WEBVTT 00:00:20.257 --> 00:00:23.497 ("Frida") "Appréciation artistique" est la pire des appellations. 00:00:24.000 --> 00:00:26.700 Elle insinue que l'on reste juste là, ébahi, 00:00:26.700 --> 00:00:30.000 et que quoi qu'on nous donne, on l'apprécie. 00:00:30.900 --> 00:00:34.554 L'art est fait de débats et de discussions. 00:00:35.179 --> 00:00:38.160 ("Frida") Avez-vous des idées pour améliorer les musées ? 00:00:38.160 --> 00:00:40.297 La décolonisation des musées. 00:00:40.574 --> 00:00:42.904 Ne pas avoir de choses volées. 00:00:43.309 --> 00:00:45.387 Si ton art est pour le public, 00:00:45.577 --> 00:00:49.671 alors le public devrait pouvoir exprimer ses opinions et ses points de vue. 00:00:49.932 --> 00:00:53.659 En tant que jeune artiste, parfois je vois des choses frustrantes 00:00:53.659 --> 00:00:55.838 et j'ai l'impression que rien n'a changé. 00:00:55.874 --> 00:01:05.973 00:01:06.352 --> 00:01:11.584 ("Frida") Depuis le tout début, on se bat contre le sexisme, le racisme, 00:01:11.873 --> 00:01:16.901 et l'étreinte mortelle que les gens riches et les institutions fortunées exercent 00:01:16.901 --> 00:01:18.690 sur l'art et la culture. 00:01:19.380 --> 00:01:21.465 40 millions de dollars, 1-5-0-6. 00:01:22.490 --> 00:01:26.164 Les Guerilla Girls vont se plaindre de tout ce qui les énerve. 00:01:26.824 --> 00:01:31.056 et le feront toujours de manière surprenante. 00:01:32.151 --> 00:01:36.105 (Coco) Ce que l'artiste a à dire sur des choses autres que son art, 00:01:36.105 --> 00:01:38.543 n'a pas toujours été considéré comme si important 00:01:38.543 --> 00:01:41.202 par les arbitres du monde de l'art. 00:01:41.766 --> 00:01:44.920 Et les Guerrilla Girls représentent ce combat 00:01:44.920 --> 00:01:46.602 depuis les années 80. 00:01:47.642 --> 00:01:50.618 (Frances) La force du travail des Guerrilla Girls était, 00:01:50.618 --> 00:01:54.140 qu'en le regardant, je me sentais impliquée. 00:01:54.140 --> 00:01:56.742 Ce n'était pas le problème d'un autre, mais le mien. 00:01:56.742 --> 00:02:02.631 00:02:04.996 --> 00:02:07.319 ("Frida") Je suis cofondatrice des Guerilla Girls 00:02:07.319 --> 00:02:11.924 et j'ai été impliquée dans presque toutes leurs activités depuis 1985. 00:02:11.940 --> 00:02:13.564 Je suis une sorte de dévouée. 00:02:13.909 --> 00:02:16.961 Mais je suis, en vrai, une artiste. 00:02:17.247 --> 00:02:20.329 ("Käthe") Je suis aussi cofondatrice des Guerilla Girls 00:02:20.599 --> 00:02:23.922 et une artiste politique depuis toujours. 00:02:24.062 --> 00:02:28.713 ♪ (Musique orchestrale et élégante) ♪ 00:02:28.793 --> 00:02:32.792 À l'automne 1984, le Museum of Modern Art a ouvert cette exposition : 00:02:32.792 --> 00:02:37.140 "un recensement international de la peinture et de la sculpture". 00:02:37.460 --> 00:02:40.440 169 artistes étaient représentés, 00:02:40.850 --> 00:02:45.440 dont seulement 17 femmes et très peu d'artistes de couleur. 00:02:45.510 --> 00:02:49.057 Et les femmes artistes de New York étaient très en colère. 00:02:49.296 --> 00:02:54.731 ♪ (musique rock et agressive) ♪ 00:02:54.764 --> 00:02:57.167 ("Frida") On a été éduquées de façon à respecter 00:02:57.257 --> 00:03:00.824 toutes les institutions et personnes qui prenaient les décisions, 00:03:00.824 --> 00:03:03.559 ainsi que les gens qui écrivaient l'histoire de l'art, 00:03:03.559 --> 00:03:08.513 mais on a pu voir que tout cela comportait ses propres préjugés et limitations. 00:03:09.818 --> 00:03:11.818 ("Käthe") On défile dans un piquet de gréve 00:03:11.818 --> 00:03:13.536 devant le Museum of Modern Art, 00:03:13.536 --> 00:03:19.140 et on réalise qu'aucune des personnes se rendant au musée ne s'en soucie. 00:03:19.211 --> 00:03:22.273 ♪ (La musique ralentie puis s'arrête) ♪ 00:03:22.473 --> 00:03:24.720 Et c'est là qu'on a réalisé. 00:03:24.870 --> 00:03:28.749 Il était si évident qu'il devait exister un meilleur moyen 00:03:29.319 --> 00:03:33.120 de convaincre les gens et de leur faire comprendre à quel point 00:03:33.120 --> 00:03:38.527 les discriminations racistes et sexistes étaient présentes dans le monde de l'art. 00:03:38.751 --> 00:03:43.310 00:03:43.310 --> 00:03:46.588 La majorité des femmes qui font tout ce grabuge n'ont aucun talent. 00:03:46.588 --> 00:03:48.937 Prenez par exemple les meilleures femmes artistes, 00:03:49.007 --> 00:03:52.017 elles ne font pas ces plaidoyers féministes embarrassants. 00:03:52.017 --> 00:03:53.630 ("Frida") En voyant les chiffres, 00:03:53.630 --> 00:03:57.059 on se rendait compte d'une élimination systématique 00:03:57.059 --> 00:04:00.925 des femmes et des artistes de couleur dans le soi-disant courant dominant 00:04:00.925 --> 00:04:02.081 du monde de l'art. 00:04:02.251 --> 00:04:05.806 (Guerilla Girl) Comment se fait-il que les musées touchent des subventions 00:04:05.806 --> 00:04:08.668 et qu'ils n'ont pas d'obligation de diversité ethnique ? 00:04:08.668 --> 00:04:13.017 ("Frida") On pensait qu'il serait très important de juste déclarer les faits 00:04:13.050 --> 00:04:16.375 et de voir ce que les gens feraient avec. 00:04:18.230 --> 00:04:22.740 On s'est réuni dans mon loft, on était juste un méli-mélo d'artistes. 00:04:24.181 --> 00:04:28.699 On s'est appelé les "Guerilla Girls" car on devait devenir anonyme 00:04:28.699 --> 00:04:30.391 pour dire ce qui était évident. 00:04:31.800 --> 00:04:34.771 Kathë et moi avons réalisé les deux premiers posters. 00:04:34.783 --> 00:04:37.075 Qu'est-ce que ces artistes ont en commun ? 00:04:38.514 --> 00:04:41.428 Le premier poster était cette liste d'hommes artistes 00:04:41.428 --> 00:04:44.112 qui daignaient exposer leurs œuvres dans les galeries qui 00:04:44.112 --> 00:04:47.220 présentaient moins de 10 pourcent de femmes ou 00:04:48.975 --> 00:04:51.084 aucune du tout. 00:04:51.084 --> 00:04:53.167 00:04:54.529 --> 00:04:57.660 00:04:57.660 --> 00:05:00.420 00:05:00.420 --> 00:05:04.620 00:05:04.620 --> 00:05:05.580 00:05:07.584 --> 00:05:10.141 00:05:10.141 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