[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:10.72,0:00:12.85,Default,,0000,0000,0000,,Hi, how are you doing, Justin here!
Dialogue: 0,0:00:12.86,0:00:16.10,Default,,0000,0000,0000,,Here we are at Aural Training Stage 5,
Dialogue: 0,0:00:16.10,0:00:17.74,Default,,0000,0000,0000,,where we are now looking at
Dialogue: 0,0:00:17.74,0:00:23.06,Default,,0000,0000,0000,,all of the chromatic, ascending,\Nmelodic intervals.
Dialogue: 0,0:00:23.06,0:00:25.14,Default,,0000,0000,0000,,Bit of a mouthful that one, aye?
Dialogue: 0,0:00:25.14,0:00:26.36,Default,,0000,0000,0000,,So basically, we are looking at
Dialogue: 0,0:00:26.36,0:00:28.60,Default,,0000,0000,0000,,all of the notes ascending,\Nlike going up,
Dialogue: 0,0:00:28.61,0:00:29.83,Default,,0000,0000,0000,,within an octave.
Dialogue: 0,0:00:29.83,0:00:32.72,Default,,0000,0000,0000,,There's 3 intervals that\Nwe haven't looked at yet,
Dialogue: 0,0:00:32.72,0:00:37.97,Default,,0000,0000,0000,,they are a minor 6, a minor 7,\N(or a flat 6 and a flat 7)
Dialogue: 0,0:00:37.97,0:00:40.07,Default,,0000,0000,0000,,and also an augmented 4th.
Dialogue: 0,0:00:40.07,0:00:41.71,Default,,0000,0000,0000,,you can also call this a flat 5.
Dialogue: 0,0:00:41.73,0:00:43.46,Default,,0000,0000,0000,,I tend to think of it as a sharp 4.
Dialogue: 0,0:00:43.47,0:00:45.64,Default,,0000,0000,0000,,Doesn't really matter,\Nsharp 4, flat 5,
Dialogue: 0,0:00:45.64,0:00:48.74,Default,,0000,0000,0000,,augmented 4th, diminished 5th,\Nsame thing, don't worry about it.
Dialogue: 0,0:00:50.71,0:00:52.57,Default,,0000,0000,0000,,So, we need to check out\Nthese intervals.
Dialogue: 0,0:00:52.57,0:00:54.77,Default,,0000,0000,0000,,So, the first one\Nthat we need to look at
Dialogue: 0,0:00:54.77,0:00:56.28,Default,,0000,0000,0000,,is the flat 6.
Dialogue: 0,0:00:56.28,0:00:58.90,Default,,0000,0000,0000,,♪
Dialogue: 0,0:00:58.90,0:01:00.80,Default,,0000,0000,0000,,Now, I always hear this...
Dialogue: 0,0:01:00.80,0:01:04.13,Default,,0000,0000,0000,,The one that I kind of grew up with\Nwas a song called Black Orpheus.
Dialogue: 0,0:01:04.13,0:01:08.30,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:08.30,0:01:10.38,Default,,0000,0000,0000,,It's that.\NIt's a kind of a jazz standard.
Dialogue: 0,0:01:10.38,0:01:12.50,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:12.50,0:01:13.100,Default,,0000,0000,0000,,But there's also a lot cooler ones.
Dialogue: 0,0:01:13.100,0:01:18.17,Default,,0000,0000,0000,,So, you can either use Black Orpheus,\Nor you can use Without Me, the Eminem classic,
Dialogue: 0,0:01:18.17,0:01:24.89,Default,,0000,0000,0000,,the little riff that he get's going (♪)\NThat beginning of that.
Dialogue: 0,0:01:24.89,0:01:27.97,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:27.97,0:01:29.74,Default,,0000,0000,0000,,That's a flat 6 interval. Minor 6.
Dialogue: 0,0:01:29.74,0:01:33.45,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:33.45,0:01:34.18,Default,,0000,0000,0000,,Great song.
Dialogue: 0,0:01:34.18,0:01:41.96,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:41.96,0:01:45.81,Default,,0000,0000,0000,,Ok, so, that's your flat 6, or\NBlack Orpheus.
Dialogue: 0,0:01:45.81,0:01:50.46,Default,,0000,0000,0000,,♪
Dialogue: 0,0:01:50.46,0:01:54.34,Default,,0000,0000,0000,,Beautiful melody, again.\NThe other one that we're looking at
Dialogue: 0,0:01:54.34,0:02:04.91,Default,,0000,0000,0000,,is a flat 7, now, flat 7 sounds like this: ♪\NNow, I always hear it as sounding bluesy.
Dialogue: 0,0:02:04.91,0:02:10.61,Default,,0000,0000,0000,,That's how I recognize that interval.\NApparently, the Star Trek theme tune starts like it,
Dialogue: 0,0:02:10.61,0:02:14.60,Default,,0000,0000,0000,,but I just wouldn't be able, for the life of me,\NI can't figure out how it goes and I've already
Dialogue: 0,0:02:14.60,0:02:16.76,Default,,0000,0000,0000,,started the video, I'm not gonna go and\Nlook it up on Youtube, figure it out,
Dialogue: 0,0:02:16.76,0:02:20.98,Default,,0000,0000,0000,,work out and play it. So, those of you,\Nthat know Star Trek ♪
Dialogue: 0,0:02:20.98,0:02:24.12,Default,,0000,0000,0000,,I used to be a fan of Star Trek too, It's kinda...\NI should remember how it goes,
Dialogue: 0,0:02:24.12,0:02:30.60,Default,,0000,0000,0000,,I just, it's not in my head now for some reason.\NAnyway, that's the interval, it's a flat 7
Dialogue: 0,0:02:30.60,0:02:31.73,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:31.73,0:02:32.72,Default,,0000,0000,0000,,I just recognize it
Dialogue: 0,0:02:32.72,0:02:36.76,Default,,0000,0000,0000,,♪
Dialogue: 0,0:02:36.76,0:02:43.38,Default,,0000,0000,0000,,It's got two steps up to the octave (♪)
Dialogue: 0,0:02:43.38,0:02:50.15,Default,,0000,0000,0000,,Just sounds kind of bluesy.\NFunk kind of sound in it (♪)
Dialogue: 0,0:02:50.15,0:02:55.75,Default,,0000,0000,0000,,So, I'm not so helpful with giving you\Na song hint here on the flat 7 interval, but ♪
Dialogue: 0,0:02:55.75,0:03:00.19,Default,,0000,0000,0000,,If some of you guys, you know,\Nexperienced aural trainers out there, ♪
Dialogue: 0,0:03:00.19,0:03:04.22,Default,,0000,0000,0000,,wanna tell me some songs other then\NStar Trek, that start like that ♪
Dialogue: 0,0:03:04.22,0:03:09.64,Default,,0000,0000,0000,,I'll add them up to the website, but some\Npeople find that interval difficult to pick.
Dialogue: 0,0:03:09.64,0:03:13.00,Default,,0000,0000,0000,,It's just really getting\Nthe sound in your head ♪
Dialogue: 0,0:03:13.01,0:03:18.20,Default,,0000,0000,0000,,Singing it over and over again,\Ngetting used to the sound ♪
Dialogue: 0,0:03:18.21,0:03:21.30,Default,,0000,0000,0000,,Probably the best singing exercise\Nyou can do is: playing the root note,
Dialogue: 0,0:03:21.30,0:03:25.05,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:25.05,0:03:29.47,Default,,0000,0000,0000,,Try and sing that interval that you're\Ngoing for, ♪ and then play it!
Dialogue: 0,0:03:29.47,0:03:30.62,Default,,0000,0000,0000,,Make sure that you've got it right.
Dialogue: 0,0:03:30.62,0:03:33.40,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:33.40,0:03:36.94,Default,,0000,0000,0000,,Probably the best way of getting\Nthat sound properly in your ear.
Dialogue: 0,0:03:36.94,0:03:38.59,Default,,0000,0000,0000,,That's flat 7
Dialogue: 0,0:03:38.59,0:03:41.84,Default,,0000,0000,0000,,The other interval that we have to\Ncheck out is the sharp 4, or flat 5.
Dialogue: 0,0:03:41.84,0:03:45.58,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:45.58,0:03:47.80,Default,,0000,0000,0000,,This is exactly halfway between\Nan octave, this one:
Dialogue: 0,0:03:47.80,0:03:49.49,Default,,0000,0000,0000,,♪
Dialogue: 0,0:03:49.49,0:03:52.81,Default,,0000,0000,0000,,Used to be called the devil's interval (♪)\N
Dialogue: 0,0:03:52.81,0:03:56.99,Default,,0000,0000,0000,,And if you were a composer, and you know,\Nmedieval times and you wrote this interval
Dialogue: 0,0:03:56.99,0:04:00.31,Default,,0000,0000,0000,,in a song that'd burn you\Nat a stake for being a witch
Dialogue: 0,0:04:00.31,0:04:01.29,Default,,0000,0000,0000,,♪
Dialogue: 0,0:04:01.29,0:04:03.89,Default,,0000,0000,0000,,Lucky, that doesn't happen these days, right?\NOr, I would be really screwed.
Dialogue: 0,0:04:03.89,0:04:06.54,Default,,0000,0000,0000,,♪
Dialogue: 0,0:04:06.54,0:04:11.30,Default,,0000,0000,0000,,There's a few tunes that...the most common\NI guess, tune that most people use I guess is
Dialogue: 0,0:04:11.30,0:04:15.66,Default,,0000,0000,0000,,The Simpsons - ♪
Dialogue: 0,0:04:15.66,0:04:25.77,Default,,0000,0000,0000,,Just sounds like that; it's kinda obvious.\NIt's also from Ave Maria. ♪
Dialogue: 0,0:04:25.77,0:04:30.78,Default,,0000,0000,0000,,The song I...that kinda resonated with me when\NI was a teenager and kinda learning this stuff
Dialogue: 0,0:04:30.78,0:04:35.32,Default,,0000,0000,0000,,there was a band I really liked called Primus\Nand they had a song called John the Fisherman
Dialogue: 0,0:04:35.32,0:04:37.27,Default,,0000,0000,0000,,which started-off with this augmented 4th
Dialogue: 0,0:04:37.27,0:04:41.42,Default,,0000,0000,0000,,♪
Dialogue: 0,0:04:41.42,0:04:43.73,Default,,0000,0000,0000,,so I always hear it as being the\NJohn the Fisherman interval
Dialogue: 0,0:04:43.73,0:04:45.05,Default,,0000,0000,0000,,♪ - Primus
Dialogue: 0,0:04:45.05,0:04:46.89,Default,,0000,0000,0000,,But Simpsons is probably a more common
Dialogue: 0,0:04:46.89,0:04:52.80,Default,,0000,0000,0000,,♪
Dialogue: 0,0:04:52.80,0:04:56.53,Default,,0000,0000,0000,,It's not a difficult sound to get that one,\Nit's got a...all of these intervals they've
Dialogue: 0,0:04:56.53,0:05:00.30,Default,,0000,0000,0000,,kind of got their own personality.\NAnd that's kind of what you're looking for
Dialogue: 0,0:05:00.30,0:05:04.27,Default,,0000,0000,0000,,you're looking for a song. A song's a really\Ngood start. If you can find a song that fits
Dialogue: 0,0:05:04.27,0:05:08.89,Default,,0000,0000,0000,,with the inerval, a song that you know,\Nthat's really, that's the best place to start.
Dialogue: 0,0:05:08.89,0:05:11.27,Default,,0000,0000,0000,,After you've played it a few times,\Nand you've got used to hearing it
Dialogue: 0,0:05:11.27,0:05:13.67,Default,,0000,0000,0000,,as a song, just see if you can find\Nthe character of the interval.
Dialogue: 0,0:05:13.67,0:05:17.97,Default,,0000,0000,0000,,'Cause it's almost, they've got a personality,\Nthey've got their own flavor, or character
Dialogue: 0,0:05:17.97,0:05:22.62,Default,,0000,0000,0000,,or color, whatever you wanna call it.\NSome methods around refer to them as
Dialogue: 0,0:05:22.62,0:05:26.69,Default,,0000,0000,0000,,colors; the intervals as each one having\Na different color. They've never really
Dialogue: 0,0:05:26.69,0:05:29.82,Default,,0000,0000,0000,,worked for me, I know it works for some\Nother people, it didn't work for me.
Dialogue: 0,0:05:29.82,0:05:33.38,Default,,0000,0000,0000,,I hear them as kind of characters.\NThey've got a personality.
Dialogue: 0,0:05:33.38,0:05:37.81,Default,,0000,0000,0000,,That's how I see it. Other people...you know;\Nit's got a flavor, whatever you wanna call it, right?
Dialogue: 0,0:05:37.81,0:05:43.15,Default,,0000,0000,0000,,But try and develop a little bit of that beyond\Njust thinking of it as a song. Try and find a colour,
Dialogue: 0,0:05:43.15,0:05:48.18,Default,,0000,0000,0000,,or a flavor, or a personality in the intervals,\Nand you'll start to hear them a lot clearer
Dialogue: 0,0:05:48.18,0:05:51.45,Default,,0000,0000,0000,,Especially as it gets more complicated\Nand you starting to...later on
Dialogue: 0,0:05:51.45,0:05:59.03,Default,,0000,0000,0000,,you'll looking at chords and you'll try to\Nfind the intervals in that chord, if you can
Dialogue: 0,0:05:59.04,0:06:03.66,Default,,0000,0000,0000,,hear the personalities, or the colours, or\Nthe flavors, it's easier than trying to hear
Dialogue: 0,0:06:03.66,0:06:07.06,Default,,0000,0000,0000,,all of those different songs all at the\Nsame time. That's pretty complicated, right?
Dialogue: 0,0:06:07.06,0:06:12.58,Default,,0000,0000,0000,,So, I think we're ready now to have a\Nclose-up look, I nearly forgot that.
Dialogue: 0,0:06:12.58,0:06:16.98,Default,,0000,0000,0000,,Ok, let's go to a close-up and check-out\Nhow to play these 3 different intervals.
Dialogue: 0,0:06:17.98,0:06:22.58,Default,,0000,0000,0000,,Down 2 strings and back 2 frets. So, from\Nhere, down 2 strings, back 2 frets.
Dialogue: 0,0:06:22.58,0:06:33.16,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:33.16,0:06:37.56,Default,,0000,0000,0000,,Just practice doing it,\Npractice the duu-daaa, then play it!
Dialogue: 0,0:06:37.56,0:06:38.09,Default,,0000,0000,0000,,♪
Dialogue: 0,0:06:38.09,0:06:43.97,Default,,0000,0000,0000,,Play the root note sing along with it then\NJump to the interval with your voice ♪
Dialogue: 0,0:06:43.97,0:06:53.88,Default,,0000,0000,0000,,It's minor 6, then we've\Nalso got minor 7 ♪
Dialogue: 0,0:06:53.88,0:06:56.44,Default,,0000,0000,0000,,These are in the same fret, but with\None string in the middle
Dialogue: 0,0:06:56.44,0:06:59.05,Default,,0000,0000,0000,,So there, miss one, play the next one.\N
Dialogue: 0,0:06:59.05,0:07:05.14,Default,,0000,0000,0000,,♪
Dialogue: 0,0:07:05.14,0:07:08.50,Default,,0000,0000,0000,,Listen to it! Play it, listen to it!\NReally try and get it in your ears.
Dialogue: 0,0:07:08.50,0:07:14.80,Default,,0000,0000,0000,,Do the little sing, check it!\NAlso works of course ♪
Dialogue: 0,0:07:14.80,0:07:18.85,Default,,0000,0000,0000,,So all of these different interval shapes work\Nwith either a 6th string root, or a 5th string root.
Dialogue: 0,0:07:18.85,0:07:21.10,Default,,0000,0000,0000,,♪
Dialogue: 0,0:07:21.10,0:07:24.26,Default,,0000,0000,0000,,It's a flat 7. Now the other one we've\Nlooked at was a augmented 4th.
Dialogue: 0,0:07:24.26,0:07:26.71,Default,,0000,0000,0000,,♪
Dialogue: 0,0:07:26.71,0:07:28.41,Default,,0000,0000,0000,,I always think of these as diagonals.
Dialogue: 0,0:07:28.41,0:07:31.13,Default,,0000,0000,0000,,♪
Dialogue: 0,0:07:31.13,0:07:35.48,Default,,0000,0000,0000,,Other one: beginning of Purple Haze it's\Nanother song that uses augmented 4th
Dialogue: 0,0:07:35.48,0:07:37.74,Default,,0000,0000,0000,,There's quite a few - ♪
Dialogue: 0,0:07:37.74,0:07:39.71,Default,,0000,0000,0000,,The Simpsons - ♪
Dialogue: 0,0:07:39.71,0:07:45.42,Default,,0000,0000,0000,,Or, Ave Maria - ♪
Dialogue: 0,0:07:45.42,0:07:50.76,Default,,0000,0000,0000,,It's Primus; so it's just completely diagonal.\NSo, one string over, one string up.
Dialogue: 0,0:07:50.76,0:07:52.69,Default,,0000,0000,0000,,That's how you play the augmented 4th.\N
Dialogue: 0,0:07:54.02,0:07:56.08,Default,,0000,0000,0000,,It's time to do a test!
Dialogue: 0,0:07:56.08,0:08:00.73,Default,,0000,0000,0000,,So, the 1st one we're looking at is\Ngonna be test 5A, and we're going to
Dialogue: 0,0:08:00.73,0:08:06.32,Default,,0000,0000,0000,,be playing each of the intervals twice\Nand it is just going to be the flat 6, the flat 7,
Dialogue: 0,0:08:06.32,0:08:10.62,Default,,0000,0000,0000,,and the augmented 4th.\NNow, just to pre-warn you a bit,
Dialogue: 0,0:08:10.62,0:08:15.68,Default,,0000,0000,0000,,some people get a bit confused between the\Naugmented 4th and the flat 7
Dialogue: 0,0:08:15.68,0:08:18.97,Default,,0000,0000,0000,,Really try and get used to it.\Nthere is no other way, really other than
Dialogue: 0,0:08:18.97,0:08:23.87,Default,,0000,0000,0000,,practicing and singing it. But try and get\Nused to how far each one is from the root note.
Dialogue: 0,0:08:23.88,0:08:32.62,Default,,0000,0000,0000,,The augmented 4th (♪) seems closer to me\Nthen (plays flat 7) it's like a bigger jump;
Dialogue: 0,0:08:32.62,0:08:38.16,Default,,0000,0000,0000,,it's further away, (♪) \NI think the confusing thing is
Dialogue: 0,0:08:38.16,0:08:41.97,Default,,0000,0000,0000,,that they're both referred to as dissonant.\NThey both got quite a lot of tension in those intervals.\N
Dialogue: 0,0:08:41.97,0:08:44.75,Default,,0000,0000,0000,,So, if they're personalities they're\Nkind of wound up a bit, right?
Dialogue: 0,0:08:44.76,0:08:49.22,Default,,0000,0000,0000,,So, because of that, there's sometimes it's\Na little easy to confuse the two, but
Dialogue: 0,0:08:49.22,0:08:54.30,Default,,0000,0000,0000,,it, again, it's only practice.\NEverything on the guitar, it's just down to practice.
Dialogue: 0,0:08:54.30,0:08:58.80,Default,,0000,0000,0000,,The right practice.\NSo, let's do a test!
Dialogue: 0,0:08:58.80,0:09:01.97,Default,,0000,0000,0000,,10 questions, let's go, here it is:
Dialogue: 0,0:09:01.97,0:09:13.91,Default,,0000,0000,0000,,Question 1: ♪
Dialogue: 0,0:09:13.91,0:09:24.60,Default,,0000,0000,0000,,And question 2: ♪
Dialogue: 0,0:09:24.60,0:09:38.27,Default,,0000,0000,0000,,And question 3: ♪
Dialogue: 0,0:09:38.27,0:09:52.46,Default,,0000,0000,0000,,Question 4: ♪
Dialogue: 0,0:09:52.46,0:10:03.92,Default,,0000,0000,0000,,Question 5: ♪
Dialogue: 0,0:10:03.92,0:10:15.45,Default,,0000,0000,0000,,Question 6: ♪
Dialogue: 0,0:10:15.45,0:10:28.05,Default,,0000,0000,0000,,Question 7: ♪
Dialogue: 0,0:10:28.05,0:10:40.60,Default,,0000,0000,0000,,Question 8: ♪
Dialogue: 0,0:10:40.60,0:10:51.38,Default,,0000,0000,0000,,Question 9: ♪
Dialogue: 0,0:10:51.38,0:11:03.98,Default,,0000,0000,0000,,And question 10: ♪
Dialogue: 0,0:11:04.48,0:11:08.55,Default,,0000,0000,0000,,Ok, off to the website, check your answers,\Nif you have any of it that you were struggling with
Dialogue: 0,0:11:08.55,0:11:11.08,Default,,0000,0000,0000,,practice them a few more times,\Npractice singing along,
Dialogue: 0,0:11:11.08,0:11:14.49,Default,,0000,0000,0000,,try and feel their vibration,\Npick-up on their personality
Dialogue: 0,0:11:14.49,0:11:18.02,Default,,0000,0000,0000,,find their flavor, look at the color,\Nwhatever it is that you're using,
Dialogue: 0,0:11:18.02,0:11:21.42,Default,,0000,0000,0000,,try and get with those particular\Nintervals that you struggle with.
Dialogue: 0,0:11:21.42,0:11:24.34,Default,,0000,0000,0000,,Remember that when you're practicing\Nthis sort of stuff, you should be practicing
Dialogue: 0,0:11:24.34,0:11:26.52,Default,,0000,0000,0000,,the ones that you struggle with,\Nnot all of them.
Dialogue: 0,0:11:26.52,0:11:31.83,Default,,0000,0000,0000,,If you're totally acing 2nds, 3rds, 4ths and 5ths,\Nwhen you're practicing, leave'em out!
Dialogue: 0,0:11:31.84,0:11:35.28,Default,,0000,0000,0000,,Untick those boxes, so you're not working\Non those particular intervals.
Dialogue: 0,0:11:35.28,0:11:38.06,Default,,0000,0000,0000,,'Cause you know them already.\NWork on the ones you can't do!
Dialogue: 0,0:11:38.06,0:11:42.41,Default,,0000,0000,0000,,Very good little practice tip to remember\Nis: always practice what you can't do,
Dialogue: 0,0:11:42.41,0:11:45.73,Default,,0000,0000,0000,,dont't practice what you can.\NLot's of people fall into that trap.
Dialogue: 0,0:11:45.73,0:11:49.65,Default,,0000,0000,0000,,playing the same stuff that they know\Nhow to do over and over again;
Dialogue: 0,0:11:49.65,0:11:52.58,Default,,0000,0000,0000,,They don't work on the stuff they can't do\Nwhich is what would make them
Dialogue: 0,0:11:52.58,0:11:56.89,Default,,0000,0000,0000,,a better guitar player. Of course this whole\Ninterval thing works not just for guitarists,
Dialogue: 0,0:11:56.89,0:12:02.32,Default,,0000,0000,0000,,for all instruments, but you know what\NI'm saying. Okay, now we're at 5B.
Dialogue: 0,0:12:02.32,0:12:08.72,Default,,0000,0000,0000,,The final test of this little series. In which\Nwe have all of the diatonic intervals.
Dialogue: 0,0:12:08.72,0:12:15.92,Default,,0000,0000,0000,,So, minor 2nd, 2nd, minor 3rd, 3rd, 4th,\Naugmented 4th, 5th, flat 6/minor 6, 6
Dialogue: 0,0:12:15.92,0:12:22.37,Default,,0000,0000,0000,,flat 7, 7, and octave. A whole lots of\Njuice from now. And this is kind of...
Dialogue: 0,0:12:22.37,0:12:26.58,Default,,0000,0000,0000,,This is a seriously good level of\Naural training. If you can get this and
Dialogue: 0,0:12:26.58,0:12:32.10,Default,,0000,0000,0000,,you can get'em all right that's great.\NSo, see how you go, go to the website, there's
Dialogue: 0,0:12:32.10,0:12:37.98,Default,,0000,0000,0000,,plenty more tests on there, if you use the\Ninterval--Justinguitar Ear Trainer thingy-
Dialogue: 0,0:12:37.98,0:12:42.51,Default,,0000,0000,0000,,or do it yourself, practice buddy, whatever\Nrecording yourself. One of those methods.
Dialogue: 0,0:12:42.51,0:12:47.60,Default,,0000,0000,0000,,That's what you should be up to now.\NSo, here we go: this is test 5B
Dialogue: 0,0:12:47.60,0:12:48.94,Default,,0000,0000,0000,,Good luck!
Dialogue: 0,0:12:48.94,0:13:01.22,Default,,0000,0000,0000,,Question 1: ♪
Dialogue: 0,0:13:01.22,0:13:14.09,Default,,0000,0000,0000,,Question 2: ♪
Dialogue: 0,0:13:14.09,0:13:25.66,Default,,0000,0000,0000,,Question 3: ♪
Dialogue: 0,0:13:25.66,0:13:38.67,Default,,0000,0000,0000,,Question 4: ♪
Dialogue: 0,0:13:38.67,0:13:50.67,Default,,0000,0000,0000,,Question 5: ♪
Dialogue: 0,0:13:50.67,0:14:02.37,Default,,0000,0000,0000,,Question 6: ♪
Dialogue: 0,0:14:02.37,0:14:15.55,Default,,0000,0000,0000,,Question 7: ♪
Dialogue: 0,0:14:15.55,0:14:30.18,Default,,0000,0000,0000,,Question 8: ♪
Dialogue: 0,0:14:30.18,0:14:41.47,Default,,0000,0000,0000,,Question 9: ♪
Dialogue: 0,0:14:41.47,0:14:54.12,Default,,0000,0000,0000,,And question 10: ♪
Dialogue: 0,0:14:54.50,0:14:58.76,Default,,0000,0000,0000,,Ok, there we go, that's the end of\Naural training stage 5, there's
Dialogue: 0,0:14:58.76,0:15:02.17,Default,,0000,0000,0000,,plenty more information on the website,\Nif you wanna continue your aural training
Dialogue: 0,0:15:02.17,0:15:06.89,Default,,0000,0000,0000,,and start looking at harmonic intervals,\Nand or descending intervals.
Dialogue: 0,0:15:06.89,0:15:11.29,Default,,0000,0000,0000,,So, hope that was lots of fun, you did\Nreally good, practice hard, stay safe,
Dialogue: 0,0:15:11.29,0:15:14.07,Default,,0000,0000,0000,,take care, and I'll see you again\Nreal soon. Bye-bye!