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-["Frida" VO] Não há nada
pior que a palavra.

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"Apreciando a arte"

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Isso implica que você está lá
apenas maravilhado

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e o que quer que você seja
alimentado, você aprecia.

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Arte é realmente sobre
discurso e sobre discussão.

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-["Frida" VO] Você tem alguma ideia
do que os museus poderiam ser?

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-Descolonizando museus.

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Tipo, não ter roubado coisas.

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-Se sua arte é para o público,
então o público deveria ter o

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direito de expressar
suas opiniões e pontos de vista.

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-Como um jovem artista, tipo,
às vezes, eu vejo coisas e,

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tipo, fico tão frustrado e
sinto que nada mudou.

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-["Frida" VO]
Bem do início,

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nós temos lutado
contra o sexismo,

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racismo, e o ataque
que as pessoas ricas

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e as instituições ricas
praticam contra a arte e cultura.

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-Quarenta milhões de dólares. 1-5-0-6.

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-As Guerrilla Girls reclamarão
a respeito de qualquer coisa que

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as irritem, e elas sempre
fazem isso de uma forma inesperada.

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-[Coco VO] O que os artistas tem
a dizer sobre outras coisas além

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de suas artes, nem sempre tem
sido considerado tão relevante

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pelos críticos do mundo arte.

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E, as Guerrilla Girls faziam 
parte da vanguarda que fazia isso

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no começo dos anos 80.

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-[Frances] O poder do trabalhos das Guerrilla Girls era que sempre que

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eu apreciava suas obras,
eu me sentia envolvida.

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Não era o problema de alguém.
Era o meu problema.

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-["Frida"] Eu sou uma 
das fundadoras

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das Guerrilla Girls, e
eu estou envolvida

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em tudo que elas fizeram
desde 1985.

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Eu sou como uma "lifer".

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Mas, eu sou na minha vida
real, uma artista.

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-["Käthe"] E, eu também sou
fundadora das Guerrilla Girls

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e também uma artista
ativista por toda vida.

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No outono de 1984, o Museu de Arte Moderna fez essa exposição

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- uma pesquisa internacional
de pintura e escultura.

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Havia 169 artistas expondo,

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destes apenas 17 eram mulheres,
e alguns artistas negros.

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E, mulheres artistas em Nova Iorque
estavam realmente revoltadas.

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-["Frida"] Nos fomos educadas
para respeitar todas

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as instituições e pessoas
que decidiam e

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quem faria a história da arte,

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mas entendemos que isso
estava cheio de preconceitos e

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limitações.

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-["Käthe"] Nós estávamos 
fazendo um piquete na frente

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do Museu de Arte Moderna e
percebemos que ninguém que vai

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ao museu se importa.

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E, esse foi o momento "aha".

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Foi tão claro que
deveria haver um modo melhor

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de convencer as pessoas e 
fazê-las compreender o tamanho

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da discriminação que acontecia
- tanto racismo quanto sexismo -

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na arte mundial.

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-A maioria das mulheres que reclamam 
são completamente sem talento.

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Por exemplo, as maiores
mulheres artistas,

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você não escuta delas esses 
argumentos feministas embaraçosos.

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-["Frida"] Quanto mais
observamos os números,

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nós entendemos que não há um 
sistema de eliminação de mulheres

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e artistas negros na chamada
arte mundial convencional.

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-[Guerrilla Girl] Como os 
museus estão recebendo

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subsídios e não têm obrigações
com a diversidade étnica?

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-["Frida"] Entendemos
a grande importância

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apenas para apresentar os fatos

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e ver o que as pessoas 
fizeram com eles.

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Nós nos conhecemos no meu loft e erámos
apenas uma miscelânea de artistas.

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Nós nos chamávamos de "Guerrilla Girls"
porque nós tínhamos

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que ficar anônimas para
dizer o que era óbvio.

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Kathë e eu aparecemos
com os dois primeiros cartazes.

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O primeiro cartaz era a lista
de artistas masculinos que puderam

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exibir seus trabalhos em galerias 
que exibiram menos

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de 10%, ou nem isso, de mulheres.

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-[Kathë VO] Se funcionasse,
faríamos outro.

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Se o outro funcionasse,
faríamos outro.

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Os fatos são de suma importância.

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Mas, também, nós tivemos 
esse tipo de escândalo

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na nossa cara e manchetes
absurdas que podemos

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ignorar totalmente.

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