0:00:05.816,0:00:11.810 (drawers scraping) 0:00:13.524,0:00:17.325 - (Cindy) Did you know they have[br]press-on nails for pedicures? 0:00:17.339,0:00:18.689 (chuckles) 0:00:18.689,0:00:19.511 - (Speaker) Wait a minute- 0:00:19.511,0:00:20.832 - (Cindy) I haven't tried them yet, 0:00:20.832,0:00:23.475 but I'm really dying to try them, 0:00:23.475,0:00:24.400 isn't that crazy? (chuckles) 0:00:26.521,0:00:28.439 I'm thinking of just wearing them myself 0:00:28.439,0:00:28.088 just for a party,[br]just as a joke, you know? 0:00:28.952,0:00:30.431 I mean, they just, I mean, [br]except these aren't as obvious. 0:00:31.340,0:00:32.453 These are maybe more obvious 0:00:32.453,0:00:32.871 because they have [br]little polka dots on them 9:59:59.000,9:59:59.000 and they just look like, 9:59:59.000,9:59:59.000 'Who would wear little[br]polka dots on your toes?' 9:59:59.000,9:59:59.000 My work is not about fantasizing 9:59:59.000,9:59:59.000 about characters or situations. 9:59:59.000,9:59:59.000 Some people, I think, [br]have thought that 9:59:59.000,9:59:59.000 the characters I do were, 9:59:59.000,9:59:59.000 yeah, as if I've always fantasized 9:59:59.000,9:59:59.000 about being a femme fatale[br]or whatever, you know, 9:59:59.000,9:59:59.000 in my film stills. 9:59:59.000,9:59:59.000 Yeah, I don't think of[br]it as that literal to me. 9:59:59.000,9:59:59.000 When I'm doing the characters, 9:59:59.000,9:59:59.000 I really don't feel like [br]it's some sort of something[br] 9:59:59.000,9:59:59.000 that grows out of my fantasy,[br]my own dreams. 9:59:59.000,9:59:59.000 In college when I would do it, 9:59:59.000,9:59:59.000 I would become a character 9:59:59.000,9:59:59.000 and then sort of think, 9:59:59.000,9:59:59.000 'Well, gee, here I am as Lucille Ball, [br]and what do I now?' 9:59:59.000,9:59:59.000 So then it became sort of a thing 9:59:59.000,9:59:59.000 and a little more like performance. 9:59:59.000,9:59:59.000 And I started to do it [br]going to parties sometimes. 9:59:59.000,9:59:59.000 I remember once getting all in character 9:59:59.000,9:59:59.000 and wanting to go to some opening 9:59:59.000,9:59:59.000 and feeling like something was missing, 9:59:59.000,9:59:59.000 and then I put a pillow under the dress 9:59:59.000,9:59:59.000 and went as a pregnant woman. 9:59:59.000,9:59:59.000 When I moved to New York, 9:59:59.000,9:59:59.000 I did it a few times, 9:59:59.000,9:59:59.000 but it suddenly wasn't the same 9:59:59.000,9:59:59.000 I think because in the city 9:59:59.000,9:59:59.000 I felt like I needed my own 9:59:59.000,9:59:59.000 sort of, street armour, or whatever 9:59:59.000,9:59:59.000 just to deal with the street, 9:59:59.000,9:59:59.000 and people out on the street, 9:59:59.000,9:59:59.000 and the crazy people,[br]and the real crazy people 9:59:59.000,9:59:59.000 who looked like some of the characters 9:59:59.000,9:59:59.000 I was looking like. 9:59:59.000,9:59:59.000 And I didn't want to be confused,[br]I guess, with them. 9:59:59.000,9:59:59.000 That's the advantage[br]of being in them myself 9:59:59.000,9:59:59.000 is I can just play around. 9:59:59.000,9:59:59.000 When I've experimented[br]with other people in them, 9:59:59.000,9:59:59.000 as models, paid models, [br]or friends or family, 9:59:59.000,9:59:59.000 I feel like I just, [br]I don't know what to tell them to do 9:59:59.000,9:59:59.000 because I don't really know 9:59:59.000,9:59:59.000 what it is I'm looking for until I see it. 9:59:59.000,9:59:59.000 So I tend to sort of rush them[br]through the whole process. 9:59:59.000,9:59:59.000 Then I redo it with myself,[br]and it's like grueling, 9:59:59.000,9:59:59.000 and it's like grueling, 9:59:59.000,9:59:59.000 so even though I love to do it, 9:59:59.000,9:59:59.000 it's much more work 9:59:59.000,9:59:59.000 because I'm like frustrated 9:59:59.000,9:59:59.000 at trying to capture on film 9:59:59.000,9:59:59.000 something that I can't even articulate. 9:59:59.000,9:59:59.000 Because I don't really know 9:59:59.000,9:59:59.000 what it is that I am looking for 9:59:59.000,9:59:59.000 until I see it.