1 00:00:13,430 --> 00:00:16,413 One of the most remarkable aspects of the human brain 2 00:00:16,413 --> 00:00:17,455 is its ability to recognize patterns and describe them. 3 00:00:17,455 --> 00:00:18,695 Among the hardest patterns we've tried to undestand 4 00:00:18,695 --> 00:00:20,789 is the concept of turbulent flow in fluid dynamics. 5 00:00:20,789 --> 00:00:23,296 The German physicists Verner Heisenberg said, 6 00:00:23,296 --> 00:00:27,381 "When I meet God, I'm going to ask him two questions: 7 00:00:27,381 --> 00:00:30,842 why relativity and why turbulence? 8 00:00:30,842 --> 00:00:34,932 I really believe he will have an answer for the first." 9 00:00:34,932 --> 00:00:38,304 As difficult as turbulence is to understand mathematically, 10 00:00:38,304 --> 00:00:42,194 we can use art to depict the way it looks. 11 00:00:42,194 --> 00:00:47,308 In June 1889, Vincent Van Gogh painted the view just before sunrise 12 00:00:47,308 --> 00:00:51,659 from the window of his room at the Saint Paul de Mausole Asylumn 13 00:00:51,659 --> 00:00:53,588 in Saint-Rémy-de-Provence 14 00:00:53,588 --> 00:00:56,840 where he'd admitted himself after mutilating his own ear 15 00:00:56,840 --> 00:00:59,312 in a psychotic epidosde. 16 00:00:59,312 --> 00:01:02,056 In the Starry Night, his circular brush strokes 17 00:01:02,056 --> 00:01:07,827 creates a night sky filled with swirling clouds eddies of stars. 18 00:01:07,827 --> 00:01:11,748 Van Gogh and other impressionists represented light in a different way 19 00:01:11,748 --> 00:01:14,872 than their predecessors,seeming to capture its motion, 20 00:01:14,872 --> 00:01:17,860 for instance, across sun dappled waters, 21 00:01:17,860 --> 00:01:21,530 or here in star light that twinkles and melts 22 00:01:21,530 --> 00:01:24,844 through milky waves of blue night sky. 23 00:01:24,844 --> 00:01:27,415 The effect is caused my luminance, 24 00:01:27,415 --> 00:01:31,104 the intensity of the light in the colors on the canvas. 25 00:01:31,104 --> 00:01:33,632 The more primitive part of our visual cortex, 26 00:01:33,632 --> 00:01:37,578 which sees light contrast and motion, but not color, 27 00:01:37,578 --> 00:01:40,627 will blend two differently colored areas together 28 00:01:40,627 --> 00:01:42,493 if they have the same luminance. 29 00:01:42,493 --> 00:01:45,352 But our brains primate subdivision 30 00:01:45,352 --> 00:01:48,506 will see the contrasting colors without blending. 31 00:01:48,506 --> 00:01:51,457 With these two interpretations happening at once, 32 00:01:51,457 --> 00:01:57,898 the light in many impressionists' works seems to pulse, flicker and radiate oddly. 33 00:01:57,898 --> 00:02:01,489 That's how this and other impressionists' works use quickly executted 34 00:02:01,489 --> 00:02:05,163 prominent brush strokes to capture something strikingly real 35 00:02:05,163 --> 00:02:07,533 about how light moves. 36 00:02:07,533 --> 00:02:11,206 60 years later, Russian mathematician Andrey Kolmogorov, 37 00:02:11,206 --> 00:02:13,787 furthered our mathematical understanding of turbulence 38 00:02:13,787 --> 00:02:18,157 when he proposed that energy in a turbulent fluid at length R 39 00:02:18,157 --> 00:02:22,491 varies in proportion to the 5/3rds power of R. 40 00:02:22,491 --> 00:02:24,414 Experimental measurements show Kolmogorov 41 00:02:24,414 --> 00:02:27,804 was remarkably close to the way turbulent flow works. 42 00:02:27,804 --> 00:02:30,441 Although a complete description of turbulence remains 43 00:02:30,441 --> 00:02:33,304 one of the unsolved problems in physics, 44 00:02:33,304 --> 00:02:37,515 a turbuletn flow is self-similar if there is an energy cascade. 45 00:02:37,515 --> 00:02:41,123 In ther words, big eddies transfer their energy to smaller eddies, 46 00:02:41,123 --> 00:02:43,941 which do likewise at other scales. 47 00:02:43,941 --> 00:02:47,504 Examples of this include Jupiter's great red spot, 48 00:02:47,504 --> 00:02:51,408 cloud formations and interstellar dust particles. 49 00:02:51,408 --> 00:02:54,909 In 2004, using the Hubble space telescope, 50 00:02:54,909 --> 00:03:00,171 scientists saw the eddies of a distant cloud of dust and gas around a star, 51 00:03:00,171 --> 00:03:03,842 and it reminded them of Van Gogh's Starry Night. 52 00:03:03,842 --> 00:03:07,193 This motivated scientists from Mexico, Spain and England 53 00:03:07,193 --> 00:03:11,387 to study the luminence in Van Gogh's paintings in detail. 54 00:03:11,387 --> 00:03:15,700 They discovered that there is a distinct pattern of turbulent fluid structures 55 00:03:15,700 --> 00:03:20,801 close to Kolmogorov's equation hidden in many of Van Gogh's paintings. 56 00:03:20,801 --> 00:03:23,224 The researchers digitized the paintings, 57 00:03:23,224 --> 00:03:26,970 and measured how brightness varies between any two pixels. 58 00:03:26,970 --> 00:03:29,689 From the curves measured for pixel separations, 59 00:03:29,689 --> 00:03:34,455 they concluded that paintings from Van Gogh's period of psychotic aggetation 60 00:03:34,455 --> 00:03:37,945 behave remarkably similar to fluid turbulence. 61 00:03:37,945 --> 00:03:41,998 His self portait with a pipe from a calmer period in Van Gogh's life 62 00:03:41,998 --> 00:03:44,488 show no sign of this correspondence. 63 00:03:44,488 --> 00:03:49,595 And neither did other artists' work that seemed equally trubulent at first glance, 64 00:03:49,595 --> 00:03:51,648 like Munch's 'The Scream." 65 00:03:51,648 --> 00:03:54,696 While it's too easy to say Van Gogh's turbulent genius 66 00:03:54,696 --> 00:03:57,092 enabled him to depict turbulence, 67 00:03:57,092 --> 00:04:02,026 its also far too difficult to accurately express the rousing beauty of the fact 68 00:04:02,026 --> 00:04:04,477 that in a period of intense suffering, 69 00:04:04,477 --> 00:04:07,931 Van Gogh was somehow able to perceive and represent 70 00:04:07,931 --> 00:04:10,360 one of the most supremely difficult concepts 71 00:04:10,360 --> 00:04:13,621 nature has ever brought before mankind, 72 00:04:13,621 --> 00:04:15,760 And to unite his unique mind's eye 73 00:04:15,760 --> 00:04:20,368 with the deepest mysteries of movement, fluid and light.