1 00:00:00,000 --> 00:00:01,860 Hi, this is View from Point of View channel. 2 00:00:02,020 --> 00:00:04,680 We're now at Suvarnabhumi Airport, again! 3 00:00:05,080 --> 00:00:07,660 I'm gonna give you a hint, we're going somewhere. 4 00:00:07,680 --> 00:00:10,620 But we're not traveling abroad this time, we're traveling in Thailand. 5 00:00:10,680 --> 00:00:12,720 We're going there because I've heard that, 6 00:00:12,720 --> 00:00:17,240 this particular show, which is exceptional, is taking place in Chiangrai Province. 7 00:00:17,320 --> 00:00:20,500 It's Khon Klang Plaeng everyone! 8 00:00:20,500 --> 00:00:24,300 So, I suggest that we got on the plane to Chiangrai Province 9 00:00:24,400 --> 00:00:25,800 and let's go see Khon Klang Plaeng. 10 00:00:25,800 --> 00:00:27,800 Let's see what it is 11 00:00:27,800 --> 00:00:30,900 and see if there's any difference from regular Khon that we've seen. 12 00:00:31,200 --> 00:00:32,500 Before arriving in Chiangrai Province, 13 00:00:32,500 --> 00:00:34,900 don't forget to follow me on social media. 14 00:00:35,100 --> 00:00:38,500 Okay, are you ready for the fun and the learning? 15 00:00:38,500 --> 00:00:40,600 If so, let's hit the road! 16 00:00:46,480 --> 00:00:47,220 We're now in Chiangrai! 17 00:00:47,500 --> 00:00:52,100 People might be wondering why must we come all the way to Chiangrai Province for Khon Klang Plaeng. 18 00:00:52,100 --> 00:00:54,100 Other provinces also have Khon, why are we coming here? 19 00:00:54,760 --> 00:00:59,000 Well, I must say that it's because this one particular event is taking place in Chiang Rai -- 20 00:00:59,400 --> 00:01:02,300 which is International Balloon Festival 2019 21 00:01:02,400 --> 00:01:06,900 or Singha Park Chiangrai International Balloon Fiesta 2019. 22 00:01:07,000 --> 00:01:10,900 The festival took place in February 13 to 17 23 00:01:11,300 --> 00:01:12,900 at Singha Park in Chiangrai Province. 24 00:01:13,100 --> 00:01:15,400 Since it is an international balloon festival 25 00:01:15,400 --> 00:01:16,400 there must be balloon races 26 00:01:16,400 --> 00:01:18,700 and colorful balloon shows. 27 00:01:18,900 --> 00:01:21,000 But what does balloon have to do with Khon anyway? 28 00:01:21,000 --> 00:01:23,500 Well, for this balloon festival --- 29 00:01:23,600 --> 00:01:27,200 there isn't just balloons, but also other activities, 30 00:01:27,395 --> 00:01:29,600 like concerts of great singers. 31 00:01:29,600 --> 00:01:31,900 When I was at the concert, there was Palmy 32 00:01:31,900 --> 00:01:33,000 Nuvo 33 00:01:33,395 --> 00:01:34,300 Poly Cat 34 00:01:34,300 --> 00:01:35,215 Hugo was also there. 35 00:01:35,500 --> 00:01:38,125 Oh, please! There was too much to count. 36 00:01:38,325 --> 00:01:41,125 And apart from that, there's also food stalls around. 37 00:01:41,125 --> 00:01:44,065 This is truly a space for family gathering. 38 00:01:44,500 --> 00:01:47,065 The best part is that --- 39 00:01:47,065 --> 00:01:50,500 the organizers also value Thai identity. 40 00:01:50,600 --> 00:01:54,880 That's why they have Khon as one of their shows. 41 00:01:54,880 --> 00:01:57,100 And since there are foreigners everywhere, Khon is a great way to promote Thai culture. 42 00:01:57,100 --> 00:01:57,900 Moreover, 43 00:01:57,900 --> 00:02:00,800 Khon they're performing is also Khon Klang Plaeng. 44 00:02:00,800 --> 00:02:03,500 This year marks the second time of this festival. 45 00:02:03,500 --> 00:02:05,700 Last year was its first time, 46 00:02:05,700 --> 00:02:09,600 to have Khon Klang Plaeng performance in the festival. 47 00:02:09,615 --> 00:02:10,900 Are you guys seeing this? 48 00:02:10,900 --> 00:02:13,300 This festival has everything! 49 00:02:13,300 --> 00:02:16,600 Khon performance, concerts, great food 50 00:02:16,600 --> 00:02:18,700 and views for nice pictures 51 00:02:18,700 --> 00:02:21,715 which you guys might already see on my Instagram feed. 52 00:02:22,300 --> 00:02:23,300 That was very off-topic. 53 00:02:23,300 --> 00:02:24,765 There's only 2 rounds of Khon performance. 54 00:02:24,765 --> 00:02:26,100 But I'm in Chiangrai for so many days. 55 00:02:26,100 --> 00:02:27,815 Feeling so motivated. 56 00:02:28,000 --> 00:02:30,880 If you guys are ready, let's go see Khon Klang Plaeng! 57 00:02:31,540 --> 00:02:32,475 58 00:02:32,480 --> 00:02:33,320 Okay everyone 59 00:02:33,320 --> 00:02:36,560 After 2 days in Chiangrai, 60 00:02:36,565 --> 00:02:39,300 I've done so many things. 61 00:02:39,400 --> 00:02:41,100 2 days at the balloon festival --- 62 00:02:41,100 --> 00:02:45,000 I went to the concerts, I flew on hot air balloon 63 00:02:45,000 --> 00:02:47,400 and most importantly, I already took a sneak peek at the rehearsal. 64 00:02:47,400 --> 00:02:48,800 And finally, the day has come. 65 00:02:49,000 --> 00:02:52,200 The day of Khon Klang Plaeng performance. 66 00:02:52,200 --> 00:02:55,900 And right now, we're here at Singha Park in Chiangrai Province. 67 00:02:56,400 --> 00:02:58,760 I'll take you guys to see Khon Klang Plaeng then! 68 00:02:59,100 --> 00:03:02,500 First off, this is the right venue for Khon Klang Plaeng 69 00:03:02,700 --> 00:03:06,800 because it needs space, like, big grass field, 70 00:03:06,900 --> 00:03:10,000 to play battle scenes. Khon Klang Plaeng's stories are always from battle scenes. 71 00:03:10,100 --> 00:03:11,635 And it's really rare these days. 72 00:03:11,635 --> 00:03:15,600 Even more than that, the performers for the show are the artists from Wang-Na! 73 00:03:15,600 --> 00:03:17,000 I already saw it last night. 74 00:03:17,000 --> 00:03:18,720 And I can tell you, it's gonna be an eye-opening experience. 75 00:03:18,900 --> 00:03:21,200 Let's go see Khon Klang Plaeng performance 76 00:03:21,200 --> 00:03:22,800 And I'll explain later -- 77 00:03:22,800 --> 00:03:24,600 why must it be Khon Klang Plaeng 78 00:03:24,600 --> 00:03:27,400 , what's the difference between Khon Klang Plaeng and Khon we've seen often 79 00:03:27,915 --> 00:03:29,100 and how many types of Khon there are. 80 00:03:29,100 --> 00:03:30,200 Let's go see the performance! 81 00:03:31,300 --> 00:03:34,400 Right now, we're already in front of the stage. 82 00:03:34,600 --> 00:03:36,700 We're about to see Khon Klang Plaeng. 83 00:03:36,700 --> 00:03:40,000 But first, let's get to know how many types of Khon there are 84 00:03:40,000 --> 00:03:42,500 and how Khon Klang Plaeng is different from other types of Khon. 85 00:03:42,500 --> 00:03:43,900 Let's go! 86 00:03:44,400 --> 00:03:47,300 It's quiet inappropriate to do the explanation in the venue. 87 00:03:47,300 --> 00:03:48,865 We should be mindful of the performers 88 00:03:48,900 --> 00:03:51,200 because they are on the stage. We can't just talk all the time. 89 00:03:51,300 --> 00:03:53,200 And it also disturbs the others. 90 00:03:53,200 --> 00:03:55,400 So, it's best to do this outside. 91 00:03:55,400 --> 00:03:57,900 We all know that Khon is a dance-drama performance 92 00:03:58,000 --> 00:03:59,780 of which performers are wearing masks 93 00:03:59,780 --> 00:04:03,400 and dancing rhythmically with the music, right? 94 00:04:03,400 --> 00:04:06,500 But, actually, there are many types of Khon. 95 00:04:06,500 --> 00:04:08,400 There's more than one. 96 00:04:08,400 --> 00:04:10,200 I understand that we see Khon as 97 00:04:10,200 --> 00:04:13,005 a performance on stage, something like that, right? 98 00:04:13,005 --> 00:04:16,100 But, in fact, there are 5 types of Khon. 99 00:04:16,100 --> 00:04:19,000 The first one is Khon Rong Nai -- 100 00:04:19,000 --> 00:04:21,500 what we're most familiar with 101 00:04:21,500 --> 00:04:25,100 since Fine Arts Department of Thailand often host Khon Rong Nai performance. 102 00:04:25,100 --> 00:04:29,500 Khon Rong Nai is a combination between Lakhon Nai and Khon. 103 00:04:29,500 --> 00:04:30,900 Apart from Khon movement, 104 00:04:30,900 --> 00:04:32,500 Khon narration and dialogue, 105 00:04:32,500 --> 00:04:35,100 there's also Thai traditional dancing. 106 00:04:35,100 --> 00:04:39,000 And it also features 2 Pi Phat orchestras. 107 00:04:39,000 --> 00:04:40,900 During these days, most of Khon performances by the Fine Arts Department, 108 00:04:40,900 --> 00:04:44,000 whether performed indoor or outdoor, 109 00:04:44,000 --> 00:04:47,500 are always of Khon Rong Nai style, because it is spectacular. 110 00:04:47,500 --> 00:04:48,900 There's traditional dancing, graceful movements. 111 00:04:48,900 --> 00:04:52,000 And since there's Khon Rong Nai, there's also, of course 112 00:04:52,000 --> 00:04:53,400 Khon Rong Nok. 113 00:04:53,400 --> 00:04:55,995 There's a slight difference between Khon Rong Nai and Khon Rong Nok. 114 00:04:55,995 --> 00:04:59,300 Khon Rong Nok's setting isn't as precise as Khon Rong Nai's. 115 00:04:59,300 --> 00:05:01,400 There's no proper setting. 116 00:05:01,400 --> 00:05:03,180 It's set on common stage or platform 117 00:05:03,180 --> 00:05:06,000 with bamboo rails set along its length. 118 00:05:06,000 --> 00:05:07,100 Imagine the stage... 119 00:05:07,100 --> 00:05:10,200 with bamboo rails laid from one side to the other. 120 00:05:10,200 --> 00:05:11,900 Normally, while watching Khon, 121 00:05:11,900 --> 00:05:15,800 we'll see a seat, some sort of thing like a bench... 122 00:05:15,800 --> 00:05:17,200 looking like a throne. 123 00:05:17,200 --> 00:05:19,000 Khon Rong Nok doesn't have these things on stage. 124 00:05:19,000 --> 00:05:23,300 They'll be using the rails as the throne. 125 00:05:23,305 --> 00:05:25,700 That's why this type of Khon is also called -- 126 00:05:25,700 --> 00:05:27,435 Khon Nang Rao. 127 00:05:27,600 --> 00:05:30,700 Next, we have Khon Na Cho. 128 00:05:30,700 --> 00:05:33,605 Khon Na Cho is developed out of Thai shadow play or Nang Yai. 129 00:05:33,605 --> 00:05:36,800 Everyone might already know Nang Yai. 130 00:05:36,800 --> 00:05:38,600 The performers first put up the backdrop, right? 131 00:05:38,600 --> 00:05:41,600 Then they'll hold up the carved buffalo-skinned puppets 132 00:05:41,600 --> 00:05:43,600 and let the backdrop reflects the shadow. 133 00:05:43,600 --> 00:05:44,400 And there are also performers dancing. 134 00:05:44,400 --> 00:05:47,200 But, at that time, playing only with shadows became boring. 135 00:05:47,200 --> 00:05:51,100 That's why sometimes they incorporated Khon into Nang Yai performance. 136 00:05:51,100 --> 00:05:53,500 Like, while the puppet was being held up, a person walked out from behind. 137 00:05:53,765 --> 00:05:55,300 Bam, a performer in Khon costume appeared. 138 00:05:55,300 --> 00:05:57,300 But after a while, 139 00:05:57,300 --> 00:06:00,800 people felt that Khon performing is more exciting than Nang Yai's. 140 00:06:00,800 --> 00:06:05,800 It led to having Khon performances in front of the same backdrop. 141 00:06:05,800 --> 00:06:07,400 The puppets were removed. 142 00:06:07,400 --> 00:06:09,800 So, that is another type of Khon. 143 00:06:09,800 --> 00:06:11,700 And the fourth type of Khon -- 144 00:06:11,700 --> 00:06:13,500 is the most developed one. 145 00:06:13,600 --> 00:06:15,000 It's called Khon Chak. 146 00:06:15,115 --> 00:06:18,200 Khon Chak emerged during the reign of King Rama V. 147 00:06:18,200 --> 00:06:20,500 There was first the opera-oriented dance drama -- 148 00:06:20,500 --> 00:06:22,320 which is plays with proper stage and scripts... 149 00:06:22,320 --> 00:06:23,400 this and that... 150 00:06:23,400 --> 00:06:24,540 and there was also chants and dance. 151 00:06:24,700 --> 00:06:28,400 This kind of play inspired the adaptation of Khon. 152 00:06:28,400 --> 00:06:30,600 This is how Khon Chak emerged. 153 00:06:30,600 --> 00:06:34,600 But Khon Chak is slightly different from regular Khon. 154 00:06:34,600 --> 00:06:38,200 I mean, it requires separating the performance into independent plays. 155 00:06:38,200 --> 00:06:39,600 There couldn't be reversions 156 00:06:39,600 --> 00:06:41,600 , unlike Ramakien epic tales 157 00:06:41,600 --> 00:06:46,000 which were written specifically for traditional Khon performance. 158 00:06:46,000 --> 00:06:48,300 This one is more like a modern play. 159 00:06:48,300 --> 00:06:50,800 That's why they need to divide the stories into parts, 160 00:06:50,800 --> 00:06:53,100 each written particularly for Khon Chak. 161 00:06:53,200 --> 00:06:54,300 And the last type -- 162 00:06:54,300 --> 00:06:56,400 which is in fact considered the oldest form -- 163 00:06:56,500 --> 00:06:59,300 is the one we're getting to see today! 164 00:06:59,300 --> 00:07:01,200 Khong Klang Plaeng it is. 165 00:07:01,200 --> 00:07:05,900 Khon Klang Plaeng is performed outdoor, in an open-air space. 166 00:07:05,900 --> 00:07:08,000 No backdrop, nothing. 167 00:07:08,000 --> 00:07:09,980 Just the natural surrounding. 168 00:07:10,300 --> 00:07:13,500 Battle scenes are often depicted in Khon Klang Plaeng performance. 169 00:07:13,500 --> 00:07:17,200 Or it could be any scene which two camps are fighting. 170 00:07:17,200 --> 00:07:20,000 It's very convenient since they are performing in open space. 171 00:07:20,000 --> 00:07:22,800 So, I believe we know now what Khon Klang Plaeng is. 172 00:07:22,800 --> 00:07:24,800 Let's go see the performance. 173 00:07:26,875 --> 00:07:28,600 It's just started. 174 00:07:28,600 --> 00:07:33,600 I need to tell you guys that Khon performance always begins with a prelude. 175 00:07:33,600 --> 00:07:37,400 Let's watch this from the prelude to the main piece 176 00:07:37,400 --> 00:07:39,400 and the last set. 177 00:07:40,555 --> 00:07:41,555 178 00:07:42,265 --> 00:07:43,415 179 00:07:43,885 --> 00:07:45,235 180 00:07:46,315 --> 00:07:47,900 For today, 181 00:07:47,900 --> 00:07:49,800 the performance is divided into 3 parts. 182 00:07:49,800 --> 00:07:53,000 The first is the prelude, 183 00:07:53,000 --> 00:07:57,400 which is Dhep Singhawatarn. 184 00:07:57,400 --> 00:08:01,855 It is newly and specifically composed for this show. 185 00:08:01,855 --> 00:08:06,000 And the second is the main piece -- 186 00:08:06,000 --> 00:08:07,845 Intarachit War. 187 00:08:07,845 --> 00:08:11,600 The scene is about the fight between Intarachit and Phra Lak. 188 00:08:11,800 --> 00:08:14,500 Of course, Intarachit had no chance winning Phra Lak 189 00:08:14,500 --> 00:08:16,740 because he was very good at fighting. 190 00:08:16,740 --> 00:08:18,300 When Intarachit found himself losing, 191 00:08:18,300 --> 00:08:21,300 he took out his most nefarious weapon -- 192 00:08:21,300 --> 00:08:23,945 the Nagapasha arrow. 193 00:08:23,945 --> 00:08:28,400 Nagapasha arrow would let out countless Nagas when shooted. 194 00:08:28,400 --> 00:08:30,700 You guys can see from this 195 00:08:30,975 --> 00:08:33,800 that Phra Lak loses his consciousness when hit with the arrow. 196 00:08:34,215 --> 00:08:36,300 But Phra Ram saved him at last 197 00:08:36,600 --> 00:08:40,300 by shooting an arrow calling the Garuda to help. 198 00:08:40,300 --> 00:08:41,900 The Garuda chased the Nagas away. 199 00:08:41,900 --> 00:08:45,500 Garuda is actually an all-time enemy of Naga. 200 00:08:45,500 --> 00:08:47,040 because it eats Naga as food. 201 00:08:47,040 --> 00:08:49,000 I've told you guys this before. 202 00:08:49,400 --> 00:08:50,900 And for the last set, 203 00:08:50,900 --> 00:08:57,000 they performed a dance piece for blessing King Rama X. 204 00:08:57,060 --> 00:09:00,480 We can see that Khon performance is a high art form of performance. 205 00:09:00,480 --> 00:09:02,000 In each performance, 206 00:09:02,200 --> 00:09:09,900 we get to see the union of art forms and great artists just for one show. 207 00:09:10,000 --> 00:09:12,100 Beginning with costume designs 208 00:09:12,100 --> 00:09:14,800 which also requires complicated embroidery. 209 00:09:14,800 --> 00:09:16,945 The orchestras also need to be Pi Phat orchestra. 210 00:09:16,945 --> 00:09:20,400 And the song or music needs to reflect the story, too. 211 00:09:20,400 --> 00:09:22,000 The performers themselves, -- 212 00:09:22,000 --> 00:09:32,100 although they don't speak, their movements communicate particular meanings or emotions. 213 00:09:32,135 --> 00:09:34,755 For example, certain movements suggest that they're angry, 214 00:09:34,800 --> 00:09:36,600 some suggest that they're shy. 215 00:09:36,600 --> 00:09:37,900 If one has some knowledge of Khon, 216 00:09:37,900 --> 00:09:43,000 it's not that hard to understand what the characters are saying through their movements 217 00:09:43,000 --> 00:09:45,000 even without the narration. 218 00:09:45,225 --> 00:09:47,300 For literary aspects, 219 00:09:47,300 --> 00:09:53,400 the beauty of literature is reflected in Khon narration and dialogues 220 00:09:53,400 --> 00:09:55,700 which plays with words aesthetically. 221 00:09:55,700 --> 00:09:58,300 Most importantly, the performance we just saw today 222 00:09:58,300 --> 00:10:01,800 owes its perfection to the artists from Wang-Na 223 00:10:01,800 --> 00:10:07,800 who study the art of Khon, theatre, musical performance and Thai vocal music 224 00:10:07,800 --> 00:10:09,800 at the College of Dramatic Arts 225 00:10:09,800 --> 00:10:12,600 which is located in the area of the Front Palace (Wang-Na). 226 00:10:12,600 --> 00:10:17,900 Wang-Na used to be the residence of the Uparaja of Siam in each period. 227 00:10:17,900 --> 00:10:23,200 Pinklao, the brother of King Rama IV, used to live in the palace of which the area has become the location of the College of Dramatic Arts. 228 00:10:23,200 --> 00:10:28,700 Apart from this, the performers also include staffs or former staffs of the college, 229 00:10:28,755 --> 00:10:30,225 Bunditpatanasilpa Institute, 230 00:10:30,225 --> 00:10:34,405 or the Office of Performing Arts. 231 00:10:34,500 --> 00:10:38,400 They are truly expertise and it's such an honor to witness their talent through this show. 232 00:10:38,400 --> 00:10:39,800 A high art form, indeed. 233 00:10:40,300 --> 00:10:42,500 So, we've finished seeing Khon performance. 234 00:10:42,500 --> 00:10:44,200 How was it? Did you guys have fun? 235 00:10:44,200 --> 00:10:46,400 This might be a relatively new perspective on Khon performance 236 00:10:46,400 --> 00:10:51,400 because Khon Klang Plaeng is different from common Khon performance we've seen. 237 00:10:51,400 --> 00:10:53,700 If anyone has comments, 238 00:10:53,700 --> 00:10:55,200 or if I said anything incorrect, 239 00:10:55,200 --> 00:10:57,300 also, if you guys spot any special characteristics of any Khon character, 240 00:10:57,300 --> 00:10:59,300 please feel free to comment down below. 241 00:10:59,580 --> 00:11:01,700 And for those I met at the festival, 242 00:11:01,800 --> 00:11:04,000 don't forget to tag me in our photos. 243 00:11:04,100 --> 00:11:07,300 If you like this video, please give it a thumbs up 244 00:11:07,360 --> 00:11:09,140 and don't forget to click share, so your friends can see this too. 245 00:11:09,380 --> 00:11:10,700 Well then, see you next time! 246 00:11:10,700 --> 00:11:12,760 Bye-bye, Sa-wad-dee-ka. 247 00:11:20,480 --> 00:11:21,480 248 00:11:23,395 --> 00:11:24,395