0:00:12.940,0:00:14.580
[AMY SEDARIS][br]When you have doubles on set,

0:00:14.580,0:00:15.600
you should see their outfits.

0:00:15.600,0:00:17.380
They don't get, like, buttons or zippers.

0:00:17.380,0:00:19.500
It's, like, poor people clothing.

0:00:19.500,0:00:22.160
And I always like it more[br]than what I'm wearing.

0:00:22.160,0:00:23.120
[LAUGHTER]

0:00:23.120,0:00:24.020
[MARCEL DZAMA][br]What do you mean?

0:00:24.020,0:00:25.460
This is a family heirloom.

0:00:25.460,0:00:26.620
[SEDARIS] Oh, yeah, yeah, yeah...

0:00:26.620,0:00:28.120
[DZAMA] That's what my dad told me, anyway.

0:00:28.120,0:00:29.800
[DZAMA & SEDARIS, IMITATING DRACULA][br]--"So you don't get sick."[br]--"So you don't get sick!"

0:00:29.800,0:00:31.680
[Marcel Dzama: Making Movies[br]with Amy Sedaris & Friends]

0:00:31.680,0:00:32.680
[DZAMA][br]"Take care my friend."

0:00:32.680,0:00:33.960
[SEDARIS][br]"Take care my friend."

0:00:33.980,0:00:34.700
Okay.

0:00:35.180,0:00:35.739
[DZAMA] Alright.

0:00:36.760,0:00:37.760
Action!

0:00:37.760,0:00:39.460
[SEDARIS] Well I'll get lunch next time.

0:00:39.460,0:00:41.580
Sorry the enchilada was so greasy.

0:00:41.580,0:00:42.380
Ciao for now!

0:00:43.600,0:00:45.160
[DZAMA] Making films is an excuse

0:00:45.160,0:00:50.240
to just get a group of people[br]and have this family for a little while.

0:00:50.240,0:00:50.740
--Cut!

0:00:51.580,0:00:52.600
--It's good Amy!

0:00:59.280,0:01:03.780
[DZAMA] I used to make these films on[br]a Fisher-Price pixelation camera,

0:01:03.780,0:01:05.439
that used cassette tapes.

0:01:05.700,0:01:06.939
I'd invite friends over

0:01:06.939,0:01:10.900
and we'd make these strange[br]little art movies,

0:01:10.900,0:01:13.560
or music videos[br]and things like that.

0:01:13.860,0:01:15.520
[GROWLING AND SCREAMING]

0:01:32.380,0:01:36.280
This is chapter three in this film that[br]I'm making with Amy Sedaris

0:01:36.280,0:01:37.560
and Raymond Pettibon.

0:01:39.860,0:01:41.160
They start playing a chess game

0:01:41.170,0:01:43.060
and the chess pieces come to life

0:01:43.060,0:01:45.950
and have a dance off with each other.

0:01:45.950,0:01:49.080
There's not that much dialogue[br]because of all the dancing in this chapter.

0:01:50.140,0:01:53.960
When I make a film,[br]I'll do these half-assed drawings [LAUGHS]

0:01:53.960,0:01:56.740
of what the sequence will be.

0:01:57.640,0:02:00.580
With Amy, I just set up scenarios[br]and then let her...

0:02:00.580,0:02:03.020
just, whatever comes to the top[br]of her head, she can say.

0:02:03.860,0:02:05.880
[DZAMA][br]--"Let me introduce you to my better half."

0:02:05.890,0:02:08.899
--"This is my darling wife, Mary Shelly Bellatrix."

0:02:08.899,0:02:10.409
[SEDARIS][br]--I'd like for you to meet my better half.

0:02:10.409,0:02:11.800
--This is my wife,

0:02:12.740,0:02:14.400
--mother of my child.

0:02:14.740,0:02:15.620
--What's your name?

0:02:16.260,0:02:17.220
--Shelly...

0:02:21.140,0:02:21.780
[DZAMA][br]--Action!

0:02:24.040,0:02:25.620
[SEDARIS][br]--"I'm a vampire. I'm a vampire."

0:02:25.620,0:02:26.580
--Right?

0:02:26.580,0:02:27.200
--That's it?

0:02:27.200,0:02:28.520
[DZAMA][br]--That's after he leaves.

0:02:29.560,0:02:30.880
--Okay Amy, take it off.

0:02:31.660,0:02:34.840
I met Amy Sedaris[br]at a kid's birthday party

0:02:34.840,0:02:36.250
of a mutual friend of ours.

0:02:36.250,0:02:37.860
[SEDARIS][br]--You know, I think I need a shave.

0:02:37.860,0:02:41.219
[DZAMA] I had done this drawing[br]for the kid's birthday,

0:02:41.219,0:02:43.200
and Amy really liked it.

0:02:43.200,0:02:47.129
She said it reminded her of this artist, [LAUGHS][br]Marcel Dzama.

0:02:47.129,0:02:48.599
[SEDARIS] He keeps giving me art,

0:02:48.599,0:02:50.469
but it's really big[br]and I can't even hang it up.

0:02:50.469,0:02:52.360
[DZAMA] We hit it off right away.

0:02:52.360,0:02:54.520
[SEDARIS] I love the colors,[br]I like the drawings,

0:02:54.520,0:02:55.500
I like the characters,

0:02:55.500,0:02:56.860
the animals, the dots.

0:02:56.860,0:03:00.340
[DZAMA] I always enjoyed[br]her timing in comedy

0:03:00.340,0:03:03.260
and just her energy.

0:03:03.260,0:03:05.720
[SEDARIS][br]--This is what I call my meditation room.

0:03:05.730,0:03:07.109
--This is where I eat cheesecake.

0:03:07.109,0:03:09.409
[DZAMA] Anything that she says on her own,

0:03:09.409,0:03:11.430
that is not written by me,

0:03:11.430,0:03:12.430
is ten times better.

0:03:12.430,0:03:13.950
[SEDARIS][br]--This is a series I'm working on.

0:03:13.950,0:03:17.040
--I call it, "Je M'appelle White Series."

0:03:17.760,0:03:20.080
--It's all indecisive whites.

0:03:20.680,0:03:23.420
[DZAMA] We talked about[br]doing a collaboration.

0:03:23.420,0:03:26.730
It turned into this film idea[br]of a chess match

0:03:26.730,0:03:29.120
between Raymond Pettibon and myself,

0:03:29.120,0:03:31.519
and it was Amy Sedaris playing me.

0:03:31.519,0:03:32.729
[SEDARIS] What is my character?

0:03:32.729,0:03:33.729
I have no idea.

0:03:33.729,0:03:34.960
I'm Marcel.

0:03:34.960,0:03:36.820
I think it's best not to ask questions.

0:03:37.240,0:03:38.680
[RAYMOND PETTIBON][br]Visuals tell the story the best.

0:03:38.680,0:03:42.199
I mean, I wouldn't have got[br]dolled up like this if I can interest him…

0:03:42.200,0:03:43.240
[LAUGHTER]

0:03:47.040,0:03:48.280
[SEDARIS, IMITATING DRACULA][br]--You come here!

0:03:48.280,0:03:49.500
--David Z., come here.

0:03:49.500,0:03:50.620
--You're getting closer.

0:03:50.620,0:03:52.160
Is that what you call it, directing?

0:03:52.160,0:03:54.540
He's trapped in a seven-year-old body!

0:03:55.520,0:03:57.440
That's what's so fun about working with him.

0:03:57.449,0:03:59.119
He has that sense of, like,

0:03:59.119,0:04:01.779
"We're just putting on some costumes,[br]and we're going to go have fun."

0:04:01.779,0:04:02.779
"And we're going to play."

0:04:02.779,0:04:05.459
And then he gets in editing[br]and figures out what he has.

0:04:05.459,0:04:06.459
He's playful.

0:04:06.459,0:04:07.459
He's childish.

0:04:07.459,0:04:09.809
[DZAMA, IMITATING DRACULA][br]There she is, I need my love!

0:04:09.809,0:04:11.620
Where have you been all my life?

0:04:22.280,0:04:24.040
[SEDARIS][br]--Cut! Cut! Cut!

0:04:24.240,0:04:24.780
-Cut!

0:04:25.900,0:04:27.920
--What is the deal with the lighting?

0:04:27.920,0:04:29.120
--We need more light!

0:04:29.460,0:04:31.300
--Smokey, what's the deal[br]with all the extra smoke?

0:04:31.300,0:04:33.640
--I can barely see my dancers' crotches.

0:04:33.640,0:04:35.280
--You at the end, Twinkles,

0:04:35.280,0:04:36.100
--you're cut.

0:04:37.520,0:04:38.700
--Rolling!

0:04:39.000,0:04:40.160
[MUSIC STARTS]

0:05:02.280,0:05:05.060
[DZAMA] And then, after the project is done,

0:05:05.080,0:05:07.420
it's kind of this sad farewell.

0:05:11.680,0:05:14.030
But then usually after filming,

0:05:14.030,0:05:18.000
I really like to spend time alone[br]and just work on pieces.

0:05:23.080,0:05:24.340
[SEDARIS][br]--And that's a wrap!

0:05:24.340,0:05:25.120
--Cut!

0:05:25.900,0:05:26.580
--Excellent!

0:05:27.260,0:05:28.020
--Taxi!