1
00:00:09,140 --> 00:00:12,400
On est en pleine installation 
de "Party on the CAPS".

2
00:00:14,150 --> 00:00:16,180
Ce mur incurvé 
récupéré en trois parties

3
00:00:16,180 --> 00:00:17,630
va être assemblé,

4
00:00:17,630 --> 00:00:18,630
peint,

5
00:00:18,630 --> 00:00:19,980
et finalement installé.

6
00:00:19,980 --> 00:00:22,280
En fait, 
ce sera un écran.

7
00:00:27,560 --> 00:00:29,480
J'ai ces paramètres,

8
00:00:29,490 --> 00:00:30,849
le son,

9
00:00:30,849 --> 00:00:32,880
l'édition,
l'animation.

10
00:00:34,300 --> 00:00:36,620
Tout est conçu pour le film.

11
00:00:38,960 --> 00:00:40,540
Ensuite j'ajoute l'espace,

12
00:00:40,559 --> 00:00:41,860
le nombre d'écrans,

13
00:00:41,860 --> 00:00:42,740
l'envergure.

14
00:00:43,580 --> 00:00:46,120
Donc tout commence à prendre forme,

15
00:00:46,130 --> 00:00:47,320
et voici la touche finale:

16
00:00:47,320 --> 00:00:51,840
la vidéo s'étale enfin
sur la surface construite pour elle.

17
00:00:54,970 --> 00:00:58,040
le problème c'est que,
les parties élevées n'ont jamais l'air droites.

18
00:00:58,040 --> 00:01:01,150
C'est le moment où j'édite mon film,

19
00:01:01,150 --> 00:01:03,320
en utilisant l'espace au lieu du temps.

20
00:01:03,900 --> 00:01:06,820
j'y vais <i>shot</i> après <i>shot</i>

21
00:01:06,820 --> 00:01:10,060
et pour chaque <i>shot</i>,
je choisis ce que vous voyez et où.

22
00:01:11,580 --> 00:01:12,580
Je peux faire des <i>cuts</i>,

23
00:01:12,580 --> 00:01:13,760
mais je peux aussi vous les montrer 
dans des endroits différents.

24
00:01:13,760 --> 00:01:14,760
Cela agit sur votre 
expérience du film.

25
00:01:14,760 --> 00:01:17,960
["Meriem Bennani: In Between Languages"]

26
00:01:20,160 --> 00:01:26,380
Les sculptures sont arrivées
avec le film en tête.

27
00:01:29,280 --> 00:01:32,820
Je n'ai jamais créé une sculpture
qui ne soit pas en lien avec le film.

28
00:01:34,300 --> 00:01:37,920
Tu y amènes des choses qui sont

29
00:01:40,380 --> 00:01:42,940
caractéristiques d'une autre façon de penser.

30
00:01:42,940 --> 00:01:46,360
Grâce à l'animation

31
00:01:50,560 --> 00:01:53,940
tu comprends la touche d'humour.

32
00:01:53,940 --> 00:01:55,400
Alors tu peux créer 
des sculptures marrantes

33
00:02:02,460 --> 00:02:04,620
Donc j'obtiens la version finale
de la vidéo,

34
00:02:06,800 --> 00:02:09,539
c'est le film que vous regardez,

35
00:02:09,540 --> 00:02:11,660
ensuite les sculptures,

36
00:02:15,020 --> 00:02:16,720
qui viennent d'un monde numérique

37
00:02:16,720 --> 00:02:19,520
que j'imagine.

38
00:02:19,520 --> 00:02:20,760
Elles sont alors fabriquées.

39
00:02:24,080 --> 00:02:25,780
Donc elles viennent tous d'endroit opposés
et se rejoignent au milieu.

40
00:02:26,120 --> 00:02:29,380
[LES CLOCHES DE L'ÉCOLE SONNENT]

41
00:02:32,940 --> 00:02:34,960
Je suis retournée dans mon lycée
à Rabbat au Maroc.

42
00:02:36,240 --> 00:02:39,180
et j'ai filmé 
un groupe d'adolescents.

43
00:02:40,620 --> 00:02:43,580
["Mission Teens"]

44
00:02:45,400 --> 00:02:47,280
Le sujet de "MISSION TEENS"
est la culture Francophone au Maroc.

45
00:02:52,440 --> 00:02:57,120
[UNE FEMME, EN FRANÇAIS]
--Je suis dans le système français

46
00:02:57,139 --> 00:03:00,569
--depuis...

47
00:03:00,569 --> 00:03:02,040
--depuis la crèche.

48
00:03:02,060 --> 00:03:03,580
[BENNANI]
Le plus gros outil

49
00:03:03,600 --> 00:03:04,800
que les Français utilisent
pour maintenir ce pouvoir

50
00:03:04,800 --> 00:03:06,290
est l'éducation.

51
00:03:06,290 --> 00:03:07,290
[SHEEP, EN FRANÇAIS]
--

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