1 00:00:09,297 --> 00:00:11,910 Hi, how ya doing? It's Justin, I'm back, 2 00:00:11,910 --> 00:00:14,573 and uh I had quite a few email requests 3 00:00:14,573 --> 00:00:17,640 for some finger tapping. So, I'm just 4 00:00:17,640 --> 00:00:19,109 going to run through some really basic 5 00:00:19,109 --> 00:00:20,789 finger tapping that might explain kinda 6 00:00:20,789 --> 00:00:22,910 the basic principle of it. It's kinda a 7 00:00:22,910 --> 00:00:24,989 beginner level finger tapping, we're 8 00:00:24,989 --> 00:00:27,657 not going to go too mad today. But 9 00:00:27,657 --> 00:00:29,155 I might go on further if this proves 10 00:00:29,155 --> 00:00:30,536 popular, I get on and do some harder 11 00:00:30,536 --> 00:00:33,302 ones. Um, so, the principle of finger 12 00:00:33,302 --> 00:00:35,663 tapping for those who aren't familiar 13 00:00:35,663 --> 00:00:37,911 with it, is using your right hand, uh, 14 00:00:37,911 --> 00:00:39,929 going to tap on the finger board to get 15 00:00:39,929 --> 00:00:41,667 a note out. Now you can do that if you 16 00:00:41,667 --> 00:00:43,833 just leave your fingers resting on the 17 00:00:43,833 --> 00:00:45,450 guitar neck there and loose on the 18 00:00:45,450 --> 00:00:48,033 strings; you'll find just by tapping 19 00:00:48,033 --> 00:00:51,507 with your finger here (notes being 20 00:00:51,507 --> 00:00:53,042 played) you can get a note. But you 21 00:00:53,042 --> 00:00:54,175 have to hammer it down quite hard. 22 00:00:54,175 --> 00:00:55,768 So, really, think of the pressure as 23 00:00:55,768 --> 00:00:57,207 being quite a hard downward motion. 24 00:00:57,207 --> 00:00:58,914 Now, there's lots of different kind of 25 00:00:58,914 --> 00:01:00,259 ways of finger tapping, lots of 26 00:01:00,259 --> 00:01:01,499 different people do it different ways. 27 00:01:01,499 --> 00:01:03,058 I'm going to show you the way I do it 28 00:01:03,058 --> 00:01:04,437 that doesn't mean any other way 29 00:01:04,437 --> 00:01:07,251 is right or wrong. Um, the two kind 30 00:01:07,251 --> 00:01:09,076 of main ways, the two options, is using 31 00:01:09,076 --> 00:01:11,119 your first finger in which case, you can 32 00:01:11,119 --> 00:01:13,259 kinda grab the guitar neck with all of the 33 00:01:13,259 --> 00:01:14,904 rest of your hand and leave your first 34 00:01:14,904 --> 00:01:16,769 finger out to do the tapping like this. 35 00:01:16,769 --> 00:01:18,710 (notes being played) I prefer a method 36 00:01:18,710 --> 00:01:20,486 where I rest my whole arm on the guitar 37 00:01:20,486 --> 00:01:22,872 and I use my second, so kinda my palm of 38 00:01:22,872 --> 00:01:25,322 my hand is muting all of the extra strings 39 00:01:25,322 --> 00:01:27,826 and I use my second finger to tap. That 40 00:01:27,826 --> 00:01:29,684 way, also, if I'm holding a pick. which I 41 00:01:29,684 --> 00:01:31,434 don't have any pics here just now, but 42 00:01:31,434 --> 00:01:33,446 if I was holding like that I could also be 43 00:01:33,446 --> 00:01:34,947 able to tap like that while still holding 44 00:01:34,947 --> 00:01:36,848 my plectrum, which I think is quite useful 45 00:01:36,848 --> 00:01:39,957 to get in and out of tap and run without 46 00:01:39,957 --> 00:01:41,934 having to hide your pick away and then 47 00:01:41,934 --> 00:01:43,314 tap with your first finger then put it 48 00:01:43,314 --> 00:01:45,306 back. So, um, what we are going to do 49 00:01:45,306 --> 00:01:46,434 is we're gonna just look at a quick 50 00:01:46,434 --> 00:01:48,116 A minor pentatonic tapping riff. So, 51 00:01:48,116 --> 00:01:51,509 what we are going to be using is our 52 00:01:51,509 --> 00:01:53,100 finger here on the fifth fret of the 53 00:01:53,100 --> 00:01:54,410 thinner string on the note A 54 00:01:54,410 --> 00:01:56,007 Then we are going to reach out with 55 00:01:56,007 --> 00:01:57,608 the third finger on the note C on the 56 00:01:57,608 --> 00:01:59,346 eighth fret, which is two notes from the 57 00:01:59,346 --> 00:02:00,905 A minor pentatonic scale and the note 58 00:02:00,905 --> 00:02:02,890 we are going to be tapping is going to 59 00:02:02,890 --> 00:02:04,870 be up here on the twelfth fret and like I 60 00:02:04,870 --> 00:02:06,511 said I'm gonna use my second finger, 61 00:02:06,511 --> 00:02:08,282 but you might want to use your first. 62 00:02:08,282 --> 00:02:09,842 Um, so, we are going to be a technique 63 00:02:09,842 --> 00:02:11,760 to start off with where you, what's called 64 00:02:11,760 --> 00:02:13,959 lead with your tapping finger. Which means 65 00:02:13,959 --> 00:02:15,936 that the tapped finger, or the tapped note 66 00:02:15,936 --> 00:02:18,400 is the first note on each new string when 67 00:02:18,400 --> 00:02:20,752 you change strings. Um, to start off with, 68 00:02:20,752 --> 00:02:22,774 we're just gonna do it on the one string. 69 00:02:22,774 --> 00:02:24,283 So, what you're going start with is 70 00:02:24,283 --> 00:02:26,499 tapping with the second finger on the 71 00:02:26,499 --> 00:02:28,570 twelfth fret, tap it, hit it down quite 72 00:02:28,570 --> 00:02:30,966 hard (sound of notes being played) 73 00:02:30,966 --> 00:02:33,159 Get the note clear, your first finger is 74 00:02:33,159 --> 00:02:35,078 already down, so when you flick off that 75 00:02:35,078 --> 00:02:37,839 second finger, (music notes played) 76 00:02:37,839 --> 00:02:41,142 you flick it down and you've got that note 77 00:02:41,142 --> 00:02:42,386 with your first finger and then you'd 78 00:02:42,386 --> 00:02:45,038 hammer, with your third finger down. So, 79 00:02:45,038 --> 00:02:47,003 you've got like a little triple. So you'd 80 00:02:47,003 --> 00:02:50,842 have tap, flick off, third finger hammer. 81 00:02:50,842 --> 00:02:58,951 Tap, flick, hammer. Tap (notes replaying) 82 00:02:58,951 --> 00:03:00,345 It is really important you get that order 83 00:03:00,345 --> 00:03:09,501 right. (repeat notes played over and over, 84 00:03:09,501 --> 00:03:12,593 faster and faster) So, you can hear it can 85 00:03:12,593 --> 00:03:13,700 get quite quick. Now, it is definitely 86 00:03:13,700 --> 00:03:15,262 worth practicing that really slowly and 87 00:03:15,262 --> 00:03:16,615 getting it right. There are other tapping 88 00:03:16,615 --> 00:03:18,527 techniques you can do, like going from the 89 00:03:18,527 --> 00:03:20,331 tap, flicking off from the third finger 90 00:03:20,331 --> 00:03:23,773 and then down to flicking that off to the 91 00:03:23,773 --> 00:03:28,910 first. (notes being played) But I'd 92 00:03:28,910 --> 00:03:30,702 recommend that to start off with, you do 93 00:03:30,702 --> 00:03:33,290 the tap (example sound) flick off with 94 00:03:33,290 --> 00:03:35,408 your first finger (example sound) and 95 00:03:35,408 --> 00:03:38,869 then hammer with your third. (example) 96 00:03:38,869 --> 00:03:40,998 Again, just start like this really nice 97 00:03:40,998 --> 00:03:43,220 and slow (example sounds) and then 98 00:03:43,220 --> 00:03:47,817 gradually build up your speed. Now, if 99 00:03:47,817 --> 00:03:49,994 we move that over to the second string, um 100 00:03:49,994 --> 00:03:52,534 to be technically correct within the 101 00:03:52,534 --> 00:03:54,670 pentatonic scale, we should move the tap 102 00:03:54,670 --> 00:03:56,443 to the thirteenth fret, but it actually 103 00:03:56,443 --> 00:03:58,040 sounds really cool if you leave it on the 104 00:03:58,040 --> 00:04:00,633 twelfth fret, it becomes the ninth or the 105 00:04:00,633 --> 00:04:02,215 note B in the key of A and it sounds kinda 106 00:04:02,215 --> 00:04:04,615 hip. So the next thing that I think that 107 00:04:04,615 --> 00:04:06,510 is worth practice, is practicing doing 108 00:04:06,510 --> 00:04:09,107 four taps on the first string, on the 109 00:04:09,107 --> 00:04:10,966 thinner string and then moving it over and 110 00:04:10,966 --> 00:04:13,042 doing four taps on the B string, so you 111 00:04:13,042 --> 00:04:15,415 end up making sure you lead with the tap. 112 00:04:15,415 --> 00:04:20,243 So, we have here (example tap) one, two, 113 00:04:20,243 --> 00:04:26,122 three, four. Now tap on the B string..... 114 00:04:26,122 --> 00:04:32,962 three, four. Thinner string again. 115 00:04:32,962 --> 00:04:51,033 (examples increasing in speed) 116 00:04:51,033 --> 00:04:52,875 Yeah, so you can hear it kinda works out 117 00:04:52,875 --> 00:04:54,213 pretty good, even though it is quite a 118 00:04:54,213 --> 00:04:56,310 straightforward link. It is not particularly 119 00:04:56,310 --> 00:04:58,499 hard. Um, if you want to move it over 120 00:04:58,499 --> 00:05:02,117 another string, then a, we have first 121 00:05:02,117 --> 00:05:04,010 string, second string, now we are going 122 00:05:04,010 --> 00:05:08,743 to move it to a third string, we are still 123 00:05:08,743 --> 00:05:11,075 going to tap the twelfth fret, but then 124 00:05:11,075 --> 00:05:12,945 we are going to do first finger and the 125 00:05:12,945 --> 00:05:15,803 third finger is going to go into the 126 00:05:15,803 --> 00:05:18,411 seventh fret, which is in keeping with 127 00:05:18,411 --> 00:05:20,176 the pentatonic scale. You can keep it on 128 00:05:20,176 --> 00:05:21,900 the eighth fret and use the blue note, 129 00:05:21,900 --> 00:05:23,955 or the blue tone for the pentatonic, but 130 00:05:23,955 --> 00:05:25,477 it kinda sounds cooler back at the seventh 131 00:05:25,477 --> 00:05:27,413 fret. So in this case if we are doing four 132 00:05:27,413 --> 00:05:28,798 on each one again and going back up we'd 133 00:05:28,798 --> 00:05:31,649 have this (example playing, increasing in 134 00:05:31,649 --> 00:05:44,125 speed as he continues to play) So, here 135 00:05:44,125 --> 00:05:46,620 we go, the exercise in full. So we start 136 00:05:46,620 --> 00:05:52,110 with the tap, flick....... 137 00:05:52,110 --> 00:06:05,699 (example played slowly then 138 00:06:05,699 --> 00:06:29,006 increasing in speed) 139 00:06:29,006 --> 00:06:30,685 That's it, that is kinda of basic, very 140 00:06:30,685 --> 00:06:33,466 very basic finger tapping technique. Um, 141 00:06:33,466 --> 00:06:35,389 one of the things that you wanna try and 142 00:06:35,389 --> 00:06:36,843 work out is how to start and finish your 143 00:06:36,843 --> 00:06:39,088 tapping as well. Like I said, if you are 144 00:06:39,088 --> 00:06:44,911 playing a solo (example) you can see now 145 00:06:44,911 --> 00:06:48,579 I've used a little bend there (example) 146 00:06:48,579 --> 00:06:50,638 to let myself get into position, then I'd 147 00:06:50,638 --> 00:06:55,435 start tapping (example) and using a little 148 00:06:55,435 --> 00:06:58,040 bend at the end or something like that in 149 00:06:58,040 --> 00:07:00,088 order to get my hand back to be able to 150 00:07:00,088 --> 00:07:02,070 play again, cause it kinda sounds some- 151 00:07:02,070 --> 00:07:03,777 times a bit dodgy if you just playing a 152 00:07:03,777 --> 00:07:05,475 solo, stop, finger tap, and then stop 153 00:07:05,475 --> 00:07:07,532 again and start playing your regular song 154 00:07:07,532 --> 00:07:09,051 you'll want to try to incorporate it in a 155 00:07:09,051 --> 00:07:11,033 little bit. It is one of the things it would 156 00:07:11,033 --> 00:07:14,842 definitely be worth practicing. Um, so 157 00:07:14,842 --> 00:07:16,500 that would be a really basic technique to 158 00:07:16,500 --> 00:07:18,266 try and get down. Uh, like I said I will 159 00:07:18,266 --> 00:07:20,694 come and do some more complicated ones 160 00:07:20,694 --> 00:07:22,441 if you'll all leave some nice comments for 161 00:07:22,441 --> 00:07:24,706 me on this YouTube page, and say "hey, 162 00:07:24,706 --> 00:07:27,026 how bout some other stuff" and I'll jump 163 00:07:27,026 --> 00:07:29,601 in there, um I'll give you one more little 164 00:07:29,601 --> 00:07:30,895 tidbit, just because this is a really cool 165 00:07:30,895 --> 00:07:32,907 quite simple trick that you might want to 166 00:07:32,907 --> 00:07:34,957 try. Um, whereas before, on the top string 167 00:07:34,957 --> 00:07:36,811 there we were playing the tap at the 168 00:07:36,811 --> 00:07:39,295 twelfth fret (example) flick it off to the 169 00:07:39,295 --> 00:07:41,211 first finger, and then hammer with the 170 00:07:41,211 --> 00:07:44,156 third....a really cool little trick is to 171 00:07:44,156 --> 00:07:46,348 tap in the same fret as your third finger 172 00:07:46,348 --> 00:07:48,571 So, if you move it down here we'd tap 173 00:07:48,571 --> 00:07:51,151 in the eighth fret (example sound) then 174 00:07:51,151 --> 00:07:53,635 flick it off to the first finger, and then 175 00:07:53,635 --> 00:07:56,361 hammer on the same fret with the 176 00:07:56,361 --> 00:07:58,014 third finger, and flick off, tap, flick, 177 00:07:58,014 --> 00:08:01,316 hammer, flick (continuing example) 178 00:08:01,316 --> 00:08:07,601 You can hear, you can get really really 179 00:08:07,601 --> 00:08:09,361 really quick little tricks with that. So 180 00:08:09,361 --> 00:08:12,394 it is quite a nice, easy, very very easy 181 00:08:12,394 --> 00:08:15,127 way of getting into your super fast finger 182 00:08:15,127 --> 00:08:17,675 tapping licks. So, um, hopefully you found 183 00:08:17,675 --> 00:08:20,252 that useful and interesting, have fun, uh 184 00:08:20,252 --> 00:08:22,468 if you wanna see some more leave me a 185 00:08:22,468 --> 00:08:23,672 message and I'll start putting up some 186 00:08:23,672 --> 00:08:25,766 harder stuff. Um, have fun, I'll see you 187 00:08:25,766 --> 00:08:33,476 soon. Take care!