1 00:00:17,448 --> 00:00:20,466 (Applause) 2 00:00:29,001 --> 00:00:32,000 (Music) 3 00:02:00,000 --> 00:02:02,500 (Music Ends) 4 00:02:03,000 --> 00:02:06,000 (Applause) 5 00:02:09,735 --> 00:02:12,767 What is the purpose of music when it's not meant to be danced? -- 6 00:02:12,802 --> 00:02:15,099 asked a student his teacher. 7 00:02:15,134 --> 00:02:20,446 What is the purpose of sound if not for entertaining the ears of a king? 8 00:02:20,481 --> 00:02:22,722 What is the purpose of sound? 9 00:02:22,757 --> 00:02:26,821 What is that behind this thing we call being at the forefront or tradition? 10 00:02:26,856 --> 00:02:31,722 Chamame, or tango, or jazz, or rock. New or old style. 11 00:02:31,757 --> 00:02:36,227 What holds absolutely all these forms? 12 00:02:37,000 --> 00:02:40,200 What glues all of this together? What is the purpose of sound? 13 00:02:40,900 --> 00:02:43,944 (Music) 14 00:04:58,979 --> 00:05:00,058 (Music Ends) 15 00:05:00,093 --> 00:05:03,043 (Applause) 16 00:05:13,078 --> 00:05:16,884 Yupanqui said, "The light that shines on the heart of the artist 17 00:05:16,919 --> 00:05:22,265 is like the torch that was used by the nations to see beauty in their way." 18 00:05:22,300 --> 00:05:26,939 Perhaps beauty is not the music, or that mystery we call music. 19 00:05:26,974 --> 00:05:30,139 Perhaps music is a place that goes beyond 20 00:05:30,174 --> 00:05:34,786 "entertainment, or escape." 21 00:05:34,821 --> 00:05:38,813 Perhaps music is a place to ponder, 22 00:05:38,848 --> 00:05:44,703 think, meet, legitimize, integrate, build. 23 00:05:44,738 --> 00:05:52,094 And, above all, to feel a little safe, every now and then. 24 00:05:52,129 --> 00:05:55,406 (Music) 25 00:07:26,500 --> 00:07:28,500 (Music Ends) 26 00:07:28,800 --> 00:07:31,800 (Applause) 27 00:07:42,779 --> 00:07:46,033 Beethoven said that music is a higher revolution 28 00:07:46,068 --> 00:07:49,311 than philosophy or science. 29 00:07:49,346 --> 00:07:52,294 Quite possibly, Beethoven's music is. 30 00:07:52,329 --> 00:07:56,504 Perhaps, the rest can have that desire at heart 31 00:07:56,539 --> 00:08:04,687 even if they are less complex, or perhaps simple, but I think that 32 00:08:04,722 --> 00:08:11,724 the most important thing is to think that music, and instrumental music above all; 33 00:08:11,759 --> 00:08:16,936 sometimes we're not well used to believe that 34 00:08:16,971 --> 00:08:20,184 things are only said through conceptual language, 35 00:08:20,219 --> 00:08:22,074 that of words, for example. 36 00:08:22,109 --> 00:08:28,458 And behind the music, that has no words, there is a narrative, 37 00:08:28,493 --> 00:08:33,787 a construction, something that is being conveyed. 38 00:08:33,822 --> 00:08:40,328 And it is important to pay attention to decode 39 00:08:40,363 --> 00:08:43,347 and enjoy that which is being expressed. 40 00:08:43,383 --> 00:08:47,328 I think that many times in our country 41 00:08:47,363 --> 00:08:53,295 ignorance has created the deeper ignorance 42 00:08:53,330 --> 00:08:58,507 and the big unawareness of our musics has created a huge fragmenting. 43 00:08:58,542 --> 00:09:04,128 And when you start to pay attention, to know other things, you realize 44 00:09:04,163 --> 00:09:07,397 that everything is part of a world of sounds. 45 00:09:07,432 --> 00:09:11,076 And this world of sounds is very complex. 46 00:09:11,111 --> 00:09:14,463 Extremely complex, as the universe. 47 00:09:14,498 --> 00:09:19,469 And Rumi used to say, what surrounds you is so old 48 00:09:19,504 --> 00:09:26,547 and so young your understanding, that you better listen, listen, be quiet and leave. 49 00:09:26,582 --> 00:09:30,266 So, I believe that you have to savor music. 50 00:09:30,301 --> 00:09:33,290 There is an ear, which is not the physical ear, that is not the eardrum. 51 00:09:33,325 --> 00:09:39,228 There is an internal ear, that is almost like savoring food... 52 00:09:39,263 --> 00:09:43,372 Well, sound can also be tasted from that same place. 53 00:09:43,407 --> 00:09:47,106 And when you taste it, you begin to perceive a lot of things 54 00:09:47,141 --> 00:09:52,314 that are very hard to translate into conceptual language. 55 00:09:52,349 --> 00:09:55,378 And, of course, it is much better to play than to speak. 56 00:09:55,413 --> 00:09:59,971 So this is why I came, and I want to thank you for inviting me here 57 00:10:00,006 --> 00:10:07,195 to think, to ponder, to build, and to feel safe for a while. 58 00:10:08,500 --> 00:10:11,500 (Applause) 59 00:10:12,125 --> 00:10:15,289 (Music) 60 00:12:16,500 --> 00:12:18,500 (Music Ends) 61 00:12:18,894 --> 00:12:21,859 (Applause) 62 00:12:23,794 --> 00:12:25,794 Thank you very much.