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[Bryan Zanisnik] Ben hazırım.

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[Dış Ses] Hazır mısın? Pekâlâ.

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[Zanisnik] Öyle istiyorsanız hazırım.

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New York Eyalet Üniversitesi'nde
öğretim üyesiydim,

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okul New York'un dışında.

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Derse hiç gelmeyen bir öğrenci vardı.

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Çok da sorun değil.

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Öğleden sonraki derslerime gelir
ve şöyle bir şey der:

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"Dersten kaldığıma izniniz olduğuna dair

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bu formu imzalar mısınız?

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Ben de, "Tabii, sömestr boyunca
derse hiç girmedin,

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son günde canını sıkmayacağım,

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dersimden kaldın." dedim.

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O da, "Formu imzalayın." dedi.

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Ben de ona şöyle dedim:

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"Bu senin dersin bile değil,

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hoca olan benim."

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Bizi o sırada yaklaşık
yirmi öğrenci izliyordu.

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Öğrenci yanıma iyice yaklaştı.

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Bir an ayağa kalktım

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ve zıplayıp bana göğsüyle vurdu.

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Beni duvara doğru itip

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"İmzala şu kahrolası formu." dedi.

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Masamdaki her şeyi savurup yere attı

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ve şöyle dedi:
"Sen gerçek bir öğretmen değilsin."

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"Sen Resim öğretmenisin."

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"Hepiniz iğrençsiniz."

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"Sanat iğrenç bir şey."

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Onu derste bıraktım.

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Öğrenciyi bıraktım.

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[Bryan Zanisnik'in Büyük Geri Dönüşü]

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Bence New York'ta sanatçı olmanın

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biraz hayali bir tarafı var.

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Ben de bir yere kadar

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bu hayal gücünden faydalanıyorum.

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Her gün işe gidiyorum.

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Harika insanlarla
ve kurumlarla çalışıyorum.

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Fakat öte yandan,

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deneyim edinmenin gerçekliği

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ve bunu New York'ta yapabilmek

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herkesin her zaman umduğunu
bulduğu bir şey değil.

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İşi üretip ona fon sağlayabilmek

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tamamen sanatçıya bağlı bir durum.

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Sanatçı olabilmek için
her şeyinizi veriyorsunuz

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fakat para konusunu
hiç dert etmiyorsunuz.

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Binlerce nesne toplayabildiğim yerlerde

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yeni projeler yapıp düzenliyorum,
fotoğraflarını çekiyorum,

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yerlerini değiştirip

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yeni bir enstalasyon ortaya çıkarıyorum.

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Animizm inanışını seviyorum.

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Animizmde, cansız nesnelerin de

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bir kişiliğinin veya ruhunun
olduğuna inanılıyor.

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