[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.16,0:00:06.20,Default,,0000,0000,0000,,Martin: - I am so happy because this is\Nmy favorite music instrument of all, my guitar,
Dialogue: 0,0:00:06.40,0:00:10.32,Default,,0000,0000,0000,,and I have Carlos Montoro here from Anjuda Guitars. \NCarlos: - Hi.
Dialogue: 0,0:00:10.58,0:00:13.30,Default,,0000,0000,0000,,Martin: - A guitar luthier. You actually build guitars.\NCarlos: - Mhm.
Dialogue: 0,0:00:13.30,0:00:17.64,Default,,0000,0000,0000,,Martin: - Carlos is going to help me repair\Nthis guitar, because we have an issue over here.
Dialogue: 0,0:00:17.64,0:00:24.12,Default,,0000,0000,0000,,Apart from the guitar being really dusty,\Nthere's a crack here under the fretboard.
Dialogue: 0,0:00:24.48,0:00:26.76,Default,,0000,0000,0000,,So Carlos is shining from the backside of the guitar
Dialogue: 0,0:00:26.76,0:00:31.34,Default,,0000,0000,0000,,and you can see the light goes straight through under the fretboard here.
Dialogue: 0,0:00:31.34,0:00:33.54,Default,,0000,0000,0000,,Martin: - How does it look?\NCarlos: - Looks bad.
Dialogue: 0,0:00:33.78,0:00:35.16,Default,,0000,0000,0000,,Martin: - Bad?
Dialogue: 0,0:00:35.46,0:00:39.96,Default,,0000,0000,0000,,Carlos: - We need to close the gap.\NMartin: - And then this string?
Dialogue: 0,0:00:40.84,0:00:46.02,Default,,0000,0000,0000,,Martin: - Yeah, so if you open it? \NIt goes on this fret when you open it,
Dialogue: 0,0:00:46.02,0:00:47.78,Default,,0000,0000,0000,,and when you close it, it goes on the nut.
Dialogue: 0,0:00:47.84,0:00:52.56,Default,,0000,0000,0000,,Carlos: - The string is forcing the neck \Nof the guitar to go in this way.
Dialogue: 0,0:00:52.56,0:00:56.84,Default,,0000,0000,0000,,So we need a thin strip of sanding paper.
Dialogue: 0,0:00:57.38,0:00:59.38,Default,,0000,0000,0000,,Martin: - Oh, sweet.
Dialogue: 0,0:00:59.38,0:01:01.68,Default,,0000,0000,0000,,[background music]\N[♪ unreleased/Work ♪]
Dialogue: 0,0:01:01.78,0:01:09.14,Default,,0000,0000,0000,,Carlos: - Now looking at the dust I made,\NI can see this clear sand here is from the binding,
Dialogue: 0,0:01:09.42,0:01:14.98,Default,,0000,0000,0000,,and this more darker is from under the fretboard.\NYou can see the colour matches.
Dialogue: 0,0:01:15.04,0:01:21.04,Default,,0000,0000,0000,,Now hopefully we don't lose the lacquer.\NMartin: - Aw, doesn't matter. It tells the story.
Dialogue: 0,0:01:21.10,0:01:23.82,Default,,0000,0000,0000,,Carlos: - I always say that to my clients.
Dialogue: 0,0:01:23.82,0:01:28.80,Default,,0000,0000,0000,,"I got a ding in my guitar!" \N- Oh, come on, let the guitar tell the story.
Dialogue: 0,0:01:28.82,0:01:31.16,Default,,0000,0000,0000,,Carlos: - Let the... let the time break your guitar.
Dialogue: 0,0:01:31.16,0:01:33.50,Default,,0000,0000,0000,,Martin: - Ah, so they want you \Nto just make it look old?
Dialogue: 0,0:01:33.50,0:01:34.60,Default,,0000,0000,0000,,Carlos: - Yeah.\NMartin: - Huh.
Dialogue: 0,0:01:34.60,0:01:37.04,Default,,0000,0000,0000,,Carlos: - Exactly.\NMartin: - Oh, that's cheating.
Dialogue: 0,0:01:37.82,0:01:39.48,Default,,0000,0000,0000,,Carlos: - Exactly.
Dialogue: 0,0:01:48.36,0:01:51.04,Default,,0000,0000,0000,,Martin: - Just what the doctor ordered.
Dialogue: 0,0:01:51.28,0:01:55.78,Default,,0000,0000,0000,,[music in foreground]
Dialogue: 0,0:02:08.88,0:02:12.76,Default,,0000,0000,0000,,Martin: - So Carlos explained to me that\Nhe wanna make a special clamping technique.
Dialogue: 0,0:02:12.76,0:02:13.70,Default,,0000,0000,0000,,Carlos: - Mhm.
Dialogue: 0,0:02:13.70,0:02:16.92,Default,,0000,0000,0000,,Martin: - That we don't want to clamp\Nthe fretboard down to the neck,
Dialogue: 0,0:02:16.92,0:02:21.96,Default,,0000,0000,0000,,but you want to clamp the neck up to the\Nfretboard, to not bend the fretboard.
Dialogue: 0,0:02:22.18,0:02:29.04,Default,,0000,0000,0000,,Carlos: - Correct. So this way hopefully,\Nwith the zip ties, we will get that.
Dialogue: 0,0:02:30.16,0:02:32.96,Default,,0000,0000,0000,,Martin: - So I asked Carlos:\N"Do you have enough glue in there?"
Dialogue: 0,0:02:32.96,0:02:35.30,Default,,0000,0000,0000,,And he was like, \N"the glue is supposed to spread",
Dialogue: 0,0:02:35.30,0:02:38.08,Default,,0000,0000,0000,,and now it's spreading evenly everywhere.
Dialogue: 0,0:02:38.08,0:02:41.56,Default,,0000,0000,0000,,So I'm always using way too much glue on everything.
Dialogue: 0,0:02:41.70,0:02:44.54,Default,,0000,0000,0000,,Carlos: - And you know what? We can't go with too much glue
Dialogue: 0,0:02:44.54,0:02:47.06,Default,,0000,0000,0000,,because the truss rod is just in the middle of the neck.
Dialogue: 0,0:02:47.06,0:02:47.76,Default,,0000,0000,0000,,Martin: - Okay.
Dialogue: 0,0:02:47.76,0:02:52.48,Default,,0000,0000,0000,,Carlos: - So we need the truss rod to keep\Nmoving so the guitar can be adjustable.
Dialogue: 0,0:02:52.68,0:02:54.74,Default,,0000,0000,0000,,Carlos: - I feel good about this.
Dialogue: 0,0:02:54.98,0:02:59.46,Default,,0000,0000,0000,,So now that we have the glue setting and drying,
Dialogue: 0,0:02:59.46,0:03:04.08,Default,,0000,0000,0000,,we are going to move the truss rod, often.
Dialogue: 0,0:03:05.14,0:03:11.52,Default,,0000,0000,0000,,And hopefully, the truss rod will not be\Nglued with the fretboard and the neck.
Dialogue: 0,0:03:11.52,0:03:16.44,Default,,0000,0000,0000,,Martin: - Yeah, so the truss rod is like a long bolt\Nthat goes through the whole neck of the guitar.
Dialogue: 0,0:03:16.44,0:03:18.44,Default,,0000,0000,0000,,It goes all the way down here?\NCarlos: - Mhm.
Dialogue: 0,0:03:18.48,0:03:21.30,Default,,0000,0000,0000,,Martin: - And it can adjust the tension\Nof the neck.
Dialogue: 0,0:03:21.30,0:03:23.34,Default,,0000,0000,0000,,So often when you repair your guitar,
Dialogue: 0,0:03:23.42,0:03:25.32,Default,,0000,0000,0000,,you always check the truss rod.
Dialogue: 0,0:03:25.32,0:03:29.97,Default,,0000,0000,0000,,Carlos: - You always check the truss rod,\Nalways, and you adjust the truss rod always.
Dialogue: 0,0:03:29.97,0:03:35.98,Default,,0000,0000,0000,,Carlos: - So this is a truss rod. There are several types \Nbut they all work more or less the same.
Dialogue: 0,0:03:36.08,0:03:39.34,Default,,0000,0000,0000,,As you can see, this is a neck, work in progress.
Dialogue: 0,0:03:39.34,0:03:44.12,Default,,0000,0000,0000,,This is just rough cut and here is a slot in the wood.
Dialogue: 0,0:03:44.22,0:03:51.72,Default,,0000,0000,0000,,So pretty easy to place the truss rod in the slot \Nand then glue the fretboard on top of it.
Dialogue: 0,0:03:51.84,0:03:58.42,Default,,0000,0000,0000,,All the truss rods have some way to actuate them.\NIn this case it's with this four millimeters allen key.
Dialogue: 0,0:03:58.50,0:04:05.84,Default,,0000,0000,0000,,So you insert it, turn it clockwise, and, \Nas you can see, a bow is generated in the truss rod.
Dialogue: 0,0:04:06.44,0:04:10.52,Default,,0000,0000,0000,,So when the fretboard is in place,\Nall the neck is forced to bow as well.
Dialogue: 0,0:04:10.82,0:04:14.60,Default,,0000,0000,0000,,Carlos: - Do you know, how do we \Ncall the truss rod in Spanish?
Dialogue: 0,0:04:14.60,0:04:15.62,Default,,0000,0000,0000,,Martin: - No.\NCarlos: - The soul.
Dialogue: 0,0:04:15.62,0:04:16.74,Default,,0000,0000,0000,,Martin: - The soul?
Dialogue: 0,0:04:16.74,0:04:18.94,Default,,0000,0000,0000,,Carlos: - The soul.\NMartin: - Wow, that's beautiful.
Dialogue: 0,0:04:19.14,0:04:21.78,Default,,0000,0000,0000,,Carlos: - Yeah, it's the perfect name for that,
Dialogue: 0,0:04:21.78,0:04:26.08,Default,,0000,0000,0000,,because indeed it's something that is hidden in between,
Dialogue: 0,0:04:26.16,0:04:30.90,Default,,0000,0000,0000,,and when the truss rod is not workable,\Nyou don't have guitar at all.
Dialogue: 0,0:04:30.90,0:04:32.52,Default,,0000,0000,0000,,It's like, dead guitar.
Dialogue: 0,0:04:32.52,0:04:35.42,Default,,0000,0000,0000,,Martin: - Happening with no soul.\NCarlos: - No soul.
Dialogue: 0,0:04:35.60,0:04:40.48,Default,,0000,0000,0000,,Martin: - But Carlos, it doesn't sound so good.\NCarlos: - Oh, it takes time.
Dialogue: 0,0:04:40.78,0:04:42.92,Default,,0000,0000,0000,,Martin: - The glue needs to dry first?
Dialogue: 0,0:04:42.92,0:04:46.26,Default,,0000,0000,0000,,Carlos: - How long hasn't you used making the MMX?
Dialogue: 0,0:04:46.28,0:04:49.20,Default,,0000,0000,0000,,Martin: - Don't rub it in!
Dialogue: 0,0:04:49.20,0:04:52.22,Default,,0000,0000,0000,,[playing a riff on muffled and detuned guitar]
Dialogue: 0,0:04:54.58,0:05:01.48,Default,,0000,0000,0000,,Carlos: - You know you are in front of a musician\Nwhen they can do music with just anything.
Dialogue: 0,0:05:02.40,0:05:05.80,Default,,0000,0000,0000,,Martin: - Do you call it music?\NCarlos: - It can be.
Dialogue: 0,0:05:06.28,0:05:11.22,Default,,0000,0000,0000,,We let this dry for today, \Nso I think it's time to untie it.
Dialogue: 0,0:05:11.30,0:05:14.16,Default,,0000,0000,0000,,Martin: - During these days, I got to know Carlos better,
Dialogue: 0,0:05:14.16,0:05:17.38,Default,,0000,0000,0000,,and Carlos told me that when you meet a customer,
Dialogue: 0,0:05:17.60,0:05:22.56,Default,,0000,0000,0000,,you focus more on the relationship between\Nthe customer and the customer's guitar,
Dialogue: 0,0:05:22.58,0:05:24.12,Default,,0000,0000,0000,,than the guitar itself.
Dialogue: 0,0:05:24.12,0:05:28.76,Default,,0000,0000,0000,,Carlos: - Yeah, you're a musician and you know\Nthat musicians can get very close to their instruments,
Dialogue: 0,0:05:28.98,0:05:35.34,Default,,0000,0000,0000,,and they feel like very personal for them.\NFor them is like to go to the doctor.
Dialogue: 0,0:05:35.34,0:05:36.22,Default,,0000,0000,0000,,Martin: - Yeah.
Dialogue: 0,0:05:36.34,0:05:39.94,Default,,0000,0000,0000,,Carlos: - You know, do you have your\Ndoctor that you are confident with?
Dialogue: 0,0:05:39.94,0:05:41.66,Default,,0000,0000,0000,,Martin: - Yeah.\NCarlos: - It's the same with luthiers.
Dialogue: 0,0:05:41.66,0:05:46.56,Default,,0000,0000,0000,,Martin: - Yeah. Even if it's \Na cheap, kind of bad guitar,
Dialogue: 0,0:05:46.56,0:05:52.30,Default,,0000,0000,0000,,you treat it with the same respect as if it's \Na vintage hundred year old guitar,
Dialogue: 0,0:05:52.30,0:05:56.74,Default,,0000,0000,0000,,because of the emotions that\Nthe customer has for his instrument.
Dialogue: 0,0:05:57.12,0:06:01.55,Default,,0000,0000,0000,,Carlos: - The price is not of the instrument. \NIt's not in the money.
Dialogue: 0,0:06:01.55,0:06:04.42,Default,,0000,0000,0000,,It's in the customer's relationship with it.
Dialogue: 0,0:06:04.54,0:06:08.94,Default,,0000,0000,0000,,Martin: - That's beautiful. It's\Nexactly how I feel with this guitar,
Dialogue: 0,0:06:08.94,0:06:14.34,Default,,0000,0000,0000,,because now when I see it on the operating table,\NI realize how much it means to me,
Dialogue: 0,0:06:14.44,0:06:16.88,Default,,0000,0000,0000,,and that I've been taking it for granted,
Dialogue: 0,0:06:16.88,0:06:20.84,Default,,0000,0000,0000,,and putting it just against walls and letting it fall.
Dialogue: 0,0:06:21.20,0:06:23.50,Default,,0000,0000,0000,,[testing strings with clear tone]
Dialogue: 0,0:06:23.60,0:06:26.72,Default,,0000,0000,0000,,Carlos: - Yeah. It seems we did it.
Dialogue: 0,0:06:27.48,0:06:31.10,Default,,0000,0000,0000,,Now it's time to give love to this thing.\NMartin: - Okay.
Dialogue: 0,0:06:31.34,0:06:34.26,Default,,0000,0000,0000,,Carlos: - Before the love, there's always the fight.
Dialogue: 0,0:06:37.00,0:06:42.02,Default,,0000,0000,0000,,[music in foreground]\N[♪ unreleased/Helping Out ♪]
Dialogue: 0,0:06:50.24,0:06:52.42,Default,,0000,0000,0000,,Carlos: - Secret formula.
Dialogue: 0,0:06:52.82,0:06:54.80,Default,,0000,0000,0000,,- Mhm.
Dialogue: 0,0:06:58.78,0:07:01.28,Default,,0000,0000,0000,,Martin: - Mhm, oh my...
Dialogue: 0,0:07:02.82,0:07:05.22,Default,,0000,0000,0000,,Carlos: - Alright, isn't it?\NMartin: - Oh wow.
Dialogue: 0,0:07:09.48,0:07:12.46,Default,,0000,0000,0000,,Martin: - I didn't know it was black.\N[laughs]
Dialogue: 0,0:07:15.16,0:07:17.24,Default,,0000,0000,0000,,[music fades]
Dialogue: 0,0:07:17.28,0:07:22.62,Default,,0000,0000,0000,,Martin: - I mean, who does this to his guitar,\Nwhen you can just buy a strap lock?
Dialogue: 0,0:07:22.62,0:07:24.62,Default,,0000,0000,0000,,[chuckles]
Dialogue: 0,0:07:25.60,0:07:27.82,Default,,0000,0000,0000,,[strums guitar strings] \NMartin: - Check out this guitar!
Dialogue: 0,0:07:27.82,0:07:31.98,Default,,0000,0000,0000,,Carlos built this beauty. \NIt has a bookmatched... maple?
Dialogue: 0,0:07:32.00,0:07:34.48,Default,,0000,0000,0000,,Carlos: - Maple, yeah.\NMartin: - Why is it so cool?
Dialogue: 0,0:07:34.66,0:07:40.98,Default,,0000,0000,0000,,Carlos: - Because this is actually\Nthe figurine of the wood itself.
Dialogue: 0,0:07:41.08,0:07:46.04,Default,,0000,0000,0000,,Martin: - It looks like a blue tiger.\NCarlos: - Yeah, it's called flame maple actually.
Dialogue: 0,0:07:46.16,0:07:52.52,Default,,0000,0000,0000,,[guitar music]\N[♪ unreleased/Jamming with Carlos ♪]
Dialogue: 0,0:08:23.72,0:08:25.58,Default,,0000,0000,0000,,[ends with pronounced bass note]\N[laughing]
Dialogue: 0,0:08:25.64,0:08:27.86,Default,,0000,0000,0000,,Martin: - I love it, it's nice!
Dialogue: 0,0:08:29.64,0:08:34.44,Default,,0000,0000,0000,,Martin: - I can't believe, you... you built something like this.
Dialogue: 0,0:08:34.44,0:08:36.08,Default,,0000,0000,0000,,Carlos: - You tell me?
Dialogue: 0,0:08:36.84,0:08:38.66,Default,,0000,0000,0000,,Martin: - Ah, yeah.
Dialogue: 0,0:08:39.42,0:08:43.12,Default,,0000,0000,0000,,Martin: - Ok, should I try if the guitar is finished?
Dialogue: 0,0:08:43.12,0:08:45.04,Default,,0000,0000,0000,,[strums chords]
Dialogue: 0,0:08:45.04,0:08:46.74,Default,,0000,0000,0000,,Oh wow, new strings!
Dialogue: 0,0:08:46.94,0:08:48.24,Default,,0000,0000,0000,,Honey, I'm home!
Dialogue: 0,0:08:49.24,0:08:50.24,Default,,0000,0000,0000,,Ooooh!
Dialogue: 0,0:08:50.46,0:08:57.80,Default,,0000,0000,0000,,Carlos: - I didn't make any adjustment,\Nbut I think it is good as it is, like this.
Dialogue: 0,0:08:59.64,0:09:02.92,Default,,0000,0000,0000,,[Martin playing a blues line]
Dialogue: 0,0:09:06.44,0:09:08.38,Default,,0000,0000,0000,,Martin: - It's so beautiful!
Dialogue: 0,0:09:08.98,0:09:12.10,Default,,0000,0000,0000,,[playing rhythmical chords]
Dialogue: 0,0:09:12.32,0:09:14.68,Default,,0000,0000,0000,,I can only play bossa nova, apparently.
Dialogue: 0,0:09:14.68,0:09:16.68,Default,,0000,0000,0000,,[laughing]\N[jamming ends]
Dialogue: 0,0:09:16.68,0:09:17.86,Default,,0000,0000,0000,,[background music]\N[♪ unreleased/Helping Out ♪]
Dialogue: 0,0:09:17.86,0:09:22.44,Default,,0000,0000,0000,,Martin: - Ok, so Carlos is now adjusting\Nthe bolt that goes through the whole neck
Dialogue: 0,0:09:22.44,0:09:25.10,Default,,0000,0000,0000,,and you're going to go to an extreme position?\NCarlos: - Mhm.
Dialogue: 0,0:09:25.10,0:09:27.44,Default,,0000,0000,0000,,Martin: - ...where the strings are too low?\NCarlos: - Too low.
Dialogue: 0,0:09:27.44,0:09:29.82,Default,,0000,0000,0000,,Martin: - and then we go up until it's playable.\NCarlos: - Yeah.
Dialogue: 0,0:09:29.82,0:09:30.80,Default,,0000,0000,0000,,Martin: - Ok.
Dialogue: 0,0:09:30.92,0:09:34.54,Default,,0000,0000,0000,,Carlos: - So, we are going to check \Nthe straightened of the neck.
Dialogue: 0,0:09:34.74,0:09:36.80,Default,,0000,0000,0000,,Martin: - And how does it look now?
Dialogue: 0,0:09:37.04,0:09:39.84,Default,,0000,0000,0000,,Carlos: - This, it look a little bit bad.\NMartin: - Ok.
Dialogue: 0,0:09:39.84,0:09:43.24,Default,,0000,0000,0000,,Carlos: - So it seems that we can\Nstraighten the neck a little bit.
Dialogue: 0,0:09:43.24,0:09:46.54,Default,,0000,0000,0000,,Martin: - Ok. So now you're going clockwise
Dialogue: 0,0:09:46.54,0:09:50.52,Default,,0000,0000,0000,,to get the ramp to force the neck\Ndown towards the table here.
Dialogue: 0,0:09:50.60,0:09:52.82,Default,,0000,0000,0000,,Carlos: - Mhm.\NMartin: - So bend like that.
Dialogue: 0,0:09:53.64,0:09:58.74,Default,,0000,0000,0000,,Carlos: - So, you know that you have gone\Ntoo far with the truss rod tightening
Dialogue: 0,0:09:59.00,0:10:02.62,Default,,0000,0000,0000,,when it starts to buzz on the first frets.
Dialogue: 0,0:10:02.62,0:10:05.14,Default,,0000,0000,0000,,[guitar makes buzzing sounds]
Dialogue: 0,0:10:08.44,0:10:09.70,Default,,0000,0000,0000,,Not good.
Dialogue: 0,0:10:09.76,0:10:13.12,Default,,0000,0000,0000,,Martin: - Okay, so then you have to give more relief?\NCarlos: - Yeah.
Dialogue: 0,0:10:13.12,0:10:16.83,Default,,0000,0000,0000,,Martin: - So it's a compromise between \Neasy to play and no buzz.
Dialogue: 0,0:10:16.83,0:10:18.52,Default,,0000,0000,0000,,Carlos: - Yeah, exactly.
Dialogue: 0,0:10:18.52,0:10:20.52,Default,,0000,0000,0000,,[much less buzzing]
Dialogue: 0,0:10:20.56,0:10:25.64,Default,,0000,0000,0000,,Still a little bit of buzz, but it is something\Nthat some players can handle good.
Dialogue: 0,0:10:25.76,0:10:27.36,Default,,0000,0000,0000,,Martin: - Can I try?
Dialogue: 0,0:10:27.58,0:10:31.42,Default,,0000,0000,0000,,Martin: - Does it work for bossa nova?\NCarlos: - Yeah, smoothly.
Dialogue: 0,0:10:31.66,0:10:34.12,Default,,0000,0000,0000,,[jamming]
Dialogue: 0,0:10:34.32,0:10:35.90,Default,,0000,0000,0000,,Martin: - This feels better.
Dialogue: 0,0:10:42.94,0:10:44.68,Default,,0000,0000,0000,,Carlos: - You see the buzz there?
Dialogue: 0,0:10:44.68,0:10:47.30,Default,,0000,0000,0000,,Martin: - It's only on that note actually.\NCarlos: - Yeah.
Dialogue: 0,0:10:49.36,0:10:51.82,Default,,0000,0000,0000,,Martin: - I don't like F anyway.
Dialogue: 0,0:10:51.94,0:10:55.40,Default,,0000,0000,0000,,Can we make a tiny adjustment to higher,
Dialogue: 0,0:10:55.40,0:10:59.70,Default,,0000,0000,0000,,because this is very, very easy to play? \NIt feels very good though.
Dialogue: 0,0:10:59.70,0:11:03.24,Default,,0000,0000,0000,,Carlos: - I'd say that we should loosen a little bit more.
Dialogue: 0,0:11:03.48,0:11:05.84,Default,,0000,0000,0000,,Martin: - Yes. Here we go.
Dialogue: 0,0:11:10.16,0:11:11.12,Default,,0000,0000,0000,,Yes.
Dialogue: 0,0:11:13.22,0:11:16.66,Default,,0000,0000,0000,,Carlos: - When you have this set up, in guitars,
Dialogue: 0,0:11:16.66,0:11:23.54,Default,,0000,0000,0000,,and then it's... at that point is when it's important\Nto check out the guitar in winter and in summer,
Dialogue: 0,0:11:23.54,0:11:25.94,Default,,0000,0000,0000,,because now it will be affected by the weather.
Dialogue: 0,0:11:26.06,0:11:29.62,Default,,0000,0000,0000,,Martin: - Ok. Because it's so tight.\NCarlos: - Because it's so tight.
Dialogue: 0,0:11:29.82,0:11:33.46,Default,,0000,0000,0000,,Martin: - But how can I learn to play\Nsomething else than bossa nova?
Dialogue: 0,0:11:33.46,0:11:35.66,Default,,0000,0000,0000,,Can you solve that for me?\NCarlos: - You tell me!
Dialogue: 0,0:11:36.08,0:11:39.45,Default,,0000,0000,0000,,Martin: - I actually asked Carlos...\NI want the strings lower,
Dialogue: 0,0:11:39.45,0:11:41.92,Default,,0000,0000,0000,,and I thought I was having to put this down.
Dialogue: 0,0:11:41.92,0:11:43.30,Default,,0000,0000,0000,,Carlos: - Yeah.\NMartin: - But you didn't touch this.
Dialogue: 0,0:11:43.30,0:11:48.34,Default,,0000,0000,0000,,Carlos: - Yeah, it's the first thing that people\Nshould suggest: to touch the bridge,
Dialogue: 0,0:11:48.50,0:11:53.16,Default,,0000,0000,0000,,and actually it's more important to touch\Nthe truss rod and have it in the right position
Dialogue: 0,0:11:53.16,0:11:56.26,Default,,0000,0000,0000,,and then you can go to the bridge if needed.
Dialogue: 0,0:11:56.54,0:11:59.67,Default,,0000,0000,0000,,Martin: - Carlos, an amazing experience
Dialogue: 0,0:11:59.67,0:12:04.30,Default,,0000,0000,0000,,seeing you work with my baby guitar. \NThank you so much!
Dialogue: 0,0:12:04.36,0:12:07.98,Default,,0000,0000,0000,,Carlos: - Thank you! Thank you so much for\Nbringing me here
Dialogue: 0,0:12:07.98,0:12:12.40,Default,,0000,0000,0000,,and work here with the bass and the MMX. \NIt was just wonderful!
Dialogue: 0,0:12:12.40,0:12:19.84,Default,,0000,0000,0000,,Martin: - My pleasure. It's so fun to have\Nexpertise company in the workshop
Dialogue: 0,0:12:19.86,0:12:25.80,Default,,0000,0000,0000,,and as I've said a lot of times, I learn\Nso much more seeing someone work in real life
Dialogue: 0,0:12:26.06,0:12:30.84,Default,,0000,0000,0000,,than just trying to find information \Non the internet. So, that's lovely.
Dialogue: 0,0:12:30.90,0:12:35.50,Default,,0000,0000,0000,,And, it feels like, I've been \Nbuilding for like three years,
Dialogue: 0,0:12:35.86,0:12:39.88,Default,,0000,0000,0000,,and a little bit this feels like a little start\Nfor my music again.
Dialogue: 0,0:12:39.88,0:12:41.56,Default,,0000,0000,0000,,So it means very much to me.
Dialogue: 0,0:12:41.56,0:12:45.66,Default,,0000,0000,0000,,[intense music]\N[♪ unreleased/My Dream Snare Sound - Full ♪]
Dialogue: 0,0:12:49.46,0:12:52.94,Default,,0000,0000,0000,,These videos are brought to you by our backers
Dialogue: 0,0:12:52.94,0:12:55.30,Default,,0000,0000,0000,,through youtube channel memberships or Patreon.
Dialogue: 0,0:12:55.34,0:12:58.66,Default,,0000,0000,0000,,Thank you so much everyone \Nwho are supporting and thank you
Dialogue: 0,0:12:58.66,0:13:03.03,Default,,0000,0000,0000,,for believing in this crazy dream \Nthat is the Marble Machine X.
Dialogue: 0,0:13:03.04,0:13:05.86,Default,,0000,0000,0000,,Thank you so much for watching.\NSee you on the next one!
Dialogue: 0,0:13:05.86,0:13:08.68,Default,,0000,0000,0000,,Martin: - You're not happy yet. \NYou want to tweak it more.
Dialogue: 0,0:13:08.74,0:13:11.46,Default,,0000,0000,0000,,Carlos: - Yeah.\NMartin: - Ok. Love it!