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[ ニューヨーク・クローズアップ ]

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じっと耳をすまして静かにすればーー

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少しずつ現れるの

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掘り出し物みたいよ

5
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ガラクタに命が宿ったみたい

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[ アビゲイル・デビル と 歴史 ]

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[ ピール博物館 ザ・コンテンポラリ
(ボルチモア) ]

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私が選んだ素材は話すーー

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心と”会話” してる

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歴史って深いし 暗い

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全てに影響を及ぼす
この瞬間もね

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ロックみたい

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材料に少し ひねりを効かせる

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空間も同じ

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”歴史は勝利の話でしょ？”って

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実はゴミよ

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ゴミの山

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ワシントン大統領の ”木の歯” は
奴隷の歯

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本当よ

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気持ち悪いわ

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知りたくない事実なの

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[ 猟人形館 (ボルチモア）]

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まずは残虐よ

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誰も知りたくない

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隠蔽されるべき事実

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隠蔽されるのは
奴隷制が廃止できないから

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でも 事実は同じ

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それをアートにすることで

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物体の ”声” を生かせる

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人間は複雑
歴史も同じ

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だから私のアートも複雑

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政府の重圧を考えたりーー

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失われた声を考えたり

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つらいことは記録されない

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でも 偉人は違うの

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全ての過程に関わりーー

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国家と神話の形成を作った人々よ

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アフリカン・アメリカンの良さはーー

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享楽と我慢強さの象徴であること

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見えにくいけど

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”当たり前” とは反対の作品 が良いの

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