1
00:00:00,000 --> 00:00:03,000
[silence]
2
00:00:06,999 --> 00:00:07,999
[blows air]
[chuckles]
3
00:00:08,600 --> 00:00:10,100
[metallic clack]
4
00:00:10,101 --> 00:00:11,701
[marble rolling]
5
00:00:16,000 --> 00:00:19,699
Hannes: - What has been going on
in the beautiful world of the MMX this week?
6
00:00:19,700 --> 00:00:26,240
Martin: - Yeah, it was really time to try to do
something about the sound of the marble funnels.
7
00:00:26,241 --> 00:00:29,720
When we designed these marble funnels
it was just like trying to make them
8
00:00:29,721 --> 00:00:34,701
look as cool as possible, you know, and
on the Marble Machine a special design requirement
9
00:00:34,702 --> 00:00:37,199
is to leave a lot of air and space.
10
00:00:37,200 --> 00:00:43,659
I wanted a kind of transparent funnel,
but all transparent materials are like plastic
11
00:00:43,660 --> 00:00:46,893
and I knew I didn't want a plastic funnel,
12
00:00:46,894 --> 00:00:50,899
so we ended up with this steel cage,
the stainless steel cage,
13
00:00:50,900 --> 00:00:56,099
and I was like over the moon happy about
the looks and the function and everything,
14
00:00:56,100 --> 00:00:58,399
but the big problem was the sound.
15
00:00:58,400 --> 00:01:03,499
And the team members kept asking me:
"Is it not going to be a problem with the sound?"
16
00:01:03,500 --> 00:01:07,679
And I was like "No, signal-to-noise,
we just choose the right microphone".
17
00:01:07,680 --> 00:01:12,299
That is kind of a very naive
way of doing things.
18
00:01:12,300 --> 00:01:16,999
This naivety has now caught up with me
and the sound of the stainless steel funnels
19
00:01:17,000 --> 00:01:19,399
is actually a real problem.
20
00:01:19,400 --> 00:01:22,299
So here you can hear a test I made with the hi-hat.
21
00:01:22,300 --> 00:01:25,899
I recorded this with a very strange microphone,
so it sounds bad
22
00:01:25,900 --> 00:01:29,599
but you can hear clearly
that the sound of the marble funnels
23
00:01:29,600 --> 00:01:33,299
is actually equally strong as the sound of the hi-hat.
24
00:01:33,300 --> 00:01:37,040
[loud metallic sound]
[louder metallic clack]
25
00:01:45,200 --> 00:01:48,920
As I explained, you can fix this by
putting contact microphone on the hi-hat
26
00:01:48,921 --> 00:01:53,899
or putting a microphone much closer to the
hi-hat away from the funnels and stuff like that
27
00:01:53,900 --> 00:01:57,399
but I wanted to try to fix this problem at the source
28
00:01:57,400 --> 00:02:01,199
by actually reducing the sound of the funnels themselves.
29
00:02:01,200 --> 00:02:08,080
When I told about this problem we were swamped
by the idea to dip the funnels in plastidip.
30
00:02:08,460 --> 00:02:13,279
I didn't have plastidip but Alex
ordered me these products that is like plastidip,
31
00:02:13,280 --> 00:02:16,639
so it was time to take the funnels off the machine
32
00:02:16,640 --> 00:02:19,360
and start to coat them with this
33
00:02:19,361 --> 00:02:23,119
transparent rubber coating for automotive industries.
34
00:02:23,120 --> 00:02:28,679
Today I've been making a lot of coatings
and I'm not really happy yet, but this is the funnels
35
00:02:28,680 --> 00:02:33,400
and I want to put some more coatings
and I can really already feel
36
00:02:33,780 --> 00:02:35,419
that the metal sound is gone.
37
00:02:35,420 --> 00:02:40,799
Hannes: - Oh wow!
Martin: - It's more of a duller sound.
38
00:02:40,800 --> 00:02:45,598
So right now I'm going to head over
on the Marble Machine and try this on the machine.
39
00:02:45,599 --> 00:02:48,719
So the feel of this funnel is completely different
40
00:02:48,720 --> 00:02:52,440
and the rubber looks great; It just created a gloss.
41
00:02:52,920 --> 00:02:55,360
So I attached it here...
42
00:02:55,480 --> 00:02:56,540
[less metallic thump]
43
00:02:58,960 --> 00:02:59,980
Well...
44
00:03:00,540 --> 00:03:01,540
[another thump]
45
00:03:02,720 --> 00:03:07,680
Oh, it's so much better; It isn't perfect
but it's so much better.
46
00:03:07,688 --> 00:03:08,768
[another thump]
47
00:03:09,520 --> 00:03:11,340
Wow, did you hear that?
48
00:03:11,500 --> 00:03:12,520
[another thump]
49
00:03:14,080 --> 00:03:18,399
I think I can increase the layer thickness
to reduce the sound further.
50
00:03:18,400 --> 00:03:23,980
Maybe use a real plastidip product where
I'm actually dipping the funnels rather than spraying.
51
00:03:26,320 --> 00:03:29,400
Let's now add this that hasn't had a treatment.
52
00:03:30,040 --> 00:03:31,080
[metallic sound]
53
00:03:32,800 --> 00:03:33,880
[metallic sound]
54
00:03:41,200 --> 00:03:43,300
And go back to the treated one.
55
00:03:45,880 --> 00:03:46,920
[softer sound]
56
00:03:47,700 --> 00:03:50,280
Wow, did you hear that,
when I was holding here?
57
00:03:51,320 --> 00:03:52,380
[softer sound]
58
00:03:55,920 --> 00:03:58,280
Holding there.
59
00:04:14,720 --> 00:04:15,900
- Are you happy with it?
60
00:04:16,440 --> 00:04:18,320
- I'm really really happy.
61
00:04:18,320 --> 00:04:22,638
If, as you can see in the before and after,
we made a big difference
62
00:04:22,639 --> 00:04:28,419
and it just looks actually better,
so, yeah, it's a big success actually.
63
00:04:28,420 --> 00:04:31,386
I'm really happy this was a really annoying thing.
64
00:04:31,387 --> 00:04:33,660
You know what Tim Keller told me the other day?
65
00:04:34,100 --> 00:04:35,120
- What?
66
00:04:35,780 --> 00:04:38,900
- He said that the Marble Machine X
is not sunken cost fallacy.
67
00:04:39,860 --> 00:04:41,680
I was so happy to hear.
[chuckles]
68
00:04:41,681 --> 00:04:44,820
- Okay, he's a good liar, though.
69
00:04:44,821 --> 00:04:48,060
[laughter]
70
00:04:49,600 --> 00:04:52,539
Martin: - You say goodbye to the audience, Hannes.
71
00:04:52,540 --> 00:04:57,160
- See you later.
This was the final episode of Wintergatan Wednesdays.
72
00:04:58,020 --> 00:04:59,560
I think we ended on a high note.
73
00:05:00,680 --> 00:05:05,580
Well, Martin, surely the funnels weren't the only thing
you worked on this week.
74
00:05:05,900 --> 00:05:10,419
After renovating the music studio I'm back as
project manager for the Marble Machine X project.
75
00:05:10,420 --> 00:05:14,399
I'm working on these yellow tasks
of populating the task list
76
00:05:14,400 --> 00:05:17,199
and the task list looks like this;
77
00:05:17,200 --> 00:05:20,099
And we have quite a lot of fun things going on.
78
00:05:20,100 --> 00:05:23,899
Lucas is working on a lifting solution
79
00:05:23,900 --> 00:05:25,899
which we're gonna put some
80
00:05:25,900 --> 00:05:31,061
bolts in the legs of the Marble Machine to make it
easy for me to move it around when recording video;
81
00:05:31,062 --> 00:05:33,621
Richard is working on these cyber capos.
82
00:05:33,622 --> 00:05:36,799
Here's the inbound ramps, was a discord suggestion,
83
00:05:36,800 --> 00:05:41,379
they're gonna make it silent
when the marbles go into the plywood gear here.
84
00:05:41,380 --> 00:05:44,560
When I'm looking at the issues list
I've been color coding things,
85
00:05:44,561 --> 00:05:49,280
so the yellow is the ongoing tasks,
the green is the finished tasks,
86
00:05:49,281 --> 00:05:52,941
all these green ones over here is me
fixing the music studio.
87
00:05:53,120 --> 00:05:58,900
The blue issues is everything that's going to be solved
with the marble divider redesign.
88
00:05:59,520 --> 00:06:04,259
I have realized that I almost delegated
everything that I can delegate right now
89
00:06:04,260 --> 00:06:10,819
so that's quite an achievement for the PM butterfly
and now I need to design some stuff in CAD
90
00:06:10,820 --> 00:06:13,439
before I can delegate it too for manufacturing.
91
00:06:13,440 --> 00:06:16,819
So today I'm gonna do exactly
that with this pink task here;
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00:06:16,820 --> 00:06:19,420
Issue number 60: Conveyor belt intro.
93
00:06:19,421 --> 00:06:24,420
So let's head over to Fusion 360
and look at the old design.
94
00:06:24,421 --> 00:06:28,849
As you can see there's a lot of parts
and when I tried this design on the machine
95
00:06:28,850 --> 00:06:31,599
I realized this is way over complicated.
96
00:06:31,600 --> 00:06:37,019
We don't need to constrain the marbles
as hard as I thought; That just causes issues.
97
00:06:37,020 --> 00:06:41,819
We can just basically make an open tray
for the conveyor belt to pick up marbles in
98
00:06:41,820 --> 00:06:44,499
So I can delete all this.
99
00:06:44,500 --> 00:06:46,960
But I don't want to redesign this from scratch,
100
00:06:46,961 --> 00:06:51,119
I'm just going to basically butcher the old design.
101
00:06:51,120 --> 00:06:55,819
You can see the little triangle I get there?
It's because I'm in the middle of the line.
102
00:06:55,820 --> 00:06:58,079
So I'm just gonna add a little here...
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00:06:58,080 --> 00:07:00,999
Let's add 40 millimeters...
104
00:07:01,000 --> 00:07:02,739
See, I'm locking onto the line there
105
00:07:02,740 --> 00:07:05,979
and that means the spline is tangential with the side.
106
00:07:05,980 --> 00:07:08,199
So I'm happy with that shape
107
00:07:08,200 --> 00:07:12,699
and then I can just cut and take mirror
108
00:07:12,700 --> 00:07:15,899
and I'm gonna choose
this line and this line,
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00:07:15,900 --> 00:07:19,849
I'm gonna de-choose this line
and then I'm gonna choose this line as a middle line
110
00:07:19,850 --> 00:07:25,149
and there you see it's mirroring on the other side,
so now we have a symmetric shape.
111
00:07:25,155 --> 00:07:29,040
I have an 18 millimeter opening of the PMMA pipe.
112
00:07:29,260 --> 00:07:31,579
I want this opening of the PMMA pipe
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00:07:31,580 --> 00:07:34,199
to be tangential with the level of the floor
114
00:07:34,200 --> 00:07:35,299
like that.
115
00:07:35,300 --> 00:07:36,599
Boom!
116
00:07:36,600 --> 00:07:40,475
And then if I make a 22 millimeter,
which is outer diameter,
117
00:07:40,480 --> 00:07:43,999
and I x-ed that so it's
not a construction line anymore.
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00:07:44,000 --> 00:07:47,979
If I then show the body
I can then make an extrusion
119
00:07:47,980 --> 00:07:52,399
and then we have a cut-out for the pipe so,
minus 20 millimeters,
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00:07:52,400 --> 00:07:54,799
that's the entry of the pipe.
121
00:07:54,800 --> 00:07:58,639
This whole thing is hurting my CAD pride now.
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00:07:58,640 --> 00:08:00,879
I'm gonna start over next to it...
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00:08:00,880 --> 00:08:06,999
"New component", yes, I'm gonna throw you away,
124
00:08:07,000 --> 00:08:10,299
"Size of a marble", 15.875...
125
00:08:10,300 --> 00:08:11,499
Boom!
126
00:08:11,500 --> 00:08:14,440
This, the thickness of the acrylic, 15.
127
00:08:15,280 --> 00:08:19,760
So cute they are, the marbles they are
waiting to be picked up by the conveyor belt!
128
00:08:20,240 --> 00:08:23,299
And I want this angle to be...
129
00:08:23,300 --> 00:08:25,499
eight degrees.
Boom!
130
00:08:25,500 --> 00:08:28,459
And I want this little detent to be a little bit longer,
131
00:08:28,460 --> 00:08:31,399
and I can go back to my plane
132
00:08:31,400 --> 00:08:34,239
and do it five degrees instead.
133
00:08:34,240 --> 00:08:37,359
Did you see how that little detent became longer
134
00:08:37,360 --> 00:08:40,398
because I'm, like, reducing the angle of the plane?
135
00:08:40,399 --> 00:08:44,398
So now again I can cut the opening for the PMMA pipe
136
00:08:44,399 --> 00:08:47,425
and now we're gonna make a top side of this.
137
00:08:47,426 --> 00:08:49,559
We don't need six screws, Martin.
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00:08:49,560 --> 00:08:54,439
That's typical Martin-2019 idea.
139
00:08:54,440 --> 00:08:56,899
Four screws is enough
140
00:08:56,900 --> 00:09:01,799
and the acrylic stock is 15,
so we take this 15 millimeter straight up,
141
00:09:01,800 --> 00:09:05,699
so I actually cut a little bit here
on the underside so we could clamp
142
00:09:05,700 --> 00:09:08,399
with the screws on this PMMA pipe.
143
00:09:08,400 --> 00:09:10,699
You will see the PMMA pipe from the top;
144
00:09:10,700 --> 00:09:13,679
It's actually pretty cool.
[mouse clicks]
145
00:09:13,680 --> 00:09:17,519
Here you can clearly see
the cutout I made for the clamping.
146
00:09:17,520 --> 00:09:20,319
I think that feature is really nice in this design.
147
00:09:20,320 --> 00:09:28,079
Are you ready for the final comparison?
This is Martin Molin à la 2019.
148
00:09:28,080 --> 00:09:32,799
This is Martin à la 2020. [chuckles]
149
00:09:32,800 --> 00:09:35,479
No complicated top side
150
00:09:35,480 --> 00:09:39,979
and we're not like trying to constrain the marbles
more than they need to be constrained.
151
00:09:39,980 --> 00:09:42,339
I've noticed that the marbles are behaving great
152
00:09:42,340 --> 00:09:46,139
if they're just free in a tray
the conveyor belt is picking them up.
153
00:09:46,140 --> 00:09:48,879
This part broke when the conveyor belt broke.
154
00:09:48,880 --> 00:09:52,099
So now I'm just gonna upload this step file into dropbox,
155
00:09:52,100 --> 00:09:54,419
put the dropbox link in a project chapter,
156
00:09:54,420 --> 00:09:56,199
send it off to the octopus
157
00:09:56,200 --> 00:10:02,959
and in a couple of weeks this part will arrive to me
manufactured, hopefully, and it will work. Yeah!
158
00:10:02,960 --> 00:10:06,979
And I put it on Discord and Alex CNC
accepted the task.
159
00:10:06,980 --> 00:10:11,099
Alex CNC has made all the acrylic parts
with flame polishing and stuff, so
160
00:10:11,100 --> 00:10:12,100
I was very happy.
161
00:10:12,101 --> 00:10:17,359
Hannes: - And speaking about the e-team:
I've been talking to Christof, a new face in the team.
162
00:10:17,360 --> 00:10:20,959
What are you currently working on,
on the machine itself?
163
00:10:20,960 --> 00:10:23,799
Christof: - Mainly I'm responsible for the sound wiring,
164
00:10:23,800 --> 00:10:27,679
which is the pure wiring.
So I'm not picking a microphone,
165
00:10:27,680 --> 00:10:30,499
that's easier if you're close to the machine,
that's Martin,
166
00:10:30,500 --> 00:10:34,639
but getting all the microphones that are
already on the machine
167
00:10:34,640 --> 00:10:39,179
and that are coming to the machine,
ready and wired in a neat manner
168
00:10:39,180 --> 00:10:42,919
so no cables hanging into gears that are moving
169
00:10:42,920 --> 00:10:47,599
and no cables being ripped off or
melted while somebody is welding.
170
00:10:47,600 --> 00:10:50,159
Exactly how the cables are routed
171
00:10:50,160 --> 00:10:53,679
will come a little later and
it's not important right now.
172
00:10:53,680 --> 00:10:57,759
So, we're making a sound central,
how Martin calls it,
173
00:10:57,760 --> 00:11:02,399
in the back of the MMX,
that everything will be connected to.
174
00:11:02,400 --> 00:11:05,199
But how we keep the
175
00:11:05,200 --> 00:11:10,440
cables out of moving gear is a decision
that we much easier can make on the machine,
176
00:11:10,441 --> 00:11:15,920
so we wait with that
until we can all meet in France and decide that.
177
00:11:15,921 --> 00:11:21,459
One of my different projects is a holder
for microphones under the vibraphone.
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00:11:21,460 --> 00:11:23,599
It has to be flexible
179
00:11:23,600 --> 00:11:29,119
because we don't know exactly how the
vibraphone resonator pipes are going to look in the end.
180
00:11:29,120 --> 00:11:34,039
They might be open or closed, short or
long, bent or straight,
181
00:11:34,040 --> 00:11:36,719
that is still very much up for debate.
182
00:11:36,720 --> 00:11:41,039
And one of those flexible solutions is
spanning a net
183
00:11:41,040 --> 00:11:44,319
close to the resonator pipes and just hanging
184
00:11:44,320 --> 00:11:46,517
several microphones in that net.
185
00:11:46,518 --> 00:11:47,838
So I built a frame,
186
00:11:47,839 --> 00:11:52,239
and what I used is a carbon fiber pipe
and rubber connectors that you can
187
00:11:52,240 --> 00:11:56,398
easily buy off the shelf,
that are normally used for kites.
188
00:11:56,399 --> 00:12:01,518
And because they're rubber,
you can just slide things along to
189
00:12:01,519 --> 00:12:05,999
stretch the net a little more or less
and then you have...
190
00:12:06,000 --> 00:12:08,099
exactly the type of net you want.
191
00:12:08,100 --> 00:12:13,759
The double layer net...
gives us the opportunity
192
00:12:13,760 --> 00:12:18,239
to angle a mic in a certain way by just
using different holes in the
193
00:12:18,240 --> 00:12:19,899
top and the bottom net.
194
00:12:19,900 --> 00:12:25,499
So the hope is that this net is dampening enough
195
00:12:25,500 --> 00:12:33,199
so that all the noise that is inside the frame of the MMX
will not transfer to the microphones,
196
00:12:33,200 --> 00:12:39,139
and they will only catch
sound that's in the air, not in the frame.
197
00:12:39,140 --> 00:12:45,119
Martin: - Ding ding-a-ding-a-ding!
Oh, the mail just arrived with Christof's package.
198
00:12:45,120 --> 00:12:50,239
Hannes: - Oh my god, how exciting! Live!
Martin: - Thank you!
199
00:12:50,240 --> 00:12:54,999
Whoa! Check this out!
- Wow, paper!
200
00:12:55,000 --> 00:13:01,640
- Wow, these are so cool.
Carbon fiber sticks,
201
00:13:01,641 --> 00:13:05,039
oh, beautiful elastics.
I've never seen so cool elastics.
202
00:13:05,040 --> 00:13:09,439
I think with this I can build any frame
I want and...
203
00:13:09,440 --> 00:13:13,259
I love all the pieces you sent Christof!
So awesome!
204
00:13:13,260 --> 00:13:19,379
Thanks for being part of the MMX
e-team and deliver so cool stuff.
205
00:13:19,380 --> 00:13:23,259
- Christof delivers.
- Christof delivers big time.
206
00:13:23,260 --> 00:13:25,139
Thank you Christof, awesome!
207
00:13:25,140 --> 00:13:28,859
Speaking about people who delivers big time:
208
00:13:28,860 --> 00:13:37,920
[♪ unreleased/Community Corner Intro ♪]
♪ C-o-m-m-u-n-i-t-y C-o-r-n-e-r ♪
209
00:13:37,940 --> 00:13:41,079
♪ Community Corner ♪
210
00:13:41,080 --> 00:13:42,379
- Wow!
211
00:13:42,380 --> 00:13:45,519
[♪ New Wave Solar Powered Robots: I Wish I Were a Satellite ♪]
212
00:13:45,520 --> 00:13:48,360
[compressed voice over added]
"There's something new under heaven."
213
00:13:48,380 --> 00:13:51,500
"Something that has never been there before."
214
00:13:51,501 --> 00:13:53,299
"Ladies and gentlemen,
we are bringing you..."
215
00:13:53,300 --> 00:13:59,900
"the most important story of this century."
216
00:14:00,800 --> 00:14:03,200
Martin: - Yeah!
217
00:14:05,280 --> 00:14:07,080
Wow!
218
00:14:08,820 --> 00:14:10,980
[music fades]
219
00:14:12,480 --> 00:14:18,398
What? It's fantastic!
Why is the water purple in the end?
220
00:14:18,399 --> 00:14:22,655
And Benton Collins Photography
may... is maybe aware of
221
00:14:22,656 --> 00:14:26,559
that ice is my favorite thing,
that I drink everything with ice.
222
00:14:26,560 --> 00:14:30,986
- It's so cool!
I only have one big critique on that video:
223
00:14:30,987 --> 00:14:33,899
Where was my name in the stars?
224
00:14:33,900 --> 00:14:37,199
- What? He used the list in youtube
225
00:14:37,200 --> 00:14:41,518
about contributing and you didn't help
at all with the Marble Machine X design, Hannes.
226
00:14:41,519 --> 00:14:44,639
- Oh, sorry! Okay yeah, well that's true.
[laughter] It's on me.
227
00:14:44,640 --> 00:14:47,379
- You were just there, like drying up my tears
228
00:14:47,380 --> 00:14:49,699
when I wanted to stop with the first machine
229
00:14:49,700 --> 00:14:51,600
and you have been there ever since.
230
00:14:51,601 --> 00:14:56,584
But apparently Benton Collins doesn't care about that.
- No, he doesn't care about me.
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- Fantastic editing and I love the...
- The floating angle grinder!
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- Thank you Benton,
really, really awesome!
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[fast glockenspiel melody, accompanied by mechanical noise]
[♪ Przemek Pytel: Lute Suite in E minor, Bourée, BWV 996 (Glockenspiel Cover) ♪]
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[another melody]
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WOW! Okay, this is fantastic!
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And you know what?
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If you just put some more dampening
material in the box
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you have like a perfect sound
where the marbles are falling.
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Look at me, like teaching other people
how to stop the marbles from sounding,
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while I'm like failing exactly with that thing
in the same video.
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Przemek Pytel, I am really impressed by what you did here.
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I think I never heard a Marble Machine
being able to play so fast and so good
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and I think you just absolutely pull this one off.
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Thomas: - Hi Hannes and Martin.
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The little sister of the MMX:
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The brain, arduino nano
with power transistors and keyboard.
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The mechanical control unit for the marbles
and the solenoids.
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The marble divider...
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- Cool!
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- The material
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Wow.
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- and the glockenspiel.
[plays short melody]
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- Wow! Thomas, thank you so much for showing this,
this is awesome!
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The whole design of this machine,
Thomas, is like how I wished
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I had designed my machine if I designed it
completely in CAD from the beginning.
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Everything looks so clean and things just working...
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Wow Thomas, that was really impressive
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and I just searched for Exergia and I
found his youtube channel
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and Thomas has like
invented a candle car kit, thermal generator...
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There is so much cool stuff.
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Kurbel Generator...
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So this candle car looks amazing,
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like a car that
burns on a candle, I guess,
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so check out Exergia's youtube channel.
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Awesome Thomas, thank you so much for sending it in.
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[Spanish:] Por todos las chicas y chicos de España.
(For all the boys and girls of Spain)
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00:17:26,340 --> 00:17:31,019
Tenemos un youtube channel, se llama Wintergatan ESP.
(Here is an youtube channel named Wintergatan ESP)
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00:17:31,020 --> 00:17:32,891
Estudio guitarra flamenca,
(I studied Flamencan Guitar)
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00:17:32,892 --> 00:17:38,479
en el sur de España en la ciudad de Sevilla.
(in Spain in Sevilla state)
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00:17:38,480 --> 00:17:43,700
Hablar un poquito, comprendire nada.
(I speak a little, understand nothing)
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00:17:43,700 --> 00:17:48,199
Pero mon amigo Carlos...
(But my friend Carlos...)
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He is a very nice guy and he is translating
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00:17:50,920 --> 00:17:56,499
all our Wintergatan videos into Spanish
on the Wintergatan ESP youtube channel.
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00:17:56,500 --> 00:17:58,819
If you know anyone from Latin America or Spain
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00:17:58,820 --> 00:18:02,697
who you think might be interested in
becoming part of the Wintergatan community,
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00:18:02,698 --> 00:18:06,659
please tell them about
the Wintergatan ESP youtube channel
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00:18:06,660 --> 00:18:09,339
because the algorithm is not really finding it yet.
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00:18:09,340 --> 00:18:12,510
So if you could tell them about that,
it would be a great help
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00:18:12,511 --> 00:18:14,879
for the Wintergatan youtube channel.
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00:18:14,880 --> 00:18:20,039
And I actually did study flamenco guitar
in Sevilla in the south of Spain.
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00:18:20,040 --> 00:18:26,079
It was... I was a disaster as flamenco student
but I picked up a little bit of Spanish,
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00:18:26,080 --> 00:18:28,499
but Carlos is doing it really well.
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00:18:28,500 --> 00:18:30,899
Thanks, to Carlos Montoro from Anjuda Guitars,
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00:18:30,900 --> 00:18:35,240
for making all the translations for the Wintergatan ESP
Spanish youtube channel.
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00:18:35,246 --> 00:18:35,919
Check it out!
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00:18:35,920 --> 00:18:40,399
- Well that was all the lovely bits and
pieces for this week's episode.
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We just want to thank you all for watching
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00:18:42,327 --> 00:18:44,319
and following along on the process.
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And you know, we see you next week
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00:18:47,344 --> 00:18:49,839
on the next Wintergatan Wednesdays.
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Take care everybody. Bye!
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- Boom!
// Subtitled by Wintergatan Writers. Join our team on discord. //