WEBVTT

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[silence]

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[blows air]
[chuckles]

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[metallic clack]

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[marble rolling]

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Hannes: - What has been going on
in the beautiful world of the MMX this week?

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Martin: - Yeah, it was really time to try to do
something about the sound of the marble funnels.

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When we designed these marble funnels
it was just like trying to make them

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look as cool as possible, you know, and
on the Marble Machine a special design requirement

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is to leave a lot of air and space.

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I wanted a kind of transparent funnel,
but all transparent materials are like plastic

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and I knew I didn't want a plastic funnel,

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so we ended up with this steel cage,
the stainless steel cage,

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and I was like over the moon happy about
the looks and the function and everything,

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but the big problem was the sound.

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And the team members kept asking me:
"Is it not going to be a problem with the sound?"

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And I was like "No, signal-to-noise,
we just choose the right microphone".

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That is kind of a very naive
way of doing things.

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This naivety has now caught up with me
and the sound of the stainless steel funnels

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is actually a real problem.

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So here you can hear a test I made with the hi-hat.

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I recorded this with a very strange microphone,
so it sounds bad

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but you can hear clearly
that the sound of the marble funnels

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is actually equally strong as the sound of the hi-hat.

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[loud metallic sound]
[louder metallic clack]

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As I explained, you can fix this by
putting contact microphone on the hi-hat

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or putting a microphone much closer to the
hi-hat away from the funnels and stuff like that

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but I wanted to try to fix this problem at the source

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by actually reducing the sound of the funnels themselves.

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When I told about this problem we were swamped
by the idea to dip the funnels in plastidip.

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I didn't have plastidip but Alex
ordered me these products that is like plastidip,

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so it was time to take the funnels off the machine

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and start to coat them with this

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transparent rubber coating for automotive industries.

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Today I've been making a lot of coatings
and I'm not really happy yet, but this is the funnels

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and I want to put some more coatings
and I can really already feel

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that the metal sound is gone.

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Hannes: - Oh wow!
Martin: - It's more of a duller sound.

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So right now I'm going to head over
on the Marble Machine and try this on the machine.

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So the feel of this funnel is completely different

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and the rubber looks great; It just created a gloss.

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So I attached it here...

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[less metallic thump]

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Well...

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[another thump]

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Oh, it's so much better; It isn't perfect
but it's so much better.

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[another thump]

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Wow, did you hear that?

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[another thump]

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I think I can increase the layer thickness
to reduce the sound further.

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Maybe use a real plastidip product where
I'm actually dipping the funnels rather than spraying.

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Let's now add this that hasn't had a treatment.

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[metallic sound]

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[metallic sound]

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And go back to the treated one.

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[softer sound]

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Wow, did you hear that,
when I was holding here?

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[softer sound]

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Holding there.

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- Are you happy with it?

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- I'm really really happy.

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If, as you can see in the before and after,
we made a big difference

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and it just looks actually better,
so, yeah, it's a big success actually.

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I'm really happy this was a really annoying thing.

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You know what Tim Keller told me the other day?

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- What?

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- He said that the Marble Machine X
is not sunken cost fallacy.

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I was so happy to hear.
[chuckles]

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- Okay, he's a good liar, though.

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[laughter]

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Martin: - You say goodbye to the audience, Hannes.

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- See you later.
This was the final episode of Wintergatan Wednesdays.

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I think we ended on a high note.

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Well, Martin, surely the funnels weren't the only thing
you worked on this week.

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After renovating the music studio I'm back as
project manager for the Marble Machine X project.

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I'm working on these yellow tasks
of populating the task list

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and the task list looks like this;

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And we have quite a lot of fun things going on.

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Lucas is working on a lifting solution

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which we're gonna put some

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bolts in the legs of the Marble Machine to make it
easy for me to move it around when recording video;

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Richard is working on these cyber capos.

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Here's the inbound ramps, was a discord suggestion,

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they're gonna make it silent
when the marbles go into the plywood gear here.

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When I'm looking at the issues list
I've been color coding things,

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so the yellow is the ongoing tasks,
the green is the finished tasks,

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all these green ones over here is me
fixing the music studio.

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The blue issues is everything that's going to be solved
with the marble divider redesign.

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I have realized that I almost delegated
everything that I can delegate right now

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so that's quite an achievement for the PM butterfly
and now I need to design some stuff in CAD

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before I can delegate it too for manufacturing.

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So today I'm gonna do exactly
that with this pink task here;

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Issue number 60: Conveyor belt intro.

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So let's head over to Fusion 360
and look at the old design.

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As you can see there's a lot of parts
and when I tried this design on the machine

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I realized this is way over complicated.

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We don't need to constrain the marbles
as hard as I thought; That just causes issues.

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We can just basically make an open tray
for the conveyor belt to pick up marbles in

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So I can delete all this.

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But I don't want to redesign this from scratch,

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I'm just going to basically butcher the old design.

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You can see the little triangle I get there?
It's because I'm in the middle of the line.

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So I'm just gonna add a little here...

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Let's add 40 millimeters...

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See, I'm locking onto the line there

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and that means the spline is tangential with the side.

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So I'm happy with that shape

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and then I can just cut and take mirror

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and I'm gonna choose
this line and this line,

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I'm gonna de-choose this line
and then I'm gonna choose this line as a middle line

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and there you see it's mirroring on the other side,
so now we have a symmetric shape.

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I have an 18 millimeter opening of the PMMA pipe.

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I want this opening of the PMMA pipe

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to be tangential with the level of the floor

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like that.

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Boom!

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And then if I make a 22 millimeter,
which is outer diameter,

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and I x-ed that so it's
not a construction line anymore.

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If I then show the body
I can then make an extrusion

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and then we have a cut-out for the pipe so,
minus 20 millimeters,

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that's the entry of the pipe.

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This whole thing is hurting my CAD pride now.

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I'm gonna start over next to it...

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"New component", yes, I'm gonna throw you away,

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"Size of a marble", 15.875...

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Boom!

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This, the thickness of the acrylic, 15.

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So cute they are, the marbles they are
waiting to be picked up by the conveyor belt!

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And I want this angle to be...

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eight degrees.
Boom!

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And I want this little detent to be a little bit longer,

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and I can go back to my plane

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and do it five degrees instead.

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Did you see how that little detent became longer

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because I'm, like, reducing the angle of the plane?

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So now again I can cut the opening for the PMMA pipe

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and now we're gonna make a top side of this.

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We don't need six screws, Martin.

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That's typical Martin-2019 idea.

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Four screws is enough

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and the acrylic stock is 15,
so we take this 15 millimeter straight up,

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so I actually cut a little bit here
on the underside so we could <i>clamp</i>

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with the screws on this PMMA pipe.

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You will see the PMMA pipe from the top;

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It's actually pretty cool.
[mouse clicks]

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Here you can clearly see
the cutout I made for the clamping.

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I think that feature is really nice in this design.

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Are you ready for the final comparison?
This is Martin Molin à la 2019.

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This is Martin à la 2020. [chuckles]

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No complicated top side

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and we're not like trying to constrain the marbles
more than they need to be constrained.

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I've noticed that the marbles are behaving great

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if they're just free in a tray
the conveyor belt is picking them up.

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This part broke when the conveyor belt broke.

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So now I'm just gonna upload this step file into dropbox,

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put the dropbox link in a project chapter,

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send it off to the octopus

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and in a couple of weeks this part will arrive to me
manufactured, hopefully, and it will work. Yeah!

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And I put it on Discord and Alex CNC
accepted the task.

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Alex CNC has made all the acrylic parts
with flame polishing and stuff, so

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I was very happy.

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Hannes: - And speaking about the e-team:
I've been talking to Christof, a new face in the team.

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What are you currently working on,
on the machine itself?

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Christof: - Mainly I'm responsible for the sound wiring,

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which is the pure wiring.
So I'm not picking a microphone,

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that's easier if you're close to the machine,
that's Martin,

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but getting all the microphones that are
already on the machine

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and that are coming to the machine,
ready and wired in a neat manner

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so no cables hanging into gears that are moving

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and no cables being ripped off or
melted while somebody is welding.

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Exactly how the cables are routed

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will come a little later and
it's not important right now.

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So, we're making a sound central,
how Martin calls it,

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in the back of the MMX,
that everything will be connected to.

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But how we keep the

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cables out of moving gear is a decision
that we much easier can make on the machine,

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so we wait with that
until we can all meet in France and decide that.

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One of my different projects is a holder
for microphones under the vibraphone.

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It has to be flexible

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because we don't know exactly how the
vibraphone resonator pipes are going to look in the end.

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They might be open or closed, short or
long, bent or straight,

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that is still very much up for debate.

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And one of those flexible solutions is
spanning a net

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close to the resonator pipes and just hanging

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several microphones in that net.

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So I built a frame,

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and what I used is a carbon fiber pipe
and rubber connectors that you can

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easily buy off the shelf,
that are normally used for kites.

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And because they're rubber,
you can just slide things along to

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stretch the net a little more or less
and then you have...

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exactly the type of net you want.

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The double layer net...
gives us the opportunity

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to angle a mic in a certain way by just
using different holes in the

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top and the bottom net.

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So the hope is that this net is dampening enough

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so that all the noise that is inside the frame of the MMX
will not transfer to the microphones,

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and they will only catch
sound that's in the air, not in the frame.

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Martin: - Ding ding-a-ding-a-ding!
Oh, the mail just arrived with Christof's package.

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Hannes: - Oh my god, how exciting! Live!
Martin: - Thank you!

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Whoa! Check this out!
- Wow, paper!

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- Wow, these are so cool.
Carbon fiber sticks,

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oh, beautiful elastics.
I've never seen so cool elastics.

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I think with this I can build any frame
I want and...

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I love all the pieces you sent Christof!
So awesome!

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Thanks for being part of the MMX
e-team and deliver so cool stuff.

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- Christof delivers.
- Christof delivers big time.

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Thank you Christof, awesome!

00:13:25.140 --> 00:13:28.859
Speaking about people who delivers big time:

00:13:28.860 --> 00:13:37.920
[♪ unreleased/Community Corner Intro ♪]
♪ C-o-m-m-u-n-i-t-y C-o-r-n-e-r ♪

00:13:37.940 --> 00:13:41.079
♪ Community Corner ♪

00:13:41.080 --> 00:13:42.379
- Wow!

00:13:42.380 --> 00:13:45.519 line:1
[♪ New Wave Solar Powered Robots: I Wish I Were a Satellite ♪]

00:13:45.520 --> 00:13:48.360 line:1
[compressed voice over added]
"There's something new under heaven."

00:13:48.380 --> 00:13:51.500 line:1
"Something that has never been there before."

00:13:51.501 --> 00:13:53.299 line:1
"Ladies and gentlemen,
we are bringing you..."

00:13:53.300 --> 00:13:59.900 line:1
"the most important story of this century."

00:14:00.800 --> 00:14:03.200 line:1
Martin: - Yeah!

00:14:05.280 --> 00:14:07.080
Wow!

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[music fades]

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What? It's fantastic!
Why is the water purple in the end?

00:14:18.399 --> 00:14:22.655
And Benton Collins Photography
may... is maybe aware of

00:14:22.656 --> 00:14:26.559
that ice is my favorite thing,
that I drink everything with ice.

00:14:26.560 --> 00:14:30.986
- It's so cool!
I only have one big critique on that video:

00:14:30.987 --> 00:14:33.899
Where was my name in the stars?

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- What? He used the list in youtube

00:14:37.200 --> 00:14:41.518
about contributing and you didn't help
at all with the Marble Machine X design, Hannes.

00:14:41.519 --> 00:14:44.639
- Oh, sorry! Okay yeah, well that's true.
[laughter] It's on me.

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- You were just there, like drying up my tears

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when I wanted to stop with the <i>first</i> machine

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and you have been there ever since.

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But apparently Benton Collins doesn't care about that.
- No, he doesn't care about me.

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- Fantastic editing and I love the...
- The floating angle grinder!

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- Thank you Benton,
really, really awesome!

00:15:03.461 --> 00:15:08.280 line:1
[fast glockenspiel melody, accompanied by mechanical noise]
[♪ Przemek Pytel: Lute Suite in E minor, Bourée, BWV 996 (Glockenspiel Cover) ♪]

00:15:18.740 --> 00:15:22.660 line:1
[another melody]

00:15:27.000 --> 00:15:31.020
WOW! Okay, this is fantastic!

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And you know what?

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If you just put some more dampening
material in the box

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you have like a perfect sound
where the marbles are falling.

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Look at me, like teaching other people
how to stop the marbles from sounding,

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while I'm like failing exactly with that thing
in the same video.

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Przemek Pytel, I am really impressed by what you did here.

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I think I never heard a Marble Machine
being able to play so fast and so good

00:16:03.440 --> 00:16:08.659
and I think you just absolutely pull this one off.

00:16:08.660 --> 00:16:10.799
Thomas: - Hi Hannes and Martin.

00:16:10.800 --> 00:16:13.699
The little sister of the MMX:

00:16:13.700 --> 00:16:18.419
The brain, arduino nano
with power transistors and keyboard.

00:16:18.420 --> 00:16:23.859
The mechanical control unit for the marbles
and the solenoids.

00:16:23.860 --> 00:16:26.519
The marble divider...

00:16:26.520 --> 00:16:28.080
- Cool!

00:16:28.081 --> 00:16:30.268
- The material

00:16:31.120 --> 00:16:32.539
Wow.

00:16:32.540 --> 00:16:38.140
- and the glockenspiel.
[plays short melody]

00:16:38.240 --> 00:16:43.779
- Wow! Thomas, thank you so much for showing this,
this is awesome!

00:16:43.780 --> 00:16:48.319
The whole design of this machine,
Thomas, is like how I wished

00:16:48.320 --> 00:16:52.319
I had designed my machine if I designed it
completely in CAD from the beginning.

00:16:52.320 --> 00:16:56.839
Everything looks so clean and things just working...

00:16:56.840 --> 00:16:58.799
Wow Thomas, that was really impressive

00:16:58.800 --> 00:17:02.099
and I just searched for Exergia and I
found his youtube channel

00:17:02.100 --> 00:17:07.239
and Thomas has like
invented a candle car kit, thermal generator...

00:17:07.240 --> 00:17:09.499
There is so much cool stuff.

00:17:09.500 --> 00:17:10.999
Kurbel Generator...

00:17:11.000 --> 00:17:14.099
So this candle car looks amazing,

00:17:14.100 --> 00:17:16.880
like a car that
burns on a candle, I guess,

00:17:16.881 --> 00:17:19.659
so check out Exergia's youtube channel.

00:17:19.660 --> 00:17:22.139
Awesome Thomas, thank you so much for sending it in.

00:17:22.140 --> 00:17:26.339
[Spanish:] Por todos las chicas y chicos de España.
(For all the boys and girls of Spain)

00:17:26.340 --> 00:17:31.019
Tenemos un youtube channel, se llama Wintergatan ESP.
(Here is an youtube channel named Wintergatan ESP)

00:17:31.020 --> 00:17:32.891
Estudio guitarra flamenca,
(I studied Flamencan Guitar)

00:17:32.892 --> 00:17:38.479
en el sur de España en la ciudad de Sevilla.
(in Spain in Sevilla state)

00:17:38.480 --> 00:17:43.700
Hablar un poquito, comprendire nada.
(I speak a little, understand nothing)

00:17:43.700 --> 00:17:48.199
Pero mon amigo Carlos...
(But my friend Carlos...)

00:17:48.200 --> 00:17:50.919
He is a very nice guy and he is translating

00:17:50.920 --> 00:17:56.499
all our Wintergatan videos into Spanish
on the Wintergatan ESP youtube channel.

00:17:56.500 --> 00:17:58.819
If you know anyone from Latin America or Spain

00:17:58.820 --> 00:18:02.697
who you think might be interested in
becoming part of the Wintergatan community,

00:18:02.698 --> 00:18:06.659
please tell them about
the Wintergatan ESP youtube channel

00:18:06.660 --> 00:18:09.339
because the algorithm is not really finding it yet.

00:18:09.340 --> 00:18:12.510
So if you could tell them about that,
it would be a great help

00:18:12.511 --> 00:18:14.879
for the Wintergatan youtube channel.

00:18:14.880 --> 00:18:20.039
And I actually did study flamenco guitar
in Sevilla in the south of Spain.

00:18:20.040 --> 00:18:26.079
It was... I was a disaster as flamenco student
but I picked up a little bit of Spanish,

00:18:26.080 --> 00:18:28.499
but Carlos is doing it really well.

00:18:28.500 --> 00:18:30.899
Thanks, to Carlos Montoro from Anjuda Guitars,

00:18:30.900 --> 00:18:35.240
for making all the translations for the Wintergatan ESP
Spanish youtube channel.

00:18:35.246 --> 00:18:35.919
Check it out!

00:18:35.920 --> 00:18:40.399
- Well that was all the lovely bits and
pieces for this week's episode.

00:18:40.400 --> 00:18:42.326
We just want to thank you all for watching

00:18:42.327 --> 00:18:44.319
and following along on the process.

00:18:44.320 --> 00:18:47.343
And you know, we see you next week

00:18:47.344 --> 00:18:49.839
on the next Wintergatan Wednesdays.

00:18:49.840 --> 00:18:54.000
Take care everybody. Bye!

00:18:54.001 --> 00:18:57.701
- Boom!
// Subtitled by Wintergatan Writers. Join our team on discord. //