WEBVTT

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during the work

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on the previous machines i thought i

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knew everything i knew i was making a

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masterpiece i knew it was going to work

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i just knew it

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how come then

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the machines

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failed

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obviously i hadn't done my homework and

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there is a tool that called known knowns

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and known unknowns

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and i prepared this right here

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um

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i'm going to use this tool first of all

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i want to show it to you and share it to

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you i never used it myself but i've i've

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been showed it before as a risk

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management tool

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and

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right now um i think it's a great time

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to use it to decide what next steps to

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work on in this project and also to

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communicate to all of you that are

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following the project where i'm at and

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how i see um

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the most important parts and i've been

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trying to um explain to sir 3k before

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the stream and i didn't really do a good

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job of that so let's hope that we get

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some really nice information out of this

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exercise and nice next steps for the

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project anyway knowing what you don't

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know

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is a very can be very powerful and

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thinking that you know something that

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you don't know can lead you to making

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brilliant mistakes

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thank you

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my friend sir 3k is here to bring the

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hype and we're going to get straight

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into it so in this stream we're going to

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decide next steps in my design process

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through this exercise

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and um we're gonna do that in step two

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by filling out these knowns and known

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unknowns and i'm going to um

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already now i would like uh suggestions

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from chat

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different things that belong in

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different squares

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and uh

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two nights ago me and hannes had such a

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nice brainstorm so

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pretty soon in the stream i want to have

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a brainstorming session

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highest level

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on what this project is and

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especially the footprint of the machine

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if we should build a big functional

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machine

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or if we should build a smaller

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all-in-one that looks like the previous

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machines and then we're going to be

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done so

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i'm looking very much forward to this

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brainstorming session because hannes you

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had a lot to say about the project

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especially you you named it the dna on

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our project

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that stuck with you right

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what stuck with me is that sometime when

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i talk to you about the machine it feels

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like you have more insights around the

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machine than i have

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thanks to your perspective

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and i wanted to kind of

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have a little bit the same brainstorm

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discussion with you on stream

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and also with the viewers in chat so

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welcome everyone joining thanks for

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being here

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and speaking of perspective rosiro

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bertolli is in the champion

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of engineer yeah nice title the downfall

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of knowing more and more is that you

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realize more and more how little you

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actually know sometimes ignorance really

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is bliss

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nice to see you here sarah is socrates

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uh who

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said

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i know only

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how little i know yeah and um

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i think

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uh i'm so happy to see you here ro zero

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i think um

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most of you will agree that

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this started two days ago

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when me and hannes were trying to find

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old experiment i did on the machine x

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with timing of the marbles and i heard

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myself in the video

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sitting there

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this i think i'm making a masterpiece i

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think i'm making more space trying to be

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the hype man for the project trying to

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hype everyone up that's watching the

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video so this was like one and a half or

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two years ago

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and i just saw myself from outside when

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i saw myself like

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how little i knew

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and even worse

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how much i thought i knew

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that i actually did not know

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and

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maybe i'm going

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overboard right now but currently in

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this project

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i'm i kind of feel that the project is

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impossible and

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or

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maybe not impossible but um

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sorry let me go to the screen um

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i know

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that i don't know how to make this

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project do you remember an ad on youtube

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harness that was for the composer made

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the music to dune the famous what's his

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name meet your new instructor hans

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zimmer hans zimmer it was from master

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class and i was like meet your new

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instructor and he says

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there is a

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there's your question

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and i reply he said i never forget that

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in the ad

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and he said

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i don't know how to compose the music

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for your movie was one of his blurb

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quotes in in that ad for his masterclass

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of movie composition and music

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and

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right now i feel i don't know how to

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build a marble machine

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for all these years

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i thought i knew

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um

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but i didn't so let's get straight into

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it this is the good thing is that you

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have stopped being that naive hype man

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for yourself and you

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instead acquired another external hype

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man

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to sit and engage with the viewers and

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hyping you up yeah

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definitely and

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uh

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i'm so happy for that by the way and

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basically what i hope this exercise will

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lead to and i'm

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i keep on repeating i'm totally honest i

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don't know if i'm going to try to build

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this machine what i'm trying to find out

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is that if we can have a cad

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file that is promising enough to embark

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on that crazy journey

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and

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what i want to do so let's go to the

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next step on the list let's get into the

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nouns

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so what i want to do is that i want to

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take things

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are that one and the same thing

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i want to take things that are known

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unknowns and move them over to known

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knowns

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there are some special important ones

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that i think

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i want to talk about today so let's just

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get into a little bit on about this

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system

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and i just want to show you a website i

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found

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i never worked with this system but um i

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think

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this was a good um

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a website so i'm just going to give

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very quick uh overview how to use the

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nouns and unknown technique to manage

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assumptions

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um

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what assumptions are there that we know

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they have been validated

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what assumptions are there

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that we can know but have not yet been

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validated those are the ones i want to

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focus on in this stream

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what assumptions are there that we

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cannot know

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and

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they put this in this kind of square so

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i'm taking the words in this square from

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from this website it's a famous method

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and so quickly high level about each

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category known knowns

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known knowns are assumptions that have

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been validated and are now facts however

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it is important to note that known

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knowns are not necessarily static

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no knowns could change over the course

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of a project the price or a lead time

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for a certain component can

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significantly change the scope cost or

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schedule making them important to

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identify and monitor as a potential risk

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so when i say

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um

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when when i say here

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that i know the programming wheel how

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the programming will work so basically

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how i'm going to use this is that i want

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to show you

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[Music]

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the unresolved questions i have the the

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most important unresolved questions the

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known unknowns

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for um

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getting to the point where i know if the

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machine will be viable or not

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so um

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[Music]

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my known nodes now for example i just

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made some example is program a b change

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we have solved that

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we have made an assumption that we have

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solved that it can change but it it

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belongs in the known knowns category

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i have an assumption about how i want to

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make the programming pin i have an

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assumption about how i want to make the

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programming wheel

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three weeks ago i didn't have those so

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that's that's progress so let's check

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the second category the known unknowns

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known unknowns are assumptions that we

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haven't or can't validate

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most assumptions identified during

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project planning start in this category

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they can be classified into three types

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first assumptions that can become known

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knowns if they're validated that's what

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i'm going to talk about today

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let's get um

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straight into the third category unknown

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nouns

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and this is

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where i have to read to actually

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understand better myself here

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where known knowns and known unknowns

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are assumptions that can be dealt with

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proactively

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beforehand that's what we're doing now

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unknown knowns and unknown unknowns are

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issues that must be dealt with

00:09:38.880 --> 00:09:41.359
reactively which is very very

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interesting so in a design process

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we're

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only planning for the for the two top

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squares the no nouns and the known

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unknowns but we have to be prepared to

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react

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in a good way

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to the two bottom categories unknowns

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unknown unknowns

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so what are unknown nouns unknowns are

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assumptions that could have been

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identified as no knowns in the planning

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but weren't things we missed

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and they are now affecting the project

00:10:13.360 --> 00:10:15.199
unknown knowns occur most often as a

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result of poor communication

00:10:17.360 --> 00:10:19.518
a project manager knows that a certain

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township reviews permit applications

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only once per month but fails to

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volunteer this information or is not

00:10:26.640 --> 00:10:29.039
asked the next project manager working

00:10:29.040 --> 00:10:31.359
with this township experience the same

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pain point

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okay

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so

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let me try to just understand this

00:10:37.440 --> 00:10:38.639
category

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um

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the way they said it here is that i

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don't know but somebody does and they

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ain't telling

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[Laughter]

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it is things that can be forecasted but

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wasn't

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so we don't know it

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um but someone else does we should have

00:10:59.120 --> 00:11:02.398
known it is there any way that we can

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i can know what site this is on people

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want the link to it oh yeah

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the

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persimmongroup.com personal group

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the persimmon group.com

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and the dhe is in the same word

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the persimmongroup.com

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i should have put the link in the

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description if you can find it

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let's quickly look at the last square

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unknown unknowns

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chalk them up to murphy's law

00:11:36.480 --> 00:11:38.879
meaning things you can't control unknown

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unknowns are true surprises a project

00:11:41.519 --> 00:11:43.759
that encounters a major delay due to a

00:11:43.760 --> 00:11:45.518
political coup in the country where

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equipment is manufactured

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unknown announce should be shared

00:11:49.120 --> 00:11:51.039
through lessons learned for future risk

00:11:51.040 --> 00:11:53.759
considerations for projects as a known

00:11:53.760 --> 00:11:56.760
unknown

00:11:58.240 --> 00:12:01.599
force i wrote like in my um

00:12:01.600 --> 00:12:04.799
in my version here i wrote force major

00:12:04.800 --> 00:12:06.159
murphy's law

00:12:06.160 --> 00:12:09.199
and a famous stoic technique is to only

00:12:09.200 --> 00:12:11.199
try to focus on the things that you have

00:12:11.200 --> 00:12:15.119
control over and in that exercise um

00:12:15.120 --> 00:12:16.559
part of it is

00:12:16.560 --> 00:12:18.719
admitting and realizing how little you

00:12:18.720 --> 00:12:20.799
have control over in your life for

00:12:20.800 --> 00:12:22.239
example the stoic says that you have

00:12:22.240 --> 00:12:24.719
control over your goals for example so

00:12:24.720 --> 00:12:26.799
focus on what goals you're setting

00:12:26.800 --> 00:12:28.958
um

00:12:28.959 --> 00:12:32.398
so the fourth square down to the right

00:12:32.399 --> 00:12:36.399
we can kind of know that it's there

00:12:36.839 --> 00:12:39.759
there's murphy's law

00:12:39.760 --> 00:12:42.319
stuff can happen but these are exactly

00:12:42.320 --> 00:12:45.039
the events that no one can predict so

00:12:45.040 --> 00:12:47.039
that square is okay

00:12:47.040 --> 00:12:50.398
unknown unknowns http a stock material

00:12:50.399 --> 00:12:52.479
for programming wheel it's not an

00:12:52.480 --> 00:12:54.398
unknown knowns it should be up here in

00:12:54.399 --> 00:12:57.200
known unknowns

00:12:57.360 --> 00:12:59.919
if someone in chat has suggestions for

00:12:59.920 --> 00:13:02.239
anything i can put here in unknown

00:13:02.240 --> 00:13:04.159
knowns

00:13:04.160 --> 00:13:05.599
that relates to the mar machine 3

00:13:05.600 --> 00:13:07.278
project

00:13:07.279 --> 00:13:08.799
i would love to because i can't actually

00:13:08.800 --> 00:13:11.039
think of examples it doesn't really

00:13:11.040 --> 00:13:13.039
matter because the business end of this

00:13:13.040 --> 00:13:15.759
live stream happens up here

00:13:15.760 --> 00:13:17.439
so

00:13:17.440 --> 00:13:19.359
why did i want to talk about this and

00:13:19.360 --> 00:13:21.838
why did i want to work with this today

00:13:21.839 --> 00:13:23.759
it's because i feel

00:13:23.760 --> 00:13:24.638
that

00:13:24.639 --> 00:13:27.679
this helps me point out what i need to

00:13:27.680 --> 00:13:30.799
spend my focus on from here

00:13:30.800 --> 00:13:32.159
so

00:13:32.160 --> 00:13:34.958
in this list here what are the most

00:13:34.959 --> 00:13:37.518
important known unknowns up to the right

00:13:37.519 --> 00:13:40.799
here i can't highlight it for you

00:13:40.800 --> 00:13:43.198
i can do that no wow thank you for that

00:13:43.199 --> 00:13:45.359
zoom

00:13:45.360 --> 00:13:45.869
um

00:13:45.870 --> 00:13:47.679
[Music]

00:13:47.680 --> 00:13:49.039
so

00:13:49.040 --> 00:13:51.039
the big things

00:13:51.040 --> 00:13:52.078
um

00:13:52.079 --> 00:13:53.919
which i think is

00:13:53.920 --> 00:13:57.198
highly important that we focus on now

00:13:57.199 --> 00:13:58.319
is

00:13:58.320 --> 00:14:00.239
machine footprint

00:14:00.240 --> 00:14:04.319
let's try to color that text red

00:14:04.320 --> 00:14:06.799
did i do it correctly i did but i want

00:14:06.800 --> 00:14:08.958
to make it really red

00:14:08.959 --> 00:14:11.279
there

00:14:11.839 --> 00:14:13.039
this is

00:14:13.040 --> 00:14:14.078
something

00:14:14.079 --> 00:14:16.879
that is on top of my mind instrument

00:14:16.880 --> 00:14:19.359
positions same thing there

00:14:19.360 --> 00:14:21.919
uh important

00:14:21.920 --> 00:14:24.638
double release gate to one hit point

00:14:24.639 --> 00:14:27.039
not as important for now pac-man or

00:14:27.040 --> 00:14:29.759
escapement gate not as important for now

00:14:29.760 --> 00:14:31.759
https stock material for programming

00:14:31.760 --> 00:14:34.559
wheel not as important for now

00:14:34.560 --> 00:14:36.638
marble size and material

00:14:36.639 --> 00:14:39.198
and so i put this in the same thing but

00:14:39.199 --> 00:14:40.319
it doesn't matter because i want to make

00:14:40.320 --> 00:14:42.078
them both red

00:14:42.079 --> 00:14:43.278
um

00:14:43.279 --> 00:14:45.119
bowden hydraulics cost

00:14:45.120 --> 00:14:48.000
and friction because

00:14:48.160 --> 00:14:51.759
let's start with the bowden cable um

00:14:51.760 --> 00:14:55.518
if it's true that a bowden cable have

00:14:55.519 --> 00:14:56.838
less enough

00:14:56.839 --> 00:15:00.319
um little enough friction so i can place

00:15:00.320 --> 00:15:02.078
a module on the side

00:15:02.079 --> 00:15:03.119
um

00:15:03.120 --> 00:15:05.759
and activate the mechanics somewhere and

00:15:05.760 --> 00:15:07.999
pull maybe a one and a half meter long

00:15:08.000 --> 00:15:10.638
bowden cable and it's fast enough for a

00:15:10.639 --> 00:15:13.359
marble gate and it's timely accurate

00:15:13.360 --> 00:15:15.359
that would open up a design space where

00:15:15.360 --> 00:15:16.638
we can have

00:15:16.639 --> 00:15:18.078
instruments far away from the

00:15:18.079 --> 00:15:19.838
programming wheel

00:15:19.839 --> 00:15:21.759
and i never worked with boarding cables

00:15:21.760 --> 00:15:24.159
i don't know anything about them so it's

00:15:24.160 --> 00:15:26.799
a known unknown i do not know if this

00:15:26.800 --> 00:15:28.799
would work for the machine

00:15:28.800 --> 00:15:29.919
um

00:15:29.920 --> 00:15:32.559
and the marble size and material like i

00:15:32.560 --> 00:15:34.958
bought some rubber balls and some wooden

00:15:34.959 --> 00:15:37.838
balls but i haven't really gone into it

00:15:37.839 --> 00:15:40.958
um and this will also if we realize that

00:15:40.959 --> 00:15:43.278
we want 40 millimeters

00:15:43.279 --> 00:15:44.398
marbles

00:15:44.399 --> 00:15:48.159
that will give a lot of um

00:15:48.160 --> 00:15:50.398
it will have a big impact on the future

00:15:50.399 --> 00:15:52.879
design of of the marble machine 3. and

00:15:52.880 --> 00:15:55.039
sort of interrupting your mark no no did

00:15:55.040 --> 00:15:57.679
you want unknown knowns from chat yes

00:15:57.680 --> 00:15:59.758
yeah let's start off with something here

00:15:59.759 --> 00:16:00.559
then

00:16:00.560 --> 00:16:02.398
from john h

00:16:02.399 --> 00:16:05.039
unknowns can cad demo the entire machine

00:16:05.040 --> 00:16:07.758
to validate functionality and marbles

00:16:07.759 --> 00:16:10.399
question mark

00:16:11.839 --> 00:16:15.119
that's a good suggestion john anons can

00:16:15.120 --> 00:16:17.278
cad demo the entire machine to validate

00:16:17.279 --> 00:16:19.119
functionality and marbles

00:16:19.120 --> 00:16:22.120
um

00:16:22.800 --> 00:16:24.559
so i'm i'm just thinking i think this

00:16:24.560 --> 00:16:27.679
should be um

00:16:27.680 --> 00:16:31.198
um this is a very good place to start i

00:16:31.199 --> 00:16:34.879
just think why is it not a known unknown

00:16:34.880 --> 00:16:38.240
what makes an unknown

00:16:38.560 --> 00:16:40.719
i don't know but okay i don't know what

00:16:40.720 --> 00:16:44.638
somebody does and they ain't telling

00:16:44.639 --> 00:16:48.559
does it qualify as an unknown known

00:16:48.560 --> 00:16:51.039
i'm gonna put it there i i like the idea

00:16:51.040 --> 00:16:52.799
yeah start with that and we have another

00:16:52.800 --> 00:16:54.159
one coming up

00:16:54.160 --> 00:16:55.278
can

00:16:55.279 --> 00:16:56.239
um

00:16:56.240 --> 00:16:58.078
physics

00:16:58.079 --> 00:17:00.239
physics seem

00:17:00.240 --> 00:17:03.739
validate the machine

00:17:03.740 --> 00:17:06.078
[Music]

00:17:06.079 --> 00:17:08.798
and i'm going to put that in black

00:17:08.799 --> 00:17:11.759
yeah and satish kumar unknown known the

00:17:11.760 --> 00:17:14.639
maximum marble flow rate needed for a

00:17:14.640 --> 00:17:17.640
song

00:17:18.000 --> 00:17:20.319
um

00:17:20.959 --> 00:17:24.799
i think that's a known unknown

00:17:29.600 --> 00:17:30.879
because

00:17:30.880 --> 00:17:33.279
if we go back to the website

00:17:33.280 --> 00:17:34.239
um

00:17:34.240 --> 00:17:36.399
let's try to understand that

00:17:36.400 --> 00:17:38.079
it's a good suggestion i just want to

00:17:38.080 --> 00:17:40.239
learn here let's try to understand the

00:17:40.240 --> 00:17:41.759
difference between

00:17:41.760 --> 00:17:43.759
known unknowns and unknown knowns

00:17:43.760 --> 00:17:45.439
because i'm a little bit not clear on

00:17:45.440 --> 00:17:46.558
that

00:17:46.559 --> 00:17:48.799
so

00:17:49.760 --> 00:17:51.918
known unknowns are assumption that we

00:17:51.919 --> 00:17:53.918
haven't

00:17:53.919 --> 00:17:56.239
or can't validate

00:17:56.240 --> 00:17:57.599
three types

00:17:57.600 --> 00:17:59.599
let me read everything

00:17:59.600 --> 00:18:01.359
assumptions that can become no unknowns

00:18:01.360 --> 00:18:03.279
if they are validated assumptions that

00:18:03.280 --> 00:18:04.479
can become

00:18:04.480 --> 00:18:06.399
no known at some point in the future but

00:18:06.400 --> 00:18:08.798
not now okay so we don't we can't access

00:18:08.799 --> 00:18:11.279
the information now but it can be known

00:18:11.280 --> 00:18:13.519
yeah it can be known in the future

00:18:13.520 --> 00:18:15.839
assumptions that can't become known

00:18:15.840 --> 00:18:16.959
knowns

00:18:16.960 --> 00:18:19.678
because we can't control them also

00:18:19.679 --> 00:18:21.519
that's things that always stay in that

00:18:21.520 --> 00:18:23.199
category

00:18:23.200 --> 00:18:25.038
the last type of no-no's those that

00:18:25.039 --> 00:18:27.279
can't be controlled flux in the price of

00:18:27.280 --> 00:18:29.119
fuel estimated weather delays for a

00:18:29.120 --> 00:18:30.719
construction project should be

00:18:30.720 --> 00:18:33.119
classified as risks in project planning

00:18:33.120 --> 00:18:34.159
okay

00:18:34.160 --> 00:18:35.519
so a

00:18:35.520 --> 00:18:40.479
shorter shortage of marbles globally

00:18:40.480 --> 00:18:41.279
yes

00:18:41.280 --> 00:18:43.839
marvel shortage because uh sudden

00:18:43.840 --> 00:18:46.239
increase in war machine popularity

00:18:46.240 --> 00:18:47.119
um

00:18:47.120 --> 00:18:50.480
so let's see now what

00:18:52.240 --> 00:18:54.639
ah so here it is i read it i had to read

00:18:54.640 --> 00:18:55.759
it again

00:18:55.760 --> 00:18:57.918
no knowns and known unknowns are

00:18:57.919 --> 00:18:59.519
assumptions that can be dealt with

00:18:59.520 --> 00:19:01.359
proactively

00:19:01.360 --> 00:19:03.038
um

00:19:03.039 --> 00:19:05.199
unknown knowns and unknown unknowns are

00:19:05.200 --> 00:19:06.558
issues that must be dealt with

00:19:06.559 --> 00:19:08.558
reactively

00:19:08.559 --> 00:19:10.239
unknowns are assumptions that could have

00:19:10.240 --> 00:19:13.200
been identified that

00:19:13.440 --> 00:19:15.119
could have been this is where i'm a

00:19:15.120 --> 00:19:17.999
little confused but aware and and is now

00:19:18.000 --> 00:19:20.798
affecting the project unknowns occur

00:19:20.799 --> 00:19:22.959
most often as the result

00:19:22.960 --> 00:19:25.359
of poor communication

00:19:25.360 --> 00:19:26.719
also

00:19:26.720 --> 00:19:29.600
so it's not that we

00:19:29.760 --> 00:19:31.599
so can you bring up the last comment

00:19:31.600 --> 00:19:33.840
again

00:19:34.080 --> 00:19:35.359
um

00:19:35.360 --> 00:19:39.119
so your suggestion here is uh i think

00:19:39.120 --> 00:19:42.159
it's a now known unknown okay

00:19:42.160 --> 00:19:45.759
marble flow rate i'm gonna make uh some

00:19:45.760 --> 00:19:48.558
smaller uh type so we can fit more

00:19:48.559 --> 00:19:50.159
suggestions

00:19:50.160 --> 00:19:51.599
um

00:19:51.600 --> 00:19:54.079
so marble flow rate is a known unknown

00:19:54.080 --> 00:19:56.319
because we can validate

00:19:56.320 --> 00:19:58.559
um

00:20:01.200 --> 00:20:04.719
and cookie crumbs unknown known is when

00:20:04.720 --> 00:20:09.200
you know the question but not the answer

00:20:14.480 --> 00:20:16.798
ah that's a good

00:20:16.799 --> 00:20:18.959
that's that that's a good definition

00:20:18.960 --> 00:20:21.119
when you know the question but not know

00:20:21.120 --> 00:20:23.199
the answer

00:20:23.200 --> 00:20:25.119
yeah i don't know what somebody does and

00:20:25.120 --> 00:20:28.320
they ain't telling so

00:20:29.039 --> 00:20:31.440
um

00:20:31.919 --> 00:20:33.199
yeah

00:20:33.200 --> 00:20:35.279
so this this is gonna be like part two

00:20:35.280 --> 00:20:37.999
of this exercise is to better understand

00:20:38.000 --> 00:20:39.918
the square down to the left because i'm

00:20:39.919 --> 00:20:41.678
a little bit confused about it and it

00:20:41.679 --> 00:20:43.279
doesn't really matter for now because i

00:20:43.280 --> 00:20:45.038
understand the first two and those are

00:20:45.039 --> 00:20:47.519
the ones that i'm working with but

00:20:47.520 --> 00:20:51.199
known unknown what are boo champ no not

00:20:51.200 --> 00:20:53.519
known what are the minimum deliverable

00:20:53.520 --> 00:20:55.999
product does the machine need the drums

00:20:56.000 --> 00:20:58.559
included

00:20:58.880 --> 00:21:01.038
um

00:21:01.039 --> 00:21:03.119
so that's that's a nice one i think

00:21:03.120 --> 00:21:04.798
there's something in product design

00:21:04.799 --> 00:21:07.199
called mvp

00:21:07.200 --> 00:21:09.759
uh which is

00:21:09.760 --> 00:21:10.649
minimum

00:21:10.650 --> 00:21:12.479
[Music]

00:21:12.480 --> 00:21:14.239
valid

00:21:14.240 --> 00:21:16.319
valuable

00:21:16.320 --> 00:21:17.359
valid

00:21:17.360 --> 00:21:19.919
product

00:21:20.240 --> 00:21:21.839
can you search for mvp in product

00:21:21.840 --> 00:21:26.479
development uh yeah not in sports

00:21:26.480 --> 00:21:28.799
um

00:21:29.760 --> 00:21:31.519
minimum

00:21:31.520 --> 00:21:34.159
valuable

00:21:34.799 --> 00:21:37.038
minimum viable product that's that's the

00:21:37.039 --> 00:21:38.959
word thank you so much

00:21:38.960 --> 00:21:41.279
minimum viable product i think that's

00:21:41.280 --> 00:21:43.199
what you mean people champ

00:21:43.200 --> 00:21:45.199
what are the minimum deliverable product

00:21:45.200 --> 00:21:47.279
that's minimum viable product i think

00:21:47.280 --> 00:21:49.199
that's exactly what you mean does the

00:21:49.200 --> 00:21:52.479
machine need the drums included

00:21:52.480 --> 00:21:53.678
um

00:21:53.679 --> 00:21:56.399
yeah so the minimum viable product is

00:21:56.400 --> 00:21:58.158
exactly what we're writing in our design

00:21:58.159 --> 00:22:00.239
requirements document

00:22:00.240 --> 00:22:01.199
um

00:22:01.200 --> 00:22:03.359
that's that is actually

00:22:03.360 --> 00:22:05.199
so

00:22:05.200 --> 00:22:07.199
i think this exercise will

00:22:07.200 --> 00:22:09.918
help me choose what to focus on and also

00:22:09.919 --> 00:22:13.519
explain to you why

00:22:13.520 --> 00:22:15.599
the thing that i'm researching right now

00:22:15.600 --> 00:22:18.480
in in my head

00:22:19.120 --> 00:22:20.239
so

00:22:20.240 --> 00:22:22.798
i'm going to try to choose

00:22:22.799 --> 00:22:24.239
some things

00:22:24.240 --> 00:22:27.439
and i'm going to try to take research

00:22:27.440 --> 00:22:29.519
these known unknowns

00:22:29.520 --> 00:22:30.879
and

00:22:30.880 --> 00:22:32.879
make it possible for me to drag them

00:22:32.880 --> 00:22:36.399
over so they become known knowns

00:22:36.400 --> 00:22:38.959
and i think when i have enough known

00:22:38.960 --> 00:22:41.599
knowns i will be able to make a decision

00:22:41.600 --> 00:22:45.279
if this project is feasible or or not

00:22:45.280 --> 00:22:47.279
yeah and i thought this was a

00:22:47.280 --> 00:22:49.359
nice explanation from doro or in other

00:22:49.360 --> 00:22:52.079
words our suggestions are unknown knowns

00:22:52.080 --> 00:22:54.879
for you as long as you aren't

00:22:54.880 --> 00:22:56.798
aware of them once you know about them

00:22:56.799 --> 00:23:00.798
they will go to known unknowns

00:23:00.799 --> 00:23:02.558
and that's interesting

00:23:02.559 --> 00:23:04.959
because you couldn't foresee

00:23:04.960 --> 00:23:06.959
yeah eventual problems because you

00:23:06.960 --> 00:23:09.519
didn't know about them yeah yeah

00:23:09.520 --> 00:23:12.400
and i think like

00:23:12.880 --> 00:23:13.759
since

00:23:13.760 --> 00:23:17.599
we're working in a digital file in cad

00:23:17.600 --> 00:23:21.359
i think like it will be much easier for

00:23:21.360 --> 00:23:23.759
for example the whole community to call

00:23:23.760 --> 00:23:24.798
out

00:23:24.799 --> 00:23:27.519
what for me are unknown nouns

00:23:27.520 --> 00:23:29.359
and tell them to me and so i can put

00:23:29.360 --> 00:23:31.678
them into known unknowns or even know

00:23:31.679 --> 00:23:33.119
nouns later

00:23:33.120 --> 00:23:34.639
so let's

00:23:34.640 --> 00:23:38.719
let's um let's talk about these four red

00:23:38.720 --> 00:23:40.639
uh things

00:23:40.640 --> 00:23:41.139
um

00:23:41.140 --> 00:23:43.599
[Music]

00:23:43.600 --> 00:23:44.959
before

00:23:44.960 --> 00:23:46.719
we're and actually that's actually where

00:23:46.720 --> 00:23:48.719
we're going into

00:23:48.720 --> 00:23:50.719
um i think we're done actually with the

00:23:50.720 --> 00:23:54.799
known step this is basically

00:23:55.039 --> 00:23:56.879
most what i wanted to show you is my

00:23:56.880 --> 00:23:59.199
relationship to these four red items

00:23:59.200 --> 00:24:01.839
marble size and material

00:24:01.840 --> 00:24:04.959
is bowden cables or hydraulic cables a

00:24:04.960 --> 00:24:07.038
viable option

00:24:07.039 --> 00:24:09.759
the the machine x footprint

00:24:09.760 --> 00:24:11.918
short if we can make if we're allowed to

00:24:11.919 --> 00:24:14.239
make it big i know i can make this

00:24:14.240 --> 00:24:16.719
machine work if we if we need to make it

00:24:16.720 --> 00:24:18.319
small and everything is convoluted and

00:24:18.320 --> 00:24:20.399
sit on top of each other

00:24:20.400 --> 00:24:22.079
i don't know if i even want to try to do

00:24:22.080 --> 00:24:23.759
it i also don't even know if i want to

00:24:23.760 --> 00:24:25.519
try to build a big machine

00:24:25.520 --> 00:24:27.278
so that's a machine footprint discussion

00:24:27.279 --> 00:24:30.479
and then instrument positions

00:24:30.480 --> 00:24:32.479
maybe instrument positions and machine

00:24:32.480 --> 00:24:35.038
footprint is the same thing actually

00:24:35.039 --> 00:24:37.759
yeah it's the same i'm going to remove

00:24:37.760 --> 00:24:39.439
the second one

00:24:39.440 --> 00:24:43.199
and i'm going to um i'm going to add

00:24:43.200 --> 00:24:45.278
instrument positions to marvel

00:24:45.279 --> 00:24:47.359
machine footprint

00:24:47.360 --> 00:24:49.678
it's the same thing

00:24:49.679 --> 00:24:51.839
um

00:24:51.840 --> 00:24:54.400
inst

00:24:55.600 --> 00:24:57.119
this is kind of interesting as well from

00:24:57.120 --> 00:24:59.678
the organ guy unknown knowns your

00:24:59.679 --> 00:25:01.759
current design requirements are too

00:25:01.760 --> 00:25:04.400
ambitious

00:25:06.799 --> 00:25:10.798
ah that's a super nice one um

00:25:10.799 --> 00:25:12.558
because that was

00:25:12.559 --> 00:25:14.798
exactly what happened

00:25:14.799 --> 00:25:16.158
um

00:25:16.159 --> 00:25:19.120
i love to show this

00:25:19.760 --> 00:25:20.879
you're

00:25:20.880 --> 00:25:23.119
so if we go back to when when i saw

00:25:23.120 --> 00:25:25.359
myself three days ago on a video and i

00:25:25.360 --> 00:25:29.119
was like god i was naive i was so naive

00:25:29.120 --> 00:25:31.199
and i went only on like adrena i was

00:25:31.200 --> 00:25:34.079
going only on adrenaline at that time my

00:25:34.080 --> 00:25:35.759
current design requirements were too

00:25:35.760 --> 00:25:37.599
ambitious for

00:25:37.600 --> 00:25:39.199
for my skill

00:25:39.200 --> 00:25:41.119
and um

00:25:41.120 --> 00:25:42.798
i know that oregon guy thinks that i

00:25:42.799 --> 00:25:44.719
should use also 22 tracks so maybe

00:25:44.720 --> 00:25:46.719
that's what you're getting at here

00:25:46.720 --> 00:25:48.079
unknown

00:25:48.080 --> 00:25:50.558
and i agree with you like the 37 double

00:25:50.559 --> 00:25:54.239
drop vibraphone with 174 registrators

00:25:54.240 --> 00:25:57.199
are kind of are perhaps too ambitious we

00:25:57.200 --> 00:25:59.359
and you don't know that until you know

00:25:59.360 --> 00:26:02.239
it so that's unknown so this was a

00:26:02.240 --> 00:26:04.879
fantastic example uh so i'm gonna write

00:26:04.880 --> 00:26:06.719
it here

00:26:06.720 --> 00:26:09.720
um

00:26:13.520 --> 00:26:15.038
current

00:26:15.039 --> 00:26:18.000
d r

00:26:18.159 --> 00:26:19.119
to

00:26:19.120 --> 00:26:22.080
ambitious

00:26:22.320 --> 00:26:25.359
i should probably not use abbreviations

00:26:25.360 --> 00:26:26.319
because

00:26:26.320 --> 00:26:29.038
we are too this is abstract enough as it

00:26:29.039 --> 00:26:30.399
is

00:26:30.400 --> 00:26:31.999
we're trying to go a mainstream

00:26:32.000 --> 00:26:34.719
evergreen here

00:26:34.720 --> 00:26:37.720
requirements

00:26:42.390 --> 00:26:45.678
[Music]

00:26:45.679 --> 00:26:47.999
photoshop is absolutely the the software

00:26:48.000 --> 00:26:51.599
to use for this presentation by the way

00:26:51.600 --> 00:26:54.639
definitely simple and easy

00:26:54.640 --> 00:26:57.599
to go to microsoft paint

00:26:57.600 --> 00:27:00.158
from windows

00:27:00.159 --> 00:27:02.239
98 or something that we saw earlier

00:27:02.240 --> 00:27:04.559
today

00:27:04.640 --> 00:27:08.319
so so this is super nice unknown knowns

00:27:08.320 --> 00:27:10.558
can physics invalidate the machine

00:27:10.559 --> 00:27:13.359
current design uh requirements to

00:27:13.360 --> 00:27:16.719
ambitious or or or not

00:27:16.720 --> 00:27:19.039
um

00:27:19.120 --> 00:27:21.678
so i boiled it down

00:27:21.679 --> 00:27:23.038
to

00:27:23.039 --> 00:27:25.119
three

00:27:25.120 --> 00:27:26.959
things now marble size and material

00:27:26.960 --> 00:27:29.439
about in hydraulics cost friction

00:27:29.440 --> 00:27:31.359
machine footprint

00:27:31.360 --> 00:27:33.519
so

00:27:33.520 --> 00:27:35.599
now you know how i think about

00:27:35.600 --> 00:27:38.079
choosing next step and these red ones

00:27:38.080 --> 00:27:40.639
are the ones that i wanna investigate

00:27:40.640 --> 00:27:43.038
and if possible try to validate these

00:27:43.039 --> 00:27:45.839
three two known nouns

00:27:45.840 --> 00:27:48.398
and i wanna start today with a

00:27:48.399 --> 00:27:51.999
brainstorming session with sir 3k oh wow

00:27:52.000 --> 00:27:54.319
we're already there yeah we're there and

00:27:54.320 --> 00:27:56.079
you can keep on suggesting

00:27:56.080 --> 00:27:58.239
things to put into the squares but for

00:27:58.240 --> 00:28:01.199
now i'm gonna play a mall if i can

00:28:01.200 --> 00:28:02.959
it's important for me

00:28:02.960 --> 00:28:05.439
this is important for all of us

00:28:05.440 --> 00:28:08.639
here this is how we heard it

00:28:08.640 --> 00:28:13.119
ah that's where there we go

00:28:13.120 --> 00:28:15.038
oh yeah so

00:28:15.039 --> 00:28:19.999
this is kind of how i how i uh how i was

00:28:20.000 --> 00:28:22.320
before

00:28:25.279 --> 00:28:26.959
and the difference here is that is alan

00:28:26.960 --> 00:28:29.678
turing who says that

00:28:29.679 --> 00:28:31.119
and um

00:28:31.120 --> 00:28:32.639
no comparison

00:28:32.640 --> 00:28:35.519
uh otherwise between me and alan turing

00:28:35.520 --> 00:28:38.398
so um we are on step three

00:28:38.399 --> 00:28:41.999
yes let's see how to do this let's go to

00:28:42.000 --> 00:28:46.239
cad and let's just look at our craziness

00:28:46.240 --> 00:28:48.959
here our beautiful machine

00:28:48.960 --> 00:28:51.839
so sir 3k um

00:28:51.840 --> 00:28:54.558
we had a slide earlier that was

00:28:54.559 --> 00:28:57.918
brilliant um can we pick that up the

00:28:57.919 --> 00:29:00.239
comparison between the modular versus

00:29:00.240 --> 00:29:01.599
the all

00:29:01.600 --> 00:29:02.879
one design

00:29:02.880 --> 00:29:05.038
give me a second i think that's a great

00:29:05.039 --> 00:29:07.519
start to to kick this brainstorming

00:29:07.520 --> 00:29:08.639
session off

00:29:08.640 --> 00:29:13.840
i'm also gonna sketch on my sketch pad

00:29:16.640 --> 00:29:18.239
so i've had a

00:29:18.240 --> 00:29:20.480
like

00:29:21.279 --> 00:29:23.759
very pessimistic feeling the last days

00:29:23.760 --> 00:29:25.119
um

00:29:25.120 --> 00:29:26.879
yes

00:29:26.880 --> 00:29:28.319
hannes is getting annoyed with me

00:29:28.320 --> 00:29:30.558
because my hype is gone

00:29:30.559 --> 00:29:33.359
and i can't cope with that i just go on

00:29:33.360 --> 00:29:36.158
pure hope here

00:29:36.159 --> 00:29:40.239
i'm my i'm i'm zero hype right now um

00:29:40.240 --> 00:29:42.719
because i don't see a way forward right

00:29:42.720 --> 00:29:47.439
now and i and and what i mean is that it

00:29:47.440 --> 00:29:49.519
might be good it might be good that i

00:29:49.520 --> 00:29:51.439
don't think i know how to do this

00:29:51.440 --> 00:29:53.359
like uh what was his name the dune

00:29:53.360 --> 00:29:54.558
composer

00:29:54.559 --> 00:29:56.719
hanziman like hans simmer doesn't know

00:29:56.720 --> 00:29:59.038
how to compose the music for your movie

00:29:59.039 --> 00:30:01.359
i do not know how to design uh this

00:30:01.360 --> 00:30:04.080
marble machine

00:30:06.640 --> 00:30:09.439
so we're gonna show you a

00:30:09.440 --> 00:30:12.639
suggestion that was sent in um

00:30:12.640 --> 00:30:14.479
by a viewer

00:30:14.480 --> 00:30:16.319
um which is a

00:30:16.320 --> 00:30:18.879
very very nice rundown

00:30:18.880 --> 00:30:20.239
of kind of

00:30:20.240 --> 00:30:22.398
the two approaches the modular design to

00:30:22.399 --> 00:30:23.839
the left

00:30:23.840 --> 00:30:26.798
and all in one design to the right and

00:30:26.799 --> 00:30:28.239
i just wanted

00:30:28.240 --> 00:30:31.519
hannes sir 3k would you please

00:30:31.520 --> 00:30:34.079
tell the viewers about your

00:30:34.080 --> 00:30:35.119
feeling

00:30:35.120 --> 00:30:37.439
of the dna of the first machine and

00:30:37.440 --> 00:30:39.759
everything you told me the other day

00:30:39.760 --> 00:30:41.439
oh wow that's a tall order do you want

00:30:41.440 --> 00:30:43.119
me to remember that what was our

00:30:43.120 --> 00:30:45.599
discussion the dna

00:30:45.600 --> 00:30:47.359
i just need to get in that mind frame

00:30:47.360 --> 00:30:48.558
again

00:30:48.559 --> 00:30:51.599
the mind frame

00:30:51.600 --> 00:30:53.999
yeah but it's like um

00:30:54.000 --> 00:30:55.278
um

00:30:55.279 --> 00:30:56.879
programming language with frame and

00:30:56.880 --> 00:30:58.639
you're about so maybe that's why you

00:30:58.640 --> 00:31:00.158
don't have a mindset you have mind

00:31:00.159 --> 00:31:01.678
frames or something

00:31:01.679 --> 00:31:06.640
what we talked about yeah is that

00:31:09.120 --> 00:31:11.278
what is the marble machine actually like

00:31:11.279 --> 00:31:15.119
it's the cool thing that is one machine

00:31:15.120 --> 00:31:17.918
that has so many things like convoluted

00:31:17.919 --> 00:31:20.158
i hope i'm intertwined

00:31:20.159 --> 00:31:21.918
and it's it's like a rube goldberg

00:31:21.919 --> 00:31:24.719
machine everything happens um

00:31:24.720 --> 00:31:27.119
at the same time in one machine and it's

00:31:27.120 --> 00:31:28.879
kind of hard to understand how it works

00:31:28.880 --> 00:31:31.359
but it's kind but it works and it's like

00:31:31.360 --> 00:31:32.798
intriguing because it's this little

00:31:32.799 --> 00:31:34.719
small music box and out of it comes

00:31:34.720 --> 00:31:37.518
something big and huge

00:31:37.519 --> 00:31:39.679
and

00:31:40.640 --> 00:31:43.119
how much would that be lost

00:31:43.120 --> 00:31:44.639
if we went

00:31:44.640 --> 00:31:46.319
for a much bigger machine where

00:31:46.320 --> 00:31:49.119
everything is separated and

00:31:49.120 --> 00:31:51.918
if if we can go to um

00:31:51.919 --> 00:31:54.879
actually to the sketch pad when i find

00:31:54.880 --> 00:31:56.319
we don't we don't have to put the

00:31:56.320 --> 00:31:58.639
modules apart from each other

00:31:58.640 --> 00:31:59.599
um

00:31:59.600 --> 00:32:00.479
so

00:32:00.480 --> 00:32:03.278
if i can find

00:32:03.279 --> 00:32:04.398
um

00:32:04.399 --> 00:32:06.479
so yeah here for example

00:32:06.480 --> 00:32:09.119
so here's the modules this is a modular

00:32:09.120 --> 00:32:10.239
design

00:32:10.240 --> 00:32:12.398
and everything is apart so it looks like

00:32:12.399 --> 00:32:13.839
yeah that's three machines that's not

00:32:13.840 --> 00:32:15.918
the marble machine but we can have this

00:32:15.919 --> 00:32:17.119
mindset

00:32:17.120 --> 00:32:19.119
and put them into

00:32:19.120 --> 00:32:20.479
one machine

00:32:20.480 --> 00:32:22.960
like this

00:32:23.279 --> 00:32:26.398
so here here's bowden cables allowing us

00:32:26.399 --> 00:32:27.999
to spread out the instruments which is

00:32:28.000 --> 00:32:29.278
good for

00:32:29.279 --> 00:32:31.278
and we can also do

00:32:31.279 --> 00:32:32.239
um

00:32:32.240 --> 00:32:35.038
something that i think is the closest

00:32:35.039 --> 00:32:37.199
uh this one

00:32:37.200 --> 00:32:38.798
but actually vibraphone and drums would

00:32:38.799 --> 00:32:41.518
change place here

00:32:41.519 --> 00:32:45.518
do we have the wide mm3 uh slide

00:32:45.519 --> 00:32:48.239
uh i can find it maybe we don't have the

00:32:48.240 --> 00:32:50.558
keynote

00:32:50.559 --> 00:32:52.079
um

00:32:52.080 --> 00:32:55.278
never mind so i'm gonna give you your uh

00:32:55.279 --> 00:32:57.518
your the path here

00:32:57.519 --> 00:33:01.039
um or that or um

00:33:01.200 --> 00:33:04.158
what you were talking about is like

00:33:04.159 --> 00:33:07.678
the dna of one machine

00:33:07.679 --> 00:33:12.559
versus the modular design yeah and

00:33:13.600 --> 00:33:15.918
basically you said a lot of smart things

00:33:15.919 --> 00:33:17.999
about that can you just repeat them

00:33:18.000 --> 00:33:19.678
please can i just repeat everything i

00:33:19.679 --> 00:33:22.079
said and then i have like yeah here we

00:33:22.080 --> 00:33:23.999
have holdsworth

00:33:24.000 --> 00:33:25.999
hands also

00:33:26.000 --> 00:33:28.879
the whole in one is the spirit it is

00:33:28.880 --> 00:33:31.839
kind of the point of the machine

00:33:31.840 --> 00:33:33.999
and that's perhaps a little bit where i

00:33:34.000 --> 00:33:39.000
was going right when we talked about it

00:33:39.840 --> 00:33:41.119
and

00:33:41.120 --> 00:33:43.278
for me the dna of it all i talked about

00:33:43.279 --> 00:33:45.999
on the streams earlier as well

00:33:46.000 --> 00:33:48.558
it's like it's not a self-playing

00:33:48.559 --> 00:33:50.719
machine altogether it's the interaction

00:33:50.720 --> 00:33:54.239
between you and the machine also

00:33:54.240 --> 00:33:56.158
and that's why i get so annoyed when i

00:33:56.159 --> 00:33:59.599
hear mallet machine i know you're joking

00:33:59.600 --> 00:34:00.959
i have to provide context because that

00:34:00.960 --> 00:34:03.038
was the previous stream

00:34:03.039 --> 00:34:06.239
i even contemplated building a mallet

00:34:06.240 --> 00:34:08.398
machine instead

00:34:08.399 --> 00:34:10.719
so no marbles because it's formed from

00:34:10.720 --> 00:34:13.838
function absolutism but that's

00:34:13.839 --> 00:34:15.838
that i agree

00:34:15.839 --> 00:34:17.039
is

00:34:17.040 --> 00:34:19.678
too much of a step into a new family of

00:34:19.679 --> 00:34:22.319
something else

00:34:22.320 --> 00:34:24.720
go on

00:34:26.159 --> 00:34:28.479
as the chat says

00:34:28.480 --> 00:34:31.279
like the main spirit of it having it is

00:34:31.280 --> 00:34:34.799
everything in one it's not modular

00:34:34.800 --> 00:34:36.878
connected together

00:34:36.879 --> 00:34:40.480
a lot of like extension

00:34:40.720 --> 00:34:41.838
i don't know

00:34:41.839 --> 00:34:43.519
okay so give let me

00:34:43.520 --> 00:34:44.959
can you bring that comment up again i

00:34:44.960 --> 00:34:46.838
thought it was really nice

00:34:46.839 --> 00:34:50.559
um the whole holdsworth hands the whole

00:34:50.560 --> 00:34:53.279
in the in one is the spirit

00:34:53.280 --> 00:34:55.439
it is kind of the point of the machine

00:34:55.440 --> 00:34:58.479
so my question for you holdsworth hands

00:34:58.480 --> 00:35:00.399
i i love your comment

00:35:00.400 --> 00:35:02.879
uh let me draw something for you okay

00:35:02.880 --> 00:35:04.239
mac

00:35:04.240 --> 00:35:06.399
to me the coolest part is that it's one

00:35:06.400 --> 00:35:09.838
machine i'm in the one machine camp

00:35:09.839 --> 00:35:11.759
let me ask the audience something here

00:35:11.760 --> 00:35:13.598
to you kmac and to holdsworth and to

00:35:13.599 --> 00:35:17.000
everyone else

00:35:17.599 --> 00:35:20.078
if the machine was large so um so we

00:35:20.079 --> 00:35:22.799
have here alternative one

00:35:22.800 --> 00:35:24.959
this is the all-in-one that we know and

00:35:24.960 --> 00:35:25.999
love

00:35:26.000 --> 00:35:28.838
and that i don't think will give

00:35:28.839 --> 00:35:32.399
me the music requirements that i feel i

00:35:32.400 --> 00:35:33.999
need

00:35:34.000 --> 00:35:37.040
that's why i think

00:35:38.560 --> 00:35:40.799
but maybe maybe maybe

00:35:40.800 --> 00:35:43.439
like um organ guy said

00:35:43.440 --> 00:35:45.039
the current design requirements are too

00:35:45.040 --> 00:35:48.479
ambitious uh so so this is the

00:35:48.480 --> 00:35:49.759
this is

00:35:49.760 --> 00:35:52.479
let's call this the classic

00:35:52.480 --> 00:35:55.118
classic footprint

00:35:55.119 --> 00:35:57.519
and i have also here like this is kinda

00:35:57.520 --> 00:35:59.519
same as i think then perhaps marcus

00:35:59.520 --> 00:36:00.719
hoffman

00:36:00.720 --> 00:36:02.799
modular is a marble machine but not

00:36:02.800 --> 00:36:05.358
vintage marble machine

00:36:05.359 --> 00:36:07.519
that's kind of the same vein of the dna

00:36:07.520 --> 00:36:10.838
like the whole feel about it

00:36:10.839 --> 00:36:14.319
yeah so

00:36:14.320 --> 00:36:16.399
on the completely

00:36:16.400 --> 00:36:19.279
other side of the spectra let's make it

00:36:19.280 --> 00:36:21.999
i'm gonna draw it where can i draw

00:36:22.000 --> 00:36:23.118
there

00:36:23.119 --> 00:36:24.838
i'm gonna draw it down

00:36:24.839 --> 00:36:25.629
here um

00:36:25.630 --> 00:36:27.199
[Music]

00:36:27.200 --> 00:36:30.320
let's draw it like this

00:36:30.720 --> 00:36:32.078
we should look at pat mathews

00:36:32.079 --> 00:36:35.039
orchestrion because i think it's a

00:36:35.040 --> 00:36:37.279
i was a big badminton fan but that is a

00:36:37.280 --> 00:36:39.039
mechanical music instrument project

00:36:39.040 --> 00:36:41.039
that's kind of boring to watch

00:36:41.040 --> 00:36:43.118
and it's actually spread out so it's a

00:36:43.119 --> 00:36:44.719
lot of mechanical music instruments

00:36:44.720 --> 00:36:45.999
everywhere

00:36:46.000 --> 00:36:48.159
and um

00:36:48.160 --> 00:36:52.959
it's not entertaining in my in my um

00:36:52.960 --> 00:36:55.118
it's also media and solenoid controlled

00:36:55.119 --> 00:36:58.239
and you know how i feel about that

00:36:58.240 --> 00:37:00.739
um so down here

00:37:00.740 --> 00:37:05.870
[Music]

00:37:07.520 --> 00:37:09.439
and here's a comment that goes straight

00:37:09.440 --> 00:37:12.239
to my heart from kmac once again

00:37:12.240 --> 00:37:15.039
iron man 3 was lame because he had many

00:37:15.040 --> 00:37:17.358
autonomous machines the coolest thing

00:37:17.359 --> 00:37:19.118
about iron man is the man and the

00:37:19.119 --> 00:37:22.319
machine interaction be the musical iron

00:37:22.320 --> 00:37:24.640
man

00:37:30.160 --> 00:37:32.319
that's so fun that's that's that's good

00:37:32.320 --> 00:37:36.399
that's a good one kmac mr b fox 7075 as

00:37:36.400 --> 00:37:38.639
a lot of people also suggests previous

00:37:38.640 --> 00:37:41.039
machines only used one side there are

00:37:41.040 --> 00:37:42.959
three other sides that can hold

00:37:42.960 --> 00:37:45.118
instruments and i'm a little bit in this

00:37:45.119 --> 00:37:47.679
camp as well we haven't really really

00:37:47.680 --> 00:37:49.919
gone through the whole idea if you're

00:37:49.920 --> 00:37:51.759
going this way i'm going to go

00:37:51.760 --> 00:37:54.319
jean-michel circular on you all okay

00:37:54.320 --> 00:37:57.439
because because like the circular thing

00:37:57.440 --> 00:38:00.479
the circular thing opens up to me

00:38:00.480 --> 00:38:03.039
uh the iron man thing and also that you

00:38:03.040 --> 00:38:06.239
can have a stage podium that is actually

00:38:06.240 --> 00:38:07.999
turning slowly

00:38:08.000 --> 00:38:11.679
is actually really really not difficult

00:38:11.680 --> 00:38:12.879
um

00:38:12.880 --> 00:38:13.679
so

00:38:13.680 --> 00:38:15.919
kmac by the way there is a fantastic

00:38:15.920 --> 00:38:18.159
youtuber called kmac

00:38:18.160 --> 00:38:20.159
who makes guitar videos

00:38:20.160 --> 00:38:22.239
um and i don't think it's you in the

00:38:22.240 --> 00:38:24.959
comments but if it was you i appreciate

00:38:24.960 --> 00:38:27.039
your videos

00:38:27.040 --> 00:38:30.040
um

00:38:32.800 --> 00:38:34.879
one machine equals d machine several

00:38:34.880 --> 00:38:37.679
machines equals machine band members i

00:38:37.680 --> 00:38:39.919
would prefer the former rather than the

00:38:39.920 --> 00:38:43.118
later yeah so so look check this out

00:38:43.119 --> 00:38:44.719
we have a scale here

00:38:44.720 --> 00:38:48.399
from one uh down to three

00:38:48.400 --> 00:38:51.519
classic footprint completely modular

00:38:51.520 --> 00:38:53.679
um

00:38:53.680 --> 00:38:55.759
let me see if i can be a little fancy

00:38:55.760 --> 00:38:57.199
should i be a little fancy of course i

00:38:57.200 --> 00:38:58.319
should be a little fantastic this is

00:38:58.320 --> 00:39:00.959
what we're all about here so i learned

00:39:00.960 --> 00:39:04.639
that i can lower the layer opacity

00:39:04.640 --> 00:39:06.239
there

00:39:06.240 --> 00:39:08.159
then i'm gonna make a nice gradient

00:39:08.160 --> 00:39:09.598
everyone

00:39:09.599 --> 00:39:13.480
and while you do that

00:39:14.720 --> 00:39:16.479
andrew hill the brand just being

00:39:16.480 --> 00:39:18.319
brilliant here in chat supporting us

00:39:18.320 --> 00:39:21.039
with a nice super chat here and says

00:39:21.040 --> 00:39:24.399
it's it must solve the marble problem

00:39:24.400 --> 00:39:26.799
elegantly it does not need to be

00:39:26.800 --> 00:39:29.679
infinitely capable the elegance of

00:39:29.680 --> 00:39:34.639
solution is the magic yes i so much

00:39:34.640 --> 00:39:37.919
boom i so much resonate with this

00:39:37.920 --> 00:39:39.759
um

00:39:39.760 --> 00:39:42.760
sarah

00:39:45.440 --> 00:39:47.439
also great perspective this one here

00:39:47.440 --> 00:39:50.159
from r a ray been watching your videos

00:39:50.160 --> 00:39:52.078
for years i don't particularly care what

00:39:52.079 --> 00:39:54.838
form it takes as long as it's fully

00:39:54.839 --> 00:39:56.559
mechanical

00:39:56.560 --> 00:39:59.760
i resonate with that too

00:40:00.480 --> 00:40:02.879
friction finsness henriksen a modular

00:40:02.880 --> 00:40:04.559
machine looks like something i have seen

00:40:04.560 --> 00:40:06.159
before

00:40:06.160 --> 00:40:11.319
hole in one is something new and unique

00:40:16.880 --> 00:40:19.439
yeah the modular has been done right

00:40:19.440 --> 00:40:21.519
i don't know what i'm doing i just need

00:40:21.520 --> 00:40:24.760
some colors

00:40:25.839 --> 00:40:28.399
i think biebu champs said this earlier

00:40:28.400 --> 00:40:30.479
but this is also interesting

00:40:30.480 --> 00:40:33.679
just two modules the vibraphone plus

00:40:33.680 --> 00:40:36.239
bass as one and a drum loop as another

00:40:36.240 --> 00:40:38.159
then stack them they can look as one

00:40:38.160 --> 00:40:39.118
machine

00:40:39.119 --> 00:40:41.759
then if you finish the top you at least

00:40:41.760 --> 00:40:46.000
have a product even without drums

00:40:46.160 --> 00:40:47.439
so

00:40:47.440 --> 00:40:49.358
this is exactly where i'm going because

00:40:49.359 --> 00:40:51.358
i'm of course gonna present to you the

00:40:51.359 --> 00:40:53.999
middle alternative here which i don't

00:40:54.000 --> 00:40:55.118
know

00:40:55.119 --> 00:40:58.318
how i perceive and i'm curious to hear

00:40:58.319 --> 00:41:01.838
how you sir 3000 perceive this

00:41:01.839 --> 00:41:03.999
because here

00:41:04.000 --> 00:41:06.239
in the purple between the blue and the

00:41:06.240 --> 00:41:08.480
red

00:41:09.119 --> 00:41:12.959
wrong color so and i i'm i'm on edge

00:41:12.960 --> 00:41:14.799
i'm on edge

00:41:14.800 --> 00:41:17.040
two

00:41:18.240 --> 00:41:19.598
we have

00:41:19.599 --> 00:41:22.319
the broad

00:41:22.480 --> 00:41:26.159
i don't also have any space left

00:41:26.160 --> 00:41:30.078
we have the big all-in-one machine

00:41:30.079 --> 00:41:33.079
um

00:41:34.000 --> 00:41:35.679
can i please draw it somewhere where i

00:41:35.680 --> 00:41:38.319
have place

00:41:41.680 --> 00:41:45.280
so it's all in one

00:41:46.240 --> 00:41:49.279
but we have the drums here to the right

00:41:49.280 --> 00:41:51.199
drums

00:41:51.200 --> 00:41:54.400
and here's the vibraphone

00:41:54.720 --> 00:41:56.318
they're not on top of each other they're

00:41:56.319 --> 00:41:57.759
not intertwined

00:41:57.760 --> 00:42:01.560
and here's the bass guitar

00:42:02.560 --> 00:42:05.839
and here's me playing it

00:42:06.240 --> 00:42:09.759
uh so two is the

00:42:09.760 --> 00:42:11.679
big

00:42:11.680 --> 00:42:15.119
all-in-one yeah

00:42:15.440 --> 00:42:16.799
so

00:42:16.800 --> 00:42:19.838
sections not modules that's how i think

00:42:19.839 --> 00:42:24.800
about it you know sections not modules

00:42:25.200 --> 00:42:27.598
i don't need them to be modular

00:42:27.599 --> 00:42:31.560
separated from each other

00:42:33.599 --> 00:42:35.358
so everyone who has been like super

00:42:35.359 --> 00:42:37.039
clear about your relationship to the

00:42:37.040 --> 00:42:39.598
iron man

00:42:39.599 --> 00:42:41.439
i've also seen the movie when iron man

00:42:41.440 --> 00:42:43.759
is like you automatic bot go and fix

00:42:43.760 --> 00:42:45.838
this problem and i i

00:42:45.839 --> 00:42:47.598
you're right it's lame

00:42:47.599 --> 00:42:48.639
um

00:42:48.640 --> 00:42:50.880
so

00:42:52.079 --> 00:42:54.479
if i build this monster

00:42:54.480 --> 00:42:56.879
i think it would be like two meters wide

00:42:56.880 --> 00:43:00.639
so so let's say that this is one meter

00:43:00.640 --> 00:43:02.639
and let's say that this is two meter

00:43:02.640 --> 00:43:05.199
let's just say that it's double

00:43:05.200 --> 00:43:07.440
um

00:43:09.520 --> 00:43:12.078
i feel real i really do not know what

00:43:12.079 --> 00:43:14.318
relationship i have to this machine

00:43:14.319 --> 00:43:16.159
um

00:43:16.160 --> 00:43:19.118
what is it mainly that disturbs you with

00:43:19.119 --> 00:43:23.519
the wide solution so you know what 2a

00:43:23.520 --> 00:43:26.479
let's do a sneaky 2b

00:43:26.480 --> 00:43:29.520
you know what that's gonna be

00:43:29.599 --> 00:43:32.160
circular

00:43:33.119 --> 00:43:36.078
that's a circular microphone right here

00:43:36.079 --> 00:43:39.039
with the with the sp with the mushroom

00:43:39.040 --> 00:43:41.439
and the the machine

00:43:41.440 --> 00:43:44.318
to be circular

00:43:44.319 --> 00:43:45.999
sorry hannes can you repeat that

00:43:46.000 --> 00:43:47.118
question

00:43:47.119 --> 00:43:50.239
uh basically what it is that really

00:43:50.240 --> 00:43:54.399
grinds your gears with a wide machine

00:43:54.400 --> 00:43:57.598
how come that seems so distant in your

00:43:57.599 --> 00:43:59.999
mind it's like i'm scared because the

00:44:00.000 --> 00:44:01.519
machine has taken over my life

00:44:01.520 --> 00:44:05.039
completely and if i make it twice as big

00:44:05.040 --> 00:44:06.399
it's like

00:44:06.400 --> 00:44:09.039
it's physically intimidates me

00:44:09.040 --> 00:44:10.959
uh and i'm just like

00:44:10.960 --> 00:44:13.598
oh jesus christ

00:44:13.599 --> 00:44:16.719
switching a 2 meter long 90 centimeter

00:44:16.720 --> 00:44:19.118
like huge barrel

00:44:19.119 --> 00:44:21.679
i mean it's it's the most epic ever

00:44:21.680 --> 00:44:24.318
but am i just should i just make songs

00:44:24.319 --> 00:44:26.239
with fewer notes on the vibraphone

00:44:26.240 --> 00:44:28.719
because that is what what organ guy is

00:44:28.720 --> 00:44:31.118
intending when he says maybe the maybe

00:44:31.119 --> 00:44:33.358
the design requirements are um too

00:44:33.359 --> 00:44:34.879
ambitious maybe you don't mean it like

00:44:34.880 --> 00:44:37.199
that maybe it was just an example but

00:44:37.200 --> 00:44:39.439
so the magic of the first machine is its

00:44:39.440 --> 00:44:41.118
limitations

00:44:41.119 --> 00:44:42.639
and

00:44:42.640 --> 00:44:44.559
if i want a full-size vibraphone with

00:44:44.560 --> 00:44:46.959
174 registrators

00:44:46.960 --> 00:44:48.879
the programming wheel needs to be quite

00:44:48.880 --> 00:44:50.399
big

00:44:50.400 --> 00:44:52.399
and to machine that

00:44:52.400 --> 00:44:54.879
i think we can do it but it's just

00:44:54.880 --> 00:44:58.799
it becomes this behemoth

00:44:58.800 --> 00:45:00.559
the circular thing would also be a

00:45:00.560 --> 00:45:04.920
behemoth yeah so

00:45:05.760 --> 00:45:07.039
what what what

00:45:07.040 --> 00:45:09.279
what does what shot what do you think

00:45:09.280 --> 00:45:12.318
about uh what is your reaction to the

00:45:12.319 --> 00:45:14.318
mid

00:45:14.319 --> 00:45:16.399
the mid alternative you see a lot of two

00:45:16.400 --> 00:45:18.318
b's

00:45:18.319 --> 00:45:20.639
and also stuff like this from sound or

00:45:20.640 --> 00:45:22.479
you hash the machine can be white but

00:45:22.480 --> 00:45:24.879
the prog wheel doesn't have to yeah i've

00:45:24.880 --> 00:45:25.679
been

00:45:25.680 --> 00:45:29.280
talking about as as well

00:45:29.680 --> 00:45:33.358
so that machine let me let me let me

00:45:33.359 --> 00:45:35.279
sketch that machine real quick

00:45:35.280 --> 00:45:37.279
um

00:45:37.280 --> 00:45:39.358
that's this machine and i

00:45:39.359 --> 00:45:41.279
structure like

00:45:41.280 --> 00:45:43.679
solution wise i completely believe in

00:45:43.680 --> 00:45:44.879
this machine

00:45:44.880 --> 00:45:47.999
um where where are the drums i put a

00:45:48.000 --> 00:45:51.838
vibraphone here with me

00:45:51.839 --> 00:45:53.519
here's the vibraphone

00:45:53.520 --> 00:45:55.759
sticking outside a little bit

00:45:55.760 --> 00:45:59.240
and here's the drums

00:46:02.880 --> 00:46:04.719
like that

00:46:04.720 --> 00:46:06.479
they have a loop wheel behind them

00:46:06.480 --> 00:46:08.720
though

00:46:09.040 --> 00:46:11.919
[Music]

00:46:11.920 --> 00:46:15.400
and i'm here

00:46:21.520 --> 00:46:25.359
so it's it's more spread out

00:46:25.760 --> 00:46:29.039
yeah and a steel skin 667 says the

00:46:29.040 --> 00:46:30.879
programming jump doesn't have to be that

00:46:30.880 --> 00:46:32.479
much bigger you just need a bit more

00:46:32.480 --> 00:46:35.439
room for the instruments that's the main

00:46:35.440 --> 00:46:38.240
quarry right

00:46:39.280 --> 00:46:42.318
so it's it's really not a bit more if we

00:46:42.319 --> 00:46:44.479
put the drums and the vibraphones next

00:46:44.480 --> 00:46:46.719
to each other it's a lot more

00:46:46.720 --> 00:46:49.119
um

00:46:49.359 --> 00:46:51.838
another idea a lot of people want to put

00:46:51.839 --> 00:46:55.599
the drums under the vibrophone

00:46:55.760 --> 00:46:57.358
and if we skip

00:46:57.359 --> 00:46:59.118
having the drums marble played if the

00:46:59.119 --> 00:47:01.279
drums are only loop played

00:47:01.280 --> 00:47:02.719
or

00:47:02.720 --> 00:47:04.879
recharged played by the programming

00:47:04.880 --> 00:47:07.358
wheel which has been solved today

00:47:07.359 --> 00:47:09.519
uh the spring recharge solution that's

00:47:09.520 --> 00:47:12.078
that's not for not a discussion now if

00:47:12.079 --> 00:47:15.118
we skip marbles on the drums

00:47:15.119 --> 00:47:17.199
uh and only have the vibraphone and the

00:47:17.200 --> 00:47:18.159
blaze

00:47:18.160 --> 00:47:19.759
base marble played

00:47:19.760 --> 00:47:23.800
we all of a sudden have

00:47:26.160 --> 00:47:29.679
we can make a tighter footprint

00:47:29.680 --> 00:47:32.400
all of a sudden

00:47:37.280 --> 00:47:38.879
it's it's just that

00:47:38.880 --> 00:47:41.280
like my

00:47:42.079 --> 00:47:44.318
like this limitation of

00:47:44.319 --> 00:47:46.318
notes on the vibraphone

00:47:46.319 --> 00:47:48.719
which we did the other day the decision

00:47:48.720 --> 00:47:50.318
matrix for

00:47:50.319 --> 00:47:52.959
um

00:47:52.960 --> 00:47:55.039
this is truly like

00:47:55.040 --> 00:47:57.199
and also having the big acoustic drums

00:47:57.200 --> 00:47:59.920
it's truly

00:48:00.559 --> 00:48:02.879
making a big difference and

00:48:02.880 --> 00:48:05.439
i mean you spent five years having not

00:48:05.440 --> 00:48:07.679
having space for my components

00:48:07.680 --> 00:48:10.078
so i i just feel like i don't know if i

00:48:10.079 --> 00:48:11.598
want to spend

00:48:11.599 --> 00:48:13.838
two more years trying to fit things into

00:48:13.839 --> 00:48:16.318
spaces where that doesn't exist

00:48:16.319 --> 00:48:18.558
no so

00:48:18.559 --> 00:48:21.679
that's a big no-no then you can't be too

00:48:21.680 --> 00:48:24.160
tight

00:48:26.320 --> 00:48:29.199
[Music]

00:48:29.200 --> 00:48:31.519
3d printer academy just sent a generous

00:48:31.520 --> 00:48:33.118
super chat here saying are you

00:48:33.119 --> 00:48:35.039
completely against remaking more machine

00:48:35.040 --> 00:48:38.078
x with 50 less parts and complexity

00:48:38.079 --> 00:48:40.558
stephen

00:48:40.559 --> 00:48:43.358
so this is a great comment stephen thank

00:48:43.359 --> 00:48:46.239
you so much 3d printer academy uh i

00:48:46.240 --> 00:48:48.229
would have needed going to that school

00:48:48.230 --> 00:48:49.679
[Laughter]

00:48:49.680 --> 00:48:51.358
um

00:48:51.359 --> 00:48:53.519
since

00:48:53.520 --> 00:48:55.358
when i started trying 3d printing i

00:48:55.359 --> 00:48:57.358
thought i knew everything talking about

00:48:57.359 --> 00:48:58.078
the

00:48:58.079 --> 00:49:00.159
the the known

00:49:00.160 --> 00:49:02.479
the the unknown knowns and stuff like

00:49:02.480 --> 00:49:03.439
that

00:49:03.440 --> 00:49:05.760
um

00:49:06.319 --> 00:49:08.719
uh what's happening here okay yeah i

00:49:08.720 --> 00:49:11.919
went to the wrong wrong thing

00:49:11.920 --> 00:49:13.439
um

00:49:13.440 --> 00:49:14.799
let's go back

00:49:14.800 --> 00:49:19.359
to cad and let's check this

00:49:27.760 --> 00:49:30.639
there is no sound in the kick drum

00:49:30.640 --> 00:49:33.358
of either of these instruments

00:49:33.359 --> 00:49:35.118
in the room

00:49:35.119 --> 00:49:37.039
i can show you exactly how the kick drum

00:49:37.040 --> 00:49:38.719
sounds yeah

00:49:38.720 --> 00:49:40.159
wait

00:49:40.160 --> 00:49:43.039
can we do it in the action cam

00:49:43.040 --> 00:49:46.880
of course we can

00:49:50.319 --> 00:49:52.159
in the room the kick drum sounds like

00:49:52.160 --> 00:49:55.359
this are you ready for it

00:49:57.760 --> 00:50:00.558
yeah pretty much yeah

00:50:00.559 --> 00:50:02.879
i've heard it and

00:50:02.880 --> 00:50:04.639
remaking uh

00:50:04.640 --> 00:50:08.319
if we go back to the image here

00:50:10.880 --> 00:50:12.719
when i was touring with both my bands i

00:50:12.720 --> 00:50:14.799
used contact microphones a lot and i put

00:50:14.800 --> 00:50:16.719
them on under instruments and it's

00:50:16.720 --> 00:50:18.318
magical what you can do with a contact

00:50:18.319 --> 00:50:20.399
microphone so in an electrified

00:50:20.400 --> 00:50:21.598
environment

00:50:21.599 --> 00:50:24.479
you get a control that is unheard of i

00:50:24.480 --> 00:50:27.838
showed the demo in the machine x videos

00:50:27.839 --> 00:50:28.639
about

00:50:28.640 --> 00:50:30.318
signal to noise ratio i put contact

00:50:30.319 --> 00:50:33.760
microphones on symbols and stuff

00:50:33.920 --> 00:50:35.999
i just want to go away from that for my

00:50:36.000 --> 00:50:37.999
mu for my music career i just want to go

00:50:38.000 --> 00:50:40.558
away from this electronic contact

00:50:40.559 --> 00:50:42.399
microphone everything is fixed with

00:50:42.400 --> 00:50:44.159
plugins in logic

00:50:44.160 --> 00:50:47.199
i just want i want to build something

00:50:47.200 --> 00:50:50.159
that sounds good in a room so in my

00:50:50.160 --> 00:50:52.479
house in france when people came by and

00:50:52.480 --> 00:50:54.959
they saw the machine all of them asked

00:50:54.960 --> 00:50:57.039
me to play it

00:50:57.040 --> 00:50:59.279
and i owe your heart and i was just like

00:50:59.280 --> 00:51:01.358
[Laughter]

00:51:01.359 --> 00:51:04.639
i just need to set up my 100 microphones

00:51:04.640 --> 00:51:07.439
i was like i can't and even if i could

00:51:07.440 --> 00:51:09.519
you wouldn't hear it so what i would

00:51:09.520 --> 00:51:11.999
have to do to these people is here

00:51:12.000 --> 00:51:14.159
take a couple of studio headphones and

00:51:14.160 --> 00:51:16.558
let me just fix my hundred channels and

00:51:16.559 --> 00:51:18.239
you hear the live mix through the

00:51:18.240 --> 00:51:19.919
headphones and it was going to be

00:51:19.920 --> 00:51:22.399
amazing and live on stage this is how

00:51:22.400 --> 00:51:24.639
these instruments like live on when you

00:51:24.640 --> 00:51:26.318
go to big concert you don't hear

00:51:26.319 --> 00:51:28.959
anything acoustically everything is

00:51:28.960 --> 00:51:31.439
so it was a machine

00:51:31.440 --> 00:51:33.759
that was made for an amplified

00:51:33.760 --> 00:51:35.358
environment and i think that is like

00:51:35.359 --> 00:51:36.799
when you say do you want to rebuild the

00:51:36.800 --> 00:51:38.799
margin x no

00:51:38.800 --> 00:51:41.199
i'm not interested in making a machine

00:51:41.200 --> 00:51:43.519
where someone super excited comes into a

00:51:43.520 --> 00:51:45.598
room and immediately wants to hear the

00:51:45.599 --> 00:51:47.999
machine and can't i want to have the

00:51:48.000 --> 00:51:50.399
magic of the machine sounding pretty

00:51:50.400 --> 00:51:52.239
good in the youtube videos when i'm

00:51:52.240 --> 00:51:53.999
building it before i'm putting the

00:51:54.000 --> 00:51:55.598
microphones on it

00:51:55.599 --> 00:51:56.879
and it's sounding just even better

00:51:56.880 --> 00:51:59.679
because [ __ ] in [ __ ] out is an old

00:51:59.680 --> 00:52:02.479
musician stroke and it's so true and

00:52:02.480 --> 00:52:04.159
it's like when a chef becomes better

00:52:04.160 --> 00:52:06.318
with cooking the chef is not using like

00:52:06.319 --> 00:52:08.399
100 million ingredients the chef is

00:52:08.400 --> 00:52:11.519
using fresh best ingredients possible

00:52:11.520 --> 00:52:15.039
and i'm so bored with like oh there's a

00:52:15.040 --> 00:52:18.799
rise in the stupid snare drum

00:52:18.800 --> 00:52:21.039
the rice belongs in the kitchen

00:52:21.040 --> 00:52:23.439
uh the snare drum i'm gonna buy

00:52:23.440 --> 00:52:27.439
off the shelf to make it sound like how

00:52:27.440 --> 00:52:28.719
how do we

00:52:28.720 --> 00:52:31.199
make a snare drum sound wait i have an

00:52:31.200 --> 00:52:35.919
idea i'm gonna use a snare drum

00:52:35.920 --> 00:52:38.879
i'm just so i'm done with it honestly

00:52:38.880 --> 00:52:41.759
okay yeah so no which means we need a

00:52:41.760 --> 00:52:43.279
full-size scenario we need a full-size

00:52:43.280 --> 00:52:45.519
kick drum which makes there's no space

00:52:45.520 --> 00:52:47.358
for a full-size kick drum on this

00:52:47.359 --> 00:52:48.318
machine

00:52:48.319 --> 00:52:50.239
um

00:52:50.240 --> 00:52:51.999
if i want a lot of vibraphone channels

00:52:52.000 --> 00:52:53.919
and maybe that's where like that's maybe

00:52:53.920 --> 00:52:55.679
the trade-off that i'm not mature enough

00:52:55.680 --> 00:52:58.159
to be able to make like maybe i just

00:52:58.160 --> 00:53:00.959
need to go down to playing like there is

00:53:00.960 --> 00:53:02.639
a song in swedish till paris i'm going

00:53:02.640 --> 00:53:04.558
to tour the whole world playing till

00:53:04.559 --> 00:53:08.319
parties till paris

00:53:09.119 --> 00:53:11.598
and that's the only song

00:53:11.599 --> 00:53:12.318
yeah

00:53:12.319 --> 00:53:15.720
there is from

00:53:16.640 --> 00:53:18.879
best cover version ever of till paris

00:53:18.880 --> 00:53:21.118
but that's the only song the the machine

00:53:21.119 --> 00:53:23.759
will be able to play um uh yeah

00:53:23.760 --> 00:53:26.318
okay i'll leave it there sir 3k

00:53:26.319 --> 00:53:28.639
help me out here another brilliant

00:53:28.640 --> 00:53:31.199
beautiful support a nice super chatty

00:53:31.200 --> 00:53:33.519
from andrew hildebrand yet again

00:53:33.520 --> 00:53:36.078
original form feels like another player

00:53:36.079 --> 00:53:39.279
on stage wide feels like a pickup truck

00:53:39.280 --> 00:53:42.159
a non-character participant go with

00:53:42.160 --> 00:53:44.879
human form reduce the range requirements

00:53:44.880 --> 00:53:50.079
reduce the complexity embrace glory

00:53:53.280 --> 00:53:56.280
yes

00:53:59.040 --> 00:54:01.118
that's a good comment that's a good

00:54:01.119 --> 00:54:03.919
comment uh so um i wanted to make this

00:54:03.920 --> 00:54:06.399
video because i think it's uh it's

00:54:06.400 --> 00:54:07.999
obvious dream because i think it's

00:54:08.000 --> 00:54:10.480
obvious that

00:54:11.359 --> 00:54:12.799
there is a

00:54:12.800 --> 00:54:14.799
big identity crisis in the project right

00:54:14.800 --> 00:54:16.799
now and it's good it's good we need to

00:54:16.800 --> 00:54:18.239
have that because the first two machines

00:54:18.240 --> 00:54:21.440
are too similar yeah

00:54:21.520 --> 00:54:23.919
okay so what about another constraint

00:54:23.920 --> 00:54:24.959
the

00:54:24.960 --> 00:54:27.759
marbles playing the drums

00:54:27.760 --> 00:54:29.439
i think it's kind of important that they

00:54:29.440 --> 00:54:31.599
do

00:54:33.599 --> 00:54:37.800
vibraphone next to the

00:54:38.799 --> 00:54:40.719
so then we have let's go to this sketch

00:54:40.720 --> 00:54:43.598
honest the 90 degree sketch uh

00:54:43.599 --> 00:54:46.479
i have a lot of sketch here

00:54:46.480 --> 00:54:48.399
here

00:54:48.400 --> 00:54:51.519
let's i have to take this away

00:54:51.520 --> 00:54:53.839
so

00:54:53.920 --> 00:54:56.159
this is kind of another like in between

00:54:56.160 --> 00:54:57.118
move

00:54:57.119 --> 00:54:58.959
og forum feels like another player on

00:54:58.960 --> 00:55:00.798
stage white feels like a pickup truck a

00:55:00.799 --> 00:55:03.439
non-character participant

00:55:03.440 --> 00:55:05.279
go with human form reduce the range

00:55:05.280 --> 00:55:07.358
requirements reduce the complexity

00:55:07.359 --> 00:55:09.838
embrace glory

00:55:09.839 --> 00:55:12.880
the mutual command

00:55:15.599 --> 00:55:16.719
i mean i

00:55:16.720 --> 00:55:20.479
maybe i i can play cool bass lines

00:55:20.480 --> 00:55:22.719
yeah you can i've heard them

00:55:22.720 --> 00:55:25.040
um

00:55:27.119 --> 00:55:28.879
oh what do we have here

00:55:28.880 --> 00:55:30.639
oh wow

00:55:30.640 --> 00:55:33.039
dynamic commander with a nice little

00:55:33.040 --> 00:55:34.798
super chat here

00:55:34.799 --> 00:55:37.999
two meters wide two times one meter

00:55:38.000 --> 00:55:40.639
programming barrel side by side for

00:55:40.640 --> 00:55:43.118
easier interchangeability

00:55:43.119 --> 00:55:44.959
keep one barrel for vibraphone one

00:55:44.960 --> 00:55:47.358
barrel for drums and bass that's one of

00:55:47.359 --> 00:55:48.959
your favorite cities thank you for the

00:55:48.960 --> 00:55:50.798
comment dynamic commander uh hannes can

00:55:50.799 --> 00:55:53.919
you pull up the mmx wide sketch uh i can

00:55:53.920 --> 00:55:55.919
try to find it yes because i think

00:55:55.920 --> 00:55:59.598
that's one of the um absolutely so

00:55:59.599 --> 00:56:02.078
the suggestion that we just made i can

00:56:02.079 --> 00:56:04.159
actually make in cad right away it's

00:56:04.160 --> 00:56:07.358
basically like this copy this

00:56:07.359 --> 00:56:08.639
and

00:56:08.640 --> 00:56:11.039
do this

00:56:11.040 --> 00:56:14.239
and by having this um

00:56:14.240 --> 00:56:15.679
separate

00:56:15.680 --> 00:56:18.399
it's you you you don't have to change

00:56:18.400 --> 00:56:19.919
the whole thing

00:56:19.920 --> 00:56:22.078
and then we need to tour with six six

00:56:22.079 --> 00:56:23.999
wheels and then we would actually move

00:56:24.000 --> 00:56:26.879
the vibraphone let's do that

00:56:26.880 --> 00:56:27.999
um

00:56:28.000 --> 00:56:29.999
i should actually do more in cad like

00:56:30.000 --> 00:56:31.279
this

00:56:31.280 --> 00:56:32.479
and then we

00:56:32.480 --> 00:56:35.919
we should actually move the bass

00:56:35.920 --> 00:56:38.399
um i'm cutting your suggestion right

00:56:38.400 --> 00:56:42.480
here this is this is it

00:56:42.640 --> 00:56:43.919
to me it doesn't feel like a

00:56:43.920 --> 00:56:45.759
non-playable character when i see it

00:56:45.760 --> 00:56:48.719
like this to me this sounds like the and

00:56:48.720 --> 00:56:50.558
and you know what's cool here we can

00:56:50.559 --> 00:56:53.440
remove this wheel

00:56:53.520 --> 00:56:55.199
check this out

00:56:55.200 --> 00:56:58.318
let me copy the frame

00:56:58.319 --> 00:57:00.640
um

00:57:01.119 --> 00:57:02.078
no

00:57:02.079 --> 00:57:05.040
yeah paste

00:57:07.839 --> 00:57:09.999
look at this machine on us i just made

00:57:10.000 --> 00:57:13.358
yeah you see now we are talking

00:57:13.359 --> 00:57:15.199
because this frame on this side wouldn't

00:57:15.200 --> 00:57:17.838
need to be that high

00:57:17.839 --> 00:57:19.358
um

00:57:19.359 --> 00:57:23.200
i should actually maybe do that

00:57:24.960 --> 00:57:27.279
so so with a bow and cable we only have

00:57:27.280 --> 00:57:29.519
six marbles to drop drop to drop on the

00:57:29.520 --> 00:57:31.358
drums over here

00:57:31.359 --> 00:57:33.279
um

00:57:33.280 --> 00:57:35.439
but with the bowden cable we only need

00:57:35.440 --> 00:57:38.879
to get six marbles over over there

00:57:38.880 --> 00:57:42.879
this and we still only need two

00:57:42.880 --> 00:57:44.879
wheels

00:57:44.880 --> 00:57:46.558
of course my

00:57:46.559 --> 00:57:49.520
depending on my

00:57:49.839 --> 00:57:51.919
maybe i still need to remove some note

00:57:51.920 --> 00:57:54.920
requirements

00:57:54.960 --> 00:57:57.999
what if i make this machine but i

00:57:58.000 --> 00:57:59.999
what if i make this machine

00:58:00.000 --> 00:58:01.759
but i reduce the number of notes on the

00:58:01.760 --> 00:58:02.529
vibraphone

00:58:02.530 --> 00:58:03.759
[Music]

00:58:03.760 --> 00:58:06.239
to just make it kind of not bigger than

00:58:06.240 --> 00:58:08.399
this

00:58:08.400 --> 00:58:10.078
and i should maybe put the frames

00:58:10.079 --> 00:58:13.760
together so it doesn't look modular

00:58:13.839 --> 00:58:17.759
and oh my oh my i hear another ring here

00:58:17.760 --> 00:58:19.999
and it's uh

00:58:20.000 --> 00:58:22.798
it's a question from fredward here you

00:58:22.799 --> 00:58:25.838
focused on the dream machine having

00:58:25.839 --> 00:58:27.358
everything you want

00:58:27.359 --> 00:58:30.078
what is the absolute minimum machine

00:58:30.079 --> 00:58:33.199
that would make you happy

00:58:33.200 --> 00:58:35.439
thank you so much for your support this

00:58:35.440 --> 00:58:37.079
is great fred ward um

00:58:37.080 --> 00:58:38.159
[Music]

00:58:38.160 --> 00:58:41.118
so we we talked we talked in the

00:58:41.119 --> 00:58:43.439
in the photoshop document where are we

00:58:43.440 --> 00:58:44.479
here

00:58:44.480 --> 00:58:46.959
we talked about minimum viable product

00:58:46.960 --> 00:58:48.159
mvp

00:58:48.160 --> 00:58:51.199
and i think um there are two different

00:58:51.200 --> 00:58:52.719
ones

00:58:52.720 --> 00:58:54.239
uh

00:58:54.240 --> 00:58:55.759
for

00:58:55.760 --> 00:58:57.759
the audience

00:58:57.760 --> 00:59:00.479
or for martin

00:59:00.480 --> 00:59:02.479
and of course what we're trying to do

00:59:02.480 --> 00:59:03.999
here which i'm so happy for is that

00:59:04.000 --> 00:59:07.118
we're trying to find like alignment yes

00:59:07.119 --> 00:59:09.659
um between

00:59:09.660 --> 00:59:12.830
[Music]

00:59:14.720 --> 00:59:16.798
and actually finishing something would

00:59:16.799 --> 00:59:19.039
also would make me

00:59:19.040 --> 00:59:20.639
i haven't finished anything in five

00:59:20.640 --> 00:59:22.078
years

00:59:22.079 --> 00:59:23.279
like

00:59:23.280 --> 00:59:25.358
and that's why maybe like

00:59:25.359 --> 00:59:26.959
to actually deliver on something

00:59:26.960 --> 00:59:29.519
sometimes you also just have to deliver

00:59:29.520 --> 00:59:31.679
um to actually deliver something but

00:59:31.680 --> 00:59:33.759
here's the kicker

00:59:33.760 --> 00:59:36.239
the larger i make the machine not not

00:59:36.240 --> 00:59:37.759
100 true

00:59:37.760 --> 00:59:40.239
the easier it is for me to deliver in

00:59:40.240 --> 00:59:44.078
this setup everything has its own space

00:59:44.079 --> 00:59:45.039
um

00:59:45.040 --> 00:59:46.879
it's like

00:59:46.880 --> 00:59:48.318
maybe i should move the programming

00:59:48.319 --> 00:59:50.879
wheel into the middle a little bit let's

00:59:50.880 --> 00:59:53.680
move it there

00:59:56.160 --> 00:59:58.479
like is this is this a modular machine

00:59:58.480 --> 01:00:01.679
or is this one machine

01:00:01.680 --> 01:00:03.919
do you have the wide sketch

01:00:03.920 --> 01:00:06.318
yes and i just want to we got a

01:00:06.319 --> 01:00:08.318
another one here oh and now it feels

01:00:08.319 --> 01:00:10.078
like we're we're begging for it but

01:00:10.079 --> 01:00:11.919
we're super happy for this before he's

01:00:11.920 --> 01:00:14.399
so you're so generous everyone this

01:00:14.400 --> 01:00:16.239
means everything to us

01:00:16.240 --> 01:00:20.399
and it's from sliceosporta who else

01:00:20.400 --> 01:00:22.479
always with us love it

01:00:22.480 --> 01:00:24.719
large doesn't necessarily mean difficult

01:00:24.720 --> 01:00:26.719
it just means large

01:00:26.720 --> 01:00:30.078
if it can easily disassemble reassemble

01:00:30.079 --> 01:00:32.399
ship and transport who cares how large

01:00:32.400 --> 01:00:34.719
it is if it fits your requirements

01:00:34.720 --> 01:00:37.358
engineer the size to be easy to work

01:00:37.359 --> 01:00:40.399
with yeah i totally uh agree slicer

01:00:40.400 --> 01:00:43.839
sparta and and

01:00:46.240 --> 01:00:49.118
here's the wide mm3 we love this

01:00:49.119 --> 01:00:51.118
something about this yeah crafted by

01:00:51.119 --> 01:00:53.679
aura so question to you shot when you

01:00:53.680 --> 01:00:56.959
look at the sketch the wide mm3

01:00:56.960 --> 01:00:59.358
do you feel that the magic is gone

01:00:59.359 --> 01:01:02.240
do you feel that

01:01:02.720 --> 01:01:05.279
or is the magic that we're making uh

01:01:05.280 --> 01:01:10.159
like the best sounding most tight

01:01:10.160 --> 01:01:12.318
acoustic mechanical music instrument

01:01:12.319 --> 01:01:13.999
ever played it's not fully acoustic with

01:01:14.000 --> 01:01:15.838
the electric bass

01:01:15.839 --> 01:01:18.558
sorry for leading question

01:01:18.559 --> 01:01:19.519
no no

01:01:19.520 --> 01:01:20.479
give it

01:01:20.480 --> 01:01:23.199
uh oh steelskin 667 looks like one

01:01:23.200 --> 01:01:25.598
machine to me um

01:01:25.599 --> 01:01:27.439
i just want to talk about another bias

01:01:27.440 --> 01:01:29.838
like that that that we do have if if we

01:01:29.839 --> 01:01:32.479
just go back to my favorite image here

01:01:32.480 --> 01:01:33.919
and yes this was

01:01:33.920 --> 01:01:35.999
nice i think from robert e can doll i

01:01:36.000 --> 01:01:38.078
think we the audience wants to know what

01:01:38.079 --> 01:01:40.959
you feel excited about yeah yeah

01:01:40.960 --> 01:01:43.279
currently

01:01:43.280 --> 01:01:46.799
currently robert i am um

01:01:48.720 --> 01:01:51.519
i am basically just pessimistic about

01:01:51.520 --> 01:01:53.919
the whole endeavor not about sitting

01:01:53.920 --> 01:01:56.639
here working on it that is so much fun

01:01:56.640 --> 01:01:58.639
but right now i'm just like

01:01:58.640 --> 01:02:01.038
i'm i've become

01:02:01.039 --> 01:02:03.919
i've become like a naysayer like from

01:02:03.920 --> 01:02:05.679
being naive i think

01:02:05.680 --> 01:02:07.118
i'm

01:02:07.119 --> 01:02:09.919
i'm just so scared about how

01:02:09.920 --> 01:02:12.798
naive i was before and how i unders

01:02:12.799 --> 01:02:15.279
i didn't underestimate a little bit

01:02:15.280 --> 01:02:17.679
i i was like in the wrong universe

01:02:17.680 --> 01:02:19.439
before so i'm

01:02:19.440 --> 01:02:21.999
so right now i'm

01:02:22.000 --> 01:02:23.838
i think i feel excited about reaching

01:02:23.839 --> 01:02:26.318
the point where i can know if i should

01:02:26.319 --> 01:02:28.239
make this project or not like i'm

01:02:28.240 --> 01:02:30.078
already doing one project the digital

01:02:30.079 --> 01:02:33.759
file but if i can build it or not and

01:02:33.760 --> 01:02:35.679
but then sometimes i get a tingle of

01:02:35.680 --> 01:02:36.879
excitement

01:02:36.880 --> 01:02:39.279
when i have 37 notes on a full-size

01:02:39.280 --> 01:02:41.838
vibraphone with double drops that i can

01:02:41.839 --> 01:02:42.879
program

01:02:42.880 --> 01:02:45.679
mechanically jack druid this is the one

01:02:45.680 --> 01:02:48.479
an abstract backpack if it works better

01:02:48.480 --> 01:02:52.479
it is better white equals good then

01:02:52.480 --> 01:02:53.598
so

01:02:53.599 --> 01:02:55.279
what was the image i wanted to show

01:02:55.280 --> 01:02:57.439
that's a nice uh comment

01:02:57.440 --> 01:03:00.078
as well from abstract backpack

01:03:00.079 --> 01:03:03.079
um

01:03:03.200 --> 01:03:05.199
oh yeah i know which image i wanted to

01:03:05.200 --> 01:03:06.798
show

01:03:06.799 --> 01:03:08.558
and hang on

01:03:08.559 --> 01:03:10.799
uh

01:03:11.599 --> 01:03:13.919
oh i have a new setup that's why i'm

01:03:13.920 --> 01:03:15.118
struggling

01:03:15.119 --> 01:03:17.839
this

01:03:19.520 --> 01:03:21.598
look what happened here from the first

01:03:21.599 --> 01:03:23.838
machine everyone loves it

01:03:23.839 --> 01:03:26.078
to the second machine i loved it so much

01:03:26.079 --> 01:03:28.159
i tried to build the same machine

01:03:28.160 --> 01:03:31.839
i don't want to repeat this mistake

01:03:33.839 --> 01:03:36.799
i i think

01:03:37.280 --> 01:03:39.038
if we really take down the design

01:03:39.039 --> 01:03:40.318
requirements

01:03:40.319 --> 01:03:42.239
i think we can build this machine and

01:03:42.240 --> 01:03:44.399
make it work

01:03:44.400 --> 01:03:46.399
but the question is do i want a mic a

01:03:46.400 --> 01:03:49.439
vibraphone that is 20 centimeters away

01:03:49.440 --> 01:03:51.199
from a snare drum and the answer to that

01:03:51.200 --> 01:03:52.639
is no

01:03:52.640 --> 01:03:55.118
i don't

01:03:55.119 --> 01:03:57.519
can i record the instrument separately

01:03:57.520 --> 01:03:59.118
in the studio and produce a fantastic

01:03:59.119 --> 01:04:01.598
album where i do as every musicians do i

01:04:01.599 --> 01:04:03.598
record track by track to make a nice

01:04:03.599 --> 01:04:05.759
album for spotify

01:04:05.760 --> 01:04:06.639
yes

01:04:06.640 --> 01:04:08.798
will it sound okay live

01:04:08.799 --> 01:04:10.318
yes

01:04:10.319 --> 01:04:11.759
so this is another

01:04:11.760 --> 01:04:15.279
this is another like thing can i

01:04:15.280 --> 01:04:16.959
this is actually super important design

01:04:16.960 --> 01:04:18.239
requirement

01:04:18.240 --> 01:04:20.239
when i make the album

01:04:20.240 --> 01:04:21.358
how much

01:04:21.359 --> 01:04:24.479
studio sheeting will allow myself to do

01:04:24.480 --> 01:04:27.598
and i think as any responsible musician

01:04:27.599 --> 01:04:29.598
i will allow myself to do any kind of

01:04:29.599 --> 01:04:32.558
studio shooting so actually this whole

01:04:32.559 --> 01:04:33.838
thing that i worry about now that's a

01:04:33.839 --> 01:04:36.479
snare drum is close to the vibraphone

01:04:36.480 --> 01:04:39.199
for recording the album it maybe doesn't

01:04:39.200 --> 01:04:40.719
matter

01:04:40.720 --> 01:04:42.479
and toby williams brings something up

01:04:42.480 --> 01:04:44.639
here being a naysayer is an important

01:04:44.640 --> 01:04:48.239
step it's on the way to success

01:04:48.240 --> 01:04:50.798
thanks tony that's kind of i'm digging

01:04:50.799 --> 01:04:53.118
myself down in my pessimism right now

01:04:53.119 --> 01:04:55.118
hannes is desperately trying to rescue

01:04:55.119 --> 01:04:58.479
me from drowning in pessimism and it's

01:04:58.480 --> 01:05:00.798
almost i'm flaunting how how negative i

01:05:00.799 --> 01:05:02.719
am now because i'm secretly a little bit

01:05:02.720 --> 01:05:04.479
proud just like you're hinting at

01:05:04.480 --> 01:05:07.999
exactly as too much kraft says here

01:05:08.000 --> 01:05:09.759
cheer up martin we'll be right there

01:05:09.760 --> 01:05:13.279
cheering you on all the way also sir h3k

01:05:13.280 --> 01:05:15.059
keep on

01:05:15.060 --> 01:05:18.558
[Laughter]

01:05:18.559 --> 01:05:21.199
it's so fun and what i love what i love

01:05:21.200 --> 01:05:23.199
now i'm always wanted to make this

01:05:23.200 --> 01:05:25.358
process transparent this process is

01:05:25.359 --> 01:05:28.159
happening transparently right extremely

01:05:28.160 --> 01:05:30.719
transparent together with you yeah i'm

01:05:30.720 --> 01:05:31.759
i'm

01:05:31.760 --> 01:05:34.078
i'm i'm for forgetting that we're it

01:05:34.079 --> 01:05:35.679
feels like we're here with friends who

01:05:35.680 --> 01:05:38.558
understands us it's a wonderful feeling

01:05:38.559 --> 01:05:40.880
um

01:05:44.480 --> 01:05:46.399
okay so if we

01:05:46.400 --> 01:05:47.679
yeah so

01:05:47.680 --> 01:05:49.439
this is a known unknown we're talking

01:05:49.440 --> 01:05:51.358
about the footprint

01:05:51.359 --> 01:05:54.239
to get everything to get any new viewers

01:05:54.240 --> 01:05:57.679
into the fray i think it's a word okay i

01:05:57.680 --> 01:05:59.519
just want to show what we did in the

01:05:59.520 --> 01:06:01.999
beginning of the stream to um

01:06:02.000 --> 01:06:04.959
we have identified what i think are the

01:06:04.960 --> 01:06:07.838
most important known unknowns we want we

01:06:07.839 --> 01:06:10.639
want to eventually move them

01:06:10.640 --> 01:06:13.199
uh to this side to make them known

01:06:13.200 --> 01:06:14.639
knowns

01:06:14.640 --> 01:06:16.719
and we're talking right now about the

01:06:16.720 --> 01:06:19.919
machine footprint and the machine dna

01:06:19.920 --> 01:06:23.038
and it is very obvious that the previous

01:06:23.039 --> 01:06:25.919
machines are so loved but i think there

01:06:25.920 --> 01:06:26.798
is

01:06:26.799 --> 01:06:28.879
maybe a trap there

01:06:28.880 --> 01:06:32.159
in the love for our old machines

01:06:32.160 --> 01:06:34.558
can you find uh on youtube patch

01:06:34.559 --> 01:06:37.919
methini's orchestrion project uh

01:06:37.920 --> 01:06:40.959
yeah soonish i am busy here reading the

01:06:40.960 --> 01:06:43.199
wonderful chat and as max no million

01:06:43.200 --> 01:06:45.919
says to make it feel less wide you could

01:06:45.920 --> 01:06:47.999
be the two drums not in a straight line

01:06:48.000 --> 01:06:51.279
so maybe like a 120 degree angle between

01:06:51.280 --> 01:06:54.720
them oh that's a good idea

01:06:54.880 --> 01:06:57.439
i mean and there we come also towards

01:06:57.440 --> 01:07:00.318
the circular circular things so and also

01:07:00.319 --> 01:07:02.479
here luis philippe

01:07:02.480 --> 01:07:05.598
ingrass wider means easier to make and

01:07:05.599 --> 01:07:08.399
easier to see things yeah definitely

01:07:08.400 --> 01:07:10.159
totally agree

01:07:10.160 --> 01:07:12.480
um

01:07:13.440 --> 01:07:16.399
can i move around let me see if it

01:07:16.400 --> 01:07:18.879
allows me i don't think so oh it does no

01:07:18.880 --> 01:07:23.038
it doesn't it only moves in a group

01:07:23.039 --> 01:07:26.078
okay let's see a bjorn guard

01:07:26.079 --> 01:07:28.078
i think it needs to be somewhat

01:07:28.079 --> 01:07:30.159
complicated to be interesting like a

01:07:30.160 --> 01:07:33.519
mechanical watch versus a quartz watch

01:07:33.520 --> 01:07:36.078
okay so that's in the dna for him

01:07:36.079 --> 01:07:39.598
mechanical watch versus a quartz watch

01:07:39.599 --> 01:07:41.598
yeah so so the internet

01:07:41.599 --> 01:07:44.078
i totally agree with you bjorn um the

01:07:44.079 --> 01:07:47.079
intertwinedness

01:07:47.520 --> 01:07:48.558
uh

01:07:48.559 --> 01:07:50.879
makes it exciting like how is it still

01:07:50.880 --> 01:07:53.999
working despite the fact like it's the

01:07:54.000 --> 01:07:56.239
antikythera mechanism like everything is

01:07:56.240 --> 01:07:57.999
so compact and close to each other but

01:07:58.000 --> 01:08:00.078
believe me

01:08:00.079 --> 01:08:02.399
we would this would still be so busy we

01:08:02.400 --> 01:08:04.318
don't have we have one percent of the

01:08:04.319 --> 01:08:06.318
parts on screen right now

01:08:06.319 --> 01:08:07.439
um

01:08:07.440 --> 01:08:09.038
i'm thinking

01:08:09.039 --> 01:08:11.118
you know what we had this nice comment

01:08:11.119 --> 01:08:13.519
about the drum placement i'm going to go

01:08:13.520 --> 01:08:15.358
and do some design actually and also

01:08:15.359 --> 01:08:17.599
here speaking about drum placements from

01:08:17.600 --> 01:08:20.318
red hot bagel for me some of the magic

01:08:20.319 --> 01:08:22.399
is in the compactness can you go more

01:08:22.400 --> 01:08:26.399
compact when drums aren't marble played

01:08:26.400 --> 01:08:29.119
yes if the drums aren't marker played we

01:08:29.120 --> 01:08:33.279
can go much more compact

01:08:33.440 --> 01:08:37.278
but then the drum loop is only 16 beats

01:08:37.279 --> 01:08:38.879
and with the marbles they can make

01:08:38.880 --> 01:08:40.559
variations which i thought was so

01:08:40.560 --> 01:08:42.479
magical

01:08:42.480 --> 01:08:44.559
um let's go over to the drum kit

01:08:44.560 --> 01:08:46.079
assembly and see if we can move things

01:08:46.080 --> 01:08:48.798
around a little bit and some perspective

01:08:48.799 --> 01:08:50.559
before i start looking for that clip you

01:08:50.560 --> 01:08:53.119
wanted me to look at one bald man

01:08:53.120 --> 01:08:55.519
bigger isn't always better just quote

01:08:55.520 --> 01:08:57.838
unquote easier look at nasa versus

01:08:57.839 --> 01:09:00.480
spacex

01:09:00.960 --> 01:09:03.119
oh i don't know i should know the

01:09:03.120 --> 01:09:04.559
reference

01:09:04.560 --> 01:09:07.358
um

01:09:07.359 --> 01:09:10.079
oh do you mean like the bigger uh like

01:09:10.080 --> 01:09:12.718
company or rocket i'm probably rocket

01:09:12.719 --> 01:09:14.960
like

01:09:17.759 --> 01:09:21.358
i'm going to move

01:09:21.359 --> 01:09:24.560
why is this like this

01:09:24.640 --> 01:09:28.079
ah this didn't end up well

01:09:28.080 --> 01:09:30.480
move

01:09:31.600 --> 01:09:33.039
this is a

01:09:33.040 --> 01:09:35.039
parametric designs i can actually move

01:09:35.040 --> 01:09:38.318
it properly by activating this and going

01:09:38.319 --> 01:09:41.759
down into my timeline

01:09:45.520 --> 01:09:46.838
you know what i'm gonna

01:09:46.839 --> 01:09:49.119
do i'm gonna do something here i'm gonna

01:09:49.120 --> 01:09:51.278
make a copy of this i'm gonna kill all

01:09:51.279 --> 01:09:52.639
the links

01:09:52.640 --> 01:09:54.879
so we can move things around freely in

01:09:54.880 --> 01:09:56.799
this design

01:09:56.800 --> 01:09:57.678
um

01:09:57.679 --> 01:10:00.399
i think that's the proper thing to do

01:10:00.400 --> 01:10:03.519
let me cut this off and let me cut this

01:10:03.520 --> 01:10:05.760
off

01:10:06.159 --> 01:10:08.639
let me go into this view

01:10:08.640 --> 01:10:09.759
so

01:10:09.760 --> 01:10:11.759
i should have prepared this i'm going to

01:10:11.760 --> 01:10:14.319
copy this one

01:10:14.320 --> 01:10:17.039
and copy

01:10:17.040 --> 01:10:19.759
i'm gonna open up this new sketch

01:10:19.760 --> 01:10:21.039
sketch one

01:10:21.040 --> 01:10:24.399
then we and i'm gonna kill

01:10:24.400 --> 01:10:27.039
so what you do is that you can kill all

01:10:27.040 --> 01:10:27.839
the

01:10:27.840 --> 01:10:28.839
design

01:10:28.840 --> 01:10:32.238
history in this copy

01:10:32.239 --> 01:10:33.678
and then i can

01:10:33.679 --> 01:10:35.919
kill the link

01:10:35.920 --> 01:10:38.879
to the other things i'm just killing

01:10:38.880 --> 01:10:40.639
all the design history so we can move

01:10:40.640 --> 01:10:42.839
the drums freely

01:10:42.840 --> 01:10:46.319
so let's do that

01:10:46.320 --> 01:10:48.079
super fun to brainstorm with y'all i've

01:10:48.080 --> 01:10:50.718
been longing for this

01:10:50.719 --> 01:10:53.360
break link

01:10:57.280 --> 01:11:00.879
and again the the thing with the

01:11:00.880 --> 01:11:02.959
the straight line

01:11:02.960 --> 01:11:05.119
is making it easier to

01:11:05.120 --> 01:11:06.479
um

01:11:06.480 --> 01:11:09.359
that doesn't work

01:11:09.360 --> 01:11:11.198
can i move it like this

01:11:11.199 --> 01:11:12.799
what was the hardest again you wanted me

01:11:12.800 --> 01:11:14.559
to look for

01:11:14.560 --> 01:11:16.799
oh it's because there's a rigid pap

01:11:16.800 --> 01:11:19.119
methane orchestrion project

01:11:19.120 --> 01:11:22.959
pat mathini while i love papathini um

01:11:22.960 --> 01:11:24.319
this is a good example of when the

01:11:24.320 --> 01:11:28.158
modular design becomes like i can show

01:11:28.159 --> 01:11:29.839
where i think the modular design has

01:11:29.840 --> 01:11:31.839
gone too far i don't think we can play

01:11:31.840 --> 01:11:33.439
the music but we can probably look a

01:11:33.440 --> 01:11:36.158
little bit on the video

01:11:36.159 --> 01:11:38.219
um

01:11:38.220 --> 01:11:39.759
[Music]

01:11:39.760 --> 01:11:41.999
an excerpt from the orchestron project

01:11:42.000 --> 01:11:44.960
perhaps yeah that's good

01:11:46.159 --> 01:11:49.999
i hope it's muted no that's mute

01:11:50.000 --> 01:11:52.479
why am i not allowed to move a single

01:11:52.480 --> 01:11:55.840
thing in this card

01:12:01.840 --> 01:12:05.839
there we also have someone

01:12:05.840 --> 01:12:07.439
again

01:12:07.440 --> 01:12:10.479
talking about let's see here hyper ban

01:12:10.480 --> 01:12:12.479
can you put registrators instruments on

01:12:12.480 --> 01:12:14.959
both sides of the drum it would

01:12:14.960 --> 01:12:16.718
need a different mechanism on the

01:12:16.719 --> 01:12:19.679
opposite side

01:12:20.480 --> 01:12:22.238
can you put registration instruments on

01:12:22.239 --> 01:12:24.479
both sides of the drum it would need a

01:12:24.480 --> 01:12:26.718
different mechanism on that side so that

01:12:26.719 --> 01:12:28.880
is

01:12:30.000 --> 01:12:31.039
possible

01:12:31.040 --> 01:12:33.440
for me

01:12:34.000 --> 01:12:37.279
that that that is this 90 degree example

01:12:37.280 --> 01:12:39.359
so on the ipad

01:12:39.360 --> 01:12:41.519
uh if we go to the sketch pad

01:12:41.520 --> 01:12:42.399
we are

01:12:42.400 --> 01:12:44.079
kind of looking at that and

01:12:44.080 --> 01:12:45.919
for me

01:12:45.920 --> 01:12:49.119
one one like pivotal design tenant is

01:12:49.120 --> 01:12:51.039
that if someone looks at looks at the

01:12:51.040 --> 01:12:53.359
machine i always wanted them to be able

01:12:53.360 --> 01:12:55.439
to look at all the action at the same

01:12:55.440 --> 01:12:57.759
time so let's say that if we wrap the

01:12:57.760 --> 01:13:00.079
instrument around one corner that should

01:13:00.080 --> 01:13:04.440
be possible um

01:13:06.159 --> 01:13:08.959
and and in this case if if the

01:13:08.960 --> 01:13:11.279
drums are here and these are the loop

01:13:11.280 --> 01:13:13.599
beaters

01:13:13.600 --> 01:13:15.359
this loop will will have to be 90

01:13:15.360 --> 01:13:16.839
degrees

01:13:16.840 --> 01:13:19.759
uh facing this direction and the

01:13:19.760 --> 01:13:21.759
programming wheel this direction

01:13:21.760 --> 01:13:23.759
and we only have to have six channels

01:13:23.760 --> 01:13:26.079
with marbles i only want

01:13:26.080 --> 01:13:28.079
two here

01:13:28.080 --> 01:13:30.879
two here and two here so we only have to

01:13:30.880 --> 01:13:34.079
go over six times with six bowden cables

01:13:34.080 --> 01:13:36.960
over to this side

01:13:43.440 --> 01:13:48.080
you always love this didn't you sir 3k

01:13:48.480 --> 01:13:50.800
yeah

01:13:50.960 --> 01:13:52.399
here's all something we have talked

01:13:52.400 --> 01:13:54.479
about in

01:13:54.480 --> 01:13:56.639
different locations from jim

01:13:56.640 --> 01:13:59.198
heber or jim herbert

01:13:59.199 --> 01:14:00.959
to make the base more compact since the

01:14:00.960 --> 01:14:02.718
person will not handling the guitar it

01:14:02.719 --> 01:14:04.718
does not need the body all you need is

01:14:04.719 --> 01:14:06.479
the neck and strings and pick up slash

01:14:06.480 --> 01:14:09.039
electronics nice comment i said to hans

01:14:09.040 --> 01:14:11.359
the other day

01:14:11.360 --> 01:14:13.359
i'm actually prepared to use a stick

01:14:13.360 --> 01:14:16.559
base so let's go back to cad

01:14:16.560 --> 01:14:18.479
and

01:14:18.480 --> 01:14:20.959
so i want i really wanted like a cello

01:14:20.960 --> 01:14:22.959
shape and stuff like that

01:14:22.960 --> 01:14:24.149
and

01:14:24.150 --> 01:14:25.359
[Music]

01:14:25.360 --> 01:14:27.839
i just said the other day

01:14:27.840 --> 01:14:30.238
i'm actually con i actually prepared to

01:14:30.239 --> 01:14:32.879
do some

01:14:32.880 --> 01:14:34.158
um

01:14:34.159 --> 01:14:35.839
soul searching

01:14:35.840 --> 01:14:39.919
so let's cut this beautiful body away

01:14:39.920 --> 01:14:43.919
let's make our dreams

01:14:43.920 --> 01:14:47.039
let's dream some new dreams

01:14:47.040 --> 01:14:49.999
and let's not be bogged down

01:14:50.000 --> 01:14:51.519
by our old

01:14:51.520 --> 01:14:54.079
dreams yeah it looks cool but perhaps it

01:14:54.080 --> 01:14:56.399
doesn't need to be that way for and from

01:14:56.400 --> 01:14:58.319
function dipoles are nice i will just

01:14:58.320 --> 01:15:00.879
pull it up as well from b boo champ

01:15:00.880 --> 01:15:02.959
i agree with whoever said that they

01:15:02.960 --> 01:15:05.119
loved the way the mmx hyatt system

01:15:05.120 --> 01:15:07.439
worked that was magical no marbles

01:15:07.440 --> 01:15:11.119
involved and still magical oh like the

01:15:11.120 --> 01:15:14.080
heist machine yeah

01:15:15.199 --> 01:15:16.799
the loop drum

01:15:16.800 --> 01:15:19.678
will be it's going to be crazy cool yeah

01:15:19.679 --> 01:15:23.439
is it magical oh look at that i hate it

01:15:23.440 --> 01:15:25.599
yeah for now we hate it

01:15:25.600 --> 01:15:27.999
but space wise

01:15:28.000 --> 01:15:30.319
well we need still if we're gonna we

01:15:30.320 --> 01:15:32.399
play by more oh i figured out the other

01:15:32.400 --> 01:15:33.439
day

01:15:33.440 --> 01:15:36.238
uh by sorry i'm getting excited i

01:15:36.239 --> 01:15:38.319
figured we love when you get excited man

01:15:38.320 --> 01:15:39.919
i figured out a new pattern for the

01:15:39.920 --> 01:15:42.479
hammer jammer of the bass so here we're

01:15:42.480 --> 01:15:44.959
looking at the strings from the top

01:15:44.960 --> 01:15:46.559
um

01:15:46.560 --> 01:15:48.879
in the wrong order never mind and i

01:15:48.880 --> 01:15:50.718
thought the hammer jammer needed to be

01:15:50.719 --> 01:15:53.839
like this so eight hit points uh like

01:15:53.840 --> 01:15:55.198
this

01:15:55.199 --> 01:15:57.279
and they flare like this

01:15:57.280 --> 01:15:58.079
uh

01:15:58.080 --> 01:15:59.439
and one more

01:15:59.440 --> 01:16:01.679
but

01:16:02.159 --> 01:16:03.439
i think

01:16:03.440 --> 01:16:06.158
that if we doesn't want to flare that we

01:16:06.159 --> 01:16:08.559
could actually make the hit point

01:16:08.560 --> 01:16:11.600
something like this

01:16:14.080 --> 01:16:15.759
with the double because we need to

01:16:15.760 --> 01:16:18.879
invent a double drop anyway

01:16:18.880 --> 01:16:20.399
um

01:16:20.400 --> 01:16:22.640
so

01:16:23.679 --> 01:16:25.279
so then this t because i was thinking

01:16:25.280 --> 01:16:27.839
when we make the bass smaller

01:16:27.840 --> 01:16:29.839
so now you can see that the hit points

01:16:29.840 --> 01:16:34.238
are almost as as the string size almost

01:16:34.239 --> 01:16:36.480
um

01:16:36.880 --> 01:16:37.839
okay

01:16:37.840 --> 01:16:40.319
let's go to canned yeah and jockey

01:16:40.320 --> 01:16:42.319
monster asks here what about beaters for

01:16:42.320 --> 01:16:44.879
the drum like the bass and there are

01:16:44.880 --> 01:16:47.119
beaters on the drums

01:16:47.120 --> 01:16:49.599
beaters and marbles are getting dropped

01:16:49.600 --> 01:16:50.479
yes

01:16:50.480 --> 01:16:52.559
so i have them here

01:16:52.560 --> 01:16:54.799
they are ugly right now they're only

01:16:54.800 --> 01:16:56.479
there for

01:16:56.480 --> 01:16:59.519
and this these beaters are four times

01:16:59.520 --> 01:17:01.439
tighter

01:17:01.440 --> 01:17:04.718
than the marbles where on the marble

01:17:04.719 --> 01:17:07.599
machine x and arms were pretty tight so

01:17:07.600 --> 01:17:09.599
i'm expecting really good performance

01:17:09.600 --> 01:17:11.759
from the drum from the drummer and it

01:17:11.760 --> 01:17:12.559
will

01:17:12.560 --> 01:17:15.759
have like a solid foundation of the beat

01:17:15.760 --> 01:17:16.399
so

01:17:16.400 --> 01:17:17.599
so they're

01:17:17.600 --> 01:17:19.439
they are tighter because this loop wheel

01:17:19.440 --> 01:17:20.959
plays four times

01:17:20.960 --> 01:17:22.959
rotates four times faster than this

01:17:22.960 --> 01:17:24.079
wheel

01:17:24.080 --> 01:17:24.339
um

01:17:24.340 --> 01:17:26.399
[Music]

01:17:26.400 --> 01:17:27.759
and

01:17:27.760 --> 01:17:29.439
i actually thought it would rotate eight

01:17:29.440 --> 01:17:31.119
times faster but i realized that was

01:17:31.120 --> 01:17:32.879
even too fast

01:17:32.880 --> 01:17:34.319
um

01:17:34.320 --> 01:17:35.889
so where were we

01:17:35.890 --> 01:17:37.999
[Music]

01:17:38.000 --> 01:17:39.839
and i have another one to just

01:17:39.840 --> 01:17:41.678
throw out here because this is also

01:17:41.679 --> 01:17:44.479
interesting for one bald man curve the

01:17:44.480 --> 01:17:46.479
front of all the instruments

01:17:46.480 --> 01:17:48.158
drums in the middle split the vibraphone

01:17:48.159 --> 01:17:50.639
between each side think crescent moon

01:17:50.640 --> 01:17:53.919
machine is deeper not wider

01:17:53.920 --> 01:17:55.039
curve

01:17:55.040 --> 01:17:57.359
curved front curved front all the

01:17:57.360 --> 01:17:58.799
instruments

01:17:58.800 --> 01:18:00.799
drums in the middle

01:18:00.800 --> 01:18:03.599
split the vibraphone between each side

01:18:03.600 --> 01:18:06.639
think crescent moon

01:18:06.640 --> 01:18:10.079
machine is deeper not wider also like

01:18:10.080 --> 01:18:12.399
two flanks yeah

01:18:12.400 --> 01:18:14.479
drums in the middle

01:18:14.480 --> 01:18:17.999
split the vibraphone between each side

01:18:18.000 --> 01:18:20.639
so i'm i'm very much in love with the

01:18:20.640 --> 01:18:22.399
circular vibraphone

01:18:22.400 --> 01:18:23.359
like if

01:18:23.360 --> 01:18:25.039
like

01:18:25.040 --> 01:18:27.119
and if somehow from a footprint

01:18:27.120 --> 01:18:28.799
perspective that could be formed from

01:18:28.800 --> 01:18:31.839
function i'm like oh yes

01:18:31.840 --> 01:18:32.718
so

01:18:32.719 --> 01:18:35.679
crescent moon

01:18:36.320 --> 01:18:38.399
a bee boot champion i love this comment

01:18:38.400 --> 01:18:40.718
also hammer jammer was my suggestion by

01:18:40.719 --> 01:18:42.799
the way i expect either to be paid

01:18:42.800 --> 01:18:45.599
billions from a genius of the mm3 or a

01:18:45.600 --> 01:18:48.238
50 discount on your canadian mm3 world

01:18:48.239 --> 01:18:50.718
tour concert

01:18:50.719 --> 01:18:53.839
fantastic bibo the hammer jammer has

01:18:53.840 --> 01:18:55.839
solved a lot thank you so much for that

01:18:55.840 --> 01:18:58.158
suggestion i would love to have an

01:18:58.159 --> 01:19:00.079
official like

01:19:00.080 --> 01:19:03.359
way to record all those little small

01:19:03.360 --> 01:19:04.879
contributions

01:19:04.880 --> 01:19:06.559
maybe that's something that the

01:19:06.560 --> 01:19:09.359
community can can start keeping track of

01:19:09.360 --> 01:19:11.439
without starting to climb on each other

01:19:11.440 --> 01:19:13.599
fighting for fighting for glory and

01:19:13.600 --> 01:19:16.639
being being enemies mortal enemies

01:19:16.640 --> 01:19:18.559
um

01:19:18.560 --> 01:19:20.839
yeah the hammer jammer is great

01:19:20.840 --> 01:19:24.079
um it's a deal it's a deal it's a deal

01:19:24.080 --> 01:19:26.079
the discount is a deal

01:19:26.080 --> 01:19:27.599
but no i'm not selling the battery

01:19:27.600 --> 01:19:29.759
before it's made this time no probably

01:19:29.760 --> 01:19:32.399
there will never be a torso so but

01:19:32.400 --> 01:19:33.439
perhaps

01:19:33.440 --> 01:19:35.759
we will tour the land of canada and we

01:19:35.760 --> 01:19:38.079
can't just go and shake his hand

01:19:38.080 --> 01:19:40.639
that would be fantastic 50 off for the

01:19:40.640 --> 01:19:43.199
handshake

01:19:43.520 --> 01:19:47.919
look at sir 3k who has a selling upgrade

01:19:47.920 --> 01:19:50.238
and is now selling handshakes that went

01:19:50.239 --> 01:19:51.759
fast i love it

01:19:51.760 --> 01:19:54.079
love it love it we sweets are not good

01:19:54.080 --> 01:19:56.079
marketing people we have to learn from

01:19:56.080 --> 01:19:57.919
horrible from our friends across the

01:19:57.920 --> 01:20:00.158
pond who are much better we think like

01:20:00.159 --> 01:20:01.759
okay if we if we just sit in our

01:20:01.760 --> 01:20:04.079
t-shirts people will buy that

01:20:04.080 --> 01:20:05.759
but that's an excellent way to support

01:20:05.760 --> 01:20:08.559
us is to buy merch from us look at the

01:20:08.560 --> 01:20:10.559
selling upgrade on this box

01:20:10.560 --> 01:20:13.599
my god isn't it beautiful where are we

01:20:13.600 --> 01:20:15.359
so this is such an interesting

01:20:15.360 --> 01:20:17.039
discussion we're having let's let's

01:20:17.040 --> 01:20:18.479
let's try to

01:20:18.480 --> 01:20:20.399
haul it back in

01:20:20.400 --> 01:20:23.840
um so i i

01:20:24.639 --> 01:20:27.359
the line of the drums

01:20:27.360 --> 01:20:30.079
uh i've angled them

01:20:30.080 --> 01:20:31.839
i've angled them a little bit like this

01:20:31.840 --> 01:20:34.079
now but the fact to have things at the

01:20:34.080 --> 01:20:35.359
straight line

01:20:35.360 --> 01:20:38.638
is just the the easiest way for all the

01:20:38.639 --> 01:20:40.399
dropping right

01:20:40.400 --> 01:20:43.439
not only that but also for the

01:20:43.440 --> 01:20:45.599
for the distance to the loop machine so

01:20:45.600 --> 01:20:47.119
it's the same action on the kick drum

01:20:47.120 --> 01:20:49.039
same action on this arm same space and

01:20:49.040 --> 01:20:52.480
everything okay but

01:20:52.960 --> 01:20:56.238
let's go to one of our images with a

01:20:56.239 --> 01:20:57.519
mushroom

01:20:57.520 --> 01:21:00.718
because another thing that wait let's go

01:21:00.719 --> 01:21:03.678
here let's go to the

01:21:03.679 --> 01:21:06.959
i can actually do that myself no oh wow

01:21:06.960 --> 01:21:09.279
double one

01:21:09.280 --> 01:21:10.799
so um

01:21:10.800 --> 01:21:12.799
while you do that i just want to put up

01:21:12.800 --> 01:21:15.119
here robert

01:21:15.120 --> 01:21:17.839
i think you focus too much on drums i

01:21:17.840 --> 01:21:19.759
think a really good vibraphone solution

01:21:19.760 --> 01:21:22.559
with the sorta working mmx base is a

01:21:22.560 --> 01:21:24.559
cool mvp

01:21:24.560 --> 01:21:26.718
drums can be added later

01:21:26.719 --> 01:21:29.359
i i i have that feeling as well robert i

01:21:29.360 --> 01:21:31.678
i have this feeling that

01:21:31.679 --> 01:21:32.479
like

01:21:32.480 --> 01:21:34.718
imagine going to a concert and there's

01:21:34.719 --> 01:21:36.309
an intro

01:21:36.310 --> 01:21:37.139
[Music]

01:21:37.140 --> 01:21:40.449
[Applause]

01:21:41.320 --> 01:21:45.359
[Music]

01:21:45.360 --> 01:21:47.469
all this is played by marbles

01:21:47.470 --> 01:21:50.619
[Music]

01:21:51.199 --> 01:21:53.359
no drums

01:21:53.360 --> 01:21:54.638
and then we do

01:21:54.639 --> 01:21:56.959
the program switch trick

01:21:56.960 --> 01:22:00.159
and it's still only marbles

01:22:04.480 --> 01:22:06.718
i showed this 100 times but what i mean

01:22:06.719 --> 01:22:08.959
is that

01:22:08.960 --> 01:22:10.559
this is why i want a full-size

01:22:10.560 --> 01:22:11.759
vibraphone

01:22:11.760 --> 01:22:13.519
it has to be a full-size vibraphone

01:22:13.520 --> 01:22:15.839
kimuton yeah and you know what b

01:22:15.840 --> 01:22:17.689
bootchamp accepts the deal

01:22:17.690 --> 01:22:19.198
[Laughter]

01:22:19.199 --> 01:22:21.039
wonderful vivo

01:22:21.040 --> 01:22:22.559
um

01:22:22.560 --> 01:22:24.479
fantastic and

01:22:24.480 --> 01:22:27.759
i just realized the marble catcher

01:22:27.760 --> 01:22:30.399
is also a red i just turned it red it's

01:22:30.400 --> 01:22:32.718
also a red known unknown and that's

01:22:32.719 --> 01:22:35.039
where i want to go to the circular um

01:22:35.040 --> 01:22:35.999
sketch

01:22:36.000 --> 01:22:39.919
can we pull that up sir 3k it's from the

01:22:39.920 --> 01:22:42.638
no wait i have it in my um sketch pad

01:22:42.639 --> 01:22:45.039
here because i sketched on the thing

01:22:45.040 --> 01:22:46.479
here

01:22:46.480 --> 01:22:47.599
oh yeah

01:22:47.600 --> 01:22:49.119
let's see

01:22:49.120 --> 01:22:50.839
there we go yeah

01:22:50.840 --> 01:22:52.799
so

01:22:52.800 --> 01:22:54.158
i'm

01:22:54.159 --> 01:22:56.799
very worried about the marble uh

01:22:56.800 --> 01:22:58.238
capturing

01:22:58.239 --> 01:23:00.959
because i think it's gonna look ugly

01:23:00.960 --> 01:23:01.919
and

01:23:01.920 --> 01:23:04.320
um

01:23:04.560 --> 01:23:07.039
to have

01:23:07.040 --> 01:23:09.198
to have like a circular

01:23:09.199 --> 01:23:10.638
cake thing

01:23:10.639 --> 01:23:12.879
around the whole machine

01:23:12.880 --> 01:23:15.599
and i come up like from a

01:23:15.600 --> 01:23:18.399
huge musical birthday cake

01:23:18.400 --> 01:23:19.599
um

01:23:19.600 --> 01:23:22.239
it makes

01:23:22.400 --> 01:23:25.040
so you remember

01:23:26.480 --> 01:23:27.919
yes

01:23:27.920 --> 01:23:30.238
exactly that's how that's that's exactly

01:23:30.239 --> 01:23:32.158
i wanted you remember the joke with the

01:23:32.159 --> 01:23:33.439
funnel

01:23:33.440 --> 01:23:35.999
how can you ever forget it right

01:23:36.000 --> 01:23:37.759
where did where where did we have it is

01:23:37.760 --> 01:23:40.079
it here

01:23:40.080 --> 01:23:41.678
let's get yes

01:23:41.679 --> 01:23:44.480
it's in this cad

01:23:46.239 --> 01:23:48.718
so we had this machine that we get in

01:23:48.719 --> 01:23:50.559
the beginning yeah

01:23:50.560 --> 01:23:52.718
um

01:23:52.719 --> 01:23:54.238
and

01:23:54.239 --> 01:23:55.119
then

01:23:55.120 --> 01:23:57.119
i said like

01:23:57.120 --> 01:24:00.799
that we solved the funnel issue

01:24:00.800 --> 01:24:02.799
and it's still as funny as day and i

01:24:02.800 --> 01:24:05.519
just mean if we go to that look at this

01:24:05.520 --> 01:24:07.678
and go over to the sketch pad

01:24:07.679 --> 01:24:09.439
it's the same yes

01:24:09.440 --> 01:24:12.079
it's a brilliant idea and it's it would

01:24:12.080 --> 01:24:14.559
just like

01:24:14.560 --> 01:24:16.799
it's a way to turn this design

01:24:16.800 --> 01:24:18.319
requirement of having something

01:24:18.320 --> 01:24:19.919
capturing all the

01:24:19.920 --> 01:24:22.158
all the um marbles

01:24:22.159 --> 01:24:25.039
into kind of something beautiful

01:24:25.040 --> 01:24:27.039
and

01:24:27.040 --> 01:24:30.960
yeah it's a sean michelle shouted

01:24:43.280 --> 01:24:46.238
i have adhd and love making music also

01:24:46.239 --> 01:24:47.999
make a founder with holes to make a

01:24:48.000 --> 01:24:50.638
circular vibraphone as i make a funnel

01:24:50.639 --> 01:24:54.319
with holes to make a

01:24:54.320 --> 01:24:56.959
circular vibraphone i'm

01:24:56.960 --> 01:24:58.158
first of all i'm so happy for your

01:24:58.159 --> 01:25:00.238
comment second of all i'm sorry your

01:25:00.239 --> 01:25:03.439
username didn't it didn't work out

01:25:03.440 --> 01:25:06.079
because i i failed with the mmx but this

01:25:06.080 --> 01:25:10.079
is mmxt it's mmxt touring version now i

01:25:10.080 --> 01:25:11.279
see it

01:25:11.280 --> 01:25:13.599
still on point and valid

01:25:13.600 --> 01:25:17.360
it's up to you martin to fail now

01:25:18.400 --> 01:25:20.638
also make a funnel with holes to make a

01:25:20.639 --> 01:25:23.359
circular vibrophone

01:25:23.360 --> 01:25:26.360
so

01:25:27.120 --> 01:25:28.879
let me let me sketch something about the

01:25:28.880 --> 01:25:31.119
circular design that has been on my mind

01:25:31.120 --> 01:25:33.439
um we're just brainstorming a high level

01:25:33.440 --> 01:25:36.399
here if we have a circular vibraphone

01:25:36.400 --> 01:25:37.678
the funnels

01:25:37.679 --> 01:25:39.599
can be much larger because they are on

01:25:39.600 --> 01:25:42.879
the outside of the perimeter so here

01:25:42.880 --> 01:25:44.879
we have one measurement

01:25:44.880 --> 01:25:47.039
but the funnels can be here and they can

01:25:47.040 --> 01:25:48.638
be much larger

01:25:48.639 --> 01:25:50.879
so with the circular vibraphone

01:25:50.880 --> 01:25:52.399
we could potentially go back to

01:25:52.400 --> 01:25:54.718
individual funnels which means that we

01:25:54.719 --> 01:25:56.238
could go to this

01:25:56.239 --> 01:25:58.079
feed

01:25:58.080 --> 01:25:59.039
only

01:25:59.040 --> 01:26:00.559
the red marbles

01:26:00.560 --> 01:26:02.399
into the red channel

01:26:02.400 --> 01:26:05.839
so there's a loop here which means

01:26:05.840 --> 01:26:10.239
that we don't need a marble divider

01:26:10.719 --> 01:26:14.879
so if it's true then we could um

01:26:14.880 --> 01:26:19.679
so green marbles goes to green channel

01:26:20.080 --> 01:26:21.678
with a circular design i have the

01:26:21.679 --> 01:26:24.638
feeling and if i sketch it from the side

01:26:24.639 --> 01:26:26.959
um i also have the feeling that we can

01:26:26.960 --> 01:26:29.439
take back the cool funnel design if we

01:26:29.440 --> 01:26:31.279
don't want the birthday cake

01:26:31.280 --> 01:26:32.718
so if we have this

01:26:32.719 --> 01:26:37.159
if we have the circular microphone here

01:26:39.679 --> 01:26:41.599
a lot of engineers will be pissed off if

01:26:41.600 --> 01:26:43.759
i'm going serious with this

01:26:43.760 --> 01:26:45.119
um

01:26:45.120 --> 01:26:47.198
that we can have like this and music

01:26:47.199 --> 01:26:49.599
funnels coming back to us oh yeah the

01:26:49.600 --> 01:26:53.279
flowers the the flowers that failed

01:26:53.280 --> 01:26:56.799
the first flowers that ever failed

01:26:56.800 --> 01:26:59.119
so i'm not drawing them so beautifully

01:26:59.120 --> 01:27:01.039
here but

01:27:01.040 --> 01:27:03.279
we get the point and we can have the

01:27:03.280 --> 01:27:06.319
move when collecting

01:27:06.320 --> 01:27:07.919
because

01:27:07.920 --> 01:27:09.279
thanks to the fact that this distance

01:27:09.280 --> 01:27:11.279
out here is much larger than the

01:27:11.280 --> 01:27:13.919
distance in here

01:27:13.920 --> 01:27:15.439
we could make the funnels big enough so

01:27:15.440 --> 01:27:16.638
they are actually not missing the

01:27:16.639 --> 01:27:19.439
marbles like on on

01:27:19.440 --> 01:27:21.119
on the old and then

01:27:21.120 --> 01:27:23.999
in this case i do want the plates to

01:27:24.000 --> 01:27:28.719
move and imagine that the

01:27:29.040 --> 01:27:30.879
resonator pipes

01:27:30.880 --> 01:27:32.879
would be this church organ style so they

01:27:32.880 --> 01:27:35.198
will be longer and they will be shorter

01:27:35.199 --> 01:27:38.879
like this i mean it's so beautiful

01:27:38.880 --> 01:27:41.839
true thing of butte

01:27:41.840 --> 01:27:44.559
it's a true thing of you and then pute

01:27:44.560 --> 01:27:46.399
and then we could continue

01:27:46.400 --> 01:27:48.399
with the drums over here like like

01:27:48.400 --> 01:27:51.279
people have suggested suggested

01:27:51.280 --> 01:27:51.599
um

01:27:51.600 --> 01:27:54.158
[Music]

01:27:54.159 --> 01:27:59.000
and then i'm playing over here bass

01:28:00.480 --> 01:28:02.559
there is something about this

01:28:02.560 --> 01:28:05.439
yeah a slice of sport also commented

01:28:05.440 --> 01:28:07.359
separating the vibraphone from the drums

01:28:07.360 --> 01:28:09.599
should make it much easier to play

01:28:09.600 --> 01:28:10.718
manually

01:28:10.719 --> 01:28:13.198
imagine moving from the base over in

01:28:13.199 --> 01:28:16.320
front of the vibe

01:28:16.639 --> 01:28:18.960
yes

01:28:19.040 --> 01:28:20.959
that's why i want the bass guitar next

01:28:20.960 --> 01:28:22.799
to the vibraphone so i can just stretch

01:28:22.800 --> 01:28:25.198
my hand and play like this

01:28:25.199 --> 01:28:26.718
of course on the circular it's going to

01:28:26.719 --> 01:28:28.638
be a little bit tricky

01:28:28.639 --> 01:28:30.799
a circular chromatic

01:28:30.800 --> 01:28:33.120
um

01:28:38.320 --> 01:28:40.879
oh brilliant context question for us

01:28:40.880 --> 01:28:43.359
here on vintage live as well

01:28:43.360 --> 01:28:44.638
chief

01:28:44.639 --> 01:28:47.439
asks here i love your channel i'm sure

01:28:47.440 --> 01:28:48.959
you've answered this but will these

01:28:48.960 --> 01:28:52.319
streams be edited at some point

01:28:52.320 --> 01:28:54.479
i know these streams won't be edited but

01:28:54.480 --> 01:28:56.959
over on the main wintergatan youtube

01:28:56.960 --> 01:28:58.879
channel

01:28:58.880 --> 01:29:01.919
we do weekly summaries of what we've

01:29:01.920 --> 01:29:04.879
been doing this week somebody got on

01:29:04.880 --> 01:29:05.999
live

01:29:06.000 --> 01:29:08.959
so here we stream everything the whole

01:29:08.960 --> 01:29:11.359
process and on wednesdays on the main

01:29:11.360 --> 01:29:13.519
channel we summarize what's been going

01:29:13.520 --> 01:29:16.559
on so if you want condensed versions

01:29:16.560 --> 01:29:18.718
that's on wednesdays on the main

01:29:18.719 --> 01:29:21.039
bintigota youtube channel

01:29:21.040 --> 01:29:22.879
thank you so much

01:29:22.880 --> 01:29:25.198
definitely thank you so much and i'm

01:29:25.199 --> 01:29:27.919
trying to reign in this discussion too

01:29:27.920 --> 01:29:30.319
maybe to get somewhere like what can we

01:29:30.320 --> 01:29:31.919
get out of this

01:29:31.920 --> 01:29:33.839
i really appreciate this discussion are

01:29:33.840 --> 01:29:35.599
you just gonna derail me a little bit oh

01:29:35.600 --> 01:29:39.198
yeah okay good so this is um all credit

01:29:39.199 --> 01:29:40.718
to path methini

01:29:40.719 --> 01:29:42.238
but

01:29:42.239 --> 01:29:43.999
this is why i don't want to use

01:29:44.000 --> 01:29:46.238
solenoids of course you have to go and

01:29:46.239 --> 01:29:49.119
look at it it looks like any music

01:29:49.120 --> 01:29:51.839
so this is a modular thing so pat is

01:29:51.840 --> 01:29:53.359
standing in the middle oh there's the

01:29:53.360 --> 01:29:54.959
mallet machine you're right i should not

01:29:54.960 --> 01:29:57.919
build a mallet machine there we go

01:29:57.920 --> 01:29:59.919
so they built all these mechanical

01:29:59.920 --> 01:30:01.678
instruments

01:30:01.679 --> 01:30:03.839
and they're standing everywhere apart

01:30:03.840 --> 01:30:06.959
from where pat is and they put a drum

01:30:06.960 --> 01:30:08.638
and they put a lamp i think on the drum

01:30:08.639 --> 01:30:10.479
kit so the lamp is lighting up when the

01:30:10.480 --> 01:30:12.079
kick is played

01:30:12.080 --> 01:30:13.599
i don't know if this this looks like

01:30:13.600 --> 01:30:15.919
it's filmed like any music do you think

01:30:15.920 --> 01:30:18.718
this was inspired by pipe dream as well

01:30:18.719 --> 01:30:22.319
and the 2013 2010 yeah it's after

01:30:22.320 --> 01:30:24.479
pipedream i think

01:30:24.480 --> 01:30:27.359
they have the tubular belts there and as

01:30:27.360 --> 01:30:29.759
you can see like it's um

01:30:29.760 --> 01:30:33.560
the piano is self-playing

01:30:34.880 --> 01:30:36.559
also the mallets and the mallets are

01:30:36.560 --> 01:30:38.238
actually obstructing the vibraphone did

01:30:38.239 --> 01:30:40.559
you see how they built it um from two

01:30:40.560 --> 01:30:42.559
sides there yeah

01:30:42.560 --> 01:30:44.880
um

01:30:44.960 --> 01:30:46.559
it's a little bit un

01:30:46.560 --> 01:30:49.279
unfair to critique sound music video

01:30:49.280 --> 01:30:52.159
with no sound

01:30:52.400 --> 01:30:53.599
but

01:30:53.600 --> 01:30:56.559
but the feeling that he so this is just

01:30:56.560 --> 01:30:58.079
this is the feeling that i don't want

01:30:58.080 --> 01:31:00.399
people to get when they go to our tour

01:31:00.400 --> 01:31:03.678
it should not be like it should not be

01:31:03.679 --> 01:31:05.039
so let's

01:31:05.040 --> 01:31:06.479
let's say that we have

01:31:06.480 --> 01:31:09.439
absolutely decided that it's not modular

01:31:09.440 --> 01:31:11.919
in the sense with separate modules

01:31:11.920 --> 01:31:13.599
standing far away from each other we

01:31:13.600 --> 01:31:15.599
don't want to build that it has to be

01:31:15.600 --> 01:31:17.919
one thing

01:31:17.920 --> 01:31:19.678
yep can you go forward to see if the

01:31:19.679 --> 01:31:21.279
drums um

01:31:21.280 --> 01:31:23.359
are playing so we can see the so see we

01:31:23.360 --> 01:31:26.238
can see the lights of the drums

01:31:26.239 --> 01:31:28.559
let's see if something happens here

01:31:28.560 --> 01:31:30.479
oh that's a sliding that's a cool thing

01:31:30.480 --> 01:31:32.079
though look how it's sliding i think

01:31:32.080 --> 01:31:33.999
it's making like chords and stuff i have

01:31:34.000 --> 01:31:35.599
to go watch this

01:31:35.600 --> 01:31:38.479
uh with sound after the stream

01:31:38.480 --> 01:31:39.839
um

01:31:39.840 --> 01:31:42.158
the self playing piano oh

01:31:42.159 --> 01:31:43.919
they have oh we have to check this out

01:31:43.920 --> 01:31:46.320
actually

01:31:47.040 --> 01:31:47.919
but

01:31:47.920 --> 01:31:48.959
yeah

01:31:48.960 --> 01:31:52.319
bringing that on tour that's easy

01:31:52.320 --> 01:31:55.440
oh there's a vibraphone

01:31:55.920 --> 01:31:58.079
so there's solenoids this is a solenoid

01:31:58.080 --> 01:32:00.079
party and like

01:32:00.080 --> 01:32:02.400
um

01:32:02.480 --> 01:32:05.279
and also of course i think

01:32:05.280 --> 01:32:07.279
the light engineer

01:32:07.280 --> 01:32:09.439
should have been fired before they

01:32:09.440 --> 01:32:11.839
filmed this video you cannot see

01:32:11.840 --> 01:32:13.359
anything no

01:32:13.360 --> 01:32:15.519
give give it just white light

01:32:15.520 --> 01:32:17.439
and this video would have been viral

01:32:17.440 --> 01:32:20.479
give it these like stupid search lights

01:32:20.480 --> 01:32:21.279
and

01:32:21.280 --> 01:32:23.039
how many because it's not interesting

01:32:23.040 --> 01:32:25.198
they need to do something with the light

01:32:25.199 --> 01:32:27.198
boom

01:32:27.199 --> 01:32:28.559
oh that's maybe

01:32:28.560 --> 01:32:30.319
how i love patent athena yeah that's

01:32:30.320 --> 01:32:31.759
that's really really cool it's taking

01:32:31.760 --> 01:32:33.279
everything back how many views does the

01:32:33.280 --> 01:32:34.319
video have

01:32:34.320 --> 01:32:36.559
three hundred thousand yeah that's why

01:32:36.560 --> 01:32:38.399
you have like not even one percent of

01:32:38.400 --> 01:32:40.158
the machine video because the lightning

01:32:40.159 --> 01:32:42.319
shows that's why you have floor painted

01:32:42.320 --> 01:32:44.879
floor painting paper from bltm in your

01:32:44.880 --> 01:32:47.198
music video that's how you make it viral

01:32:47.199 --> 01:32:50.079
folks look at the cookie swedes

01:32:50.080 --> 01:32:52.158
pat is wonderful i saw patmenting in

01:32:52.159 --> 01:32:55.678
plainlivens.com actually zg1 like a big

01:32:55.679 --> 01:32:58.559
organ register like left the base middle

01:32:58.560 --> 01:33:01.279
vibrate and right drums in a wrinkled

01:33:01.280 --> 01:33:04.319
half square

01:33:04.320 --> 01:33:06.879
like left bass middle vibrophone and

01:33:06.880 --> 01:33:09.519
drag drums in like a big organ register

01:33:09.520 --> 01:33:12.079
yeah i like this uh we called half

01:33:12.080 --> 01:33:14.238
square it's it's the

01:33:14.239 --> 01:33:17.839
it's a 90 degree solution i think

01:33:17.840 --> 01:33:18.718
so

01:33:18.719 --> 01:33:21.999
how do we summarize all our collective

01:33:22.000 --> 01:33:25.119
thoughts um first i just have more more

01:33:25.120 --> 01:33:27.839
here oh wow dynamic commander remember

01:33:27.840 --> 01:33:29.678
that the crowd watching the show would

01:33:29.679 --> 01:33:32.479
be placed on a lower height than machine

01:33:32.480 --> 01:33:33.839
catching marbles in front of the

01:33:33.840 --> 01:33:36.718
vibraphone will block view

01:33:36.719 --> 01:33:41.520
that's also very very very true um

01:33:42.400 --> 01:33:45.439
one idea that is interesting is if we

01:33:45.440 --> 01:33:46.879
can angle

01:33:46.880 --> 01:33:48.559
and i was thinking about that actually

01:33:48.560 --> 01:33:50.959
regards to that's a good that's a good

01:33:50.960 --> 01:33:52.718
thought so if we if we go to the sketch

01:33:52.719 --> 01:33:53.599
pad

01:33:53.600 --> 01:33:56.479
so say the marble comes down here

01:33:56.480 --> 01:33:57.599
if we make

01:33:57.600 --> 01:34:00.559
more of an angle this time

01:34:00.560 --> 01:34:04.238
um then the volume will be less but then

01:34:04.239 --> 01:34:06.238
the marble will move

01:34:06.239 --> 01:34:08.718
straight down right away i'm painting

01:34:08.719 --> 01:34:10.799
outside there

01:34:10.800 --> 01:34:13.039
um

01:34:13.040 --> 01:34:15.919
but then the resonator will be in

01:34:15.920 --> 01:34:18.399
and if we then have a circular

01:34:18.400 --> 01:34:19.919
arrangement

01:34:19.920 --> 01:34:22.238
these resonators will start to collide

01:34:22.239 --> 01:34:24.959
so they have to be far apart so so so

01:34:24.960 --> 01:34:26.799
they can fit

01:34:26.800 --> 01:34:29.599
good sketching here

01:34:29.600 --> 01:34:32.479
and that will also be very visual

01:34:32.480 --> 01:34:34.158
because then we can have the funnels

01:34:34.159 --> 01:34:36.399
below

01:34:36.400 --> 01:34:39.198
to not obstruct the view yeah

01:34:39.199 --> 01:34:40.718
i think on big shows we're going to have

01:34:40.719 --> 01:34:42.959
like cameras also on big screens and

01:34:42.960 --> 01:34:45.118
stuff like that but you do want

01:34:45.119 --> 01:34:47.599
want to see the machine

01:34:47.600 --> 01:34:49.839
yeah absolutely and a follow-up from

01:34:49.840 --> 01:34:51.999
chief here oh good thank you so much

01:34:52.000 --> 01:34:53.678
again just love your content and wish

01:34:53.679 --> 01:34:54.959
you the best seeing you working to

01:34:54.960 --> 01:34:58.079
achieve your dream is so awesome thank

01:34:58.080 --> 01:35:00.718
you so much i'm

01:35:00.719 --> 01:35:03.119
i am

01:35:03.199 --> 01:35:05.919
right now i don't know if this

01:35:05.920 --> 01:35:07.198
is a dream

01:35:07.199 --> 01:35:10.158
that it will be only a pipe dream or or

01:35:10.159 --> 01:35:12.879
if it can actually be something so

01:35:12.880 --> 01:35:14.399
where do we summarize where we're

01:35:14.400 --> 01:35:16.879
standing i wanna i wanna show you once

01:35:16.880 --> 01:35:19.279
again where we started

01:35:19.280 --> 01:35:21.359
um

01:35:21.360 --> 01:35:23.439
this

01:35:23.440 --> 01:35:25.599
and i think

01:35:25.600 --> 01:35:27.439
the upcoming week

01:35:27.440 --> 01:35:29.359
or weeks

01:35:29.360 --> 01:35:30.638
i'm going to

01:35:30.639 --> 01:35:34.639
keep on dive deeper in this

01:35:34.800 --> 01:35:36.079
i

01:35:36.080 --> 01:35:38.479
the bowden hydraulics means if we can

01:35:38.480 --> 01:35:39.839
put an instrument

01:35:39.840 --> 01:35:41.759
long further away from the programming

01:35:41.760 --> 01:35:42.799
wheel

01:35:42.800 --> 01:35:45.439
and the marble size and materials means

01:35:45.440 --> 01:35:48.959
how much width do we need between gates

01:35:48.960 --> 01:35:51.519
if i want big marbles like this 30 or 40

01:35:51.520 --> 01:35:54.079
millimeters the gates naturally have to

01:35:54.080 --> 01:35:56.399
be more wide apart

01:35:56.400 --> 01:35:57.919
and yeah

01:35:57.920 --> 01:36:00.399
i don't know

01:36:00.400 --> 01:36:03.118
the mvp minimum viable product for the

01:36:03.119 --> 01:36:05.678
audience or for martian thing this is

01:36:05.679 --> 01:36:07.198
basically

01:36:07.199 --> 01:36:09.118
i start to really understand why people

01:36:09.119 --> 01:36:10.799
have said you have to write to sign

01:36:10.800 --> 01:36:13.039
requirements before designing

01:36:13.040 --> 01:36:15.519
so that's why i think in the upcoming

01:36:15.520 --> 01:36:17.359
weeks

01:36:17.360 --> 01:36:19.359
it's going to be a lot of sketching

01:36:19.360 --> 01:36:21.999
and a lot of design requirement thinking

01:36:22.000 --> 01:36:23.439
what do you think

01:36:23.440 --> 01:36:25.118
what what is what are your high level

01:36:25.119 --> 01:36:27.279
thoughts right now sir 3k about the

01:36:27.280 --> 01:36:29.118
design

01:36:29.119 --> 01:36:30.638
uh

01:36:30.639 --> 01:36:33.039
okay yeah i'm reading chat so much so i

01:36:33.040 --> 01:36:34.559
get influenced over there as well but i

01:36:34.560 --> 01:36:36.238
see a lot of

01:36:36.239 --> 01:36:38.559
uh like we talked about a hybrid between

01:36:38.560 --> 01:36:42.639
the two a and two b ones

01:36:42.719 --> 01:36:44.638
with all the sign

01:36:44.639 --> 01:36:47.599
uh yeah let's go back to

01:36:47.600 --> 01:36:49.519
yeah this is this is this is a good

01:36:49.520 --> 01:36:51.839
summary

01:36:51.840 --> 01:36:53.849
right here the 2a and 2b

01:36:53.850 --> 01:36:56.899
[Music]

01:36:57.119 --> 01:36:59.759
i i think where i'm sitting right now

01:36:59.760 --> 01:37:02.638
version 1 another machine x

01:37:02.639 --> 01:37:05.439
excluded version 3 completely modular

01:37:05.440 --> 01:37:09.679
patentee orchestrion style excluded

01:37:10.320 --> 01:37:13.678
big all-in-one sections not modules

01:37:13.679 --> 01:37:18.079
square 90 degrees or circular

01:37:18.080 --> 01:37:21.919
or a combination yeah i would uh we need

01:37:21.920 --> 01:37:24.799
to think about all the placement of can

01:37:24.800 --> 01:37:27.599
we play stuff on the side

01:37:27.600 --> 01:37:31.040
can we play stuff in the back

01:37:32.159 --> 01:37:36.079
safe space what is the time 1920

01:37:36.080 --> 01:37:38.479
you know what i want to do

01:37:38.480 --> 01:37:40.879
i want to do i want to do a 90 degree as

01:37:40.880 --> 01:37:42.879
as fast as i can

01:37:42.880 --> 01:37:44.079
uh

01:37:44.080 --> 01:37:47.039
absolutely see if this cat want to work

01:37:47.040 --> 01:37:49.599
with me let's take this

01:37:49.600 --> 01:37:53.519
and let's turn it into a 90 degree thing

01:37:53.520 --> 01:37:56.799
because i think i can actually move

01:37:56.800 --> 01:37:58.959
okay i'm gonna give you a better better

01:37:58.960 --> 01:38:01.520
better

01:38:03.130 --> 01:38:06.199
[Music]

01:38:07.040 --> 01:38:10.639
90 degree solution for the wind

01:38:11.600 --> 01:38:13.999
i'm gonna show you the 90 degree i've

01:38:14.000 --> 01:38:17.840
excluded it from my um

01:38:18.159 --> 01:38:21.039
from my mind

01:38:21.040 --> 01:38:23.359
toby instead of these

01:38:23.360 --> 01:38:26.158
four options one two three you could do

01:38:26.159 --> 01:38:28.079
something in between two a and two b in

01:38:28.080 --> 01:38:29.839
front a straight vibraphone off the

01:38:29.840 --> 01:38:32.238
shelf and on the sides a bit circular

01:38:32.239 --> 01:38:34.479
like the bass and the drums

01:38:34.480 --> 01:38:37.198
that's also very very interesting

01:38:37.199 --> 01:38:39.039
so there is something with this design

01:38:39.040 --> 01:38:40.559
it doesn't oh maybe it's because i have

01:38:40.560 --> 01:38:43.198
to save it hang on is that why i can't

01:38:43.199 --> 01:38:45.759
move things

01:38:45.760 --> 01:38:47.919
why why don't you allow me to move this

01:38:47.920 --> 01:38:50.080
i'm

01:38:50.159 --> 01:38:53.520
it's so strange i think

01:38:53.840 --> 01:38:56.158
satish kumar you should do a decision

01:38:56.159 --> 01:38:58.559
matrix on this

01:38:58.560 --> 01:39:00.319
ah interesting

01:39:00.320 --> 01:39:01.919
you see chad has also learned our

01:39:01.920 --> 01:39:03.678
viewers have learned now that's how you

01:39:03.679 --> 01:39:07.840
do the tough decisions do a matrix

01:39:08.000 --> 01:39:10.238
there's something with this

01:39:10.239 --> 01:39:12.638
there's something here why why am i not

01:39:12.639 --> 01:39:14.158
allowed to move

01:39:14.159 --> 01:39:18.399
things here this one i can move

01:39:18.400 --> 01:39:20.238
this one doesn't allow me to move is

01:39:20.239 --> 01:39:21.999
there a rigid group or something

01:39:22.000 --> 01:39:24.480
somewhere

01:39:25.520 --> 01:39:28.319
i can move this one

01:39:28.320 --> 01:39:32.320
but if i try to it won't go

01:39:35.760 --> 01:39:38.399
and i kill the design history maybe if i

01:39:38.400 --> 01:39:41.198
start the design history again

01:39:41.199 --> 01:39:44.639
fusion is not working with me

01:39:44.880 --> 01:39:47.279
no no

01:39:47.280 --> 01:39:49.198
so i have to copy it and paste it again

01:39:49.199 --> 01:39:50.879
i can do that

01:39:50.880 --> 01:39:55.639
copy the whanau atsalini

01:40:01.360 --> 01:40:03.999
thank you so much thank you so much

01:40:04.000 --> 01:40:06.718
i managed to do a

01:40:06.719 --> 01:40:09.439
workaround this is not this is not that

01:40:09.440 --> 01:40:11.039
bad

01:40:11.040 --> 01:40:12.799
this is maybe not that bad maybe there

01:40:12.800 --> 01:40:15.198
is something to this

01:40:15.199 --> 01:40:17.919
because what i really want is to not

01:40:17.920 --> 01:40:20.879
have things on top of each other

01:40:20.880 --> 01:40:23.279
so what happens now is i can

01:40:23.280 --> 01:40:26.399
you like it i'm starting to getting some

01:40:26.400 --> 01:40:28.559
minor goosebumps appearing

01:40:28.560 --> 01:40:31.840
minor goosebumps

01:40:33.199 --> 01:40:34.718
most of all

01:40:34.719 --> 01:40:36.479
the machine itself will become like an

01:40:36.480 --> 01:40:39.359
acoustic wall between the snare and the

01:40:39.360 --> 01:40:41.198
vibraphone

01:40:41.199 --> 01:40:43.118
um so i can put a snare on the side

01:40:43.119 --> 01:40:45.519
where the height is i this doesn't look

01:40:45.520 --> 01:40:47.760
bad

01:40:49.199 --> 01:40:50.638
and let me just

01:40:50.639 --> 01:40:53.760
put the snare in there

01:40:53.920 --> 01:40:56.559
hey little stick bass

01:40:56.560 --> 01:40:59.279
get over here get over here

01:40:59.280 --> 01:41:00.718
get your ugly

01:41:00.719 --> 01:41:02.879
face over here

01:41:02.880 --> 01:41:05.439
little duckling

01:41:05.440 --> 01:41:08.560
it's ugly duckling

01:41:10.800 --> 01:41:13.359
you know what i don't hate it

01:41:13.360 --> 01:41:15.599
no i know

01:41:15.600 --> 01:41:18.959
because when when you look at it from

01:41:18.960 --> 01:41:21.439
when you look at it from here

01:41:21.440 --> 01:41:22.479
there we go

01:41:22.480 --> 01:41:25.919
gmp 612 yes i love it

01:41:25.920 --> 01:41:27.689
hang on [ __ ] we need to

01:41:27.690 --> 01:41:29.198
[Music]

01:41:29.199 --> 01:41:31.839
angle this fusion please let me angle

01:41:31.840 --> 01:41:35.359
this okay so some some designs have some

01:41:35.360 --> 01:41:36.238
uh

01:41:36.239 --> 01:41:38.319
restrictions for some reason

01:41:38.320 --> 01:41:40.718
so the loop wheel did you see what i did

01:41:40.719 --> 01:41:42.959
i put it in a 90 degree angle because it

01:41:42.960 --> 01:41:44.079
has to be

01:41:44.080 --> 01:41:47.118
perpendicular to to the drums

01:41:47.119 --> 01:41:50.559
so and magnus surrender loves it also he

01:41:50.560 --> 01:41:52.559
has been posting suggestions i remember

01:41:52.560 --> 01:41:54.559
that name we recognize you among us from

01:41:54.560 --> 01:41:56.718
your great suggestions so so fun that

01:41:56.719 --> 01:41:58.839
you're here live

01:41:58.840 --> 01:42:01.839
um and this is pretty cool like imagine

01:42:01.840 --> 01:42:04.718
seeing this wheel turning turning like

01:42:04.719 --> 01:42:07.118
this and seeing this returning like holy

01:42:07.119 --> 01:42:10.479
moly you like it yes

01:42:10.480 --> 01:42:12.479
it has complexity without it being

01:42:12.480 --> 01:42:14.879
complex right because they're going to

01:42:14.880 --> 01:42:19.439
work pretty simple but it looks complex

01:42:19.440 --> 01:42:22.238
listen to circle 3k it adds complexity

01:42:22.239 --> 01:42:26.239
without it being complex wow

01:42:26.480 --> 01:42:27.759
so now

01:42:27.760 --> 01:42:31.759
i can move this uh friend

01:42:31.760 --> 01:42:33.519
in here

01:42:33.520 --> 01:42:37.118
esteban pratt perfect

01:42:37.119 --> 01:42:39.039
and this says it all

01:42:39.040 --> 01:42:42.040
bency

01:42:42.400 --> 01:42:45.839
all the smiley emojis

01:42:45.840 --> 01:42:48.159
um

01:42:48.320 --> 01:42:51.118
well it's a little bit of a joy joy joy

01:42:51.119 --> 01:42:53.198
calculation now because i don't know if

01:42:53.199 --> 01:42:54.799
we can fit

01:42:54.800 --> 01:42:56.879
that many programming tracks on this

01:42:56.880 --> 01:42:59.839
small wheel yes yes yes yes yes yes so

01:42:59.840 --> 01:43:01.919
let me try to

01:43:01.920 --> 01:43:04.799
make you all a little bit maybe less

01:43:04.800 --> 01:43:06.399
excited

01:43:06.400 --> 01:43:08.879
marcus off man finally what the chat has

01:43:08.880 --> 01:43:12.400
been screaming for days

01:43:13.040 --> 01:43:15.919
um that's fun um

01:43:15.920 --> 01:43:18.238
i'm going to just make the

01:43:18.239 --> 01:43:20.959
wheel a little bit larger

01:43:20.960 --> 01:43:24.479
i'm just going to put it out there

01:43:24.480 --> 01:43:27.519
mike kelly perfect perfect example of

01:43:27.520 --> 01:43:31.440
form from function okay yeah

01:43:33.119 --> 01:43:35.678
imagine this angle you're you're seeing

01:43:35.679 --> 01:43:38.879
like the drums play let me just make a

01:43:38.880 --> 01:43:41.198
pattern on this drum beater

01:43:41.199 --> 01:43:43.439
because that is going to make this this

01:43:43.440 --> 01:43:45.039
is gonna make people fall in love with

01:43:45.040 --> 01:43:46.638
this angle

01:43:46.639 --> 01:43:48.319
um

01:43:48.320 --> 01:43:49.919
so i'm just gonna

01:43:49.920 --> 01:43:53.678
do a lot of bitters here let's do

01:43:53.679 --> 01:43:55.118
10

01:43:55.119 --> 01:43:57.198
now

01:43:57.199 --> 01:44:00.080
let's do 10.

01:44:01.520 --> 01:44:03.479
sometimes

01:44:03.480 --> 01:44:06.479
[Laughter]

01:44:06.480 --> 01:44:09.279
uh i have to redo that sorry for this

01:44:09.280 --> 01:44:11.359
select directions

01:44:11.360 --> 01:44:13.999
this direction and i

01:44:14.000 --> 01:44:16.799
drag it out

01:44:16.800 --> 01:44:20.079
and we need

01:44:20.080 --> 01:44:22.479
let me just

01:44:22.480 --> 01:44:25.359
nikita kutsulev it seems very difficult

01:44:25.360 --> 01:44:27.359
to change the bottom wheel and that's

01:44:27.360 --> 01:44:29.198
the beautiful thing that is not going to

01:44:29.199 --> 01:44:31.118
be changed right

01:44:31.119 --> 01:44:32.399
yeah it is going to be changed it's

01:44:32.400 --> 01:44:34.399
going to be changed nikita you're

01:44:34.400 --> 01:44:37.279
absolutely correct um well let's work on

01:44:37.280 --> 01:44:40.159
that next time

01:44:45.360 --> 01:44:47.519
yeah that's something we have to figure

01:44:47.520 --> 01:44:48.399
out

01:44:48.400 --> 01:44:49.839
um yeah

01:44:49.840 --> 01:44:52.079
one step at a time this is just we're

01:44:52.080 --> 01:44:55.359
getting a feel of is this even possible

01:44:55.360 --> 01:44:56.959
yeah

01:44:56.960 --> 01:44:59.839
aesthetic wise and work wise i'm going

01:44:59.840 --> 01:45:02.479
to move the registrator assembly over

01:45:02.480 --> 01:45:06.319
to the correct position like there

01:45:06.320 --> 01:45:09.279
boom looks better

01:45:09.280 --> 01:45:14.239
and i want to base a little bit closer

01:45:14.880 --> 01:45:18.559
uh but maybe that's hopium

01:45:18.560 --> 01:45:21.759
and i really want to

01:45:21.760 --> 01:45:23.118
um

01:45:23.119 --> 01:45:25.839
i want two rows of the vibraphone

01:45:25.840 --> 01:45:27.198
let me

01:45:27.199 --> 01:45:31.599
let me at least look at it one last time

01:45:31.600 --> 01:45:35.118
here we go marvel machine three everyone

01:45:35.119 --> 01:45:37.999
thanks for watching

01:45:38.000 --> 01:45:40.638
now this is fun but it it's it's going

01:45:40.639 --> 01:45:41.049
to be

01:45:41.050 --> 01:45:43.279
[Music]

01:45:43.280 --> 01:45:46.718
it's going to be a lot of so the fly

01:45:46.719 --> 01:45:49.199
will you

01:45:50.400 --> 01:45:53.599
oh i just had a i just had a crazy idea

01:45:53.600 --> 01:45:56.479
i love those check this out

01:45:56.480 --> 01:45:58.799
because this flywheel is the proudest

01:45:58.800 --> 01:46:02.158
thing on the machine for me

01:46:02.159 --> 01:46:04.319
what if

01:46:04.320 --> 01:46:08.479
we move it into prime position

01:46:08.480 --> 01:46:10.959
it should probably be low but i'm going

01:46:10.960 --> 01:46:14.879
let me let me just entertain the thought

01:46:14.880 --> 01:46:15.678
so

01:46:15.679 --> 01:46:16.718
we're

01:46:16.719 --> 01:46:18.319
we're moving it up

01:46:18.320 --> 01:46:20.559
here

01:46:20.560 --> 01:46:21.759
oh

01:46:21.760 --> 01:46:25.198
like and because there it's like it's

01:46:25.199 --> 01:46:27.599
because the flywheel is the ticking

01:46:27.600 --> 01:46:29.759
thing inside a clock like it's it's the

01:46:29.760 --> 01:46:33.118
thing that makes this all this possible

01:46:33.119 --> 01:46:34.879
and i've been dreaming about showcasing

01:46:34.880 --> 01:46:37.439
this flywheel ever since i started to

01:46:37.440 --> 01:46:39.999
think about the machine i'm just gonna

01:46:40.000 --> 01:46:42.638
uh get everything else oh yeah and i

01:46:42.639 --> 01:46:44.879
totally agree with tessa here

01:46:44.880 --> 01:46:47.919
oh my god this opens up so much space

01:46:47.920 --> 01:46:50.719
for cup holders

01:46:51.600 --> 01:46:54.959
test size part t-rex a team t-rex test

01:46:54.960 --> 01:46:56.238
someone said that

01:46:56.239 --> 01:46:57.678
with a cup holder on the machine you

01:46:57.679 --> 01:46:59.519
would actually see how much vibrations

01:46:59.520 --> 01:47:01.279
are incurring

01:47:01.280 --> 01:47:03.039
are in the machine

01:47:03.040 --> 01:47:06.019
that is true tessa

01:47:06.020 --> 01:47:07.999
[Laughter]

01:47:08.000 --> 01:47:09.439
that's funny

01:47:09.440 --> 01:47:10.479
so

01:47:10.480 --> 01:47:12.799
uh with the flywheel up there let me

01:47:12.800 --> 01:47:16.560
just remove the flywheel down here

01:47:20.080 --> 01:47:23.439
i'm getting a little bit giddy over here

01:47:23.440 --> 01:47:25.519
it's almost like the circular thing

01:47:25.520 --> 01:47:28.319
without being circular yeah

01:47:28.320 --> 01:47:30.429
and of course like the top view

01:47:30.430 --> 01:47:31.519
[Music]

01:47:31.520 --> 01:47:33.118
the top view is just going to be

01:47:33.119 --> 01:47:36.079
gorgeous look at this

01:47:36.080 --> 01:47:37.919
yes

01:47:37.920 --> 01:47:40.639
yes

01:47:44.560 --> 01:47:46.319
and retro wave like with all the

01:47:46.320 --> 01:47:48.799
arpeggios like

01:47:48.800 --> 01:47:50.919
like we're on there

01:47:50.920 --> 01:47:56.930
[Music]

01:47:59.480 --> 01:48:02.670
[Music]

01:48:04.960 --> 01:48:07.999
but it's hope you maybe maybe not maybe

01:48:08.000 --> 01:48:10.159
not

01:48:13.760 --> 01:48:16.158
nice like camera action when you when

01:48:16.159 --> 01:48:19.840
you kind of fly here like

01:48:27.920 --> 01:48:30.718
it is fun actually it is fun

01:48:30.719 --> 01:48:33.198
what have we solved

01:48:33.199 --> 01:48:34.879
the instruments are not on top of each

01:48:34.880 --> 01:48:39.359
other that is that's that's something

01:48:39.360 --> 01:48:41.679
um

01:48:42.159 --> 01:48:45.359
desert pillar h3k excitement levels are

01:48:45.360 --> 01:48:47.279
on point for sure and you know what they

01:48:47.280 --> 01:48:49.198
are not faked

01:48:49.199 --> 01:48:51.439
at all this is just genuine happiness

01:48:51.440 --> 01:48:53.359
coming out of me

01:48:53.360 --> 01:48:54.638
it

01:48:54.639 --> 01:48:56.479
it's even more endearing for me in the

01:48:56.480 --> 01:48:58.959
room because hannes know that i've been

01:48:58.960 --> 01:49:00.959
tensed for two days so what he's

01:49:00.960 --> 01:49:04.238
actually happy about is that he sees me

01:49:04.239 --> 01:49:06.879
feeling a little bit better

01:49:06.880 --> 01:49:08.959
plus that i think you love the look at

01:49:08.960 --> 01:49:11.839
the machine let's turn the camera to

01:49:11.840 --> 01:49:14.238
orthographic then it's not so cool okay

01:49:14.239 --> 01:49:17.359
let's go back to perspective then see i

01:49:17.360 --> 01:49:21.679
unlike the stream to like it again

01:49:22.159 --> 01:49:24.479
that's that's brilliant that's a good

01:49:24.480 --> 01:49:26.238
place for a reminder from me

01:49:26.239 --> 01:49:28.959
if there are any new viewers please you

01:49:28.960 --> 01:49:30.559
subscribe to this channel so you get all

01:49:30.560 --> 01:49:32.479
the live stream notifications and also

01:49:32.480 --> 01:49:34.238
like the videos because that helps us

01:49:34.239 --> 01:49:36.158
tremendously actually so thank you so

01:49:36.159 --> 01:49:37.839
much

01:49:37.840 --> 01:49:41.960
for that unlocking and liking

01:49:42.159 --> 01:49:45.439
a gonsonator says flywheel should be

01:49:45.440 --> 01:49:49.359
lower for stability yeah yeah

01:49:49.360 --> 01:49:51.039
there are trade-offs to be made here as

01:49:51.040 --> 01:49:53.598
well but it's fun to explore this

01:49:53.599 --> 01:49:55.839
i've been hearing it in chat a lot and

01:49:55.840 --> 01:49:57.359
i've been thinking of it as well just to

01:49:57.360 --> 01:49:59.198
see the possibilities with this

01:49:59.199 --> 01:50:01.279
is exciting

01:50:01.280 --> 01:50:01.999
so

01:50:02.000 --> 01:50:04.238
regarding the flywheel i didn't think of

01:50:04.239 --> 01:50:05.519
it actually

01:50:05.520 --> 01:50:08.799
but you will really see it as well if

01:50:08.800 --> 01:50:11.198
it's down there where it was

01:50:11.199 --> 01:50:12.959
because um

01:50:12.960 --> 01:50:16.719
let me see the drive train

01:50:17.119 --> 01:50:19.198
i think it's this one i just have to

01:50:19.199 --> 01:50:21.039
locate it

01:50:21.040 --> 01:50:25.359
i'm going to put the old flywheel on

01:50:25.360 --> 01:50:28.079
here so

01:50:28.080 --> 01:50:29.839
when you're here if the flywheel is big

01:50:29.840 --> 01:50:32.479
enough you will sense it rotating behind

01:50:32.480 --> 01:50:35.198
the drums as well

01:50:35.199 --> 01:50:37.039
so maybe form from function it should be

01:50:37.040 --> 01:50:39.839
down there

01:50:39.840 --> 01:50:42.079
and as bee boot champ says you know what

01:50:42.080 --> 01:50:43.999
to say about incredibly dangerous

01:50:44.000 --> 01:50:46.718
spinning metal flywheels always put them

01:50:46.719 --> 01:50:48.959
as high as possible and ideally at head

01:50:48.960 --> 01:50:51.960
heights

01:50:52.480 --> 01:50:54.238
bibo i listened to you about the hammer

01:50:54.239 --> 01:50:56.238
jammer i'm not sure i should listen this

01:50:56.239 --> 01:50:57.839
time

01:50:57.840 --> 01:50:59.519
um

01:50:59.520 --> 01:51:01.519
well everyone this was

01:51:01.520 --> 01:51:02.638
[Music]

01:51:02.639 --> 01:51:04.479
this gives us all something to think

01:51:04.480 --> 01:51:05.439
about

01:51:05.440 --> 01:51:07.279
i think if we go back quickly to the

01:51:07.280 --> 01:51:09.198
sketch pad

01:51:09.199 --> 01:51:11.039
i think we're kind of in that middle

01:51:11.040 --> 01:51:13.919
section with this one yeah we're kind of

01:51:13.920 --> 01:51:15.198
in um

01:51:15.199 --> 01:51:17.759
it's actually the 2c let's actually

01:51:17.760 --> 01:51:19.118
let's actually

01:51:19.119 --> 01:51:21.759
2c

01:51:21.760 --> 01:51:25.039
is the 90 degree

01:51:25.040 --> 01:51:29.039
tick tick tick tick tick in drums here

01:51:29.040 --> 01:51:31.439
i like how that last sketch is

01:51:31.440 --> 01:51:32.959
smallest

01:51:32.960 --> 01:51:35.359
so we're kind of in that territory now

01:51:35.360 --> 01:51:38.079
where um

01:51:38.080 --> 01:51:41.360
it doesn't feel

01:51:41.840 --> 01:51:44.718
module it doesn't feel modular it has it

01:51:44.719 --> 01:51:47.960
it has

01:51:48.480 --> 01:51:49.919
let's put this

01:51:49.920 --> 01:51:50.779
next to

01:51:50.780 --> 01:51:52.638
[Music]

01:51:52.639 --> 01:51:55.919
i'm going to take a screenshot of this

01:51:55.920 --> 01:51:58.079
here

01:51:58.080 --> 01:52:00.399
and then

01:52:00.400 --> 01:52:03.840
i'm going to open up

01:52:13.119 --> 01:52:15.678
let can you entertain the audience when

01:52:15.679 --> 01:52:16.718
i make

01:52:16.719 --> 01:52:20.399
one thing here what are you asking of me

01:52:20.400 --> 01:52:24.239
now that i'm at my happiest

01:52:24.400 --> 01:52:27.519
and foundations here says to me hannes

01:52:27.520 --> 01:52:29.039
please check the discord live stream

01:52:29.040 --> 01:52:30.959
chat for a suggestion i will take a look

01:52:30.960 --> 01:52:32.959
at that off stream

01:52:32.960 --> 01:52:34.759
uh where we

01:52:34.760 --> 01:52:37.439
soonish finished here so

01:52:37.440 --> 01:52:39.678
but thank you so much i will take a look

01:52:39.679 --> 01:52:42.000
at it

01:52:42.880 --> 01:52:45.439
okay i'm gonna i'm gonna do this

01:52:45.440 --> 01:52:47.919
and i'm just gonna prepare something for

01:52:47.920 --> 01:52:49.118
you all

01:52:49.119 --> 01:52:51.118
something to leave you all on a high

01:52:51.119 --> 01:52:54.399
note here yeah um

01:52:54.400 --> 01:52:56.479
lucas vandal says it by the way you

01:52:56.480 --> 01:52:58.399
don't need the belt's pulley to be on

01:52:58.400 --> 01:53:01.198
the same size of the barrel or same side

01:53:01.199 --> 01:53:04.880
of the barrel i think he means right

01:53:06.560 --> 01:53:07.479
and

01:53:07.480 --> 01:53:10.399
cypunk215 try different orientations of

01:53:10.400 --> 01:53:13.519
the instruments then rework the frame

01:53:13.520 --> 01:53:15.840
yes

01:53:18.080 --> 01:53:18.879
wow

01:53:18.880 --> 01:53:20.879
this makes me happy at least

01:53:20.880 --> 01:53:25.239
experimenting a little bit woohoo

01:53:30.000 --> 01:53:32.319
one second yeah it's going to be worth

01:53:32.320 --> 01:53:33.519
it

01:53:33.520 --> 01:53:36.158
i know it's going to be

01:53:36.159 --> 01:53:37.839
let me just

01:53:37.840 --> 01:53:41.198
do this and nikolas stabelini double fly

01:53:41.199 --> 01:53:43.999
wheel size and put it on the other side

01:53:44.000 --> 01:53:45.999
double it

01:53:46.000 --> 01:53:48.719
even bigger

01:53:50.000 --> 01:53:51.759
and i see a lot of people has uploaded

01:53:51.760 --> 01:53:54.319
sketches to dropbox and we will look at

01:53:54.320 --> 01:53:57.519
them perhaps off stream we can't always

01:53:57.520 --> 01:54:00.158
bring them up live here

01:54:00.159 --> 01:54:02.158
but thank you so much for

01:54:02.159 --> 01:54:04.399
suggesting stuff to us

01:54:04.400 --> 01:54:06.879
you are the greatest crowd to have and

01:54:06.880 --> 01:54:09.439
you're so kind and generous a lot of

01:54:09.440 --> 01:54:11.039
super chats today

01:54:11.040 --> 01:54:13.598
which is a

01:54:13.599 --> 01:54:15.439
a way that you can contribute to us

01:54:15.440 --> 01:54:17.118
since when

01:54:17.119 --> 01:54:19.039
martin closed down patreon and youtube

01:54:19.040 --> 01:54:21.759
members when the mmx was discontinued as

01:54:21.760 --> 01:54:23.198
we say

01:54:23.199 --> 01:54:26.319
super chats and buying our merch is

01:54:26.320 --> 01:54:28.319
kind of like the only ways to support us

01:54:28.320 --> 01:54:30.799
nowadays

01:54:30.800 --> 01:54:32.238
so thank you very very much we

01:54:32.239 --> 01:54:34.079
appreciate it especially very much

01:54:34.080 --> 01:54:35.598
especially since we're really

01:54:35.599 --> 01:54:38.319
professional with how we make that

01:54:38.320 --> 01:54:39.598
that

01:54:39.599 --> 01:54:41.919
sliding things around in the stream now

01:54:41.920 --> 01:54:44.559
sincerely thank you everyone here is

01:54:44.560 --> 01:54:47.198
where i want to leave you all today i've

01:54:47.199 --> 01:54:50.638
put a third machine

01:54:50.639 --> 01:54:52.959
i put a third machine and

01:54:52.960 --> 01:54:56.238
what makes me happy is that it's clearly

01:54:56.239 --> 01:54:58.399
not the same the same

01:54:58.400 --> 01:55:00.959
but you can clearly feel that they're

01:55:00.960 --> 01:55:04.559
related you know what put just hearts in

01:55:04.560 --> 01:55:07.598
my eyes right now you love it this is

01:55:07.599 --> 01:55:08.879
gonna be great

01:55:08.880 --> 01:55:11.439
yeah and what else is great is that

01:55:11.440 --> 01:55:13.279
having this process with you live is

01:55:13.280 --> 01:55:16.799
making me very much happy i went from

01:55:16.800 --> 01:55:21.919
i'm went from either skeptic to uh

01:55:21.920 --> 01:55:25.118
careful um carefully optimistic yes

01:55:25.119 --> 01:55:26.799
something like this

01:55:26.800 --> 01:55:29.039
and i'm going to mark this live stream

01:55:29.040 --> 01:55:31.839
as done thank you everyone for being so

01:55:31.840 --> 01:55:34.238
fantastic and we wish you all a

01:55:34.239 --> 01:55:37.379
fantastic day

01:55:37.380 --> 01:55:41.909
[Music]