1 00:00:00,375 --> 00:00:03,375 (джаз музика на пиано) 2 00:00:04,610 --> 00:00:08,000 Намираме се в Музея на модерното изкуство и наблюдаваме картина от Макс Ернст, 3 00:00:08,000 --> 00:00:10,660 "Славей заплашва две деца". 4 00:00:10,660 --> 00:00:12,800 Това не е картина в традиционния смисъл. 5 00:00:12,800 --> 00:00:14,200 Има неща в нея. 6 00:00:14,200 --> 00:00:18,850 Доста неща всъщност, които се появяват към нас от самата картина. 7 00:00:18,850 --> 00:00:25,880 Има отворена порта, недовършена къща с някакви предмети на върха ѝ. 8 00:00:25,880 --> 00:00:28,230 Както и нещо, което прилича на топка. 9 00:00:28,230 --> 00:00:33,090 Въпреки тези подобни на играчки предмети, заковани върху картината, 10 00:00:33,090 --> 00:00:35,780 има препратки към традиционното рисуване. 11 00:00:35,780 --> 00:00:37,886 Има дълбоко рецесивно пространство, 12 00:00:37,886 --> 00:00:43,100 което е красиво изразено чрез линейна и атмосферна перспектива, 13 00:00:43,100 --> 00:00:45,870 но традиционното свършва тук. 14 00:00:45,870 --> 00:00:47,610 Включването на предмети от всекидневието 15 00:00:47,610 --> 00:00:51,620 се е практикувало от Пикасо и Брак около десетилетие по-рано, 16 00:00:51,620 --> 00:00:55,580 но в техните картини виждаме форми, които все пак са съгласувани. 17 00:00:55,580 --> 00:00:59,720 Това, което виждаме тук, е нещо много важно за дадаистките художници, 18 00:00:59,720 --> 00:01:03,260 а именно обединяването на наистина различни предмети. 19 00:01:03,260 --> 00:01:06,680 Виждаме заглавието върху нарисуваната рамка, 20 00:01:06,680 --> 00:01:12,269 а после виждаме повърхност нарисувана с гъсто импасто в много плоско зелено 21 00:01:12,269 --> 00:01:17,080 и две фигури нарисувани в грисай, изобразено със сивкави тонове. 22 00:01:17,080 --> 00:01:18,610 И двете фигури са женски. 23 00:01:18,610 --> 00:01:22,250 Изправената сякаш тича, държейки огромен нож. 24 00:01:22,250 --> 00:01:26,670 Косата ѝ се вее зад нея, като създава усещане скорост, за драма, 25 00:01:26,670 --> 00:01:29,780 което предполага, че или бяга, или преследва. 26 00:01:29,780 --> 00:01:32,380 Напълно неясно е обаче кое от двете е. 27 00:01:32,380 --> 00:01:36,230 28 00:01:36,230 --> 00:01:38,500 29 00:01:38,500 --> 00:01:40,060 30 00:01:40,060 --> 00:01:41,760 31 00:01:41,760 --> 00:01:43,330 32 00:01:43,330 --> 00:01:45,920 33 00:01:45,920 --> 00:01:49,460 34 00:01:49,460 --> 00:01:52,830 35 00:01:52,830 --> 00:01:55,450 36 00:01:55,450 --> 00:01:57,310 37 00:01:57,310 --> 00:02:01,280 38 00:02:01,280 --> 00:02:02,920 39 00:02:02,920 --> 00:02:04,770 40 00:02:04,770 --> 00:02:06,740 41 00:02:06,740 --> 00:02:08,520 42 00:02:08,520 --> 00:02:12,140 43 00:02:12,140 --> 00:02:14,620 44 00:02:14,620 --> 00:02:17,080 45 00:02:17,080 --> 00:02:20,510 46 00:02:20,510 --> 00:02:24,170 47 00:02:24,170 --> 00:02:27,720 48 00:02:27,720 --> 00:02:31,350 49 00:02:31,350 --> 00:02:34,730 50 00:02:34,730 --> 00:02:36,770 51 00:02:36,770 --> 00:02:39,230 52 00:02:39,230 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