WEBVTT 00:00:00.586 --> 00:00:05.356 Do you think it's possible to control someone's attention? 00:00:05.356 --> 00:00:06.500 Even more than that, 00:00:06.500 --> 00:00:09.816 what about predicting human behavior? 00:00:09.816 --> 00:00:12.035 I think those are interesting ideas, if you could. 00:00:12.035 --> 00:00:14.162 I mean, for me, that would be the perfect superpower, 00:00:14.162 --> 00:00:16.579 actually kind of an evil way of approaching it. 00:00:16.579 --> 00:00:19.743 But for myself, in the past, I've spent the last 20 years 00:00:19.743 --> 00:00:23.245 studying human behavior from a rather unorthodox way: 00:00:23.245 --> 00:00:25.201 picking pockets. 00:00:25.201 --> 00:00:26.741 When we think of misdirection, 00:00:26.741 --> 00:00:29.045 we think of something as looking off to the side, 00:00:29.045 --> 00:00:31.773 when actually it's often the things that are right in front of us 00:00:31.773 --> 00:00:32.978 that are the hardest things to see, 00:00:32.978 --> 00:00:35.941 the things that you look at every day that you're blinded to. NOTE Paragraph 00:00:35.941 --> 00:00:38.107 For example, how many of you still have your cell phones 00:00:38.107 --> 00:00:40.671 on you right now? 00:00:40.671 --> 00:00:41.912 Great. Double-check. 00:00:41.912 --> 00:00:43.238 Make sure you still have them on you. 00:00:43.238 --> 00:00:46.173 I was doing some shopping beforehand. 00:00:46.173 --> 00:00:47.974 Now you've looked at them probably a few times today, 00:00:47.974 --> 00:00:49.426 but I'm going to ask you a question about them. 00:00:49.426 --> 00:00:51.343 Without looking at your cell phone directly yet, 00:00:51.343 --> 00:00:55.784 can you remember the icon in the bottom right corner? 00:00:55.784 --> 00:00:58.540 Bring them out, check, and see how accurate you were. 00:01:01.969 --> 00:01:05.966 How'd you do? Show of hands. Did we get it? NOTE Paragraph 00:01:05.966 --> 00:01:08.121 Now that you're done looking at those, close them down, 00:01:08.121 --> 00:01:09.878 because every phone has something in common. 00:01:09.878 --> 00:01:11.943 No matter how you organize the icons, 00:01:11.943 --> 00:01:13.703 you still have a clock on the front. 00:01:13.703 --> 00:01:17.390 So, without looking at your phone, what time was it? 00:01:17.390 --> 00:01:19.473 You just looked at your clock, right? 00:01:19.473 --> 00:01:22.909 It's an interesting idea. Now, I'll ask you to take that a step further with a game of trust. 00:01:22.909 --> 00:01:24.717 Close your eyes. 00:01:24.717 --> 00:01:27.365 I realize I'm asking you to do that while you just heard 00:01:27.365 --> 00:01:30.655 there's a pickpocket in the room, but close your eyes. NOTE Paragraph 00:01:30.655 --> 00:01:33.929 Now, you've been watching me for about 30 seconds. 00:01:33.929 --> 00:01:37.742 With your eyes closed, what am I wearing? 00:01:37.742 --> 00:01:39.163 Make your best guess. 00:01:39.163 --> 00:01:42.528 What color is my shirt? What color is my tie? 00:01:42.528 --> 00:01:44.046 Now open your eyes. 00:01:44.046 --> 00:01:46.666 By a show of hands, were you right? NOTE Paragraph 00:01:46.666 --> 00:01:48.885 It's interesting, isn't it? Some of us are a little bit 00:01:48.885 --> 00:01:50.888 more perceptive than others. It seems that way. 00:01:50.888 --> 00:01:53.902 But I have a different theory about that, that model of attention. 00:01:53.902 --> 00:01:57.614 They have fancy models of attention, Posner's trinity model of attention. 00:01:57.614 --> 00:02:00.801 For me, I like to think of it very simple, like a surveillance system. 00:02:00.801 --> 00:02:03.763 It's kind of like you have all these fancy sensors, 00:02:03.763 --> 00:02:06.016 and inside your brain is a little security guard. 00:02:06.016 --> 00:02:08.282 For me, I like to call him Frank. 00:02:08.282 --> 00:02:10.512 So Frank is sitting at a desk. 00:02:10.512 --> 00:02:12.730 He's got all sorts of cool information in front of him, 00:02:12.730 --> 00:02:14.749 high-tech equipment, he's got cameras, 00:02:14.749 --> 00:02:17.879 he's got a little phone that he can pick up, listen to the ears, 00:02:17.879 --> 00:02:20.354 all these senses, all these perceptions. 00:02:20.354 --> 00:02:22.923 But attention is what steers your perceptions, 00:02:22.923 --> 00:02:26.576 is what controls your reality. It's the gateway to the mind. 00:02:26.576 --> 00:02:29.411 If you don't attend to something, you can't be aware of it. 00:02:29.411 --> 00:02:32.922 But ironically, you can attend to something without being aware of it. 00:02:32.922 --> 00:02:34.409 That's why there's the cocktail effect: 00:02:34.409 --> 00:02:36.903 When you're in a party, you're having conversations with someone, 00:02:36.903 --> 00:02:38.334 and yet you can recognize your name 00:02:38.334 --> 00:02:40.915 and you didn't even realize you were listening to that. NOTE Paragraph 00:02:40.915 --> 00:02:43.858 Now, for my job, I have to play with techniques to exploit this, 00:02:43.858 --> 00:02:46.919 to play with your attention as a limited resource. 00:02:46.919 --> 00:02:50.054 So if I could control how you spend your attention, 00:02:50.054 --> 00:02:53.087 if I could maybe steal your attention through a distraction. 00:02:53.087 --> 00:02:55.871 Now, instead of doing it like misdirection 00:02:55.871 --> 00:02:57.323 and throwing it off to the side, 00:02:57.323 --> 00:02:59.903 instead, what I choose to focus on is Frank, 00:02:59.903 --> 00:03:02.503 to be able to play with the Frank inside your head, 00:03:02.503 --> 00:03:03.443 your little security guard, 00:03:03.443 --> 00:03:06.480 and get you, instead of focusing on your external senses, 00:03:06.480 --> 00:03:09.365 just to go internal for a second. 00:03:09.365 --> 00:03:12.575 So if I ask you to access a memory, like, what is that? 00:03:12.575 --> 00:03:14.187 What just happened? Do you have a wallet? 00:03:14.187 --> 00:03:16.078 Do you have an American Express in your wallet? 00:03:16.078 --> 00:03:19.850 And when I do that, your Frank turns around. 00:03:19.850 --> 00:03:22.105 He accesses the file. He has to rewind the tape. 00:03:22.105 --> 00:03:24.268 And what's interesting is, he can't rewind the tape 00:03:24.268 --> 00:03:27.198 at the same time that he's trying to process new data. NOTE Paragraph 00:03:27.198 --> 00:03:28.553 Now, I mean, this sounds like a good theory, 00:03:28.553 --> 00:03:31.271 but I could talk for a long time and tell you lots of things, 00:03:31.271 --> 00:03:33.257 and they may be true, a portion of them, 00:03:33.257 --> 00:03:35.987 but I think it's better if I tried to show that to you here live. 00:03:35.987 --> 00:03:38.414 So if I come down, I'm going to do a little bit of shopping. 00:03:38.414 --> 00:03:41.923 Just hold still where you are. NOTE Paragraph 00:03:43.345 --> 00:03:46.211 Hello, how are you? It's lovely to see you. 00:03:46.211 --> 00:03:47.629 You did a wonderful job onstage. 00:03:47.629 --> 00:03:49.339 You have a lovely watch that doesn't come off very well. 00:03:49.339 --> 00:03:50.666 Do you have your ring as well? 00:03:50.666 --> 00:03:52.910 Good. Just taking inventory. You're like a buffet. 00:03:52.910 --> 00:03:55.492 It's hard to tell where to start, there's so many great things. NOTE Paragraph 00:03:55.492 --> 00:03:57.625 Hi, how are you? Good to see you. NOTE Paragraph 00:03:57.625 --> 00:04:00.474 Hi, sir, could you stand up for me, please? Just right where you are. 00:04:00.474 --> 00:04:02.143 Oh, you're married. You follow directions well. 00:04:02.143 --> 00:04:03.326 That's nice to meet you, sir. 00:04:03.326 --> 00:04:07.176 You don't have a whole lot inside your pockets. Anything down by the pocket over here? 00:04:07.176 --> 00:04:09.720 Hopefully so. Have a seat. There you go. You're doing well. NOTE Paragraph 00:04:09.720 --> 00:04:11.628 Hi, sir, how are you? 00:04:11.628 --> 00:04:13.658 Good to see you, sir. You have a ring, a watch. 00:04:13.658 --> 00:04:15.839 Do you have a wallet on you? Joe: I don't. 00:04:15.839 --> 00:04:17.167 Apollo Robbins: Well, we'll find one for you. 00:04:17.167 --> 00:04:18.408 Come on up this way, Joe. 00:04:18.408 --> 00:04:19.720 Give Joe a round of applause. 00:04:19.720 --> 00:04:21.400 Come on up Joe. Let's play a game. NOTE Paragraph 00:04:21.400 --> 00:04:26.437 (Applause) NOTE Paragraph 00:04:26.437 --> 00:04:28.535 Pardon me. NOTE Paragraph 00:04:28.535 --> 00:04:30.651 I don't think I need this clicker anymore. You can have that. 00:04:30.651 --> 00:04:32.603 Thank you very much. I appreciate that. NOTE Paragraph 00:04:32.603 --> 00:04:34.562 Come on up to the stage, Joe. Let's play a little game now. 00:04:34.562 --> 00:04:38.275 Do you have anything in your front pockets? Joe: Money. 00:04:38.275 --> 00:04:40.345 AR: Money. All right, let's try that. 00:04:40.345 --> 00:04:43.059 Can you stand right over this way for me? 00:04:43.059 --> 00:04:44.457 Turn around and, let's see, 00:04:44.457 --> 00:04:46.102 if I give you something that belongs to me, 00:04:46.102 --> 00:04:50.027 this is just something I have, a poker chip. 00:04:50.027 --> 00:04:52.786 Hold out your hand for me. Watch it kind of closely. 00:04:52.786 --> 00:04:55.320 Now this is a task for you to focus on. 00:04:55.320 --> 00:04:58.152 Now you have your money in your front pocket here? Joe: Yup. 00:04:58.152 --> 00:05:00.303 AR: Good. I'm not going to actually put my hand in your pocket. 00:05:00.303 --> 00:05:02.173 I'm not ready for that kind of commitment. 00:05:02.173 --> 00:05:03.578 One time a guy had a hole in his pocket, 00:05:03.578 --> 00:05:05.655 and that was rather traumatizing for me. 00:05:05.655 --> 00:05:07.219 I was looking for his wallet and he gave me his phone number. 00:05:07.219 --> 00:05:08.819 It was a big miscommunication. NOTE Paragraph 00:05:08.819 --> 00:05:12.158 So let's do this simply. Squeeze your hand. 00:05:12.158 --> 00:05:15.144 Squeeze it tight. Do you feel the poker chip in your hand? Joe: I do. 00:05:15.144 --> 00:05:17.626 AR: Would you be surprised if I could take it out of your hand? Say yes. 00:05:17.641 --> 00:05:18.829 Joe: Very. AR: Good. 00:05:18.829 --> 00:05:21.034 Open your hand. Thank you very much. 00:05:21.034 --> 00:05:22.679 I'll cheat if you give me a chance. 00:05:22.679 --> 00:05:24.846 Make it harder for me. Just use your hand. 00:05:24.846 --> 00:05:26.815 Grab my wrist, but squeeze, squeeze firm. 00:05:26.815 --> 00:05:28.337 Did you see it go? 00:05:28.337 --> 00:05:30.321 Joe: No. AR: No, it's not here. Open your hand. 00:05:30.321 --> 00:05:31.737 See, while we're focused on the hand, 00:05:31.737 --> 00:05:34.933 it's sitting on your shoulder right now. 00:05:34.933 --> 00:05:36.566 Go ahead and take it off. 00:05:36.566 --> 00:05:38.038 Now, let's try that again. 00:05:38.038 --> 00:05:39.914 Hold your hand out flat. Open it up all the way. 00:05:39.914 --> 00:05:42.426 Put your hand up a little bit higher, but watch it close there, Joe. 00:05:42.426 --> 00:05:45.983 See, if I did it slowly, it'd be back on your shoulder. 00:05:45.983 --> 00:05:47.423 (Laughter) 00:05:47.423 --> 00:05:49.750 Joe, we're going to keep doing this till you catch it. 00:05:49.750 --> 00:05:51.288 You're going to get it eventually. I have faith in you. 00:05:51.288 --> 00:05:54.030 Squeeze firm. You're human, you're not slow. 00:05:54.030 --> 00:05:56.400 It's back on your shoulder. 00:05:56.400 --> 00:05:58.279 You were focused on your hand. That's why you were distracted. 00:05:58.279 --> 00:06:01.353 While you were watching this, I couldn't quite get your watch off. It was difficult. 00:06:01.353 --> 00:06:03.131 Yet you had something inside your front pocket. 00:06:03.131 --> 00:06:05.269 Do you remember what it was? 00:06:05.269 --> 00:06:06.246 Joe: Money. 00:06:06.246 --> 00:06:09.686 AR: Check your pocket. See if it's still there. Is it still there? (Laughter) 00:06:09.686 --> 00:06:11.655 Oh, that's where it was. Go ahead and put it away. 00:06:11.655 --> 00:06:14.243 We're just shopping. This trick's more about the timing, really. 00:06:14.243 --> 00:06:15.715 I'm going to try to push it inside your hand. 00:06:15.715 --> 00:06:18.748 Put your other hand on top for me, would you? 00:06:18.748 --> 00:06:20.368 It's amazingly obvious now, isn't it? 00:06:20.368 --> 00:06:22.490 It looks a lot like the watch I was wearing, doesn't it? NOTE Paragraph 00:06:22.490 --> 00:06:24.550 (Laughter) (Applause) NOTE Paragraph 00:06:24.550 --> 00:06:29.274 Joe: That's pretty good. That's pretty good. AR: Oh, thanks. 00:06:29.274 --> 00:06:32.130 But it's only a start. Let's try it again, a little bit differently. 00:06:32.130 --> 00:06:34.426 Hold your hands together. Put your other hand on top. 00:06:34.426 --> 00:06:36.337 Now if you're watching this little token, 00:06:36.337 --> 00:06:39.220 this obviously has become a little target. It's like a red herring. 00:06:39.220 --> 00:06:41.573 If we watch this kind of close, it looks like it goes away. 00:06:41.573 --> 00:06:43.673 It's not back on your shoulder. 00:06:43.673 --> 00:06:46.000 It falls out of the air, lands right back in the hand. 00:06:46.000 --> 00:06:48.213 Did you see it go? 00:06:48.213 --> 00:06:51.566 Yeah, it's funny. We've got a little guy. He's union. He works up there all day. 00:06:51.566 --> 00:06:53.402 If I did it slowly, if it goes straightaway, 00:06:53.402 --> 00:06:56.146 it lands down by your pocket. I believe is it in this pocket, sir? 00:06:56.146 --> 00:06:58.371 No, don't reach in your pocket. That's a different show. 00:06:58.371 --> 00:07:01.476 So -- (Squeaking noise) -- that's rather strange. They have shots for that. 00:07:01.476 --> 00:07:04.600 Can I show them what that is? That's rather bizarre. Is this yours, sir? 00:07:04.600 --> 00:07:06.878 I have no idea how that works. We'll just send that over there. NOTE Paragraph 00:07:06.878 --> 00:07:08.810 That's great. I need help with this one. 00:07:08.810 --> 00:07:10.392 Step over this way for me. 00:07:10.392 --> 00:07:13.238 Now don't run away. You had something down by your pants pocket. 00:07:13.238 --> 00:07:15.454 I was checking mine. I couldn't find everything, 00:07:15.454 --> 00:07:16.759 but I noticed you had something here. 00:07:16.759 --> 00:07:19.131 Can I feel the outside of your pocket for a moment? 00:07:19.131 --> 00:07:21.389 Down here I noticed this. Is this something of yours, sir? 00:07:21.389 --> 00:07:24.034 Is this? I have no idea. That's a shrimp. NOTE Paragraph 00:07:24.034 --> 00:07:26.160 Joe: Yeah. I'm saving it for later. NOTE Paragraph 00:07:26.160 --> 00:07:29.208 AR: You've entertained all of these people in a wonderful way, 00:07:29.208 --> 00:07:30.373 better than you know. 00:07:30.373 --> 00:07:34.134 So we'd love to give you this lovely watch as a gift. (Laughter) 00:07:34.134 --> 00:07:35.522 Hopefully it matches his taste. 00:07:35.522 --> 00:07:37.245 But also, we have a couple of other things, 00:07:37.245 --> 00:07:40.488 a little bit of cash, and then we have a few other things. 00:07:40.488 --> 00:07:41.921 These all belong to you, 00:07:41.921 --> 00:07:44.880 along with a big round of applause from all your friends. (Applause) NOTE Paragraph 00:07:44.880 --> 00:07:46.467 Joe, thank you very much. NOTE Paragraph 00:07:46.467 --> 00:07:53.863 (Applause) NOTE Paragraph 00:07:53.863 --> 00:07:56.387 So, same question I asked you before, 00:07:56.387 --> 00:07:59.403 but this time you don't have to close your eyes. 00:07:59.403 --> 00:08:01.848 What am I wearing? NOTE Paragraph 00:08:01.848 --> 00:08:04.739 (Laughter) NOTE Paragraph 00:08:04.739 --> 00:08:10.550 (Applause) NOTE Paragraph 00:08:10.550 --> 00:08:12.899 Attention is a powerful thing. 00:08:12.899 --> 00:08:15.698 Like I said, it shapes your reality. 00:08:15.698 --> 00:08:18.319 So, I guess I'd like to pose that question to you. 00:08:18.319 --> 00:08:20.190 If you could control somebody's attention, 00:08:20.190 --> 00:08:22.409 what would you do with it? NOTE Paragraph 00:08:22.409 --> 00:08:23.711 Thank you. NOTE Paragraph 00:08:23.711 --> 00:08:30.188 (Applause)