[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:03.93,0:00:06.30,Default,,0000,0000,0000,,{\i1}Art...{\i0}
Dialogue: 0,0:00:06.30,0:00:07.83,Default,,0000,0000,0000,,{\i1}ArtSleuth{\i0}
Dialogue: 0,0:00:09.70,0:00:12.68,Default,,0000,0000,0000,,A reviving meal
Dialogue: 0,0:00:13.80,0:00:17.22,Default,,0000,0000,0000,,Reapers in a cornfield
Dialogue: 0,0:00:18.28,0:00:21.68,Default,,0000,0000,0000,,Rolling countryside, as far as the eye can see,
Dialogue: 0,0:00:25.18,0:00:28.20,Default,,0000,0000,0000,,A picture by Pieter Bruegel
Dialogue: 0,0:00:28.26,0:00:32.02,Default,,0000,0000,0000,,Peasant life viewed with a sympathetic eye …
Dialogue: 0,0:00:32.02,0:00:35.68,Default,,0000,0000,0000,,…or a powerful land-owner’s lofty condescension?
Dialogue: 0,0:00:36.84,0:00:39.76,Default,,0000,0000,0000,,A question easily answered, one might think:
Dialogue: 0,0:00:39.76,0:00:41.84,Default,,0000,0000,0000,,since this picture belongs to a series
Dialogue: 0,0:00:41.84,0:00:47.70,Default,,0000,0000,0000,,painted by one city-dweller for another - a rich Antwerp merchant…
Dialogue: 0,0:00:55.66,0:00:57.66,Default,,0000,0000,0000,,… and the florid,
Dialogue: 0,0:00:57.68,0:00:58.68,Default,,0000,0000,0000,,haggard
Dialogue: 0,0:00:58.68,0:01:00.40,Default,,0000,0000,0000,,and toil-worn faces
Dialogue: 0,0:01:00.42,0:01:04.36,Default,,0000,0000,0000,,of the people in it hardly tempt one to join the club.
Dialogue: 0,0:01:04.80,0:01:09.82,Default,,0000,0000,0000,,So what do artist and patron want with these peasants, these minute worker ants?
Dialogue: 0,0:01:09.96,0:01:13.36,Default,,0000,0000,0000,,Do they enjoy looking down on them?
Dialogue: 0,0:01:13.40,0:01:16.84,Default,,0000,0000,0000,,And making fun of them?
Dialogue: 0,0:01:16.84,0:01:20.82,Default,,0000,0000,0000,,Or do they find them genuinely interesting?
Dialogue: 0,0:01:20.82,0:01:25.73,Default,,0000,0000,0000,,Episode 10 : Bruegel - {\i1}La Moisson{\i0}\N{\i1}Le Bonheur est dans le pré ?{\i0}
Dialogue: 0,0:01:29.20,0:01:32.06,Default,,0000,0000,0000,,Part 1. Rustic joys
Dialogue: 0,0:01:37.82,0:01:41.80,Default,,0000,0000,0000,,Under a pale moon …
Dialogue: 0,0:01:41.80,0:01:45.86,Default,,0000,0000,0000,,… the golden corn…
Dialogue: 0,0:01:50.70,0:01:53.88,Default,,0000,0000,0000,,methodically cut …
Dialogue: 0,0:01:54.96,0:01:56.84,Default,,0000,0000,0000,,… bundled …
Dialogue: 0,0:01:56.88,0:01:59.58,Default,,0000,0000,0000,,… bound …
Dialogue: 0,0:01:59.62,0:02:02.84,Default,,0000,0000,0000,,… and carried off ...
Dialogue: 0,0:02:03.50,0:02:07.26,Default,,0000,0000,0000,,… in a near-geometrical pattern …
Dialogue: 0,0:02:07.32,0:02:10.26,Default,,0000,0000,0000,,… leads the eye in two directions:
Dialogue: 0,0:02:10.28,0:02:13.02,Default,,0000,0000,0000,,towards the village ...
Dialogue: 0,0:02:13.04,0:02:17.28,Default,,0000,0000,0000,,... with its houses clustered round the steeple.
Dialogue: 0,0:02:18.04,0:02:21.76,Default,,0000,0000,0000,,And … through a carefully ordered landscape to the castle
Dialogue: 0,0:02:21.78,0:02:23.78,Default,,0000,0000,0000,,with its dug-out pond,
Dialogue: 0,0:02:24.96,0:02:26.74,Default,,0000,0000,0000,,dependent hamlet,
Dialogue: 0,0:02:28.02,0:02:30.30,Default,,0000,0000,0000,,toll bridge
Dialogue: 0,0:02:31.40,0:02:34.28,Default,,0000,0000,0000,,and winding roads.
Dialogue: 0,0:02:35.68,0:02:38.28,Default,,0000,0000,0000,,This pear-laden tree
Dialogue: 0,0:02:38.32,0:02:42.76,Default,,0000,0000,0000,,is a perfect image of man’s and nature’s productivity,
Dialogue: 0,0:02:42.84,0:02:45.72,Default,,0000,0000,0000,,and these peasants are - literally and figuratively - at the root of it.
Dialogue: 0,0:02:45.76,0:02:49.06,Default,,0000,0000,0000,,while one of them sleeps , exhausted by his labours,
Dialogue: 0,0:02:49.06,0:02:53.24,Default,,0000,0000,0000,,the others settle down merrily to their meal.
Dialogue: 0,0:02:53.24,0:02:54.92,Default,,0000,0000,0000,,Stirabout comes first,
Dialogue: 0,0:02:54.92,0:02:58.20,Default,,0000,0000,0000,,then it’s out with the knives for bread and cheese,
Dialogue: 0,0:02:58.20,0:03:00.38,Default,,0000,0000,0000,,with fruit as dessert.
Dialogue: 0,0:03:00.38,0:03:04.10,Default,,0000,0000,0000,,A feast fit for a lord - almost!
Dialogue: 0,0:03:04.10,0:03:13.04,Default,,0000,0000,0000,,But this is no general, freeze-frame celebration of the rural life, with its immemorial rhythms and rituals.
Dialogue: 0,0:03:13.08,0:03:18.36,Default,,0000,0000,0000,,In fact, the whole picture is brimming with specifics, and time - the real time embodied in action and change - flows through and animates it.
Dialogue: 0,0:03:19.34,0:03:22.92,Default,,0000,0000,0000,,These strange suspended shapes, for example ...
Dialogue: 0,0:03:22.92,0:03:28.00,Default,,0000,0000,0000,,… are apples which this peasant has shaken from the tree …
Dialogue: 0,0:03:28.00,0:03:30.34,Default,,0000,0000,0000,,… and the children are gathering.
Dialogue: 0,0:03:32.32,0:03:36.38,Default,,0000,0000,0000,,And here, beside another fruit-picker, time speeds up
Dialogue: 0,0:03:36.38,0:03:38.28,Default,,0000,0000,0000,,, and we see a group of men in hot pursuit of others
Dialogue: 0,0:03:38.28,0:03:43.06,Default,,0000,0000,0000,,trespassers, perhaps, chased off by guards from the castle?
Dialogue: 0,0:03:43.88,0:03:47.16,Default,,0000,0000,0000,,For others, it’s time to relax:
Dialogue: 0,0:03:47.18,0:03:49.98,Default,,0000,0000,0000,,This scene of bathing monks is a full action sequence. We see them:
Dialogue: 0,0:03:49.98,0:03:50.94,Default,,0000,0000,0000,,- clothed,
Dialogue: 0,0:03:50.96,0:03:51.94,Default,,0000,0000,0000,,- stripped,
Dialogue: 0,0:03:51.96,0:03:52.98,Default,,0000,0000,0000,,- entering the water,
Dialogue: 0,0:03:53.00,0:03:54.56,Default,,0000,0000,0000,,- testing the temperature,
Dialogue: 0,0:03:54.58,0:03:56.32,Default,,0000,0000,0000,,- getting ready to dive,
Dialogue: 0,0:03:56.32,0:03:58.40,Default,,0000,0000,0000,,- going bottom-up
Dialogue: 0,0:03:58.44,0:04:01.08,Default,,0000,0000,0000,,- waving jubilantly.
Dialogue: 0,0:04:02.10,0:04:05.42,Default,,0000,0000,0000,,And these villagers are playing throw-the-stick:
Dialogue: 0,0:04:05.46,0:04:08.92,Default,,0000,0000,0000,,the one who kills the goose gets to keep it
Dialogue: 0,0:04:08.94,0:04:15.10,Default,,0000,0000,0000,,a game which Hogarth, two centuries later, attacked as cruel and barbaric
Dialogue: 0,0:04:15.96,0:04:23.22,Default,,0000,0000,0000,,Further on, this man - caught in the act of relieving himself in front of the best-kept of the peasants’ houses.
Dialogue: 0,0:04:23.22,0:04:28.56,Default,,0000,0000,0000,,This motif, which recurs in Bruegel’s Proverbs, is a classic expression of contempt
Dialogue: 0,0:04:28.60,0:04:30.40,Default,,0000,0000,0000,,- either for the world, as here,
Dialogue: 0,0:04:30.44,0:04:35.12,Default,,0000,0000,0000,,or for the authority symbolised by the gibbet.
Dialogue: 0,0:04:36.36,0:04:39.84,Default,,0000,0000,0000,,At first sight, this landscape painting seems to depict the three orders in society
Dialogue: 0,0:04:39.88,0:04:44.70,Default,,0000,0000,0000,,- as fixed and immutable as the seasons themselves:
Dialogue: 0,0:04:45.30,0:04:49.10,Default,,0000,0000,0000,,the nobles, who fight to preserve peace and order in this world,
Dialogue: 0,0:04:49.10,0:04:53.02,Default,,0000,0000,0000,,the clergy, who pray for everyone’s salvation in the next,
Dialogue: 0,0:04:53.02,0:04:58.08,Default,,0000,0000,0000,,and ordinary people, who work to satisfy their own and others’ worldly needs.
Dialogue: 0,0:04:58.60,0:05:01.12,Default,,0000,0000,0000,,But the castle here seems diminished and forlorn,
Dialogue: 0,0:05:01.12,0:05:02.80,Default,,0000,0000,0000,,the monks are not praying,
Dialogue: 0,0:05:02.80,0:05:05.00,Default,,0000,0000,0000,,and the only ones working are the peasants.
Dialogue: 0,0:05:06.02,0:05:14.52,Default,,0000,0000,0000,,The only ones? Not quite! The ships in the distance stand for maritime trade, which is booming.
Dialogue: 0,0:05:14.56,0:05:17.48,Default,,0000,0000,0000,,This is the fundamental change reflected in the picture
Dialogue: 0,0:05:17.48,0:05:22.94,Default,,0000,0000,0000,,- and it is taking place on the horizon, well beyond the confines of the old feudal system.
Dialogue: 0,0:05:22.94,0:05:26.28,Default,,0000,0000,0000,,So who is the picture’s real hero?
Dialogue: 0,0:05:26.30,0:05:31.90,Default,,0000,0000,0000,,The peasant working his smallholding, or the merchant who dominates him - and the world?
Dialogue: 0,0:05:36.73,0:05:36.73,Default,,0000,0000,0000,,Part 2. Remote - but riveting
Dialogue: 0,0:05:37.36,0:05:39.34,Default,,0000,0000,0000,,The merchant’s name is Jongelinck,
Dialogue: 0,0:05:39.36,0:05:44.10,Default,,0000,0000,0000,,and Bruegel’s seasons are to hang in the dining room at his country villa.
Dialogue: 0,0:05:44.12,0:05:47.38,Default,,0000,0000,0000,,How does he regard these peasants?
Dialogue: 0,0:05:47.42,0:05:49.84,Default,,0000,0000,0000,,They certainly don’t appear to put much trust in us
Dialogue: 0,0:05:49.86,0:05:53.00,Default,,0000,0000,0000,,- indeed, our watching presence seems positively unwelcome!
Dialogue: 0,0:05:53.00,0:05:55.92,Default,,0000,0000,0000,,…and this motif is ambiguous in Bruegel :
Dialogue: 0,0:05:55.92,0:06:03.38,Default,,0000,0000,0000,,In The Beekeepers, the well-equipped specialists outsmart the amateur and make off with the honey.
Dialogue: 0,0:06:03.44,0:06:08.50,Default,,0000,0000,0000,,In this scene, the jeering peasant, himself on the point of falling into the stream,
Dialogue: 0,0:06:08.54,0:06:13.20,Default,,0000,0000,0000,,is as much the butt of the joke as the rash birdnester in the tree.
Dialogue: 0,0:06:13.24,0:06:19.32,Default,,0000,0000,0000,,Theft itself can be a merry business - take this youthful peasant, who stands for the world,
Dialogue: 0,0:06:19.34,0:06:25.06,Default,,0000,0000,0000,,as he slyly snips the sinister misanthrope’s purse from his belt.
Dialogue: 0,0:06:25.06,0:06:28.86,Default,,0000,0000,0000,,Both Breugel and his patron habitually view ordinary life from a distance -
Dialogue: 0,0:06:28.92,0:06:32.20,Default,,0000,0000,0000,,and this may predispose them to regard theft lightly.
Dialogue: 0,0:06:32.20,0:06:36.46,Default,,0000,0000,0000,,The merchant, indeed, may see it in plain book-keeping terms:
Dialogue: 0,0:06:36.46,0:06:38.46,Default,,0000,0000,0000,,since fruit and sheaves can be counted,
Dialogue: 0,0:06:38.46,0:06:41.18,Default,,0000,0000,0000,,and also the people who need feeding -
Dialogue: 0,0:06:41.18,0:06:43.90,Default,,0000,0000,0000,,the surplus can be calculated too!
Dialogue: 0,0:06:44.52,0:06:48.06,Default,,0000,0000,0000,,But the distance between Bruegel and his subjects becomes most apparent
Dialogue: 0,0:06:48.08,0:06:50.72,Default,,0000,0000,0000,,in his physical treatment of people at work.
Dialogue: 0,0:06:50.74,0:06:53.58,Default,,0000,0000,0000,,Take this other summer scene,
Dialogue: 0,0:06:53.58,0:06:57.40,Default,,0000,0000,0000,,where faces are hidden by carried objects and pitchers
Dialogue: 0,0:06:57.40,0:06:59.64,Default,,0000,0000,0000,,women look like the sheaves they are binding,
Dialogue: 0,0:06:59.64,0:07:02.26,Default,,0000,0000,0000,,and a water jar takes on human shape -
Dialogue: 0,0:07:02.26,0:07:06.14,Default,,0000,0000,0000,,as if these people - otherwise strongly individualised
Dialogue: 0,0:07:06.14,0:07:08.56,Default,,0000,0000,0000,,- were fusing with the work they are doing.
Dialogue: 0,0:07:08.58,0:07:11.16,Default,,0000,0000,0000,,Work requiring physical effort and skill of a kind
Dialogue: 0,0:07:11.18,0:07:14.42,Default,,0000,0000,0000,,far removed from the intellectual agility required of men like Jongelinck:
Dialogue: 0,0:07:14.46,0:07:20.24,Default,,0000,0000,0000,,a passionate art-lover, he has commissioned two other series from Frans Floris.
Dialogue: 0,0:07:20.26,0:07:25.22,Default,,0000,0000,0000,,These engravings reproduce them:one celebrates the seven liberal arts - specially to be admired, since they approximate to pure knowledge,
Dialogue: 0,0:07:25.26,0:07:28.40,Default,,0000,0000,0000,,which serves no utilitarian purpose:
Dialogue: 0,0:07:28.42,0:07:30.86,Default,,0000,0000,0000,,four are linked with mathematics,
Dialogue: 0,0:07:30.88,0:07:32.36,Default,,0000,0000,0000,,- arithmetic,
Dialogue: 0,0:07:32.40,0:07:33.64,Default,,0000,0000,0000,,geometry,
Dialogue: 0,0:07:33.68,0:07:34.86,Default,,0000,0000,0000,,music
Dialogue: 0,0:07:34.88,0:07:36.12,Default,,0000,0000,0000,,and astronomy –
Dialogue: 0,0:07:36.48,0:07:38.32,Default,,0000,0000,0000,,and three with discourse
Dialogue: 0,0:07:38.32,0:07:39.34,Default,,0000,0000,0000,,– grammar,
Dialogue: 0,0:07:39.40,0:07:40.40,Default,,0000,0000,0000,,rhetoric
Dialogue: 0,0:07:40.42,0:07:41.64,Default,,0000,0000,0000,,and logic -
Dialogue: 0,0:07:43.68,0:07:45.76,Default,,0000,0000,0000,,The pictures in the other series trace the 12 labours of Hercules,
Dialogue: 0,0:07:45.76,0:07:47.94,Default,,0000,0000,0000,,which symbolise aristocratic might.
Dialogue: 0,0:07:48.68,0:07:54.30,Default,,0000,0000,0000,,The fact remains that these two series are infinitely more conventional and stereotyped than the Bruegel’s:
Dialogue: 0,0:07:54.30,0:07:58.10,Default,,0000,0000,0000,,they are wooden allegories of a kind which a self-made man,
Dialogue: 0,0:07:58.10,0:08:00.96,Default,,0000,0000,0000,,seeking to ape the style of some enlightened prince, might well choose to put on his walls.
Dialogue: 0,0:08:01.98,0:08:04.94,Default,,0000,0000,0000,,Why do we get the feeling that these rough peasants
Dialogue: 0,0:08:04.94,0:08:07.96,Default,,0000,0000,0000,,are the ones regarded with real interest?
Dialogue: 0,0:08:10.36,0:08:12.30,Default,,0000,0000,0000,,Part 3. Peasants to the fore!
Dialogue: 0,0:08:13.34,0:08:17.46,Default,,0000,0000,0000,,Before Bruegel, the peasants always seem to get mere walk-on parts.
Dialogue: 0,0:08:17.50,0:08:24.22,Default,,0000,0000,0000,,In these nativity scenes, they remain just outside the sacred space - a stable!
Dialogue: 0,0:08:24.24,0:08:26.72,Default,,0000,0000,0000,,Beside their dull, coarse faces, …
Dialogue: 0,0:08:26.72,0:08:31.50,Default,,0000,0000,0000,,… the Virgin is a radiant, pale and delicate vision.
Dialogue: 0,0:08:32.44,0:08:35.96,Default,,0000,0000,0000,,In this book of hours, their life is contrasted with that of the nobles,
Dialogue: 0,0:08:35.98,0:08:40.50,Default,,0000,0000,0000,,in a world whose limits are set by their lord’s majestic castle.
Dialogue: 0,0:08:41.14,0:08:46.32,Default,,0000,0000,0000,,Feasting, hunting and courtly love are for the nobles!
Dialogue: 0,0:08:46.32,0:08:50.00,Default,,0000,0000,0000,,Back-breaking labour for the peasants!
Dialogue: 0,0:08:51.12,0:08:57.72,Default,,0000,0000,0000,,A century later, Bruegel turns everything round: the work of the peasants is made to seem monumental …
Dialogue: 0,0:08:57.76,0:09:02.98,Default,,0000,0000,0000,,… and the life of the nobles frivolous and irrelevant.
Dialogue: 0,0:09:03.34,0:09:06.84,Default,,0000,0000,0000,,The other pictures in the “seasons” series confirm this impression:
Dialogue: 0,0:09:06.84,0:09:09.06,Default,,0000,0000,0000,,the world has expanded,
Dialogue: 0,0:09:09.06,0:09:12.56,Default,,0000,0000,0000,,the proud fortresses have receded
Dialogue: 0,0:09:12.58,0:09:17.34,Default,,0000,0000,0000,,and, paradoxically, the peasant world has become interesting.
Dialogue: 0,0:09:17.36,0:09:19.10,Default,,0000,0000,0000,,Why?
Dialogue: 0,0:09:19.14,0:09:23.62,Default,,0000,0000,0000,,Perhaps because the middle-class elite – totally absorbed in the world’s affairs –
Dialogue: 0,0:09:23.62,0:09:27.98,Default,,0000,0000,0000,,secretly envy the peasant’s narrow horizons.
Dialogue: 0,0:09:29.08,0:09:33.92,Default,,0000,0000,0000,,While storm-battered ships are lost at sea, and fortunes lost with them…
Dialogue: 0,0:09:33.96,0:09:37.20,Default,,0000,0000,0000,,… peasant life goes on quietly…
Dialogue: 0,0:09:39.32,0:09:42.20,Default,,0000,0000,0000,,… and even leaves room for game and role playing
Dialogue: 0,0:09:42.68,0:09:47.66,Default,,0000,0000,0000,,a paper crown, two thick cushions and a collar taken from a cow are enough
Dialogue: 0,0:09:47.68,0:09:50.90,Default,,0000,0000,0000,,to make this child feel like one of the magi,
Dialogue: 0,0:09:50.92,0:09:56.18,Default,,0000,0000,0000,,and a flute is all the adults need to parody the bucolic loves of classical mythology
Dialogue: 0,0:09:57.58,0:10:03.56,Default,,0000,0000,0000,,Here, two obviously urban visitors appear between this unselfconscious figure
Dialogue: 0,0:10:03.56,0:10:07.34,Default,,0000,0000,0000,,and the merrily cavorting dancers in front of the sinister gibbet …
Dialogue: 0,0:10:07.34,0:10:10.88,Default,,0000,0000,0000,,… which also turns up in another seasonal panel.
Dialogue: 0,0:10:10.88,0:10:14.04,Default,,0000,0000,0000,,The execution is a gri mly recent memory, …
Dialogue: 0,0:10:14.06,0:10:18.42,Default,,0000,0000,0000,,… but the dominant note in this scene is pleasure at the sight of the fat rumps of these contented cattle,
Dialogue: 0,0:10:18.46,0:10:23.16,Default,,0000,0000,0000,,…ambling home to the peaceful hamlet, with its playing children.
Dialogue: 0,0:10:26.50,0:10:30.62,Default,,0000,0000,0000,,This winter scene, finally, suggests a similar link between the playful instincts of the artist,
Dialogue: 0,0:10:30.62,0:10:33.24,Default,,0000,0000,0000,,who conceals the freezing dogs’ heads
Dialogue: 0,0:10:33.26,0:10:37.62,Default,,0000,0000,0000,,and gives us a near-abstract bouquet of corkscrew tails ...
Dialogue: 0,0:10:37.64,0:10:44.82,Default,,0000,0000,0000,,… and those of the skating villagers, who here display a far broader range of human reactions and feelings than they do when they are working.
Dialogue: 0,0:10:44.82,0:10:46.92,Default,,0000,0000,0000,,Between the two extremes - the watchers from the edge
Dialogue: 0,0:10:46.94,0:10:48.88,Default,,0000,0000,0000,,and the seasoned performers, we get:
Dialogue: 0,0:10:48.92,0:10:51.68,Default,,0000,0000,0000,,…cautious beginners…
Dialogue: 0,0:10:51.70,0:10:54.18,Default,,0000,0000,0000,,…those who help others…
Dialogue: 0,0:10:54.22,0:10:55.78,Default,,0000,0000,0000,,…mishaps...
Dialogue: 0,0:10:55.78,0:10:57.42,Default,,0000,0000,0000,,…disasters...
Dialogue: 0,0:10:57.48,0:10:59.58,Default,,0000,0000,0000,,…and surprises
Dialogue: 0,0:11:01.32,0:11:06.16,Default,,0000,0000,0000,,And so the difference between Jongelinck and the peasants is not a difference in their nature
Dialogue: 0,0:11:06.18,0:11:08.86,Default,,0000,0000,0000,,- like that between serf and feudal lord -
Dialogue: 0,0:11:08.86,0:11:12.18,Default,,0000,0000,0000,,but a difference in the breadth of their horizons.
Dialogue: 0,0:11:14.00,0:11:17.66,Default,,0000,0000,0000,,Jongelinck owned one more picture by Bruegel:
Dialogue: 0,0:11:17.66,0:11:19.66,Default,,0000,0000,0000,,The Tower of Babel,
Dialogue: 0,0:11:19.68,0:11:23.14,Default,,0000,0000,0000,,which the artist placed in a contemporary Flemish town.
Dialogue: 0,0:11:24.12,0:11:28.14,Default,,0000,0000,0000,,It certainly denounces human pride.
Dialogue: 0,0:11:28.74,0:11:35.68,Default,,0000,0000,0000,,But it also marks a new divide between the ambitious urban elite, who fix their eyes on the horizon,
Dialogue: 0,0:11:35.68,0:11:38.28,Default,,0000,0000,0000,,and who love to build
Dialogue: 0,0:11:38.28,0:11:40.28,Default,,0000,0000,0000,,and take risks...
Dialogue: 0,0:11:41.86,0:11:44.58,Default,,0000,0000,0000,,…and the great mass of the people, who stick to what they know,
Dialogue: 0,0:11:44.62,0:11:47.12,Default,,0000,0000,0000,,and never dream of stirring from their own small patch of land.
Dialogue: 0,0:11:49.42,0:11:56.70,Default,,0000,0000,0000,,The Seasons thus convey a sense of affinity and also remoteness:
Dialogue: 0,0:11:57.58,0:12:03.30,Default,,0000,0000,0000,,affinity of the man who sees in the peasant a living reminder of humanity’s childhood, …
Dialogue: 0,0:12:03.30,0:12:08.24,Default,,0000,0000,0000,,…with which it is good to reconnect;
Dialogue: 0,0:12:08.28,0:12:15.78,Default,,0000,0000,0000,,remoteness of the merchant displaying all the superiority of a far- sighted visionary
Dialogue: 0,0:12:18.74,0:12:27.80,Default,,0000,0000,0000,,and contesting the voluptuous, decadent nobles’ control of the land.
Dialogue: 0,0:12:39.52,0:12:44.75,Default,,0000,0000,0000,,This was the last episode of ArtSleuth season 1\NDo you want more?
Dialogue: 0,0:12:44.75,0:12:50.92,Default,,0000,0000,0000,,Find more information on: www.canal-educatif.fr
Dialogue: 0,0:12:50.92,0:12:55.25,Default,,0000,0000,0000,,Written and directed by:
Dialogue: 0,0:12:55.25,0:12:59.52,Default,,0000,0000,0000,,Produced by:
Dialogue: 0,0:12:59.52,0:13:03.78,Default,,0000,0000,0000,,Scientific expert:
Dialogue: 0,0:13:03.78,0:13:08.08,Default,,0000,0000,0000,,Founding and public support:
Dialogue: 0,0:13:08.08,0:13:12.35,Default,,0000,0000,0000,,Voiceover:
Dialogue: 0,0:13:12.35,0:13:16.65,Default,,0000,0000,0000,,Editing & motion graphics:
Dialogue: 0,0:13:16.65,0:13:20.92,Default,,0000,0000,0000,,Post-production / Sound recording
Dialogue: 0,0:13:20.92,0:13:25.25,Default,,0000,0000,0000,,Music supervisor
Dialogue: 0,0:13:25.25,0:13:29.52,Default,,0000,0000,0000,,Music
Dialogue: 0,0:13:29.52,0:13:33.78,Default,,0000,0000,0000,,Special thanks\NEnglish subtitles: Vincent Nash
Dialogue: 0,0:13:33.78,0:13:35.78,Default,,0000,0000,0000,,A CED film