64,0:10:39.18,Default,,0000,0000,0000,,and that are coming to the machine,\Nready and wired in a neat manner
Dialogue: 0,0:10:39.18,0:10:42.92,Default,,0000,0000,0000,,so no cables hanging into gears that are moving
Dialogue: 0,0:10:42.92,0:10:47.60,Default,,0000,0000,0000,,and no cables being ripped off or\Nmelted while somebody is welding.
Dialogue: 0,0:10:47.60,0:10:50.16,Default,,0000,0000,0000,,Exactly how the cables are routed
Dialogue: 0,0:10:50.16,0:10:53.68,Default,,0000,0000,0000,,will come a little later and\Nit's not important right now.
Dialogue: 0,0:10:53.68,0:10:57.76,Default,,0000,0000,0000,,So, we're making a sound central,\Nhow Martin calls it,
Dialogue: 0,0:10:57.76,0:11:02.40,Default,,0000,0000,0000,,in the back of the MMX,\Nthat everything will be connected to.
Dialogue: 0,0:11:02.40,0:11:05.20,Default,,0000,0000,0000,,But how we keep the
Dialogue: 0,0:11:05.20,0:11:10.44,Default,,0000,0000,0000,,cables out of moving gear is a decision\Nthat we much easier can make on the machine,
Dialogue: 0,0:11:10.44,0:11:15.92,Default,,0000,0000,0000,,so we wait with that\Nuntil we can all meet in France and decide that.
Dialogue: 0,0:11:15.92,0:11:21.46,Default,,0000,0000,0000,,One of my different projects is a holder\Nfor microphones under the vibraphone.
Dialogue: 0,0:11:21.46,0:11:23.60,Default,,0000,0000,0000,,It has to be flexible
Dialogue: 0,0:11:23.60,0:11:29.12,Default,,0000,0000,0000,,because we don't know exactly how the\Nvibraphone resonator pipes are going to look in the end.
Dialogue: 0,0:11:29.12,0:11:34.04,Default,,0000,0000,0000,,They might be open or closed, short or\Nlong, bent or straight,
Dialogue: 0,0:11:34.04,0:11:36.72,Default,,0000,0000,0000,,that is still very much up for debate.
Dialogue: 0,0:11:36.72,0:11:41.04,Default,,0000,0000,0000,,And one of those flexible solutions is\Nspanning a net
Dialogue: 0,0:11:41.04,0:11:44.32,Default,,0000,0000,0000,,close to the resonator pipes and just hanging
Dialogue: 0,0:11:44.32,0:11:46.52,Default,,0000,0000,0000,,several microphones in that net.
Dialogue: 0,0:11:46.52,0:11:47.84,Default,,0000,0000,0000,,So I built a frame,
Dialogue: 0,0:11:47.84,0:11:52.24,Default,,0000,0000,0000,,and what I used is a carbon fiber pipe\Nand rubber connectors that you can
Dialogue: 0,0:11:52.24,0:11:56.40,Default,,0000,0000,0000,,easily buy off the shelf,\Nthat are normally used for kites.
Dialogue: 0,0:11:56.40,0:12:01.52,Default,,0000,0000,0000,,And because they're rubber,\Nyou can just slide things along to
Dialogue: 0,0:12:01.52,0:12:05.100,Default,,0000,0000,0000,,stretch the net a little more or less\Nand then you have...
Dialogue: 0,0:12:06.00,0:12:08.10,Default,,0000,0000,0000,,exactly the type of net you want.
Dialogue: 0,0:12:08.10,0:12:13.76,Default,,0000,0000,0000,,The double layer net...\Ngives us the opportunity
Dialogue: 0,0:12:13.76,0:12:18.24,Default,,0000,0000,0000,,to angle a mic in a certain way by just\Nusing different holes in the
Dialogue: 0,0:12:18.24,0:12:19.90,Default,,0000,0000,0000,,top and the bottom net.
Dialogue: 0,0:12:19.90,0:12:25.50,Default,,0000,0000,0000,,So the hope is that this net is dampening enough
Dialogue: 0,0:12:25.50,0:12:33.20,Default,,0000,0000,0000,,so that all the noise that is inside the frame of the MMX\Nwill not transfer to the microphones,
Dialogue: 0,0:12:33.20,0:12:39.14,Default,,0000,0000,0000,,and they will only catch\Nsound that's in the air, not in the frame.
Dialogue: 0,0:12:39.14,0:12:45.12,Default,,0000,0000,0000,,Martin: - Ding ding-a-ding-a-ding!\NOh, the mail just arrived with Christof's package.
Dialogue: 0,0:12:45.12,0:12:50.24,Default,,0000,0000,0000,,Hannes: - Oh my god, how exciting! Live!\NMartin: - Thank you!
Dialogue: 0,0:12:50.24,0:12:54.100,Default,,0000,0000,0000,,Whoa! Check this out!\N- Wow, paper!
Dialogue: 0,0:12:55.00,0:13:01.64,Default,,0000,0000,0000,,- Wow, these are so cool.\NCarbon fiber sticks,
Dialogue: 0,0:13:01.64,0:13:05.04,Default,,0000,0000,0000,,oh, beautiful elastics.\NI've never seen so cool elastics.
Dialogue: 0,0:13:05.04,0:13:09.44,Default,,0000,0000,0000,,I think with this I can build any frame\NI want and...
Dialogue: 0,0:13:09.44,0:13:13.26,Default,,0000,0000,0000,,I love all the pieces you sent Christof!\NSo awesome!
Dialogue: 0,0:13:13.26,0:13:19.38,Default,,0000,0000,0000,,Thanks for being part of the MMX\Ne-team and deliver so cool stuff.
Dialogue: 0,0:13:19.38,0:13:23.26,Default,,0000,0000,0000,,- Christof delivers.\N- Christof delivers big time.
Dialogue: 0,0:13:23.26,0:13:25.14,Default,,0000,0000,0000,,Thank you Christof, awesome!
Dialogue: 0,0:13:25.14,0:13:28.86,Default,,0000,0000,0000,,Speaking about people who delivers big time:
Dialogue: 0,0:13:28.86,0:13:37.92,Default,,0000,0000,0000,,[♪ unreleased/Community Corner Intro ♪]\N♪ C-o-m-m-u-n-i-t-y C-o-r-n-e-r ♪
Dialogue: 0,0:13:37.94,0:13:41.08,Default,,0000,0000,0000,,♪ Community Corner ♪
Dialogue: 0,0:13:41.08,0:13:42.38,Default,,0000,0000,0000,,- Wow!
Dialogue: 0,0:13:42.38,0:13:45.52,Default,,0000,0000,0000,,[♪ New Wave Solar Powered Robots: I Wish I Were a Satellite ♪]
Dialogue: 0,0:13:45.52,0:13:48.36,Default,,0000,0000,0000,,[compressed voice over added]\N"There's something new under heaven."
Dialogue: 0,0:13:48.38,0:13:51.50,Default,,0000,0000,0000,,"Something that has never been there before."
Dialogue: 0,0:13:51.50,0:13:53.30,Default,,0000,0000,0000,,"Ladies and gentlemen,\Nwe are bringing you..."
Dialogue: 0,0:13:53.30,0:13:59.90,Default,,0000,0000,0000,,"the most important story of this century."
Dialogue: 0,0:14:00.80,0:14:03.20,Default,,0000,0000,0000,,Martin: - Yeah!
Dialogue: 0,0:14:05.28,0:14:07.08,Default,,0000,0000,0000,,Wow!
Dialogue: 0,0:14:08.82,0:14:10.98,Default,,0000,0000,0000,,[music fades]
Dialogue: 0,0:14:12.48,0:14:18.40,Default,,0000,0000,0000,,What? It's fantastic!\NWhy is the water purple in the end?
Dialogue: 0,0:14:18.40,0:14:22.66,Default,,0000,0000,0000,,And Benton Collins Photography\Nmay... is maybe aware of
Dialogue: 0,0:14:22.66,0:14:26.56,Default,,0000,0000,0000,,that ice is my favorite thing,\Nthat I drink everything with ice.
Dialogue: 0,0:14:26.56,0:14:30.99,Default,,0000,0000,0000,,- It's so cool!\NI only have one big critique on that video:
Dialogue: 0,0:14:30.99,0:14:33.90,Default,,0000,0000,0000,,Where was my name in the stars?
Dialogue: 0,0:14:33.90,0:14:37.20,Default,,0000,0000,0000,,- What? He used the list in youtube
Dialogue: 0,0:14:37.20,0:14:41.52,Default,,0000,0000,0000,,about contributing and you didn't help\Nat all with the Marble Machine X design, Hannes.
Dialogue: 0,0:14:41.52,0:14:44.64,Default,,0000,0000,0000,,- Oh, sorry! Okay yeah, well that's true.\N[laughter] It's on me.
Dialogue: 0,0:14:44.64,0:14:47.38,Default,,0000,0000,0000,,- You were just there, like drying up my tears
Dialogue: 0,0:14:47.38,0:14:49.70,Default,,0000,0000,0000,,when I wanted to stop with the {\i1}first{\i0} machine
Dialogue: 0,0:14:49.70,0:14:51.60,Default,,0000,0000,0000,,and you have been there ever since.
Dialogue: 0,0:14:51.60,0:14:56.58,Default,,0000,0000,0000,,But apparently Benton Collins doesn't care about that.\N- No, he doesn't care about me.
Dialogue: 0,0:14:56.58,0:15:00.48,Default,,0000,0000,0000,,- Fantastic editing and I love the...\N- The floating angle grinder!
Dialogue: 0,0:15:00.48,0:15:03.46,Default,,0000,0000,0000,,- Thank you Benton,\Nreally, really awesome!
Dialogue: 0,0:15:03.46,0:15:08.28,Default,,0000,0000,0000,,[fast glockenspiel melody, accompanied by mechanical noise]\N[♪ Przemek Pytel: Lute Suite in E minor, Bourée, BWV 996 (Glockenspiel Cover) ♪]
Dialogue: 0,0:15:18.74,0:15:22.66,Default,,0000,0000,0000,,[another melody]
Dialogue: 0,0:15:27.00,0:15:31.02,Default,,0000,0000,0000,,WOW! Okay, this is fantastic!
Dialogue: 0,0:15:31.02,0:15:32.36,Default,,0000,0000,0000,,And you know what?
Dialogue: 0,0:15:32.36,0:15:36.62,Default,,0000,0000,0000,,If you just put some more dampening\Nmaterial in the box
Dialogue: 0,0:15:36.62,0:15:41.68,Default,,0000,0000,0000,,you have like a perfect sound\Nwhere the marbles are falling.
Dialogue: 0,0:15:41.68,0:15:45.100,Default,,0000,0000,0000,,Look at me, like teaching other people\Nhow to stop the marbles from sounding,
Dialogue: 0,0:15:46.00,0:15:51.50,Default,,0000,0000,0000,,while I'm like failing exactly with that thing\Nin the same video.
Dialogue: 0,0:15:51.50,0:15:58.24,Default,,0000,0000,0000,,Przemek Pytel, I am really impressed by what you did here.
Dialogue: 0,0:15:58.24,0:16:03.44,Default,,0000,0000,0000,,I think I never heard a Marble Machine\Nbeing able to play so fast and so good
Dialogue: 0,0:16:03.44,0:16:08.66,Default,,0000,0000,0000,,and I think you just absolutely pull this one off.
Dialogue: 0,0:16:08.66,0:16:10.80,Default,,0000,0000,0000,,Thomas: - Hi Hannes and Martin.
Dialogue: 0,0:16:10.80,0:16:13.70,Default,,0000,0000,0000,,The little sister of the MMX:
Dialogue: 0,0:16:13.70,0:16:18.42,Default,,0000,0000,0000,,The brain, arduino nano\Nwith power transistors and keyboard.
Dialogue: 0,0:16:18.42,0:16:23.86,Default,,0000,0000,0000,,The mechanical control unit for the marbles\Nand the solenoids.
Dialogue: 0,0:16:23.86,0:16:26.52,Default,,0000,0000,0000,,The marble divider...
Dialogue: 0,0:16:26.52,0:16:28.08,Default,,0000,0000,0000,,- Cool!
Dialogue: 0,0:16:28.08,0:16:30.27,Default,,0000,0000,0000,,- The material
Dialogue: 0,0:16:31.12,0:16:32.54,Default,,0000,0000,0000,,Wow.
Dialogue: 0,0:16:32.54,0:16:38.14,Default,,0000,0000,0000,,- and the glockenspiel.\N[plays short melody]
Dialogue: 0,0:16:38.24,0:16:43.78,Default,,0000,0000,0000,,- Wow! Thomas, thank you so much for showing this,\Nthis is awesome!
Dialogue: 0,0:16:43.78,0:16:48.32,Default,,0000,0000,0000,,The whole design of this machine,\NThomas, is like how I wished
Dialogue: 0,0:16:48.32,0:16:52.32,Default,,0000,0000,0000,,I had designed my machine if I designed it\Ncompletely in CAD from the beginning.
Dialogue: 0,0:16:52.32,0:16:56.84,Default,,0000,0000,0000,,Everything looks so clean and things just working...
Dialogue: 0,0:16:56.84,0:16:58.80,Default,,0000,0000,0000,,Wow Thomas, that was really impressive
Dialogue: 0,0:16:58.80,0:17:02.10,Default,,0000,0000,0000,,and I just searched for Exergia and I\Nfound his youtube channel
Dialogue: 0,0:17:02.10,0:17:07.24,Default,,0000,0000,0000,,and Thomas has like\Ninvented a candle car kit, thermal generator...
Dialogue: 0,0:17:07.24,0:17:09.50,Default,,0000,0000,0000,,There is so much cool stuff.
Dialogue: 0,0:17:09.50,0:17:10.100,Default,,0000,0000,0000,,Kurbel Generator...
Dialogue: 0,0:17:11.00,0:17:14.10,Default,,0000,0000,0000,,So this candle car looks amazing,
Dialogue: 0,0:17:14.10,0:17:16.88,Default,,0000,0000,0000,,like a car that\Nburns on a candle, I guess,
Dialogue: 0,0:17:16.88,0:17:19.66,Default,,0000,0000,0000,,so check out Exergia's youtube channel.
Dialogue: 0,0:17:19.66,0:17:22.14,Default,,0000,0000,0000,,Awesome Thomas, thank you so much for sending it in.
Dialogue: 0,0:17:22.14,0:17:26.34,Default,,0000,0000,0000,,[Spanish:] Por todos las chicas y chicos de España.\N(For all the boys and girls of Spain)
Dialogue: 0,0:17:26.34,0:17:31.02,Default,,0000,0000,0000,,Tenemos un youtube channel, se llama Wintergatan ESP.\N(We have an youtube channel named Wintergatan ESP)
Dialogue: 0,0:17:31.02,0:17:32.89,Default,,0000,0000,0000,,Estudio guitarra flamenca,\N(I study Flamencan Guitar)
Dialogue: 0,0:17:32.89,0:17:38.48,Default,,0000,0000,0000,,en el sur de España en la ciudad de Sevilla.\N(in the south of Spain in Sevilla city)
Dialogue: 0,0:17:38.48,0:17:43.70,Default,,0000,0000,0000,,Hablar un poquito, comprendire nada.\N(I speak a little, understand nothing)
Dialogue: 0,0:17:43.70,0:17:48.20,Default,,0000,0000,0000,,Pero mon amigo Carlos...\N(But my friend Carlos...)
Dialogue: 0,0:17:48.20,0:17:50.92,Default,,0000,0000,0000,,He is a very nice guy and he is translating
Dialogue: 0,0:17:50.92,0:17:56.50,Default,,0000,0000,0000,,all our Wintergatan videos into Spanish\Non the Wintergatan ESP youtube channel.
Dialogue: 0,0:17:56.50,0:17:58.82,Default,,0000,0000,0000,,If you know anyone from Latin America or Spain
Dialogue: 0,0:17:58.82,0:18:02.70,Default,,0000,0000,0000,,who you think might be interested in\Nbecoming part of the Wintergatan community,
Dialogue: 0,0:18:02.70,0:18:06.66,Default,,0000,0000,0000,,please tell them about\Nthe Wintergatan ESP youtube channel
Dialogue: 0,0:18:06.66,0:18:09.34,Default,,0000,0000,0000,,because the algorithm is not really finding it yet.
Dialogue: 0,0:18:09.34,0:18:12.51,Default,,0000,0000,0000,,So if you could tell them about that,\Nit would be a great help
Dialogue: 0,0:18:12.51,0:18:14.88,Default,,0000,0000,0000,,for the Wintergatan youtube channel.
Dialogue: 0,0:18:14.88,0:18:20.04,Default,,0000,0000,0000,,And I actually did study flamenco guitar\Nin Sevilla in the south of Spain.
Dialogue: 0,0:18:20.04,0:18:26.08,Default,,0000,0000,0000,,It was... I was a disaster as flamenco student\Nbut I picked up a little bit of Spanish,
Dialogue: 0,0:18:26.08,0:18:28.50,Default,,0000,0000,0000,,but Carlos is doing it really well.
Dialogue: 0,0:18:28.50,0:18:30.90,Default,,0000,0000,0000,,Thanks, to Carlos Montoro from Anjuda Guitars,
Dialogue: 0,0:18:30.90,0:18:35.24,Default,,0000,0000,0000,,for making all the translations for the Wintergatan ESP\NSpanish youtube channel.
Dialogue: 0,0:18:35.25,0:18:35.92,Default,,0000,0000,0000,,Check it out!
Dialogue: 0,0:18:35.92,0:18:40.40,Default,,0000,0000,0000,,- Well that was all the lovely bits and\Npieces for this week's episode.
Dialogue: 0,0:18:40.40,0:18:42.33,Default,,0000,0000,0000,,We just want to thank you all for watching
Dialogue: 0,0:18:42.33,0:18:44.32,Default,,0000,0000,0000,,and following along on the process.
Dialogue: 0,0:18:44.32,0:18:47.34,Default,,0000,0000,0000,,And you know, we see you next week
Dialogue: 0,0:18:47.34,0:18:49.84,Default,,0000,0000,0000,,on the next Wintergatan Wednesdays.
Dialogue: 0,0:18:49.84,0:18:54.00,Default,,0000,0000,0000,,Take care everybody. Bye!
Dialogue: 0,0:18:54.00,0:18:57.70,Default,,0000,0000,0000,,- Boom!\N// Subtitled by Wintergatan Writers. Join our team on discord. //