1
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Wenn man ein Double am Set ist,

2
00:00:14,580 --> 00:00:15,600
ist das Outfit anders.

3
00:00:15,600 --> 00:00:17,380
Man kriegt keine Knöpfe oder 
Reisverschlüsse.

4
00:00:17,380 --> 00:00:19,500
Eigentlich sind es Arme-Leute-Klammotten.

5
00:00:19,500 --> 00:00:22,160
Aber es gefällt mir immer besser
als das, was ich selbst trage.

6
00:00:22,160 --> 00:00:23,120
[Gelächter]

7
00:00:23,120 --> 00:00:24,020
[Marcel Dzama]
Was meinst du?

8
00:00:24,020 --> 00:00:25,460
Das ist ein Familienerbstück.

9
00:00:25,460 --> 00:00:26,620
[Sedaris] 
Ja Ja Ja Ja

10
00:00:26,620 --> 00:00:28,120
[Dzama]
Das hat mein Vater immer gesagt.

11
00:00:28,120 --> 00:00:29,800
[Dzama & Sedaris]
Damit du nicht krank wirst.

12
00:00:29,800 --> 00:00:31,680
[Marcel Dzama: Filmdreh mit 
Amy Sedaris & Freunden]

13
00:00:31,680 --> 00:00:32,680
[Dzama]
Pass auf dich auf, mein Freund.

14
00:00:32,680 --> 00:00:33,960
[Sedaris]
Pass auf dich auf, mein Freund.

15
00:00:33,980 --> 00:00:34,700
Okay.

16
00:00:35,180 --> 00:00:35,739
[Dzama]
Los geht's.

17
00:00:36,760 --> 00:00:37,760
Action!

18
00:00:37,760 --> 00:00:39,460
Gut, dann esse ich beim nächsten Mal
zu Mittag.

19
00:00:39,460 --> 00:00:41,580
Die Enchilada war so fettig.

20
00:00:41,580 --> 00:00:42,380
Tschüss bis dahin.

21
00:00:43,600 --> 00:00:45,160
Filme zu machen ist ein Vorwand,

22
00:00:45,160 --> 00:00:50,240
um mit einer Gruppe von Leuten zu sein
und kurz eine Familie zu haben.

23
00:00:50,240 --> 00:00:50,740
Cut!

24
00:00:51,580 --> 00:00:52,600
Das ist gut, Amy!

25
00:00:59,280 --> 00:01:03,780
Ich habe angefangen, Filme mit
einer Fisher-Price-Pixel-Kamera zu drehen.

26
00:01:03,780 --> 00:01:05,439
Die hatte noch Tapes.

27
00:01:05,700 --> 00:01:06,939
Ich lud Freunde zu mir ein

28
00:01:06,939 --> 00:01:10,900
und wir machten diese seltsamen
kurzen Kunst-Filme,

29
00:01:10,900 --> 00:01:13,560
oder Musik-Videos.
Solchen Kram.

30
00:01:13,860 --> 00:01:15,520
[Schreie]

31
00:01:32,380 --> 00:01:36,280
Das ist das dritte Kapitel des Films,
den ich mit Amy Sedaris

32
00:01:36,280 --> 00:01:37,560
und Raymond Pettibon mache.

33
00:01:39,860 --> 00:01:41,160
Sie spielen eine Partie Schach.

34
00:01:41,170 --> 00:01:43,060
Dann werden die Schachfiguren lebendig

35
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und tanzen miteinander.

36
00:01:45,950 --> 00:01:49,080
Da gibt's kaum Dialoge, weil so viel 
in diesem Kapitel getanzt wird.

37
00:01:50,140 --> 00:01:53,960
Wenn ich einen Film anfange, mache ich 
immer diese halbherzigen Zeichnungen,

38
00:01:53,960 --> 00:01:56,740
um zu sehen, 
wie die Sequenzen werden sollen.

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