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ART21 PRESENTA

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ARTE EN EL SIGLO XXI

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FRÁGIL

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(Anicka) Los seres humanos
le tememos a lo efímero.

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Vamos en contra de la naturaleza
para intentar preservar, estabilizar

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y controlar algo 
que se resiste a todo eso.

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Hacia el año 2010,
comencé a freír flores y plantas.

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Con esta pasta bastante densa

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recubres la flor 
y esta comienza como a destruirla,

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y, luego, la sumerges
en aceite hirviendo a 300 grados.

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Sin duda, el aspecto visual
es el que esperaba conseguir,

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pero el olor a papas fritas...

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(ríe)

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en una obra de arte

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fue lo que me llevó a querer freír
una tanda de flores.

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Mis obras siempre han tenido
un increíble aspecto de vulnerabilidad.

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Muchas de mis obras
llevan el elemento del deterioro

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y de materiales perecederos.

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Me gusta la mutación
que resulta de estos cambios.

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Trabajo con seres vivos,

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gel conductor para ultrasonido,

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bacterias,

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algas,

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alga kelp y jabón.

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Se ve muy bien.
Me había olvidado de esto.

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Es como si lo estuviera viendo 
por primera vez.

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Se ve muy bien.

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Hay una cierta sensualidad en este jabón.

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Lo que realmente me seduce

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es ese brillo, 
como algo que flota en el agua.

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-Y es difícil lograrlo.
-(Esther) Sí.

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(Anicka) La resina no hace ese efecto,

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- el acrílico, tampoco...
-(Esther) Cierto.

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Y, aunque sea difícil y volátil,

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intento capturar y retener
esa característica.

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Puedo anticiparte qué pasará,

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porque la glicerina es un humectante.

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Con el paso del tiempo y lentamente
se encogerá un poco.

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¿No hay problema con eso?

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Si obtienes marcas, cortes y tajos,

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está bien, no es la intensión
que sea algo impoluto y perfecto.

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(Anicka) Soy una especie de omnívora

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en las áreas y las disciplinas
en las que trabajo.

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Para llegar a tener una idea desarrollada,

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comienzo haciendo pequeños ensayos
en el estudio,

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como se haría en un laboratorio.

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Cuando los ensayos
comienzan a dar sus frutos,

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convocamos a los expertos
para que nos ayuden.

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Ya sea alguien
que se dedica a la ingeniería de software

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o a la química forense

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o a la elaboración de perfumes.

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