0:00:02.040,0:00:06.240 (Music) 0:01:22.280,0:01:28.080 (Singing) I was walking down the line, 0:01:29.040,0:01:34.360 trying to find some peace of mind. 0:01:35.920,0:01:38.200 Then I saw you. 0:01:39.320,0:01:43.880 You were takin' it slow[br]and walkin' it one step at a time. 0:01:48.840,0:01:51.400 I said, "Listen, stranger, 0:01:52.600,0:01:54.840 I'm feeling low now. 0:01:55.960,0:02:01.160 I don't know which way to go." 0:02:02.360,0:02:06.359 I said, "If you're lost now, 0:02:06.360,0:02:09.536 maybe I could help you along[br]and sing you a song, 0:02:09.560,0:02:12.880 and move you on and on and on." 0:02:15.920,0:02:19.520 Singing down the line. 0:02:20.840,0:02:23.560 Where shall we go? Where shall we go? 0:02:30.360,0:02:34.856 She said, "I'm looking[br]for a kind of shelter. 0:02:34.880,0:02:37.760 A place for me to call my own. 0:02:38.280,0:02:40.696 I've been walking all night long, 0:02:40.720,0:02:44.480 but I don't know where to call my home." 0:02:45.040,0:02:47.456 "The only way to find that place 0:02:47.480,0:02:51.360 is close to where my heart is. 0:02:51.880,0:02:53.976 I know I'm gonna get there, 0:02:54.000,0:02:59.680 but I've got to keep on[br]walking down the line." 0:03:16.560,0:03:18.960 Down the line. 0:03:32.680,0:03:40.720 Down the line. 0:03:48.720,0:03:49.936 Thank you so much. 0:03:49.960,0:03:53.920 (Applause) 0:03:56.937,0:03:59.176 How's everybody feeling today?[br]You feeling good? 0:03:59.200,0:04:00.216 (Cheers) 0:04:00.240,0:04:03.456 Fantastic. Would everybody mind[br]singing with me for just one second? 0:04:03.480,0:04:05.616 Could you sing something?[br]Could you sing a D? 0:04:05.640,0:04:07.096 Sing "Ooh." 0:04:07.120,0:04:09.080 (Audience hums) 0:04:15.200,0:04:16.880 Oh -- louder for me, louder for me. 0:04:17.800,0:04:21.959 (Singing) Oh. 0:04:24.800,0:04:26.456 Now, please, if you could sing, 0:04:26.480,0:04:29.416 "Oh oh oh." 0:04:29.440,0:04:32.376 Audience: Oh oh oh. 0:04:32.400,0:04:35.296 Jacob Collier: Whoa oh oh. 0:04:35.320,0:04:38.016 Audience: Whoa oh oh. 0:04:38.040,0:04:40.440 JC: Sing, "Whoa oh." 0:04:41.120,0:04:43.440 Audience: Whoa oh. 0:04:43.920,0:04:46.000 JC: Oh oh oh. 0:04:46.560,0:04:49.216 Audience: Oh oh oh. 0:04:49.240,0:04:52.416 JC: Sing, "Whoa oh oh." 0:04:52.440,0:04:54.896 Audience: Whoa oh oh. 0:04:54.920,0:04:58.056 JC: Sing, "Whoa oh oh." 0:04:58.080,0:05:00.896 Audience: Whoa oh oh. 0:05:00.920,0:05:03.656 JC: Whoa oh oh. 0:05:03.680,0:05:06.296 Audience: Whoa oh oh. 0:05:06.320,0:05:09.240 JC: Sing, "Whoa oh oh." 0:05:10.000,0:05:15.440 Audience: Whoa oh oh. 0:05:16.200,0:05:18.416 Thank you so much.[br]That's beautiful. Thank you. 0:05:18.440,0:05:20.576 (Applause) 0:05:20.600,0:05:21.816 Thank you. 0:05:21.840,0:05:23.176 So do you feel that motion? 0:05:23.200,0:05:25.296 Do you feel yourself[br]as part of that motion, 0:05:25.320,0:05:27.119 things moving underneath the surface? 0:05:27.120,0:05:30.413 So the language of musical harmony[br]is an absolutely extraordinary one. 0:05:30.414,0:05:32.858 It's a way of navigating[br]one's emotional frameworks, 0:05:32.859,0:05:35.025 but without the need[br]to put things into words, 0:05:35.026,0:05:37.238 and I think that,[br]as with many other languages, 0:05:37.263,0:05:39.719 it doesn't matter how much[br]you know about a language. 0:05:39.720,0:05:41.856 It doesn't matter[br]how many words you can say, 0:05:41.880,0:05:43.176 how many phrases you know. 0:05:43.200,0:05:46.319 What matters is the emotional choices[br]you make with this language. 0:05:46.320,0:05:48.844 So I encourage us to embrace[br]this idea as a community, 0:05:48.868,0:05:51.416 which is the thing which in time[br]may grow us towards 0:05:51.440,0:05:53.393 as opposed to away from our own humanity. 0:05:53.417,0:05:54.656 Thank you so much. 0:05:54.680,0:05:59.736 (Applause) 0:05:59.760,0:06:02.280 (Music) 0:06:12.000,0:06:18.280 (Singing) Take me 0:06:20.120,0:06:26.520 anywhere you want to go. 0:06:29.440,0:06:33.720 You know that my love is strong. 0:06:35.960,0:06:39.280 In my hideaway. 0:06:43.560,0:06:48.640 Softly, 0:06:50.000,0:06:56.480 like the calm that follows storms, 0:06:57.840,0:07:03.296 Find what I've been[br]searching for all along. 0:07:03.320,0:07:06.880 In my hideaway. 0:07:11.120,0:07:21.656 Even when I close my eyes, 0:07:21.680,0:07:27.880 darling, if you've gone astray,[br]I'm on my way to my hideaway. 0:07:37.120,0:07:41.880 Touch me 0:07:43.840,0:07:49.440 like I've never loved before, 0:07:50.800,0:07:55.200 in the place that I adore, 0:07:56.400,0:08:00.880 in my hideaway. 0:08:04.040,0:08:09.400 I know 0:08:10.120,0:08:16.280 whichever way the wind may blow, 0:08:17.560,0:08:21.640 there will be a place for me to go 0:08:23.440,0:08:28.240 in my hideaway. 0:08:29.400,0:08:31.360 My hideaway. 0:09:30.400,0:09:34.896 Sticks and stones 0:09:34.920,0:09:37.560 I won't hide from you no more. 0:09:41.080,0:09:45.376 And in time 0:09:45.400,0:09:47.960 I find what I've been searching for. 0:09:51.480,0:09:56.336 Heard your voice 0:09:56.360,0:09:58.240 calling out to me. 0:10:01.680,0:10:06.736 I'm on my way 0:10:06.760,0:10:08.480 to where I can be free. 0:10:12.800,0:10:15.976 And if she won't wait for me,[br]do it right, don't look back, 0:10:16.000,0:10:17.880 keep my heart on the future. 0:10:20.440,0:10:23.599 On the soles of my shoes[br]all the places I've been 0:10:23.600,0:10:25.520 that I've known since I knew her. 0:10:28.040,0:10:30.856 'Cause it's you, don't you know[br]that you're making me guess 0:10:30.880,0:10:33.176 that you're the one for me. 0:10:33.200,0:10:37.440 That it's you that I guess[br]that I wanted to know all along. 0:10:38.520,0:10:41.376 Girl, it's you that I want,[br]that makes me complete, 0:10:41.400,0:10:43.576 cause you're the one for me. 0:10:43.600,0:10:48.000 It's thanks to you that I guess[br]that I want you to know I belong. 0:11:05.560,0:11:07.680 One, two, three, four, five. 0:11:47.440,0:11:51.216 (Applause) 0:11:51.240,0:11:53.776 Thank you so much. Thank you. 0:11:53.800,0:11:56.880 (Applause) 0:12:07.080,0:12:08.280 Thank you. 0:12:10.360,0:12:11.840 Thanks so much. Thank you guys. 0:12:22.440,0:12:25.520 Kelly Stoetzel: OK, Jacob. Wow. 0:12:26.280,0:12:28.896 OK, we have some questions.[br]JC: OK. 0:12:28.920,0:12:30.816 KS: That was spectacular. 0:12:30.840,0:12:32.576 JC: Thank you, Kelly. Thank you. 0:12:32.600,0:12:34.696 KS: Those[br]visualizations we just saw, 0:12:34.720,0:12:36.656 those were happening in real time, yeah? 0:12:36.680,0:12:39.096 JC: Yeah, so everything visual 0:12:39.120,0:12:42.501 takes cues from things which are audial,[br]or something, if that's a word, 0:12:42.525,0:12:44.016 and so everything is real time. 0:12:44.040,0:12:45.976 I cue the loops, I play the instruments 0:12:46.000,0:12:48.376 and then the tree, for example,[br]that you saw grow, 0:12:48.400,0:12:50.896 grows in such a way[br]that it takes low long notes 0:12:50.920,0:12:53.336 and grows thick long branches, 0:12:53.360,0:12:57.576 and it takes high, quiet notes, whatever,[br]and then it grows thin, small branches. 0:12:57.600,0:12:59.599 And then my singing voice 0:12:59.600,0:13:01.736 sort of blows wind against the tree. 0:13:01.760,0:13:04.456 KS: So you're 22 years old.[br]JC: Yes, indeed. 0:13:04.480,0:13:07.736 Moderator: You played[br]all of that by yourself. 0:13:07.760,0:13:10.976 How did you get started[br]and how did this all evolve? 0:13:11.000,0:13:13.176 JC: I have this magical room in my house 0:13:13.200,0:13:15.616 in North London,[br]which is, like, over there. 0:13:15.640,0:13:16.656 (Cheers) 0:13:16.680,0:13:18.376 Thank you. Represent North London. 0:13:18.400,0:13:21.016 And this room --[br]I mean, this is my family home. 0:13:21.040,0:13:24.456 I grew up in this room[br]filled with musical instruments, 0:13:24.480,0:13:26.376 but most importantly, I had a family 0:13:26.400,0:13:28.776 who encouraged me[br]to invest in my own imagination, 0:13:28.800,0:13:32.736 and so things I created, things I built[br]were good things to be building 0:13:32.760,0:13:36.256 just because I was making them,[br]and I think that's such an important idea. 0:13:36.280,0:13:38.336 But this room was[br]my paradise, essentially, 0:13:38.360,0:13:41.336 and when I came to tour my album,[br]which is called "In My Room," 0:13:41.360,0:13:43.616 I thought I'd try and tour[br]the room on the road, 0:13:43.640,0:13:45.216 and that's quite a strange idea, 0:13:45.240,0:13:48.416 but it's something that I've been[br]working on for a couple of years, 0:13:48.440,0:13:50.816 and it's quite exciting[br]to be inside the circle. 0:13:50.840,0:13:53.856 KS: So this is really[br]like the setup in your room, here. 0:13:53.880,0:13:55.976 JC: It kind of is.[br]It's similar to the room 0:13:56.000,0:13:58.416 in the sense that I can[br]generate things on the spot 0:13:58.440,0:13:59.696 and I can be spontaneous, 0:13:59.720,0:14:03.896 which is what I think both music[br]and all of the best ideas are all about. 0:14:03.920,0:14:06.816 KS: So you won two Grammys 0:14:06.840,0:14:11.496 for a record that you made[br]in your room by yourself. 0:14:11.520,0:14:15.536 And how is that even possible?[br]We couldn't have done that, 0:14:15.560,0:14:17.816 that couldn't have happened[br]five years ago even. 0:14:17.840,0:14:19.176 JC: It's a brand new world. 0:14:19.200,0:14:21.416 The power is now[br]in the hands of the creator, 0:14:21.440,0:14:23.056 as I'm sure you guys would agree, 0:14:23.080,0:14:25.256 as opposed to the big[br]record company executive 0:14:25.280,0:14:27.136 or the big man or something like that. 0:14:27.160,0:14:28.656 It's somebody with a good idea. 0:14:28.680,0:14:31.656 Here I am at TED saying this[br]to you guys who know this already, 0:14:31.680,0:14:34.376 but it's somebody with a good idea[br]who can sow that seed. 0:14:34.400,0:14:37.016 That's the person who carries[br]the torch into the world. 0:14:37.040,0:14:39.296 And yeah, I made this album[br]completely on my own 0:14:39.320,0:14:41.176 and I didn't wait for somebody to say, 0:14:41.200,0:14:43.576 "Hey Jacob, you should[br]make an album on your own." 0:14:43.600,0:14:46.791 I just went ahead and made it[br]and I didn't mind what people thought, 0:14:46.815,0:14:48.496 and two Grammys is a massive bonus. 0:14:48.520,0:14:53.000 (Applause) 0:14:54.320,0:14:57.696 KS: Thank you so much, Jacob.[br]JC: Thanks, Kelly. Thanks so much. 0:14:57.720,0:15:01.280 (Applause)