0:00:08.503,0:00:10.462 Hello, how you doin'? 0:00:10.462,0:00:12.386 It's Justin here again. 0:00:12.386,0:00:15.965 And this time I'm gonna teach you how to tap your foot. 0:00:15.965,0:00:18.500 Which, kind of really sounds funny to me to 0:00:18.500,0:00:19.875 even say that I'm gonna teach someone 0:00:19.875,0:00:21.026 how to tap their foot. 0:00:21.026,0:00:22.447 Because it should be the most rudimentry, 0:00:22.447,0:00:25.859 most ridiculously easy thing ever known to mankind. 0:00:25.859,0:00:27.329 Only it isn't. 0:00:27.329,0:00:29.873 So, what do I need to tell you about tapping your foot. 0:00:29.873,0:00:32.093 Well, first of all, tapping your foot is really important, 0:00:32.093,0:00:35.008 cause it kind of locks you into the rhythm, 0:00:35.008,0:00:36.533 and especially if you're playing in a band or whatever, 0:00:36.533,0:00:37.983 or if you're playing with yourself, 0:00:37.983,0:00:40.650 keeping rhythm is really, really important, 0:00:40.650,0:00:42.384 it's probably the most important thing you can be doing 0:00:42.384,0:00:43.466 while you're playing, 0:00:43.466,0:00:45.109 other than getting kind of all the notes right. 0:00:45.109,0:00:47.462 So, obviously developing some sort of 0:00:47.462,0:00:50.382 strong rhythmic feeling is 0:00:50.382,0:00:52.061 really important. 0:00:52.061,0:00:53.798 So, tapping your foot is important, 0:00:53.798,0:00:56.831 on a, if you like, a musically spiritual level. 0:00:56.831,0:00:58.092 God, that makes me sound like a hippie, 0:00:58.092,0:01:01.027 but just it makes, it gives you the feeling, 0:01:01.027,0:01:02.536 gets your body moving, part of your body 0:01:02.536,0:01:04.118 is feeling the pulse of the music. 0:01:04.118,0:01:05.963 And one thing that you can definately do, 0:01:05.963,0:01:07.802 which it doesn't matter how you tap your foot, 0:01:07.802,0:01:11.073 but a really good excercise is to [br]just tap your foot all the time 0:01:11.073,0:01:12.346 when you listen to music. 0:01:12.346,0:01:13.513 As soon as there's music on, 0:01:13.513,0:01:15.031 whether you're in a car, 0:01:15.031,0:01:18.291 or on the bus, or listening to your iPod on the tube, 0:01:18.291,0:01:19.411 or whatever 0:01:19.411,0:01:21.891 you should be trying to tap your foot along all the time. 0:01:21.891,0:01:22.964 Really, really important. 0:01:22.964,0:01:25.833 Probably not tapping your foot that's on the accelerator, 0:01:25.833,0:01:26.676 if you're driving a car, 0:01:26.676,0:01:27.891 that could be a little hazardous, but otherwise 0:01:27.891,0:01:30.190 you should always be trying to tap your foot. 0:01:30.190,0:01:32.047 Now, I'm also gonna give you a few hints 0:01:32.047,0:01:34.262 on exactly how to tap your foot, 0:01:34.262,0:01:37.145 because it's amazing, the problems that can happen 0:01:37.145,0:01:41.647 if you just don't think of the consequences in the way you tap your foot. 0:01:41.647,0:01:46.115 So, the first thing is, which foot you're gonna tap. 0:01:46.115,0:01:48.131 Now, if your guitar is sitting here, 0:01:48.131,0:01:49.611 it's sitting down on my right leg. 0:01:49.611,0:01:50.391 Yeah? 0:01:50.391,0:01:52.898 So if I'm sitting on a seat, [br]I know right now I'm sitting on the floor, 0:01:52.898,0:01:54.480 so right now tappping my foot doesn't make any difference, 0:01:54.480,0:01:56.656 but if I was sitting up on a chair, 0:01:56.656,0:01:59.278 and I'd tap the foot that's connected to this, 0:01:59.278,0:02:00.840 my right foot, then it's gonna be 0:02:00.840,0:02:02.837 bumping my guitar up and down like this 0:02:02.837,0:02:04.485 every time I tap my foot. 0:02:04.485,0:02:06.765 So, probably, it would be a lot better idea 0:02:06.765,0:02:10.055 for me to tap my left foot, than it would be my right. 0:02:10.055,0:02:13.464 If you're left handed, [br]you probably want to be tapping your right foot. 0:02:13.464,0:02:16.791 So, the foot that you're gonna tap is the one 0:02:16.791,0:02:19.299 that the guitar is not sitting on. 0:02:19.299,0:02:20.996 If your guitar is sitting on your right leg, 0:02:20.996,0:02:22.682 then you're gonna tap your left foot. 0:02:22.682,0:02:25.525 Seems really simple, but it makes a really big difference. 0:02:25.525,0:02:28.278 Now, some people don't like doing that. 0:02:28.278,0:02:29.516 I've come across people before, 0:02:29.516,0:02:31.289 students, personal students that I've known, 0:02:31.289,0:02:32.112 private students 0:02:32.112,0:02:34.675 that were not good with tapping their left foot, 0:02:34.675,0:02:36.144 cause it kinda feels weird. 0:02:36.144,0:02:38.160 Now, if that's you and you don't feel 0:02:38.160,0:02:39.177 like you can tap your left foot, 0:02:39.177,0:02:40.409 and you really wanna your right, 0:02:40.409,0:02:42.238 Then you have to tap with your toes, 0:02:42.238,0:02:44.161 and not your heel. 0:02:44.161,0:02:45.810 Now, if you do that, it tends to feel 0:02:45.810,0:02:47.027 a little bit awkward, 0:02:47.027,0:02:49.352 and for me it's not as solid as feeling of tapping, 0:02:49.352,0:02:51.860 but it's the only way around it, 0:02:51.860,0:02:55.157 or you tap your toes inside your shoe. 0:02:55.157,0:02:59.105 Which, it means that other people wouldn't be able 0:02:59.105,0:03:00.744 to see that you're tapping your foot. 0:03:00.744,0:03:01.893 But it doesnt' matter, 0:03:01.893,0:03:04.026 really, you're tapping your foot for you. 0:03:04.026,0:03:05.443 Now just to demonstate these things, 0:03:05.443,0:03:06.900 I'm gonna go to a quick stand-up 0:03:06.900,0:03:08.304 with me sitting on my sofa over there, 0:03:08.304,0:03:10.453 so you can see the results, 0:03:10.453,0:03:12.807 the way that you should be able to tap your foot. 0:03:12.807,0:03:14.222 Particularly with the toe tap, 0:03:14.222,0:03:15.529 cause it's a little bit unusual. 0:03:15.529,0:03:17.787 So let's go and have a quick look at that. 0:03:20.818,0:03:22.912 OK, so what I just want you to have a look at: 0:03:22.912,0:03:24.577 First of all, is the effect that 0:03:24.577,0:03:28.206 if I tap my left foot, my guitar stays still, 0:03:28.206,0:03:29.937 no matter how or what I do with my left foot, 0:03:29.937,0:03:30.843 it's all cool. 0:03:30.843,0:03:32.774 But with my right foot, as soon as I tap that, 0:03:32.774,0:03:35.291 the guitar body is jumping up and down, 0:03:35.291,0:03:36.658 I don't know if you can see the headstock, 0:03:36.658,0:03:37.571 in the shot or not, but it's jumping. 0:03:37.571,0:03:39.653 Now, if I'm trying to change chords like that, 0:03:39.653,0:03:41.708 it ain't gonna work. 0:03:41.708,0:03:43.571 And now, if you just have a look at the close-up 0:03:43.571,0:03:45.909 of my foot there, you can see, 0:03:45.909,0:03:47.491 if I'm using the heel, 0:03:47.491,0:03:49.709 which is how a lot of people like to tap, 0:03:49.709,0:03:51.259 that's what's moving my whole leg, 0:03:51.259,0:03:52.976 whereas if I just tap with my toes, 0:03:52.976,0:03:55.990 the rest of the top part of my leg doesn't move at all, 0:03:55.990,0:03:58.572 so it's definately much better for you to, 0:03:58.572,0:04:00.127 if you wanna use your right leg, 0:04:00.127,0:04:03.294 use your toes to tap, not your heel. 0:04:03.294,0:04:05.686 Or, even more preferably, 0:04:05.686,0:04:06.705 just use your left foot, 0:04:06.705,0:04:07.996 cause then you can tap with your toe, 0:04:07.996,0:04:09.428 or your heel, or however you like. 0:04:09.428,0:04:10.530 Also, the alternative, 0:04:10.530,0:04:11.839 if you look closely at my foot there, 0:04:11.839,0:04:15.373 You see, if I just tap with my toes, inside my shoe, 0:04:15.373,0:04:18.039 you can kind of see my shoe moving a little bit, 0:04:18.039,0:04:20.195 but it doesn't really matter. 0:04:20.195,0:04:22.504 And it's enough for you to get your vibe, 0:04:22.504,0:04:24.578 and you can quite comfortably tap away like that 0:04:24.578,0:04:25.678 inside your shoe. 0:04:25.678,0:04:27.489 Even like this, now I'm tapping my foot, 0:04:27.489,0:04:29.679 and you probably can't even see it. 0:04:31.863,0:04:33.627 OK, so now I didn't go to the sofa, right. 0:04:33.627,0:04:34.672 I went to the chair, cause 0:04:34.672,0:04:35.711 we couldn't get the camera, 0:04:35.711,0:04:37.078 to be in shot properly with the sofa, 0:04:37.078,0:04:38.348 it was all a little bit weird. 0:04:38.348,0:04:39.789 So, apologies for these of you 0:04:39.789,0:04:41.254 who were expecting to see me sitting on the sofa then, 0:04:41.254,0:04:42.785 and then saw me sitting on a chair, 0:04:42.785,0:04:43.972 it must have been very shocking. 0:04:43.972,0:04:46.291 Anyway, not as shocking as the riduculousness 0:04:46.291,0:04:48.080 of me trying to teach you how to tap your feet. 0:04:48.265,0:04:50.727 I still think that's a really funny concept. 0:04:50.727,0:04:53.007 But, I'm amazed at the amount of times 0:04:53.007,0:04:56.591 I've taught people how to tap their foot properly. 0:04:56.591,0:04:57.890 It's, so that's one, 0:04:57.890,0:04:59.832 I'm trying to teach you this, and I know it sounds funny, 0:04:59.832,0:05:01.811 and you're probably just gonna leave all sorts of 0:05:01.811,0:05:05.450 ridiculously horrible comments about me on youtube. 0:05:06.050,0:05:09.152 So, I'm doing it for your own good, 0:05:09.152,0:05:10.518 I'm trying to help you out here. 0:05:10.518,0:05:13.203 So, first of all, make sure you tap your foot now 0:05:13.203,0:05:15.766 all the time, along with any music any time you hear music, 0:05:15.766,0:05:18.480 or you're playing music, try to tap your foot along. 0:05:18.480,0:05:20.600 Especially, would it be a great thing to 0:05:20.600,0:05:23.220 go through some of the chord sequences, 0:05:23.220,0:05:24.388 either from stage one 0:05:24.388,0:05:25.433 or from this stage, 0:05:25.433,0:05:27.469 and start going through it as you're playing them, 0:05:27.469,0:05:30.982 put your metronome on at, let's say 60 BPM, 0:05:30.982,0:05:35.077 click, and get your foot going, and your downstrum 0:05:35.077,0:05:36.611 all at the same time. 0:05:36.611,0:05:39.835 So, metronome, your friend the metronome, 0:05:39.835,0:05:41.721 at, say 60 BPM, 0:05:41.721,0:05:43.991 and actually this is not gonna work out very well, 0:05:43.991,0:05:46.349 because I'm just gonna have to keep talking for a second 0:05:46.349,0:05:49.308 while I adjust it, because it's all on a funny setting. 0:05:49.308,0:05:52.360 So, metronome, it's 60 BPM here, 0:05:52.360,0:05:54.565 turn the volume up a little so you can hear it, 0:05:54.565,0:05:56.015 then you'll be tapping your foot, 0:05:56.015,0:05:57.740 tap, tap, tap, 0:05:57.740,0:05:59.173 and then you'll be strumming, 0:05:59.173,0:06:01.744 . . . 0:06:01.744,0:06:03.479 downstrums at the same time. 0:06:03.479,0:06:06.126 . . . 0:06:06.126,0:06:07.247 Now, I'm tapping my knee, that's an 0:06:07.247,0:06:09.115 especially advanced move. 0:06:09.115,0:06:10.007 A kneetap, 0:06:10.007,0:06:11.799 you don't wanna get into doing a kneetap yet. 0:06:11.969,0:06:12.469 right? 0:06:12.469,0:06:13.938 . . . 0:06:14.130,0:06:15.423 But this the idea. 0:06:15.423,0:06:16.402 What I want you to do is 0:06:16.402,0:06:19.285 have the metronome, your downstrum and your foot 0:06:19.285,0:06:20.989 all going at the same time. 0:06:20.989,0:06:22.958 If you spend a little bit of time on that, 0:06:22.958,0:06:24.541 I know it seems a bit riduculous me saying this now, 0:06:24.541,0:06:27.639 but it will make a huge difference to how well you 0:06:27.639,0:06:30.194 pick up your rhythm guitar in the next stage. 0:06:30.194,0:06:31.995 So, please, have a bit of a go at that, 0:06:31.995,0:06:34.057 when you can stop laughing at me. 0:06:34.057,0:06:39.059 And, erm, I should see you for another lesson very soon.