[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.00,0:00:03.22,Default,,0000,0000,0000,,[INTRO MUSIC]
Dialogue: 0,0:00:03.22,0:00:05.53,Default,,0000,0000,0000,,
Dialogue: 0,0:00:05.53,0:00:08.75,Default,,0000,0000,0000,,[BYRDS PLAYING]
Dialogue: 0,0:00:08.75,0:00:10.12,Default,,0000,0000,0000,,NARRATOR: Give\Nthem three chords,
Dialogue: 0,0:00:10.12,0:00:11.46,Default,,0000,0000,0000,,and they'll give you the truth.
Dialogue: 0,0:00:11.46,0:00:13.96,Default,,0000,0000,0000,,THE BYRDS: (SINGING) The\Ntimes, they are a-changin'.
Dialogue: 0,0:00:13.96,0:00:16.61,Default,,0000,0000,0000,,
Dialogue: 0,0:00:16.61,0:00:18.54,Default,,0000,0000,0000,,NARRATOR: Welcome\Nto watchmojo.com,
Dialogue: 0,0:00:18.54,0:00:20.33,Default,,0000,0000,0000,,and today we're\Ncounting down our picks
Dialogue: 0,0:00:20.33,0:00:22.45,Default,,0000,0000,0000,,for the top 10 protest songs.
Dialogue: 0,0:00:22.45,0:00:25.69,Default,,0000,0000,0000,,BOB MARLEY: (SINGING)\NGet up, stand up.
Dialogue: 0,0:00:25.69,0:00:27.62,Default,,0000,0000,0000,,Don't give up the fight.
Dialogue: 0,0:00:27.62,0:00:29.16,Default,,0000,0000,0000,,NARRATOR: For this\Nlist, we've chosen
Dialogue: 0,0:00:29.16,0:00:31.09,Default,,0000,0000,0000,,songs that argue\Nagainst the status
Dialogue: 0,0:00:31.09,0:00:35.22,Default,,0000,0000,0000,,quo, ask for change in social,\Npolitical, or other spheres,
Dialogue: 0,0:00:35.22,0:00:38.63,Default,,0000,0000,0000,,and/or are associated with\Nparticular events, periods,
Dialogue: 0,0:00:38.63,0:00:39.79,Default,,0000,0000,0000,,movements, et cetera.
Dialogue: 0,0:00:39.79,0:00:43.00,Default,,0000,0000,0000,,EDWIN STARR: (SINGING)\NWar, huh, yeah.
Dialogue: 0,0:00:43.00,0:00:44.78,Default,,0000,0000,0000,,What is it good for?
Dialogue: 0,0:00:44.78,0:00:46.56,Default,,0000,0000,0000,,Absolutely nothing.
Dialogue: 0,0:00:46.56,0:00:49.48,Default,,0000,0000,0000,,PETE SEEGER: (SINGING)\NWe shall overcome.
Dialogue: 0,0:00:49.48,0:00:52.76,Default,,0000,0000,0000,,NARRATOR: Number 10-- "We\NShall Overcome," Pete Seeger.
Dialogue: 0,0:00:52.76,0:00:54.82,Default,,0000,0000,0000,,PETE SEEGER: (SINGING)\NWe shall overcome.
Dialogue: 0,0:00:54.82,0:00:56.80,Default,,0000,0000,0000,,
Dialogue: 0,0:00:56.80,0:00:58.97,Default,,0000,0000,0000,,NARRATOR: Although the song\Nhad been kicking around,
Dialogue: 0,0:00:58.97,0:01:02.02,Default,,0000,0000,0000,,in some form, since--\Nwell, no one really knows.
Dialogue: 0,0:01:02.02,0:01:04.99,Default,,0000,0000,0000,,"We Shall Overcome" has become\Nsynonymous with Pete Seeger.
Dialogue: 0,0:01:04.99,0:01:08.16,Default,,0000,0000,0000,,PETE SEEGER: (SINGING) The\Nwhole wide world around.
Dialogue: 0,0:01:08.16,0:01:12.66,Default,,0000,0000,0000,,The whole wide world around.
Dialogue: 0,0:01:12.66,0:01:15.46,Default,,0000,0000,0000,,NARRATOR: The banjo-slinging\Nfolk legend certainly
Dialogue: 0,0:01:15.46,0:01:18.19,Default,,0000,0000,0000,,had a hand in shaping\Nthe song as we know it.
Dialogue: 0,0:01:18.19,0:01:20.07,Default,,0000,0000,0000,,Used as a musical\Nform of protest
Dialogue: 0,0:01:20.07,0:01:21.68,Default,,0000,0000,0000,,during the Civil\NRights Movement,
Dialogue: 0,0:01:21.68,0:01:23.83,Default,,0000,0000,0000,,the anthem features\Nsimple, but honest, lyrics
Dialogue: 0,0:01:23.83,0:01:27.55,Default,,0000,0000,0000,,that made it a ready battle cry\Nfor any group facing adversity.
Dialogue: 0,0:01:27.55,0:01:33.05,Default,,0000,0000,0000,,PETE SEEGER: (SINGING)\Ndeep in my heart--
Dialogue: 0,0:01:33.05,0:01:35.56,Default,,0000,0000,0000,,NARRATOR: Plus, it continues\Nto be recorded in support
Dialogue: 0,0:01:35.56,0:01:36.92,Default,,0000,0000,0000,,of a number of causes today.
Dialogue: 0,0:01:36.92,0:01:42.63,Default,,0000,0000,0000,,PETE SEEGER: (SINGING)--believe\Nwe shall overcome--
Dialogue: 0,0:01:42.63,0:01:47.54,Default,,0000,0000,0000,,[THE EDGE PLAYING GUITAR]
Dialogue: 0,0:01:47.54,0:01:52.46,Default,,0000,0000,0000,,NARRATOR: Number 9--\N"Sunday Bloody Sunday," U2.
Dialogue: 0,0:01:52.46,0:01:55.64,Default,,0000,0000,0000,,U2: (SINGING) Mm, oh.
Dialogue: 0,0:01:55.64,0:01:58.40,Default,,0000,0000,0000,,NARRATOR: Despite being drenched\Nin U2's signature echo pop
Dialogue: 0,0:01:58.40,0:02:01.82,Default,,0000,0000,0000,,sound, "Sunday Bloody Sunday"\Nis actually the band's response
Dialogue: 0,0:02:01.82,0:02:04.82,Default,,0000,0000,0000,,to the British Army's armed\Nattack of Northern Irish Civil
Dialogue: 0,0:02:04.82,0:02:06.87,Default,,0000,0000,0000,,Rights protesters in 1972.
Dialogue: 0,0:02:06.87,0:02:12.05,Default,,0000,0000,0000,,U2: (SINGING) Puts my back up,\Nmy back up against the wall.
Dialogue: 0,0:02:12.05,0:02:15.46,Default,,0000,0000,0000,,Sunday, Bloody Sunday.
Dialogue: 0,0:02:15.46,0:02:18.01,Default,,0000,0000,0000,,NARRATOR: Also known as\Nthe Bogside Massacre,
Dialogue: 0,0:02:18.01,0:02:20.88,Default,,0000,0000,0000,,the incident resulted\Nin over a dozen deaths.
Dialogue: 0,0:02:20.88,0:02:23.06,Default,,0000,0000,0000,,U2: (SINGING) Sunday,\NBloody Sunday.
Dialogue: 0,0:02:23.06,0:02:25.13,Default,,0000,0000,0000,,Sunday, Bloody Sunday.
Dialogue: 0,0:02:25.13,0:02:26.84,Default,,0000,0000,0000,,NARRATOR: Thanks to\Nits clanging guitars,
Dialogue: 0,0:02:26.84,0:02:29.21,Default,,0000,0000,0000,,and military-inspired\Nbeat, it's become one
Dialogue: 0,0:02:29.21,0:02:30.80,Default,,0000,0000,0000,,of the group's signature songs.
Dialogue: 0,0:02:30.80,0:02:32.19,Default,,0000,0000,0000,,U2: (SINGING) How long?
Dialogue: 0,0:02:32.19,0:02:35.11,Default,,0000,0000,0000,,How long must we sing this song?
Dialogue: 0,0:02:35.11,0:02:37.56,Default,,0000,0000,0000,,How long, how long?
Dialogue: 0,0:02:37.56,0:02:40.50,Default,,0000,0000,0000,,
Dialogue: 0,0:02:40.50,0:02:42.86,Default,,0000,0000,0000,,Tonight--
Dialogue: 0,0:02:42.86,0:02:44.78,Default,,0000,0000,0000,,NARRATOR: But it's the\Nrespect, and authority,
Dialogue: 0,0:02:44.78,0:02:47.26,Default,,0000,0000,0000,,with which U2 tackles\Nthe subject matter, that
Dialogue: 0,0:02:47.26,0:02:48.73,Default,,0000,0000,0000,,really makes it stand out.
Dialogue: 0,0:02:48.73,0:02:51.05,Default,,0000,0000,0000,,U2: (SINGING) wipe\Nyour blood shot eyes.
Dialogue: 0,0:02:51.05,0:02:52.95,Default,,0000,0000,0000,,Sunday, Bloody Sunday.
Dialogue: 0,0:02:52.95,0:02:54.93,Default,,0000,0000,0000,,Wipe your tears away.
Dialogue: 0,0:02:54.93,0:02:57.41,Default,,0000,0000,0000,,Sunday, Bloody Sunday.
Dialogue: 0,0:02:57.41,0:03:01.23,Default,,0000,0000,0000,,NARRATOR: Number 8--\N"F*** tha Police," NWA.
Dialogue: 0,0:03:01.23,0:03:03.77,Default,,0000,0000,0000,,NWA: (RAPPING) F*** tha\Npolice, coming straight from
Dialogue: 0,0:03:03.77,0:03:04.46,Default,,0000,0000,0000,,the underground.
Dialogue: 0,0:03:04.46,0:03:06.56,Default,,0000,0000,0000,,A young n**** got it\Nbad cause I'm brown.
Dialogue: 0,0:03:06.56,0:03:08.14,Default,,0000,0000,0000,,NARRATOR: With this\Ngangsta rap track,
Dialogue: 0,0:03:08.14,0:03:11.60,Default,,0000,0000,0000,,NWA went straight outta Compton,\Nand straight into controversy.
Dialogue: 0,0:03:11.60,0:03:13.92,Default,,0000,0000,0000,,NWA: (RAPPING) F*** that\Nshit, cause I ain't the one,
Dialogue: 0,0:03:13.92,0:03:15.90,Default,,0000,0000,0000,,for a punk motherf*****\Nwith a badge and a gun,
Dialogue: 0,0:03:15.90,0:03:17.13,Default,,0000,0000,0000,,to be beaten on--
Dialogue: 0,0:03:17.13,0:03:19.13,Default,,0000,0000,0000,,NARRATOR: By presenting\Na clear street-view look
Dialogue: 0,0:03:19.13,0:03:22.21,Default,,0000,0000,0000,,at racially-motivated police\Nbrutality, "F*** tha Police"
Dialogue: 0,0:03:22.21,0:03:25.05,Default,,0000,0000,0000,,got the rappers\Nnoticed by the FBI.
Dialogue: 0,0:03:25.05,0:03:27.04,Default,,0000,0000,0000,,NWA: (RAPPING) Yo, Dre\NI got something to say.
Dialogue: 0,0:03:27.04,0:03:29.100,Default,,0000,0000,0000,,F*** the police.
Dialogue: 0,0:03:29.100,0:03:31.96,Default,,0000,0000,0000,,F*** the police.
Dialogue: 0,0:03:31.96,0:03:32.80,Default,,0000,0000,0000,,F*** the police.
Dialogue: 0,0:03:32.80,0:03:34.59,Default,,0000,0000,0000,,NARRATOR: The government\Nagency's attention
Dialogue: 0,0:03:34.59,0:03:37.87,Default,,0000,0000,0000,,to lyrics that appeared to\Nsupport violence towards cops,
Dialogue: 0,0:03:37.87,0:03:40.49,Default,,0000,0000,0000,,actually helped fuel the\Nband's cred and popularity.
Dialogue: 0,0:03:40.49,0:03:43.52,Default,,0000,0000,0000,,NWA: (RAPPING)**** the police\Nand Ren said it with authority,
Dialogue: 0,0:03:43.52,0:03:45.94,Default,,0000,0000,0000,,because the n***** on\Nthe street is a majority.
Dialogue: 0,0:03:45.94,0:03:46.44,Default,,0000,0000,0000,,A gang--
Dialogue: 0,0:03:46.44,0:03:49.22,Default,,0000,0000,0000,,NARRATOR: Meanwhile, the song\Nhas become a classic protest
Dialogue: 0,0:03:49.22,0:03:49.79,Default,,0000,0000,0000,,song.
Dialogue: 0,0:03:49.79,0:03:51.82,Default,,0000,0000,0000,,And the weight behind\Nits title phrase,
Dialogue: 0,0:03:51.82,0:03:54.30,Default,,0000,0000,0000,,has become a recurring\Ntheme in hip-hop music.
Dialogue: 0,0:03:54.30,0:03:56.26,Default,,0000,0000,0000,,(RAPPING) Dumb\Nmother****** with a gun.
Dialogue: 0,0:03:56.26,0:03:58.39,Default,,0000,0000,0000,,And if I'm rolling\Noff the 8, he'll
Dialogue: 0,0:03:58.39,0:04:01.17,Default,,0000,0000,0000,,be the one that I take\Nout, and then get away.
Dialogue: 0,0:04:01.17,0:04:04.16,Default,,0000,0000,0000,,While I'm driving off laughing\Nthis is what I'll say.
Dialogue: 0,0:04:04.16,0:04:05.66,Default,,0000,0000,0000,,F*** the police.
Dialogue: 0,0:04:05.66,0:04:10.62,Default,,0000,0000,0000,,[GUITAR PLAYING] Number\N7-- "Ohio," Crosby, Stills,
Dialogue: 0,0:04:10.62,0:04:11.74,Default,,0000,0000,0000,,Nash, and Young.
Dialogue: 0,0:04:11.74,0:04:14.74,Default,,0000,0000,0000,,CSNY: (SINGING) Tin\Nsoldiers and Nixon coming,
Dialogue: 0,0:04:14.74,0:04:17.19,Default,,0000,0000,0000,,we're finally on our own.
Dialogue: 0,0:04:17.19,0:04:20.37,Default,,0000,0000,0000,,On May 4th, 1970, the\NOhio National Guard
Dialogue: 0,0:04:20.37,0:04:22.83,Default,,0000,0000,0000,,fired on several\Npeacefully-protesting Kent
Dialogue: 0,0:04:22.83,0:04:24.15,Default,,0000,0000,0000,,State University students.
Dialogue: 0,0:04:24.15,0:04:26.37,Default,,0000,0000,0000,,CSNY: (SINGING)\NGotta get down to it,
Dialogue: 0,0:04:26.37,0:04:29.30,Default,,0000,0000,0000,,soldiers are cutting us down.
Dialogue: 0,0:04:29.30,0:04:31.42,Default,,0000,0000,0000,,NARRATOR: After he saw\Nphotos of the shootings that
Dialogue: 0,0:04:31.42,0:04:34.49,Default,,0000,0000,0000,,left four dead in Ohio,\NNeil Young wrote the lyrics
Dialogue: 0,0:04:34.49,0:04:35.67,Default,,0000,0000,0000,,to this protest song.
Dialogue: 0,0:04:35.67,0:04:37.39,Default,,0000,0000,0000,,NIEL YOUNG: (SINGING)\Nfour dead in Ohio.
Dialogue: 0,0:04:37.39,0:04:41.08,Default,,0000,0000,0000,,
Dialogue: 0,0:04:41.08,0:04:43.60,Default,,0000,0000,0000,,NARRATOR: David Crosby, Steven\NStills, and Graham Nash,
Dialogue: 0,0:04:43.60,0:04:46.75,Default,,0000,0000,0000,,then joined him in the\Nstudio to record the rocker.
Dialogue: 0,0:04:46.75,0:04:49.25,Default,,0000,0000,0000,,CSNY: (SINGING) How can\Nyou run when you know?
Dialogue: 0,0:04:49.25,0:04:54.06,Default,,0000,0000,0000,,
Dialogue: 0,0:04:54.06,0:04:56.43,Default,,0000,0000,0000,,NARRATOR: Though some AM radio\Nstations banned the single
Dialogue: 0,0:04:56.43,0:04:58.64,Default,,0000,0000,0000,,for its unflattering\Nnamedropping of President
Dialogue: 0,0:04:58.64,0:05:02.89,Default,,0000,0000,0000,,Nixon, Ohio still reached the\NBillboard Hot 100's top 20,
Dialogue: 0,0:05:02.89,0:05:03.98,Default,,0000,0000,0000,,following its release.
Dialogue: 0,0:05:03.98,0:05:06.98,Default,,0000,0000,0000,,CSNY: (SINGING)\NFour dead in Ohio.
Dialogue: 0,0:05:06.98,0:05:09.38,Default,,0000,0000,0000,,Four dead in Ohio.
Dialogue: 0,0:05:09.38,0:05:11.18,Default,,0000,0000,0000,,Four dead in Ohio.
Dialogue: 0,0:05:11.18,0:05:14.96,Default,,0000,0000,0000,,
Dialogue: 0,0:05:14.96,0:05:17.24,Default,,0000,0000,0000,,NARRATOR: Number 6--\N"Killing in the Name,"
Dialogue: 0,0:05:17.24,0:05:18.68,Default,,0000,0000,0000,,Rage Against The Machine.
Dialogue: 0,0:05:18.68,0:05:19.15,Default,,0000,0000,0000,,RAGE AGAINST THE MACHINE:\N(SINGING) Killing
Dialogue: 0,0:05:19.15,0:05:20.58,Default,,0000,0000,0000,,in the name of.
Dialogue: 0,0:05:20.58,0:05:23.55,Default,,0000,0000,0000,,
Dialogue: 0,0:05:23.55,0:05:25.92,Default,,0000,0000,0000,,NARRATOR: Never a group to\Nshy away from tough issues,
Dialogue: 0,0:05:25.92,0:05:27.61,Default,,0000,0000,0000,,Rage quickly\Nestablished themselves
Dialogue: 0,0:05:27.61,0:05:30.08,Default,,0000,0000,0000,,as a politically-minded act\Nwith their debut single.
Dialogue: 0,0:05:30.08,0:05:31.54,Default,,0000,0000,0000,,RAGE AGAINST THE\NMACHINE: (SINGING)
Dialogue: 0,0:05:31.54,0:05:35.30,Default,,0000,0000,0000,,Some of those that work forces,\Nare the same that burn crosses.
Dialogue: 0,0:05:35.30,0:05:37.67,Default,,0000,0000,0000,,NARRATOR: The rap metal band\Nturned "Killing in the Name"
Dialogue: 0,0:05:37.67,0:05:40.39,Default,,0000,0000,0000,,into a musical attack\Non police brutality,
Dialogue: 0,0:05:40.39,0:05:43.40,Default,,0000,0000,0000,,institutional racism,\Nand the Klu Klux Klan.
Dialogue: 0,0:05:43.40,0:05:46.90,Default,,0000,0000,0000,,Through its snorting baselines,\NTom Morello's unorthodox guitar
Dialogue: 0,0:05:46.90,0:05:47.90,Default,,0000,0000,0000,,part
Dialogue: 0,0:05:47.90,0:05:51.40,Default,,0000,0000,0000,,[TOM MORELLO GUITAR SOLO]
Dialogue: 0,0:05:51.40,0:05:52.34,Default,,0000,0000,0000,,
Dialogue: 0,0:05:52.34,0:05:53.85,Default,,0000,0000,0000,,NARRATOR: And f-bombs.
Dialogue: 0,0:05:53.85,0:05:54.89,Default,,0000,0000,0000,,Lots and lots of f-bombs.
Dialogue: 0,0:05:54.89,0:05:56.77,Default,,0000,0000,0000,,RAGE AGAINST THE MACHINE:\N(RAPPING) F*** you,
Dialogue: 0,0:05:56.77,0:05:58.68,Default,,0000,0000,0000,,I won't do what you tell me.
Dialogue: 0,0:05:58.68,0:06:01.46,Default,,0000,0000,0000,,F*** you, I won't\Ndo what you tell me.
Dialogue: 0,0:06:01.46,0:06:03.20,Default,,0000,0000,0000,,NARRATOR: Despite\Nits explicit lyrics,
Dialogue: 0,0:06:03.20,0:06:05.59,Default,,0000,0000,0000,,the track has become\Ntheir signature tune,
Dialogue: 0,0:06:05.59,0:06:07.30,Default,,0000,0000,0000,,and has been covered\Nby multiple artists.
Dialogue: 0,0:06:07.30,0:06:09.17,Default,,0000,0000,0000,,RAGE AGAINST THE MACHINE:\N(RAPPING) F*** you,
Dialogue: 0,0:06:09.17,0:06:10.74,Default,,0000,0000,0000,,I won't do what you tell me.
Dialogue: 0,0:06:10.74,0:06:13.60,Default,,0000,0000,0000,,F*** you I won't do\Nwhat you tell me.
Dialogue: 0,0:06:13.60,0:06:16.39,Default,,0000,0000,0000,,F*** you I won't do\Nwhat you tell me.
Dialogue: 0,0:06:16.39,0:06:18.26,Default,,0000,0000,0000,,F*** you I won't do\Nwhat you tell me.
Dialogue: 0,0:06:18.26,0:06:21.35,Default,,0000,0000,0000,,NARRATOR: Number 5-- "Fight\Nthe Power," Public Enemy.
Dialogue: 0,0:06:21.35,0:06:23.68,Default,,0000,0000,0000,,(RAPPING) Listen if you're\Nmissin' y'all, swingin' while
Dialogue: 0,0:06:23.68,0:06:25.84,Default,,0000,0000,0000,,I'm singin', givin'\Nwhatcha gettin'.
Dialogue: 0,0:06:25.84,0:06:29.04,Default,,0000,0000,0000,,Knowin' what I know, while\Nthe black bands sweatin,
Dialogue: 0,0:06:29.04,0:06:30.47,Default,,0000,0000,0000,,and the rhythm rhymes rollin'.
Dialogue: 0,0:06:30.47,0:06:33.01,Default,,0000,0000,0000,,PUBLIC ENEMY: While the Beastie\NBoys were fighting for their,
Dialogue: 0,0:06:33.01,0:06:35.49,Default,,0000,0000,0000,,right to party, Chuck D,\NFlavor Flav, and the rest
Dialogue: 0,0:06:35.49,0:06:38.10,Default,,0000,0000,0000,,of the Public Enemy crew,\Nwere fighting for their right
Dialogue: 0,0:06:38.10,0:06:39.88,Default,,0000,0000,0000,,to do pretty much\Neverything else--
Dialogue: 0,0:06:39.88,0:06:41.72,Default,,0000,0000,0000,,PUBLIC ENEMY: (RAPPING)\NFight the power.
Dialogue: 0,0:06:41.72,0:06:43.55,Default,,0000,0000,0000,,NARRATOR: --fused with\Naggression, defiance,
Dialogue: 0,0:06:43.55,0:06:44.13,Default,,0000,0000,0000,,and rebellion.
Dialogue: 0,0:06:44.13,0:06:46.42,Default,,0000,0000,0000,,(RAPPING) Fight the power.
Dialogue: 0,0:06:46.42,0:06:48.64,Default,,0000,0000,0000,,NARRATOR: The lyrics of\NFight the Power are steeped
Dialogue: 0,0:06:48.64,0:06:50.94,Default,,0000,0000,0000,,with samples of\NAfrican-American culture,
Dialogue: 0,0:06:50.94,0:06:52.69,Default,,0000,0000,0000,,and shots at the\NAmerican establishment.
Dialogue: 0,0:06:52.69,0:06:54.23,Default,,0000,0000,0000,,PUBLIC ENEMY:\N(RAPPING) Sample a look
Dialogue: 0,0:06:54.23,0:06:56.92,Default,,0000,0000,0000,,back you look and find nothing\Nbut rednecks for 400 years,
Dialogue: 0,0:06:56.92,0:06:57.46,Default,,0000,0000,0000,,if you check.
Dialogue: 0,0:06:57.46,0:06:58.91,Default,,0000,0000,0000,,Don't worry be happy.
Dialogue: 0,0:06:58.91,0:06:59.88,Default,,0000,0000,0000,,Was a number one jam.
Dialogue: 0,0:06:59.88,0:07:02.50,Default,,0000,0000,0000,,Damn if I say it you\Ncan slap me right here.
Dialogue: 0,0:07:02.50,0:07:05.22,Default,,0000,0000,0000,,NARRATOR: Along with playing in\NSpike Lee's Do the Right Thing,
Dialogue: 0,0:07:05.22,0:07:06.99,Default,,0000,0000,0000,,the song has since\Nbecome an anthem
Dialogue: 0,0:07:06.99,0:07:09.69,Default,,0000,0000,0000,,for urban, underprivileged\Nyoung adults.
Dialogue: 0,0:07:09.69,0:07:11.36,Default,,0000,0000,0000,,PUBLIC ENEMY: (RAPPING)\NFight the power.
Dialogue: 0,0:07:11.36,0:07:14.83,Default,,0000,0000,0000,,We've got to fight\Nthe powers that be.
Dialogue: 0,0:07:14.83,0:07:17.63,Default,,0000,0000,0000,,THE WAILERS: (SINGING)\NGet up, stand up--
Dialogue: 0,0:07:17.63,0:07:19.55,Default,,0000,0000,0000,,stand up for your rights.
Dialogue: 0,0:07:19.55,0:07:24.06,Default,,0000,0000,0000,,NARRATOR: Number 4-- "Get\NUp, Stand Up," The Wailers.
Dialogue: 0,0:07:24.06,0:07:26.37,Default,,0000,0000,0000,,THE WAILERS: (SINGING)\NDon't give up the fight.
Dialogue: 0,0:07:26.37,0:07:28.16,Default,,0000,0000,0000,,NARRATOR: Struck by\Nthe devastating poverty
Dialogue: 0,0:07:28.16,0:07:31.32,Default,,0000,0000,0000,,found in Haiti, Bob Marley\Nteamed up with Peter Tosh
Dialogue: 0,0:07:31.32,0:07:32.74,Default,,0000,0000,0000,,to write this\Nthree-minute number.
Dialogue: 0,0:07:32.74,0:07:34.53,Default,,0000,0000,0000,,THE WAILERS: (SINGING)\NWe're sick and tired
Dialogue: 0,0:07:34.53,0:07:38.74,Default,,0000,0000,0000,,of the ism-skism, dyin' and go\Nto heaven in a Jesus' name--
Dialogue: 0,0:07:38.74,0:07:40.60,Default,,0000,0000,0000,,NARRATOR: In the early\N'70s, many Haitians
Dialogue: 0,0:07:40.60,0:07:43.07,Default,,0000,0000,0000,,fled the country in the\Nhopes of freeing themselves
Dialogue: 0,0:07:43.07,0:07:44.31,Default,,0000,0000,0000,,from these conditions.
Dialogue: 0,0:07:44.31,0:07:47.36,Default,,0000,0000,0000,,THE WAILERS: (SINGING) And you\Ncan fool some people sometimes,
Dialogue: 0,0:07:47.36,0:07:50.32,Default,,0000,0000,0000,,but you can't fool all\Nthe people all the time.
Dialogue: 0,0:07:50.32,0:07:53.68,Default,,0000,0000,0000,,And now you see the\Nlight-- what you gonna do?
Dialogue: 0,0:07:53.68,0:07:55.11,Default,,0000,0000,0000,,Stand up for your rights!
Dialogue: 0,0:07:55.11,0:07:57.72,Default,,0000,0000,0000,,NARRATOR: With its solid reggae\Ngroove, and powerful lyrics,
Dialogue: 0,0:07:57.72,0:08:00.12,Default,,0000,0000,0000,,"Get Up, Stand Up"\Nurged those who remained
Dialogue: 0,0:08:00.12,0:08:01.88,Default,,0000,0000,0000,,to fight for their rights.
Dialogue: 0,0:08:01.88,0:08:03.93,Default,,0000,0000,0000,,Thanks to its powerful\Nmessage, it quickly
Dialogue: 0,0:08:03.93,0:08:06.32,Default,,0000,0000,0000,,became a concert staple\Nfor Marley and the Wailers.
Dialogue: 0,0:08:06.32,0:08:10.94,Default,,0000,0000,0000,,(SINGING) Get up stand up--\Ndon't give up the fight.
Dialogue: 0,0:08:10.94,0:08:14.38,Default,,0000,0000,0000,,NARRATOR: And was the last song\Nthe Rastafarian performed live
Dialogue: 0,0:08:14.38,0:08:17.62,Default,,0000,0000,0000,,before his death in 1981.
Dialogue: 0,0:08:17.62,0:08:20.32,Default,,0000,0000,0000,,THE WAILERS: (SINGING)\NDon't give up the fight.
Dialogue: 0,0:08:20.32,0:08:23.33,Default,,0000,0000,0000,,NARRATOR: Number 3-- "The\NTimes They Are a-Changin'," Bob
Dialogue: 0,0:08:23.33,0:08:23.83,Default,,0000,0000,0000,,Dylan.
Dialogue: 0,0:08:23.83,0:08:25.79,Default,,0000,0000,0000,,BOB DYLAN: (SINGING) Come\Ngather 'round people,
Dialogue: 0,0:08:25.79,0:08:32.21,Default,,0000,0000,0000,,wherever you roam, and admit\Nthat the waters around you have
Dialogue: 0,0:08:32.21,0:08:32.89,Default,,0000,0000,0000,,grown--
Dialogue: 0,0:08:32.89,0:08:34.31,Default,,0000,0000,0000,,NARRATOR: Written\Nwhen America was
Dialogue: 0,0:08:34.31,0:08:36.00,Default,,0000,0000,0000,,on the cusp of\Ngreat social change,
Dialogue: 0,0:08:36.00,0:08:38.86,Default,,0000,0000,0000,,and just prior to\NJFK's assassination,
Dialogue: 0,0:08:38.86,0:08:41.40,Default,,0000,0000,0000,,this is Bob Dylan's call\Nfor open-mindedness,
Dialogue: 0,0:08:41.40,0:08:43.27,Default,,0000,0000,0000,,and a warning to the old guard.
Dialogue: 0,0:08:43.27,0:08:45.60,Default,,0000,0000,0000,,BOB DYLAN: (SINGING) Come\Nsenators, congressmen,
Dialogue: 0,0:08:45.60,0:08:48.33,Default,,0000,0000,0000,,please heed the call.
Dialogue: 0,0:08:48.33,0:08:50.32,Default,,0000,0000,0000,,Don't stand in the doorway.
Dialogue: 0,0:08:50.32,0:08:52.36,Default,,0000,0000,0000,,Don't block up the hall.
Dialogue: 0,0:08:52.36,0:08:54.03,Default,,0000,0000,0000,,NARRATOR: The coming\Ngenerations quickly
Dialogue: 0,0:08:54.03,0:08:57.14,Default,,0000,0000,0000,,adopted it as an anthem of\Nchange, due to its timeless
Dialogue: 0,0:08:57.14,0:08:57.64,Default,,0000,0000,0000,,lyrics.
Dialogue: 0,0:08:57.64,0:09:01.99,Default,,0000,0000,0000,,BOB DYLAN: (SINGING) The\Nbattle outside raging,
Dialogue: 0,0:09:01.99,0:09:05.99,Default,,0000,0000,0000,,will soon shake your windows\Nand rattle your walls.
Dialogue: 0,0:09:05.99,0:09:09.61,Default,,0000,0000,0000,,For the times they\Nare a-changin'.
Dialogue: 0,0:09:09.61,0:09:11.25,Default,,0000,0000,0000,,NARRATOR: The Times\NThey Are a-Changin'
Dialogue: 0,0:09:11.25,0:09:14.87,Default,,0000,0000,0000,,also reach the UK Top 10,\Nand cemented Dylan's place
Dialogue: 0,0:09:14.87,0:09:17.57,Default,,0000,0000,0000,,in folk music, and\Nas a protest singer.
Dialogue: 0,0:09:17.57,0:09:19.15,Default,,0000,0000,0000,,BOB DYLAN: (SINGING)\NAnd the first one
Dialogue: 0,0:09:19.15,0:09:21.65,Default,,0000,0000,0000,,now will later be last.
Dialogue: 0,0:09:21.65,0:09:24.91,Default,,0000,0000,0000,,For the times they\Nare a-changin'.
Dialogue: 0,0:09:24.91,0:09:29.26,Default,,0000,0000,0000,,
Dialogue: 0,0:09:29.26,0:09:32.17,Default,,0000,0000,0000,,[SONG CHANGES]
Dialogue: 0,0:09:32.17,0:09:36.08,Default,,0000,0000,0000,,
Dialogue: 0,0:09:36.08,0:09:38.95,Default,,0000,0000,0000,,Number 2-- "What's\NGoing On," Marvin Gaye.
Dialogue: 0,0:09:38.95,0:09:45.18,Default,,0000,0000,0000,,MARVIN GAYE: (SINGING) Mother,\Nthere's too many of you crying.
Dialogue: 0,0:09:45.18,0:09:47.90,Default,,0000,0000,0000,,NARRATOR: In the first track and\Nsingle from "What's Going On,"
Dialogue: 0,0:09:47.90,0:09:51.26,Default,,0000,0000,0000,,Marvin Gaye questions the\Nworld, and times, around him.
Dialogue: 0,0:09:51.26,0:09:55.43,Default,,0000,0000,0000,,MARVIN GAYE: (SINGING) Don't\Npunish me with brutality.
Dialogue: 0,0:09:55.43,0:10:01.60,Default,,0000,0000,0000,,But talk to me, so you\Nsee, what's going on.
Dialogue: 0,0:10:01.60,0:10:03.37,Default,,0000,0000,0000,,NARRATOR: The initial\Nspark for the song
Dialogue: 0,0:10:03.37,0:10:06.97,Default,,0000,0000,0000,,was an act of police brutality\Nwitnessed by co-writer Obie
Dialogue: 0,0:10:06.97,0:10:08.96,Default,,0000,0000,0000,,Benson during an\Nanti-war protest.
Dialogue: 0,0:10:08.96,0:10:13.60,Default,,0000,0000,0000,,
Dialogue: 0,0:10:13.60,0:10:15.64,Default,,0000,0000,0000,,After Gaye added\Nhis own touches,
Dialogue: 0,0:10:15.64,0:10:18.56,Default,,0000,0000,0000,,the track was released without\NMotown boss Berry Gordy's
Dialogue: 0,0:10:18.56,0:10:22.62,Default,,0000,0000,0000,,consent, as he hated the track.\N(SINGING) We need some unity,
Dialogue: 0,0:10:22.62,0:10:24.01,Default,,0000,0000,0000,,some love--
Dialogue: 0,0:10:24.01,0:10:25.92,Default,,0000,0000,0000,,NARRATOR: Lucky for us\Nall, "What's Going On"
Dialogue: 0,0:10:25.92,0:10:29.12,Default,,0000,0000,0000,,topped the soul charts, and\Nbecame Motown's fastest-selling
Dialogue: 0,0:10:29.12,0:10:30.55,Default,,0000,0000,0000,,single to that point.
Dialogue: 0,0:10:30.55,0:10:33.73,Default,,0000,0000,0000,,RAGE AGAINST THE MACHINE:\N(SINGING) Hear me people, oh.
Dialogue: 0,0:10:33.73,0:10:40.12,Default,,0000,0000,0000,,What's going, what's going on?
Dialogue: 0,0:10:40.12,0:10:42.30,Default,,0000,0000,0000,,Before we unveil\Nour top pick, here
Dialogue: 0,0:10:42.30,0:10:44.65,Default,,0000,0000,0000,,are a few honorable mentions.
Dialogue: 0,0:10:44.65,0:10:47.65,Default,,0000,0000,0000,,CCR: (SINGING) Some folks are\Nborn made to wave the flag.
Dialogue: 0,0:10:47.65,0:10:50.58,Default,,0000,0000,0000,,Ooh, they're red,\Nwhite, and blue.
Dialogue: 0,0:10:50.58,0:10:53.47,Default,,0000,0000,0000,,BRUCE SPRINGSTEEN:\N(SINGING) Born in the USA.
Dialogue: 0,0:10:53.47,0:10:57.32,Default,,0000,0000,0000,,I was born in the USA.
Dialogue: 0,0:10:57.32,0:10:58.78,Default,,0000,0000,0000,,BUFFALO SPRINGFIELD:\N(SINGING) Stop
Dialogue: 0,0:10:58.78,0:11:00.68,Default,,0000,0000,0000,,children, what's that sound?
Dialogue: 0,0:11:00.68,0:11:04.18,Default,,0000,0000,0000,,Everybody look whats going down.
Dialogue: 0,0:11:04.18,0:11:06.06,Default,,0000,0000,0000,,What are we fighting for?
Dialogue: 0,0:11:06.06,0:11:10.51,Default,,0000,0000,0000,,Don't ask me, I don't give a\Ndamn, next stop is Vietnam--
Dialogue: 0,0:11:10.51,0:11:14.77,Default,,0000,0000,0000,,And it's five, six, seven,\Nopen up the pearly gates.
Dialogue: 0,0:11:14.77,0:11:16.44,Default,,0000,0000,0000,,SAM COOKE: (SINGING)\NA long time coming,
Dialogue: 0,0:11:16.44,0:11:22.36,Default,,0000,0000,0000,,but I know a change gonna come.
Dialogue: 0,0:11:22.36,0:11:25.33,Default,,0000,0000,0000,,MIA: (RAPPING) I throw this\Nshit in your face when I see ya.
Dialogue: 0,0:11:25.33,0:11:27.30,Default,,0000,0000,0000,,Cause I got something to say.
Dialogue: 0,0:11:27.30,0:11:32.24,Default,,0000,0000,0000,,I was born free.
Dialogue: 0,0:11:32.24,0:11:35.21,Default,,0000,0000,0000,,I was born free.
Dialogue: 0,0:11:35.21,0:11:37.72,Default,,0000,0000,0000,,
Dialogue: 0,0:11:37.72,0:11:39.64,Default,,0000,0000,0000,,NARRATOR: Number 1--\N"Give Peace a Chance,"
Dialogue: 0,0:11:39.64,0:11:43.14,Default,,0000,0000,0000,,the Plastic Ono Band. (SINGING)\NEverybody's talking about
Dialogue: 0,0:11:43.14,0:11:46.20,Default,,0000,0000,0000,,Bagism, Shagism, Dragism,\NMadism, Ragism, Tagism--
Dialogue: 0,0:11:46.20,0:11:47.79,Default,,0000,0000,0000,,NARRATOR: Paving the\Nway for Imagine--
Dialogue: 0,0:11:47.79,0:11:51.47,Default,,0000,0000,0000,,JOHN LENNON: (SINGING)\NImagine all the people.
Dialogue: 0,0:11:51.47,0:11:53.18,Default,,0000,0000,0000,,NARRATOR: --this John\NLennon-penned track
Dialogue: 0,0:11:53.18,0:11:56.05,Default,,0000,0000,0000,,provides the sentiment that\NLennon is best remembered for.
Dialogue: 0,0:11:56.05,0:12:01.34,Default,,0000,0000,0000,,PLASTIC ONO BAND:\N(SINGING) All we are saying
Dialogue: 0,0:12:01.34,0:12:05.34,Default,,0000,0000,0000,,is give peace a chance.
Dialogue: 0,0:12:05.34,0:12:08.43,Default,,0000,0000,0000,,NARRATOR: Quickly she adopted\Nas the anti-Vietnam war song,
Dialogue: 0,0:12:08.43,0:12:11.13,Default,,0000,0000,0000,,give peace a chance was\Nconceived, and recorded,
Dialogue: 0,0:12:11.13,0:12:14.73,Default,,0000,0000,0000,,during the ex-Beatles Montreal\Nbed-in with wife Yoko Ono,
Dialogue: 0,0:12:14.73,0:12:18.83,Default,,0000,0000,0000,,and later sung by 500,000\Npeople at the Moratorium March
Dialogue: 0,0:12:18.83,0:12:19.48,Default,,0000,0000,0000,,on Washington.
Dialogue: 0,0:12:19.48,0:12:24.89,Default,,0000,0000,0000,,PLASTIC ONO BAND:\N(SINGING) All we are saying
Dialogue: 0,0:12:24.89,0:12:27.78,Default,,0000,0000,0000,,is give peace a chance.
Dialogue: 0,0:12:27.78,0:12:30.03,Default,,0000,0000,0000,,NARRATOR: While it reached\Nthe Billboard Hot 100's Top
Dialogue: 0,0:12:30.03,0:12:32.77,Default,,0000,0000,0000,,20, and the UK\Ncharts Top Five, it's
Dialogue: 0,0:12:32.77,0:12:35.59,Default,,0000,0000,0000,,the song's hopeful tune that\Nhas given it its enduring
Dialogue: 0,0:12:35.59,0:12:37.12,Default,,0000,0000,0000,,legacy in rock and roll.
Dialogue: 0,0:12:37.12,0:12:39.52,Default,,0000,0000,0000,,PLASTIC ONO BAND: (SINGING)\Nis give peace a chance.
Dialogue: 0,0:12:39.52,0:12:41.16,Default,,0000,0000,0000,,NARRATOR: Do you\Nagree with our list?
Dialogue: 0,0:12:41.16,0:12:42.94,Default,,0000,0000,0000,,What's your favorite\Nprotest song?
Dialogue: 0,0:12:42.94,0:12:45.69,Default,,0000,0000,0000,,For more rebellious Top\N10's published every day,
Dialogue: 0,0:12:45.69,0:12:48.73,Default,,0000,0000,0000,,be sure to subscribe\Nto watchmojo.com.
Dialogue: 0,0:12:48.73,0:12:52.54,Default,,0000,0000,0000,,JOHN LENNON: (SINGING)\N--is give peace a chance.
Dialogue: 0,0:12:52.54,0:12:53.75,Default,,0000,0000,0000,,JOHN LENNON: OK, beautiful.
Dialogue: 0,0:12:53.75,0:12:54.25,Default,,0000,0000,0000,,Yeah.
Dialogue: 0,0:12:54.25,0:12:56.90,Default,,0000,0000,0000,,
Dialogue: 0,0:12:56.90,0:13:00.82,Default,,0000,0000,0000,,[OUTRO MUSIC]
Dialogue: 0,0:13:00.82,0:13:07.83,Default,,0000,0000,0000,,