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(m�sica reflexiva)

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(cajones raspando)

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- [Cindy] �Sab�as que

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hay u�as postizas
para pedicuras? (risas)

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- [Hablante] Espere un minuto.

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- No las he probado todav�a,

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pero realmente me muero por probarlas,

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qu� locura, �no? (se r�e)

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Estoy pensando en usarlas yo misma

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para una fiesta, s�lo
como una broma.

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�Me entiendes?
Pero estas no son tan obvias.

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Estas son quiz�s m�s obvias

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porque tienen un poco de
puntos en ellas

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y me van a ver como:

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"�Qui�n usa puntos 
en los dedos de sus pies?

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Mi trabajo no se trata de

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fantasear sobre
personajes o situaciones.

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Algunas personas, creo, han pensado que

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los personajes que hago son�

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s�, como si siempre hubiera fantaseado

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sobre ser una mujer provocadora
o lo que sea,

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como en mis fotogramas de pel�cula.

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S�, no pienso en
ello como si fuese algo literal para m�.

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Cuando estoy haciendo los personajes,

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realmente no siento que
es alg�n tipo de�algo

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que sale de mi
fantas�a, mis sue�os.

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En la universidad, cuando lo hac�a,

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yo, me convertir�a en un personaje.

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y luego pensar�a,

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"Bueno, vaya, aqu� estoy como Lucille Ball,

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�y ahora qu� hago?"

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Luego se convirti� en algo

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y m�s como una actuaci�n

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y comenc� a hacerlo
a veces yendo a fiestas�

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Recuerdo una vez que me estaba metiendo en el personaje

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y quer�a ir a alguna inauguraci�n

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y sent�a que algo faltaba,

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y luego puse una almohada debajo del vestido

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y fui como una mujer embarazada.

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Cuando me mud� a Nueva York,
lo hice unas cuantas veces,

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pero de repente ya no era lo mismo, creo,

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porque en la ciudad sent�
como si necesitara mi propio tipo de�

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armadura de calle,

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o lo que sea, simplemente para
lidiar con la calle

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y la gente en la calle
y la gente loca

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y los verdaderos locos que se ve�an

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como algunos de los personajes
a los que yo me parec�a

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y yo no quer�a que me 
confundieran con ellos, supongo.

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Esa es la ventaja
de meterme en ellos yo misma

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es simplemente jugar.

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Cuando experiment� con
otras personas, como modelos,

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modelos pagados o amigos o familiares,

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siento que�no sab�a qu� decirles que hicieran

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porque realmente no s�

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qu� es lo que quiero hasta que lo veo.

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As� que tiendo a apresurarlos
durante todo el proceso

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y lo rehago yo misma
y es agotador.

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Entonces, o sea, aunque me encanta hacerlo,

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es mucho m�s trabajo

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porque me frustra intentar 

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capturar algo en pel�cula
que ni siquiera puedo articular

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porque realmente no s�
qu� es lo que quiero

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hasta que lo veo.