[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:10.98,0:00:12.67,Default,,0000,0000,0000,,Hi, how're ya doing?\NJustin here.
Dialogue: 0,0:00:12.67,0:00:14.95,Default,,0000,0000,0000,,Welcome to IM-142,
Dialogue: 0,0:00:14.95,0:00:18.60,Default,,0000,0000,0000,,which is the one minute chord changes,\Nfor Foundation 4.
Dialogue: 0,0:00:18.60,0:00:20.77,Default,,0000,0000,0000,,Now, I'm pretty sure, \Nyou know the drill by now,
Dialogue: 0,0:00:20.77,0:00:23.18,Default,,0000,0000,0000,,where you're going to be changing out chords \Nas fast as we can,
Dialogue: 0,0:00:23.18,0:00:25.15,Default,,0000,0000,0000,,between chords that we already know,
Dialogue: 0,0:00:25.15,0:00:27.08,Default,,0000,0000,0000,,and chords that we're just learning.
Dialogue: 0,0:00:27.08,0:00:31.24,Default,,0000,0000,0000,,Now, I've got a suggested five chord changes\Nthat you might like to start off with,
Dialogue: 0,0:00:31.24,0:00:33.27,Default,,0000,0000,0000,,but make sure that you remember,
Dialogue: 0,0:00:33.27,0:00:35.01,Default,,0000,0000,0000,,if there is any that you find easy,
Dialogue: 0,0:00:35.01,0:00:38.80,Default,,0000,0000,0000,,you should substitute them with some changes \Nthat you find really difficult,
Dialogue: 0,0:00:38.80,0:00:42.68,Default,,0000,0000,0000,,because you get best, \Nif you practice what you can't do,
Dialogue: 0,0:00:42.68,0:00:45.16,Default,,0000,0000,0000,,and don't practice what you can.
Dialogue: 0,0:00:45.16,0:00:48.93,Default,,0000,0000,0000,,Ok, let's get to a close-up \Nand check out my suggested changes.
Dialogue: 0,0:00:49.83,0:00:51.94,Default,,0000,0000,0000,,The first of my suggested changes
Dialogue: 0,0:00:51.94,0:00:56.34,Default,,0000,0000,0000,,is between an A major chord,\Nusing an E shape,
Dialogue: 0,0:00:56.34,0:01:01.68,Default,,0000,0000,0000,,and an E7 chord using an A shape.
Dialogue: 0,0:01:01.68,0:01:04.03,Default,,0000,0000,0000,,This is a very common chord movement,
Dialogue: 0,0:01:04.03,0:01:09.06,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:01:09.06,0:01:12.00,Default,,0000,0000,0000,,and I don't think you'll have \Ntoo much trouble with it.
Dialogue: 0,0:01:12.53,0:01:15.01,Default,,0000,0000,0000,,My second chord change suggestion is here
Dialogue: 0,0:01:15.03,0:01:19.83,Default,,0000,0000,0000,,a G minor 7 to a C minor 7 chord.
Dialogue: 0,0:01:19.83,0:01:23.36,Default,,0000,0000,0000,,Now, both of these require quite strong barres,
Dialogue: 0,0:01:23.36,0:01:25.78,Default,,0000,0000,0000,,particularly the G minor 7, \Nthat's quite far down the neck,
Dialogue: 0,0:01:25.78,0:01:27.31,Default,,0000,0000,0000,,you might get that second finger over,
Dialogue: 0,0:01:27.31,0:01:31.39,Default,,0000,0000,0000,,to give yourself a little bit of support \Nif you need it,
Dialogue: 0,0:01:31.39,0:01:32.73,Default,,0000,0000,0000,,to a C minor 7.
Dialogue: 0,0:01:32.73,0:01:34.49,Default,,0000,0000,0000,,If you find it really difficult down here,
Dialogue: 0,0:01:34.49,0:01:36.27,Default,,0000,0000,0000,,you could move it up the neck, to say,
Dialogue: 0,0:01:36.27,0:01:38.75,Default,,0000,0000,0000,,a Bminor7 to an Eminor7.
Dialogue: 0,0:01:38.75,0:01:39.91,Default,,0000,0000,0000,,Up to you.
Dialogue: 0,0:01:39.91,0:01:42.76,Default,,0000,0000,0000,,I think doing it at G is a good kind of strength builder.
Dialogue: 0,0:01:42.76,0:01:44.52,Default,,0000,0000,0000,,So, sitting there,
Dialogue: 0,0:01:44.52,0:01:47.97,Default,,0000,0000,0000,,should have the chords nice and clear by now,
Dialogue: 0,0:01:47.97,0:01:52.82,Default,,0000,0000,0000,,and making those chord changes \Nas fast as you can.
Dialogue: 0,0:01:54.16,0:01:56.28,Default,,0000,0000,0000,,My third chord change \Nthat I'd recommend would be,
Dialogue: 0,0:01:56.28,0:02:02.30,Default,,0000,0000,0000,,Bb7 to an Eb7.
Dialogue: 0,0:02:02.30,0:02:05.45,Default,,0000,0000,0000,,Both, again, very very common chords \Nto be changing between.
Dialogue: 0,0:02:06.42,0:02:08.08,Default,,0000,0000,0000,,Nothing too difficult here, really.
Dialogue: 0,0:02:08.08,0:02:12.13,Default,,0000,0000,0000,,It's just getting used \Nto the two dominant 7 chord shapes,
Dialogue: 0,0:02:12.13,0:02:14.45,Default,,0000,0000,0000,,and making sure your barre is strong enough,
Dialogue: 0,0:02:14.45,0:02:17.59,Default,,0000,0000,0000,,to get all of those notes ringing out nice.
Dialogue: 0,0:02:19.65,0:02:21.93,Default,,0000,0000,0000,,Fourth recommended change is,
Dialogue: 0,0:02:21.93,0:02:24.81,Default,,0000,0000,0000,,G major, using an E shape,
Dialogue: 0,0:02:24.81,0:02:29.37,Default,,0000,0000,0000,,to a B7, using an A shape.
Dialogue: 0,0:02:29.37,0:02:32.52,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:02:32.52,0:02:34.30,Default,,0000,0000,0000,,Interesting kind of quick change here
Dialogue: 0,0:02:34.30,0:02:36.11,Default,,0000,0000,0000,,because you have to kind of move backwards
Dialogue: 0,0:02:36.11,0:02:39.98,Default,,0000,0000,0000,,and moving backwards with the barres \Nare always a little bit more interesting than not.
Dialogue: 0,0:02:39.98,0:02:44.73,Default,,0000,0000,0000,,So G, backwards we go to the 7th.
Dialogue: 0,0:02:44.73,0:02:47.55,Default,,0000,0000,0000,,Here, sometimes my fingers\Nkind of a little bit flat like that.
Dialogue: 0,0:02:47.55,0:02:50.12,Default,,0000,0000,0000,,Sometimes, it's a bit easier to get the pressure on,
Dialogue: 0,0:02:50.12,0:02:52.61,Default,,0000,0000,0000,,when the fingers are kind of slightly angled.
Dialogue: 0,0:02:52.61,0:02:54.57,Default,,0000,0000,0000,,Wouldn't say it's a particularly a good habit.
Dialogue: 0,0:02:54.57,0:02:56.28,Default,,0000,0000,0000,,They should probably be a bit square on,
Dialogue: 0,0:02:56.28,0:02:58.40,Default,,0000,0000,0000,,but if they are \Na little bit late over sometimes,
Dialogue: 0,0:02:58.40,0:03:01.46,Default,,0000,0000,0000,,particularly when you've just gone backwards,
Dialogue: 0,0:03:01.46,0:03:03.10,Default,,0000,0000,0000,,I think that's kind of acceptable,
Dialogue: 0,0:03:03.10,0:03:06.58,Default,,0000,0000,0000,,so long as the chord sounds good.
Dialogue: 0,0:03:07.69,0:03:09.99,Default,,0000,0000,0000,,And the 5th recommended change would be this :
Dialogue: 0,0:03:09.99,0:03:14.25,Default,,0000,0000,0000,,Ab minor to a Db major.
Dialogue: 0,0:03:14.25,0:03:20.17,Default,,0000,0000,0000,,. . .
Dialogue: 0,0:03:20.17,0:03:22.56,Default,,0000,0000,0000,,Just to make sure that we keep on working on,
Dialogue: 0,0:03:22.56,0:03:25.95,Default,,0000,0000,0000,,uh, A shape major barre chord change a bit as well,
Dialogue: 0,0:03:25.95,0:03:28.61,Default,,0000,0000,0000,,because that's generally \Nthe toughest one for most people,
Dialogue: 0,0:03:28.61,0:03:30.52,Default,,0000,0000,0000,,so, you don't want to leave it out altogether.
Dialogue: 0,0:03:32.14,0:03:33.53,Default,,0000,0000,0000,,Well, I'll leave you to it.
Dialogue: 0,0:03:33.53,0:03:36.08,Default,,0000,0000,0000,,All you have to do now is add your practice.
Dialogue: 0,0:03:36.08,0:03:39.39,Default,,0000,0000,0000,,Just please don't forget, \Nif there's any that you find really difficult,
Dialogue: 0,0:03:39.39,0:03:42.22,Default,,0000,0000,0000,,if you're still struggling \Nwith the A major type barre chord,
Dialogue: 0,0:03:42.22,0:03:44.15,Default,,0000,0000,0000,,you might want to chuck some more of those in there,
Dialogue: 0,0:03:44.15,0:03:46.36,Default,,0000,0000,0000,,if there's some from the list that I've given you
Dialogue: 0,0:03:46.36,0:03:47.71,Default,,0000,0000,0000,,that you'd find easier,
Dialogue: 0,0:03:47.71,0:03:49.26,Default,,0000,0000,0000,,so that's the big trick here.
Dialogue: 0,0:03:49.26,0:03:51.88,Default,,0000,0000,0000,,Please, don't forget, \Npractice the hard stuff.
Dialogue: 0,0:03:51.88,0:03:53.10,Default,,0000,0000,0000,,It'll make you better.
Dialogue: 0,0:03:53.10,0:03:53.92,Default,,0000,0000,0000,,Take care.
Dialogue: 0,0:03:53.92,0:03:56.29,Default,,0000,0000,0000,,I'll see you for another lesson real soon. \NBye-bye.