[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:20.76,0:00:22.14,Default,,0000,0000,0000,,-["Frida" VO] Não há nada\Npior que a palavra.
Dialogue: 0,0:00:22.14,0:00:24.00,Default,,0000,0000,0000,,"Apreciando a arte"
Dialogue: 0,0:00:24.00,0:00:26.70,Default,,0000,0000,0000,,Isso implica que você está lá\Napenas maravilhado
Dialogue: 0,0:00:26.70,0:00:30.00,Default,,0000,0000,0000,,e o que quer que você seja\Nalimentado, você aprecia.
Dialogue: 0,0:00:30.90,0:00:35.09,Default,,0000,0000,0000,,Arte é realmente sobre\Ndiscurso e sobre discussão.
Dialogue: 0,0:00:35.09,0:00:38.22,Default,,0000,0000,0000,,-["Frida" VO] Você tem alguma ideia\Ndo que os museus poderiam ser?
Dialogue: 0,0:00:38.22,0:00:40.26,Default,,0000,0000,0000,,-Descolonizando museus.
Dialogue: 0,0:00:40.52,0:00:42.54,Default,,0000,0000,0000,,Tipo, não ter roubado coisas.
Dialogue: 0,0:00:43.31,0:00:46.85,Default,,0000,0000,0000,,-Se sua arte é para o público,\Nentão o público deveria ter o
Dialogue: 0,0:00:46.85,0:00:49.96,Default,,0000,0000,0000,,direito de expressar\Nsuas opiniões e pontos de vista.
Dialogue: 0,0:00:49.96,0:00:52.62,Default,,0000,0000,0000,,-Como um jovem artista, tipo,\Nàs vezes, eu vejo coisas e,
Dialogue: 0,0:00:52.62,0:00:55.84,Default,,0000,0000,0000,,tipo, fico tão frustrado e\Nsinto que nada mudou.
Dialogue: 0,0:00:55.88,0:01:06.35,Default,,0000,0000,0000,,
Dialogue: 0,0:01:06.35,0:01:07.99,Default,,0000,0000,0000,,-["Frida" VO]\NBem do início,
Dialogue: 0,0:01:07.99,0:01:10.44,Default,,0000,0000,0000,,nós temos lutado\Ncontra o sexismo,
Dialogue: 0,0:01:10.44,0:01:14.64,Default,,0000,0000,0000,,racismo, e o ataque\Nque as pessoas ricas
Dialogue: 0,0:01:14.64,0:01:18.66,Default,,0000,0000,0000,,e as instituições ricas\Npraticam contra a arte e cultura.
Dialogue: 0,0:01:19.38,0:01:21.48,Default,,0000,0000,0000,,-Quarenta milhões de dólares. 1-5-0-6.
Dialogue: 0,0:01:22.49,0:01:25.68,Default,,0000,0000,0000,,-As Guerrilla Girls reclamarão\Na respeito de qualquer coisa que
Dialogue: 0,0:01:25.68,0:01:30.40,Default,,0000,0000,0000,,as irritem, e elas sempre\Nfazem isso de uma forma inesperada.
Dialogue: 0,0:01:32.15,0:01:35.10,Default,,0000,0000,0000,,-[Coco VO] O que os artistas tem\Na dizer sobre outras coisas além
Dialogue: 0,0:01:35.10,0:01:38.58,Default,,0000,0000,0000,,de suas artes, nem sempre tem\Nsido considerado tão relevante
Dialogue: 0,0:01:38.58,0:01:40.92,Default,,0000,0000,0000,,pelos críticos do mundo arte.
Dialogue: 0,0:01:41.64,0:01:44.94,Default,,0000,0000,0000,,E, as Guerrilla Girls faziam \Nparte da vanguarda que fazia isso
Dialogue: 0,0:01:44.94,0:01:46.68,Default,,0000,0000,0000,,no começo dos anos 80.
Dialogue: 0,0:01:47.64,0:01:51.72,Default,,0000,0000,0000,,-[Frances] O poder do trabalhos das Guerrilla Girls era que sempre que
Dialogue: 0,0:01:51.72,0:01:54.18,Default,,0000,0000,0000,,eu apreciava suas obras,\Neu me sentia envolvida.
Dialogue: 0,0:01:54.18,0:01:56.58,Default,,0000,0000,0000,,Não era o problema de alguém.\NEra o meu problema.
Dialogue: 0,0:01:56.68,0:02:02.63,Default,,0000,0000,0000,,
Dialogue: 0,0:02:05.09,0:02:06.72,Default,,0000,0000,0000,,-["Frida"] Eu sou uma \Ndas fundadoras
Dialogue: 0,0:02:06.72,0:02:08.88,Default,,0000,0000,0000,,das Guerrilla Girls, e\Neu estou envolvida
Dialogue: 0,0:02:08.88,0:02:11.94,Default,,0000,0000,0000,,em tudo que elas fizeram\Ndesde 1985.
Dialogue: 0,0:02:11.94,0:02:13.38,Default,,0000,0000,0000,,Eu sou como uma "lifer".
Dialogue: 0,0:02:13.91,0:02:16.62,Default,,0000,0000,0000,,Mas, eu sou na minha vida\Nreal, uma artista.
Dialogue: 0,0:02:17.32,0:02:20.10,Default,,0000,0000,0000,,-["Käthe"] E, eu também sou\Nfundadora das Guerrilla Girls
Dialogue: 0,0:02:20.10,0:02:23.64,Default,,0000,0000,0000,,e também uma artista\Nativista por toda vida.
Dialogue: 0,0:02:23.64,0:02:28.79,Default,,0000,0000,0000,,
Dialogue: 0,0:02:28.79,0:02:32.76,Default,,0000,0000,0000,,No outono de 1984, o Museu de Arte Moderna fez essa exposição
Dialogue: 0,0:02:32.76,0:02:37.14,Default,,0000,0000,0000,,- uma pesquisa internacional\Nde pintura e escultura.
Dialogue: 0,0:02:37.14,0:02:40.44,Default,,0000,0000,0000,,Havia 169 artistas expondo,
Dialogue: 0,0:02:40.44,0:02:45.36,Default,,0000,0000,0000,,destes apenas 17 eram mulheres,\Ne alguns artistas negros.
Dialogue: 0,0:02:45.36,0:02:48.96,Default,,0000,0000,0000,,E, mulheres artistas em Nova Iorque\Nestavam realmente revoltadas.
Dialogue: 0,0:02:48.96,0:02:52.97,Default,,0000,0000,0000,,
Dialogue: 0,0:02:54.79,0:02:57.66,Default,,0000,0000,0000,,-["Frida"] Nos fomos educadas\Npara respeitar todas
Dialogue: 0,0:02:57.66,0:03:01.14,Default,,0000,0000,0000,,as instituições e pessoas\Nque decidiam e
Dialogue: 0,0:03:01.14,0:03:03.77,Default,,0000,0000,0000,,quem faria a história da arte,
Dialogue: 0,0:03:03.77,0:03:07.44,Default,,0000,0000,0000,,mas entendemos que isso\Nestava cheio de preconceitos e
Dialogue: 0,0:03:07.44,0:03:08.65,Default,,0000,0000,0000,,limitações.
Dialogue: 0,0:03:10.28,0:03:12.54,Default,,0000,0000,0000,,-["Käthe"] Nós estávamos \Nfazendo um piquete na frente
Dialogue: 0,0:03:12.54,0:03:17.34,Default,,0000,0000,0000,,do Museu de Arte Moderna e\Npercebemos que ninguém que vai
Dialogue: 0,0:03:17.34,0:03:19.14,Default,,0000,0000,0000,,ao museu se importa.
Dialogue: 0,0:03:19.14,0:03:22.46,Default,,0000,0000,0000,,
Dialogue: 0,0:03:22.46,0:03:24.72,Default,,0000,0000,0000,,E, esse foi o momento "aha".
Dialogue: 0,0:03:24.72,0:03:29.21,Default,,0000,0000,0000,,Foi tão claro que\Ndeveria haver um modo melhor
Dialogue: 0,0:03:29.21,0:03:33.12,Default,,0000,0000,0000,,de convencer as pessoas e \Nfazê-las compreender o tamanho
Dialogue: 0,0:03:33.12,0:03:37.62,Default,,0000,0000,0000,,da discriminação que acontecia\N- tanto racismo quanto sexismo -
Dialogue: 0,0:03:37.62,0:03:38.75,Default,,0000,0000,0000,,na arte mundial.
Dialogue: 0,0:03:38.75,0:03:43.31,Default,,0000,0000,0000,,
Dialogue: 0,0:03:43.31,0:03:46.80,Default,,0000,0000,0000,,-A maioria das mulheres que reclamam \Nsão completamente sem talento.
Dialogue: 0,0:03:46.80,0:03:49.18,Default,,0000,0000,0000,,Por exemplo, as maiores\Nmulheres artistas,
Dialogue: 0,0:03:49.18,0:03:51.90,Default,,0000,0000,0000,,você não escuta delas esses \Nargumentos feministas embaraçosos.
Dialogue: 0,0:03:51.90,0:03:53.52,Default,,0000,0000,0000,,-["Frida"] Quanto mais\Nobservamos os números,
Dialogue: 0,0:03:53.52,0:03:57.60,Default,,0000,0000,0000,,nós entendemos que não há um \Nsistema de eliminação de mulheres
Dialogue: 0,0:03:57.60,0:04:02.25,Default,,0000,0000,0000,,e artistas negros na chamada\Narte mundial convencional.
Dialogue: 0,0:04:02.25,0:04:05.22,Default,,0000,0000,0000,,-[Guerrilla Girl] Como os \Nmuseus estão recebendo
Dialogue: 0,0:04:05.22,0:04:08.67,Default,,0000,0000,0000,,subsídios e não têm obrigações\Ncom a diversidade étnica?
Dialogue: 0,0:04:08.67,0:04:10.80,Default,,0000,0000,0000,,-["Frida"] Entendemos\Na grande importância
Dialogue: 0,0:04:10.80,0:04:13.14,Default,,0000,0000,0000,,apenas para apresentar os fatos
Dialogue: 0,0:04:13.14,0:04:16.62,Default,,0000,0000,0000,,e ver o que as pessoas \Nfizeram com eles.
Dialogue: 0,0:04:18.12,0:04:22.74,Default,,0000,0000,0000,,Nós nos conhecemos no meu loft e erámos\Napenas uma miscelânea de artistas.
Dialogue: 0,0:04:24.18,0:04:27.66,Default,,0000,0000,0000,,Nós nos chamávamos de "Guerrilla Girls"\Nporque nós tínhamos
Dialogue: 0,0:04:27.66,0:04:30.00,Default,,0000,0000,0000,,que ficar anônimas para\Ndizer o que era óbvio.
Dialogue: 0,0:04:30.00,0:04:31.80,Default,,0000,0000,0000,,
Dialogue: 0,0:04:31.80,0:04:35.44,Default,,0000,0000,0000,,Kathë e eu aparecemos\Ncom os dois primeiros cartazes.
Dialogue: 0,0:04:38.51,0:04:42.17,Default,,0000,0000,0000,,O primeiro cartaz era a lista\Nde artistas masculinos que puderam
Dialogue: 0,0:04:42.17,0:04:45.36,Default,,0000,0000,0000,,exibir seus trabalhos em galerias \Nque exibiram menos
Dialogue: 0,0:04:45.36,0:04:47.22,Default,,0000,0000,0000,,de 10%, ou nem isso, de mulheres.
Dialogue: 0,0:04:48.98,0:04:51.08,Default,,0000,0000,0000,,-[Kathë VO] Se funcionasse,\Nfaríamos outro.
Dialogue: 0,0:04:51.08,0:04:53.17,Default,,0000,0000,0000,,Se o outro funcionasse,\Nfaríamos outro.
Dialogue: 0,0:04:54.53,0:04:57.66,Default,,0000,0000,0000,,Os fatos são de suma importância.
Dialogue: 0,0:04:57.66,0:05:00.42,Default,,0000,0000,0000,,Mas, também, nós tivemos \Nesse tipo de escândalo
Dialogue: 0,0:05:00.42,0:05:04.62,Default,,0000,0000,0000,,na nossa cara e manchetes\Nabsurdas que podemos
Dialogue: 0,0:05:04.62,0:05:05.58,Default,,0000,0000,0000,,ignorar totalmente.
Dialogue: 0,0:05:07.58,0:05:10.14,Default,,0000,0000,0000,,
Dialogue: 0,0:05:10.14,0:05:12.36,Default,,0000,0000,0000,,
Dialogue: 0,0:05:12.36,0:05:13.90,Default,,0000,0000,0000,,
Dialogue: 0,0:05:13.90,0:05:16.68,Default,,0000,0000,0000,,
Dialogue: 0,0:05:17.63,0:05:25.21,Default,,0000,0000,0000,,
Dialogue: 0,0:05:25.21,0:05:27.96,Default,,0000,0000,0000,,
Dialogue: 0,0:05:27.96,0:05:31.20,Default,,0000,0000,0000,,
Dialogue: 0,0:05:31.20,0:05:34.86,Default,,0000,0000,0000,,
Dialogue: 0,0:05:34.86,0:05:36.06,Default,,0000,0000,0000,,
Dialogue: 0,0:05:36.06,0:05:43.08,Default,,0000,0000,0000,,
Dialogue: 0,0:05:43.08,0:05:45.12,Default,,0000,0000,0000,,
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Dialogue: 0,0:05:48.36,0:05:53.34,Default,,0000,0000,0000,,
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