[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:08.32,0:00:10.08,Default,,0000,0000,0000,,ANNOUNCER: Live in downtown St. Louis with more on  
Dialogue: 0,0:00:10.08,0:00:11.92,Default,,0000,0000,0000,,our first story at six.\NNEWSCASTER: Washington  
Dialogue: 0,0:00:11.92,0:00:15.82,Default,,0000,0000,0000,,University is sponsoring the event\Ncalled The St. Louis Projection.
Dialogue: 0,0:00:16.08,0:00:20.52,Default,,0000,0000,0000,,In this case, the movie shows crime victims\Nand inmates sharing their stories,
Dialogue: 0,0:00:20.52,0:00:22.11,Default,,0000,0000,0000,,showing only their hands.
Dialogue: 0,0:00:22.56,0:00:25.12,Default,,0000,0000,0000,,The building representing \Nthe other parts of the body.
Dialogue: 0,0:00:26.58,0:00:30.12,Default,,0000,0000,0000,,KRZYSZTOF WODICZKO:\NIn St. Louis I turn to the  
Dialogue: 0,0:00:30.12,0:00:35.00,Default,,0000,0000,0000,,very beautifully designed building\Nof the central public library.
Dialogue: 0,0:00:35.44,0:00:37.48,Default,,0000,0000,0000,,SPEAKER: Check, check, check.
Dialogue: 0,0:00:39.72,0:00:40.93,Default,,0000,0000,0000,,SPEAKER: Yeah, that’s very nice.
Dialogue: 0,0:00:41.26,0:00:45.72,Default,,0000,0000,0000,,WODICZKO: Inside the building, \Nparticipants were sitting 
Dialogue: 0,0:00:45.72,0:00:49.75,Default,,0000,0000,0000,,with cameras pointed on the person’s hands.
Dialogue: 0,0:00:51.23,0:00:52.88,Default,,0000,0000,0000,,SPEAKER: Hi, my name is Diana.
Dialogue: 0,0:00:52.88,0:00:54.45,Default,,0000,0000,0000,,SPEAKER: Hi Diana.
Dialogue: 0,0:00:54.45,0:00:58.16,Default,,0000,0000,0000,,WODICZKO: Outside, it’s a kind of open mike.
Dialogue: 0,0:00:58.16,0:01:01.72,Default,,0000,0000,0000,,Anybody can come forward to \Nspeak back to the building
Dialogue: 0,0:01:01.72,0:01:05.96,Default,,0000,0000,0000,,trying to prevent perpetuation of the murders,
Dialogue: 0,0:01:05.96,0:01:10.00,Default,,0000,0000,0000,,killing, and gun violence in St. Louis.
Dialogue: 0,0:01:10.56,0:01:17.32,Default,,0000,0000,0000,,This type of projection brings more opportunities\Nfor more people to join each other
Dialogue: 0,0:01:17.32,0:01:21.91,Default,,0000,0000,0000,,in an attempt to speak up and open up.
Dialogue: 0,0:01:24.08,0:01:28.32,Default,,0000,0000,0000,,Open up and share in public space,
Dialogue: 0,0:01:28.60,0:01:32.35,Default,,0000,0000,0000,,something that is usually \Nrelegated to private domain.
Dialogue: 0,0:01:34.05,0:01:38.56,Default,,0000,0000,0000,,SPEAKER: We never expect \Nto bury our grandchildren,
Dialogue: 0,0:01:38.56,0:01:44.56,Default,,0000,0000,0000,,and when we do, it’s the most \Nhorrible feeling in the world.
Dialogue: 0,0:01:45.64,0:01:48.50,Default,,0000,0000,0000,,SPEAKER: And when I see \NRiley’s two little children, 
Dialogue: 0,0:01:49.03,0:01:53.56,Default,,0000,0000,0000,,growing up, without their daddy,
Dialogue: 0,0:01:53.56,0:01:56.24,Default,,0000,0000,0000,,it just breaks my heart.
Dialogue: 0,0:01:56.24,0:01:56.88,Default,,0000,0000,0000,,SPEAKER: Yes.
Dialogue: 0,0:01:58.88,0:02:02.88,Default,,0000,0000,0000,,When it’s your loved one, it’s not an easy thing.
Dialogue: 0,0:02:02.88,0:02:04.23,Default,,0000,0000,0000,,You don’t forget.
Dialogue: 0,0:02:07.58,0:02:10.32,Default,,0000,0000,0000,,SPEAKER: Now that it’s been a couple years,
Dialogue: 0,0:02:10.32,0:02:15.28,Default,,0000,0000,0000,,how are you and your family handling birthdays,
Dialogue: 0,0:02:15.28,0:02:18.02,Default,,0000,0000,0000,,holidays, family get-togethers?
Dialogue: 0,0:02:19.57,0:02:21.52,Default,,0000,0000,0000,,SPEAKER: You always have that empty space,
Dialogue: 0,0:02:21.52,0:02:22.68,Default,,0000,0000,0000,,but it never goes away
Dialogue: 0,0:02:22.68,0:02:25.96,Default,,0000,0000,0000,,because there’s a hole in your \Nheart that nothing can ever fill it.
Dialogue: 0,0:02:26.56,0:02:29.96,Default,,0000,0000,0000,,People don’t have a clue of how we feel,
Dialogue: 0,0:02:29.96,0:02:32.52,Default,,0000,0000,0000,,because on the outside it looks like we’re okay,
Dialogue: 0,0:02:32.52,0:02:36.76,Default,,0000,0000,0000,,but on the inside we’re \Nslowly in little bit every day
Dialogue: 0,0:02:36.76,0:02:38.44,Default,,0000,0000,0000,,like we feel like we’re dying.
Dialogue: 0,0:02:42.53,0:02:48.36,Default,,0000,0000,0000,,SPEAKER: This eternal flame burns \Nin memory of Christopher King,
Dialogue: 0,0:02:48.36,0:02:53.05,Default,,0000,0000,0000,,age 20, murdered on August 26, 1986.
Dialogue: 0,0:02:54.00,0:02:56.45,Default,,0000,0000,0000,,It burns in memory of J.A. King,
Dialogue: 0,0:02:56.92,0:03:02.40,Default,,0000,0000,0000,,murdered on April 7, 1991, age 27.
Dialogue: 0,0:03:03.24,0:03:05.44,Default,,0000,0000,0000,,It burns in memory of Adam Enis....
Dialogue: 0,0:03:05.44,0:03:08.84,Default,,0000,0000,0000,,WODICZKO: The Revolutionary battle on Bunker Hill
Dialogue: 0,0:03:09.68,0:03:14.16,Default,,0000,0000,0000,,somehow connected with the daily struggle of
Dialogue: 0,0:03:14.16,0:03:20.74,Default,,0000,0000,0000,,Charlestown residents who are living \Nin the shadow of this monument.
Dialogue: 0,0:03:22.76,0:03:27.38,Default,,0000,0000,0000,,Overlooking the area in which \Non weekly or monthly basis
Dialogue: 0,0:03:27.92,0:03:30.76,Default,,0000,0000,0000,,someone was murdered, killed.
Dialogue: 0,0:03:32.16,0:03:38.08,Default,,0000,0000,0000,,So the battle perhaps continues \Nnot that it should of course,
Dialogue: 0,0:03:38.08,0:03:44.94,Default,,0000,0000,0000,,but unfortunately it does for life, \Nliberty and pursuit of happiness.
Dialogue: 0,0:03:46.29,0:03:48.60,Default,,0000,0000,0000,,SPEAKER: When I was 17 my brother Kevin was found
Dialogue: 0,0:03:48.60,0:03:51.41,Default,,0000,0000,0000,,hanging in a prison cell, Bridgewater.
Dialogue: 0,0:03:52.38,0:03:55.10,Default,,0000,0000,0000,,The gangsters knew that he knew too much,
Dialogue: 0,0:03:56.28,0:03:57.58,Default,,0000,0000,0000,,and I believe that they killed him.
Dialogue: 0,0:03:58.76,0:04:00.60,Default,,0000,0000,0000,,It was made to look like a suicide.
Dialogue: 0,0:04:02.08,0:04:03.58,Default,,0000,0000,0000,,And it was never investigated.
Dialogue: 0,0:04:04.80,0:04:07.87,Default,,0000,0000,0000,,But everyone in the streets has \Nalways told me that he was killed.
Dialogue: 0,0:04:08.88,0:04:14.00,Default,,0000,0000,0000,,We no a lot more in the streets than we \Ntell the outside world or the police.
Dialogue: 0,0:04:14.00,0:04:17.31,Default,,0000,0000,0000,,And everyone knows the truth \Nabout things that go on.
Dialogue: 0,0:04:18.84,0:04:20.36,Default,,0000,0000,0000,,But we just keep quiet.
Dialogue: 0,0:04:22.20,0:04:28.80,Default,,0000,0000,0000,,WODICZKO: They eventually develop some \Ntrust to break the code of silence.
Dialogue: 0,0:04:28.80,0:04:34.22,Default,,0000,0000,0000,,To open up and speak about what’s unspeakable.
Dialogue: 0,0:04:36.22,0:04:38.64,Default,,0000,0000,0000,,SPEAKER: I think a lot of you people wonder why…
Dialogue: 0,0:04:38.64,0:04:40.28,Default,,0000,0000,0000,,why am I up here.
Dialogue: 0,0:04:40.28,0:04:41.92,Default,,0000,0000,0000,,I’m no special person.
Dialogue: 0,0:04:41.92,0:04:44.02,Default,,0000,0000,0000,,Just an ordinary person, just like you.
Dialogue: 0,0:04:45.16,0:04:48.88,Default,,0000,0000,0000,,But all I can say is just \Ntake a look at your family.
Dialogue: 0,0:04:48.88,0:04:50.60,Default,,0000,0000,0000,,The ones that you love.
Dialogue: 0,0:04:50.60,0:04:54.32,Default,,0000,0000,0000,,And what would you do if one \Nof them was taken from you?
Dialogue: 0,0:04:54.32,0:04:55.72,Default,,0000,0000,0000,,How would you fight back?
Dialogue: 0,0:04:55.72,0:04:58.80,Default,,0000,0000,0000,,Still try to have a heart that can still love,
Dialogue: 0,0:04:58.80,0:05:00.56,Default,,0000,0000,0000,,and be a person that can care.
Dialogue: 0,0:05:00.56,0:05:02.24,Default,,0000,0000,0000,,It’s not very easy.
Dialogue: 0,0:05:02.24,0:05:06.55,Default,,0000,0000,0000,,My son, Adam, all I can say is that \NI love you, and I will do my best.
Dialogue: 0,0:05:07.32,0:05:09.02,Default,,0000,0000,0000,,And some day I’ll see you.
Dialogue: 0,0:05:15.56,0:05:17.56,Default,,0000,0000,0000,,WODICZKO: I need to make sketches.
Dialogue: 0,0:05:17.56,0:05:23.04,Default,,0000,0000,0000,,I need to make sure the body of \Nthe speaker fits well the outline,
Dialogue: 0,0:05:23.04,0:05:26.00,Default,,0000,0000,0000,,the character of the body of the monument.
Dialogue: 0,0:05:26.00,0:05:28.68,Default,,0000,0000,0000,,So they both are integrated.
Dialogue: 0,0:05:28.68,0:05:31.88,Default,,0000,0000,0000,,But I realize with time that \Nthere must be another reason why
Dialogue: 0,0:05:31.88,0:05:35.88,Default,,0000,0000,0000,,I’m preoccupying myself so \Nmuch with those drawings.
Dialogue: 0,0:05:35.88,0:05:40.36,Default,,0000,0000,0000,,I need to keep certain \Ndistance from what people say.
Dialogue: 0,0:05:42.44,0:05:47.44,Default,,0000,0000,0000,,Somehow, the process of \Nmaking sketches keeps me sane.
Dialogue: 0,0:05:47.44,0:05:52.64,Default,,0000,0000,0000,,Because I can not relive each time what I hear.
Dialogue: 0,0:05:53.27,0:05:55.28,Default,,0000,0000,0000,,In case of anybody my position,
Dialogue: 0,0:05:55.28,0:06:01.85,Default,,0000,0000,0000,,it will trigger my own experiences \Nor perhaps even trauma.
Dialogue: 0,0:06:03.12,0:06:06.88,Default,,0000,0000,0000,,So I need to have something in between.
Dialogue: 0,0:06:07.68,0:06:12.58,Default,,0000,0000,0000,,Something in between for them \Nis the camera and the monument,
Dialogue: 0,0:06:14.32,0:06:18.78,Default,,0000,0000,0000,,and what it is for me, perhaps, the sketchbook.
Dialogue: 0,0:06:22.52,0:06:25.88,Default,,0000,0000,0000,,I receive Hiroshima Art Prize,
Dialogue: 0,0:06:25.88,0:06:31.39,Default,,0000,0000,0000,,the condition was that I will organize\Nretrospective exhibition of my work.
Dialogue: 0,0:06:32.16,0:06:37.20,Default,,0000,0000,0000,,This gave me motivation to \Ndo a large public project 
Dialogue: 0,0:06:37.20,0:06:41.92,Default,,0000,0000,0000,,in Hiroshima I propose a projection.
Dialogue: 0,0:06:41.92,0:06:50.00,Default,,0000,0000,0000,,Which was to take place the night \Nafter the anniversary of bombing.
Dialogue: 0,0:06:51.04,0:06:58.20,Default,,0000,0000,0000,,My mother being a Jew whose entire family\Nwas killed during ghetto uprising in Poland
Dialogue: 0,0:06:58.52,0:07:02.88,Default,,0000,0000,0000,,gave birth to me in the midst of all of this,
Dialogue: 0,0:07:04.04,0:07:07.72,Default,,0000,0000,0000,,my childhood was on the ruins of war.
Dialogue: 0,0:07:07.72,0:07:12.12,Default,,0000,0000,0000,,Physical, political, and perhaps moral,
Dialogue: 0,0:07:12.12,0:07:13.92,Default,,0000,0000,0000,,definitely psychological,
Dialogue: 0,0:07:15.08,0:07:20.08,Default,,0000,0000,0000,,so I started working on my \Nprojection with this assumption.
Dialogue: 0,0:07:20.08,0:07:30.45,Default,,0000,0000,0000,,That we’re going to re-actualize one of \Nthe few structures that survive bombing,
Dialogue: 0,0:07:30.45,0:07:32.44,Default,,0000,0000,0000,,that is just underneath of \Nthe epicenter of explosion.
Dialogue: 0,0:07:32.44,0:07:36.84,Default,,0000,0000,0000,,To re-animate it with the voices and gestures of
Dialogue: 0,0:07:36.84,0:07:42.25,Default,,0000,0000,0000,,present day inhabitants of \NHiroshima from various generations.
Dialogue: 0,0:07:46.92,0:07:52.79,Default,,0000,0000,0000,,I started to talk to associations \Nof survivors of bombing.
Dialogue: 0,0:07:53.52,0:07:56.84,Default,,0000,0000,0000,,I need to quickly develop some trust,
Dialogue: 0,0:07:56.84,0:08:01.40,Default,,0000,0000,0000,,so they can really open up towards me.
Dialogue: 0,0:08:01.40,0:08:03.52,Default,,0000,0000,0000,,Without developing of trust,
Dialogue: 0,0:08:03.52,0:08:06.33,Default,,0000,0000,0000,,there is no possibility for my work.
Dialogue: 0,0:08:07.60,0:08:12.12,Default,,0000,0000,0000,,The participants could not speak very long,
Dialogue: 0,0:08:12.12,0:08:14.80,Default,,0000,0000,0000,,interrupted by their own tears.
Dialogue: 0,0:08:20.82,0:08:23.28,Default,,0000,0000,0000,,SPEAKER (in Japanese): I saw many dead \Nor dying children. It was horrible.
Dialogue: 0,0:08:23.28,0:08:29.44,Default,,0000,0000,0000,,WODICZKO: I seem to be working with people\Nwho managed to survive,
Dialogue: 0,0:08:30.48,0:08:37.92,Default,,0000,0000,0000,,and heal themselves to the point towards\Nreconnecting with society, with others.
Dialogue: 0,0:08:37.92,0:08:42.76,Default,,0000,0000,0000,,Helping others to understand \Nat least a little bit,
Dialogue: 0,0:08:42.76,0:08:45.30,Default,,0000,0000,0000,,a small part of what they went through.
Dialogue: 0,0:08:46.40,0:08:51.17,Default,,0000,0000,0000,,To open up and share with \Nthe world what is so painful.
Dialogue: 0,0:08:55.84,0:08:59.92,Default,,0000,0000,0000,,The memorial should be a vehicle through which
Dialogue: 0,0:08:59.92,0:09:04.28,Default,,0000,0000,0000,,the past and the future converge.
Dialogue: 0,0:09:04.28,0:09:12.09,Default,,0000,0000,0000,,The river became a graveyard for both \Npeople and buildings in Hiroshima.
Dialogue: 0,0:09:15.16,0:09:22.95,Default,,0000,0000,0000,,As both a tragic witness but also \Nas a hope, because it’s moving.
Dialogue: 0,0:09:24.56,0:09:26.82,Default,,0000,0000,0000,,There is new water coming.
Dialogue: 0,0:09:36.44,0:09:40.36,Default,,0000,0000,0000,,Tijuana, it’s a border for many people
Dialogue: 0,0:09:40.36,0:09:43.88,Default,,0000,0000,0000,,who came from poor provinces
Dialogue: 0,0:09:43.88,0:09:48.10,Default,,0000,0000,0000,,who tried to advance their life moving north.
Dialogue: 0,0:09:49.36,0:09:53.55,Default,,0000,0000,0000,,This building is a very important \Nsymbolic structure in Tijuana.
Dialogue: 0,0:09:54.84,0:09:57.40,Default,,0000,0000,0000,,It’s almost like a symbol of the city.
Dialogue: 0,0:09:57.40,0:09:58.92,Default,,0000,0000,0000,,Landmark.
Dialogue: 0,0:10:04.48,0:10:09.24,Default,,0000,0000,0000,,So here we have the kind of \Nvariable television studio
Dialogue: 0,0:10:09.24,0:10:13.28,Default,,0000,0000,0000,,with camera and lights and microphone,
Dialogue: 0,0:10:13.28,0:10:19.40,Default,,0000,0000,0000,,to project the face with \Nprecision onto the façade.
Dialogue: 0,0:10:20.32,0:10:25.28,Default,,0000,0000,0000,,So the camera would be always in the same position
Dialogue: 0,0:10:25.28,0:10:31.52,Default,,0000,0000,0000,,in relation to human head no matter \Nwhere this person is looking.
Dialogue: 0,0:10:31.52,0:10:38.18,Default,,0000,0000,0000,,So the boundary between architecture \Nand projected body would be blurred.
Dialogue: 0,0:10:39.56,0:10:42.73,Default,,0000,0000,0000,,The skin of the building \Nand the skin of the person
Dialogue: 0,0:10:43.72,0:10:47.92,Default,,0000,0000,0000,,will be background and \Nforeground at the same time.
Dialogue: 0,0:10:47.92,0:10:49.73,Default,,0000,0000,0000,,Will be shifting focus.
Dialogue: 0,0:10:50.64,0:10:56.43,Default,,0000,0000,0000,,In Tijuana, ninety percent of \Nlabor are young women, girls.
Dialogue: 0,0:10:57.44,0:11:03.84,Default,,0000,0000,0000,,They work in ways that we don’t \Neven imagine some of them.
Dialogue: 0,0:11:03.84,0:11:08.13,Default,,0000,0000,0000,,The issues that were brought were taboo,
Dialogue: 0,0:11:09.12,0:11:14.30,Default,,0000,0000,0000,,were issues of incest, rape.
Dialogue: 0,0:11:15.30,0:11:19.54,Default,,0000,0000,0000,,SPANISH SPEAKER: He closed the \Ndoor and then came into the room.
Dialogue: 0,0:11:21.25,0:11:27.43,Default,,0000,0000,0000,,He grabbed me by force. He threw me on the bed.
Dialogue: 0,0:11:27.59,0:11:30.69,Default,,0000,0000,0000,,He covered my mouth. I could not scream.
Dialogue: 0,0:11:32.11,0:11:35.92,Default,,0000,0000,0000,,He abused me and he told me \Nthat if I were to say anything,
Dialogue: 0,0:11:35.92,0:11:41.63,Default,,0000,0000,0000,,he would hurt my family, my \Ngrandmother, my mother, my uncles.
Dialogue: 0,0:11:42.16,0:11:47.36,Default,,0000,0000,0000,,WODICZKO:  I think that people were there to \Nsupport what they were hearing,
Dialogue: 0,0:11:47.36,0:11:51.90,Default,,0000,0000,0000,,even if what they were hearing \Nand seeing was unbearable.
Dialogue: 0,0:11:57.43,0:12:02.66,Default,,0000,0000,0000,,SPANISH SPEAKER: Sometimes I have nightmares.
Dialogue: 0,0:12:05.84,0:12:08.56,Default,,0000,0000,0000,,That I am always there.
Dialogue: 0,0:12:09.44,0:12:12.92,Default,,0000,0000,0000,,That I can’t do anything. That no one can help me.
Dialogue: 0,0:12:14.79,0:12:17.63,Default,,0000,0000,0000,,WODICZKO:   Sometimes it’s easier to be honest
Dialogue: 0,0:12:17.63,0:12:20.20,Default,,0000,0000,0000,,speaking to thousands of people through monument
Dialogue: 0,0:12:20.20,0:12:23.20,Default,,0000,0000,0000,,than to tell the truth at home,
Dialogue: 0,0:12:23.20,0:12:24.67,Default,,0000,0000,0000,,to the closest person.
Dialogue: 0,0:12:25.53,0:12:29.10,Default,,0000,0000,0000,,SPANISH   SPEAKER: He hit us with the butt of his gun.
Dialogue: 0,0:12:31.05,0:12:35.65,Default,,0000,0000,0000,,We saw Hector lying there \Non the ground, all bloody.
Dialogue: 0,0:12:41.38,0:12:44.71,Default,,0000,0000,0000,,We spoke to him but he didn’t answer.
Dialogue: 0,0:12:47.26,0:12:53.13,Default,,0000,0000,0000,,Then we told Wendy’s mother \Nthat they had taken her away.
Dialogue: 0,0:12:53.46,0:12:57.31,Default,,0000,0000,0000,,She was found half-naked. The \Ndoctor us she had been raped.
Dialogue: 0,0:12:58.61,0:13:01.18,Default,,0000,0000,0000,,She lasted two months in a coma.
Dialogue: 0,0:13:15.34,0:13:23.75,Default,,0000,0000,0000,,He had become a vegetable from \Nthe blows he had received.