0:00:00.560,0:00:02.079
during the work

0:00:02.080,0:00:04.479
on the previous machines i thought i

0:00:04.480,0:00:07.039
knew everything i knew i was making a

0:00:07.040,0:00:09.919
masterpiece i knew it was going to work

0:00:09.920,0:00:12.638
i just knew it

0:00:12.639,0:00:14.239
how come then

0:00:14.240,0:00:15.518
the machines

0:00:15.519,0:00:16.719
failed

0:00:16.720,0:00:19.519
obviously i hadn't done my homework and

0:00:19.520,0:00:22.799
there is a tool that called known knowns

0:00:22.800,0:00:24.399
and known unknowns

0:00:24.400,0:00:27.919
and i prepared this right here

0:00:27.920,0:00:29.198
um

0:00:29.199,0:00:31.598
i'm going to use this tool first of all

0:00:31.599,0:00:33.039
i want to show it to you and share it to

0:00:33.040,0:00:35.119
you i never used it myself but i've i've

0:00:35.120,0:00:36.799
been showed it before as a risk

0:00:36.800,0:00:38.959
management tool

0:00:38.960,0:00:40.718
and

0:00:40.719,0:00:44.159
right now um i think it's a great time

0:00:44.160,0:00:46.479
to use it to decide what next steps to

0:00:46.480,0:00:48.959
work on in this project and also to

0:00:48.960,0:00:50.718
communicate to all of you that are

0:00:50.719,0:00:53.599
following the project where i'm at and

0:00:53.600,0:00:55.679
how i see um

0:00:55.680,0:00:58.558
the most important parts and i've been

0:00:58.559,0:01:02.479
trying to um explain to sir 3k before

0:01:02.480,0:01:04.478
the stream and i didn't really do a good

0:01:04.479,0:01:08.158
job of that so let's hope that we get

0:01:08.159,0:01:11.199
some really nice information out of this

0:01:11.200,0:01:14.079
exercise and nice next steps for the

0:01:14.080,0:01:17.118
project anyway knowing what you don't

0:01:17.119,0:01:17.919
know

0:01:17.920,0:01:20.719
is a very can be very powerful and

0:01:20.720,0:01:21.919
thinking that you know something that

0:01:21.920,0:01:26.798
you don't know can lead you to making

0:01:26.799,0:01:29.118
brilliant mistakes

0:01:29.119,0:01:31.039
thank you

0:01:31.040,0:01:33.438
my friend sir 3k is here to bring the

0:01:33.439,0:01:35.199
hype and we're going to get straight

0:01:35.200,0:01:38.239
into it so in this stream we're going to

0:01:38.240,0:01:41.519
decide next steps in my design process

0:01:41.520,0:01:43.438
through this exercise

0:01:43.439,0:01:46.798
and um we're gonna do that in step two

0:01:46.799,0:01:49.199
by filling out these knowns and known

0:01:49.200,0:01:51.438
unknowns and i'm going to um

0:01:51.439,0:01:54.158
already now i would like uh suggestions

0:01:54.159,0:01:55.199
from chat

0:01:55.200,0:01:56.559
different things that belong in

0:01:56.560,0:01:58.239
different squares

0:01:58.240,0:01:59.519
and uh

0:01:59.520,0:02:02.239
two nights ago me and hannes had such a

0:02:02.240,0:02:04.319
nice brainstorm so

0:02:04.320,0:02:05.919
pretty soon in the stream i want to have

0:02:05.920,0:02:08.719
a brainstorming session

0:02:08.720,0:02:09.999
highest level

0:02:10.000,0:02:12.719
on what this project is and

0:02:12.720,0:02:14.318
especially the footprint of the machine

0:02:14.319,0:02:16.159
if we should build a big functional

0:02:16.160,0:02:17.279
machine

0:02:17.280,0:02:19.279
or if we should build a smaller

0:02:19.280,0:02:21.439
all-in-one that looks like the previous

0:02:21.440,0:02:23.919
machines and then we're going to be

0:02:23.920,0:02:25.598
done so

0:02:25.599,0:02:26.958
i'm looking very much forward to this

0:02:26.959,0:02:29.439
brainstorming session because hannes you

0:02:29.440,0:02:31.359
had a lot to say about the project

0:02:31.360,0:02:33.759
especially you you named it the dna on

0:02:33.760,0:02:35.119
our project

0:02:35.120,0:02:37.919
that stuck with you right

0:02:37.920,0:02:40.399
what stuck with me is that sometime when

0:02:40.400,0:02:42.318
i talk to you about the machine it feels

0:02:42.319,0:02:44.479
like you have more insights around the

0:02:44.480,0:02:46.318
machine than i have

0:02:46.319,0:02:48.878
thanks to your perspective

0:02:48.879,0:02:51.119
and i wanted to kind of

0:02:51.120,0:02:52.799
have a little bit the same brainstorm

0:02:52.800,0:02:55.119
discussion with you on stream

0:02:55.120,0:02:58.158
and also with the viewers in chat so

0:02:58.159,0:03:00.318
welcome everyone joining thanks for

0:03:00.319,0:03:01.759
being here

0:03:01.760,0:03:04.719
and speaking of perspective rosiro

0:03:04.720,0:03:07.039
bertolli is in the champion

0:03:07.040,0:03:09.598
of engineer yeah nice title the downfall

0:03:09.599,0:03:11.119
of knowing more and more is that you

0:03:11.120,0:03:13.119
realize more and more how little you

0:03:13.120,0:03:15.359
actually know sometimes ignorance really

0:03:15.360,0:03:16.878
is bliss

0:03:16.879,0:03:19.119
nice to see you here sarah is socrates

0:03:19.120,0:03:20.479
uh who

0:03:20.480,0:03:21.279
said

0:03:21.280,0:03:23.279
i know only

0:03:23.280,0:03:26.798
how little i know yeah and um

0:03:26.799,0:03:27.999
i think

0:03:28.000,0:03:30.399
uh i'm so happy to see you here ro zero

0:03:30.400,0:03:32.878
i think um

0:03:32.879,0:03:36.158
most of you will agree that

0:03:36.159,0:03:38.559
this started two days ago

0:03:38.560,0:03:41.199
when me and hannes were trying to find

0:03:41.200,0:03:43.679
old experiment i did on the machine x

0:03:43.680,0:03:46.719
with timing of the marbles and i heard

0:03:46.720,0:03:48.559
myself in the video

0:03:48.560,0:03:49.919
sitting there

0:03:49.920,0:03:51.679
this i think i'm making a masterpiece i

0:03:51.680,0:03:53.518
think i'm making more space trying to be

0:03:53.519,0:03:55.119
the hype man for the project trying to

0:03:55.120,0:03:56.719
hype everyone up that's watching the

0:03:56.720,0:03:59.039
video so this was like one and a half or

0:03:59.040,0:04:00.559
two years ago

0:04:00.560,0:04:02.639
and i just saw myself from outside when

0:04:02.640,0:04:04.079
i saw myself like

0:04:04.080,0:04:05.919
how little i knew

0:04:05.920,0:04:07.759
and even worse

0:04:07.760,0:04:09.999
how much i thought i knew

0:04:10.000,0:04:11.999
that i actually did not know

0:04:12.000,0:04:13.279
and

0:04:13.280,0:04:14.399
maybe i'm going

0:04:14.400,0:04:16.399
overboard right now but currently in

0:04:16.400,0:04:17.839
this project

0:04:17.840,0:04:20.159
i'm i kind of feel that the project is

0:04:20.160,0:04:21.839
impossible and

0:04:21.840,0:04:22.638
or

0:04:22.639,0:04:25.119
maybe not impossible but um

0:04:25.120,0:04:29.840
sorry let me go to the screen um

0:04:30.320,0:04:31.918
i know

0:04:31.919,0:04:33.679
that i don't know how to make this

0:04:33.680,0:04:36.319
project do you remember an ad on youtube

0:04:36.320,0:04:38.799
harness that was for the composer made

0:04:38.800,0:04:40.879
the music to dune the famous what's his

0:04:40.880,0:04:42.638
name meet your new instructor hans

0:04:42.639,0:04:44.879
zimmer hans zimmer it was from master

0:04:44.880,0:04:47.119
class and i was like meet your new

0:04:47.120,0:04:48.638
instructor and he says

0:04:48.639,0:04:50.879
there is a

0:04:50.880,0:04:53.599
there's your question

0:04:53.600,0:04:55.679
and i reply he said i never forget that

0:04:55.680,0:04:57.679
in the ad

0:04:57.680,0:04:58.959
and he said

0:04:58.960,0:05:01.198
i don't know how to compose the music

0:05:01.199,0:05:03.599
for your movie was one of his blurb

0:05:03.600,0:05:05.918
quotes in in that ad for his masterclass

0:05:05.919,0:05:08.638
of movie composition and music

0:05:08.639,0:05:09.359
and

0:05:09.360,0:05:11.758
right now i feel i don't know how to

0:05:11.759,0:05:13.839
build a marble machine

0:05:13.840,0:05:15.758
for all these years

0:05:15.759,0:05:17.359
i thought i knew

0:05:17.360,0:05:18.559
um

0:05:18.560,0:05:21.198
but i didn't so let's get straight into

0:05:21.199,0:05:23.279
it this is the good thing is that you

0:05:23.280,0:05:25.679
have stopped being that naive hype man

0:05:25.680,0:05:27.279
for yourself and you

0:05:27.280,0:05:30.159
instead acquired another external hype

0:05:30.160,0:05:30.959
man

0:05:30.960,0:05:33.439
to sit and engage with the viewers and

0:05:33.440,0:05:36.719
hyping you up yeah

0:05:36.720,0:05:38.559
definitely and

0:05:38.560,0:05:40.800
uh

0:05:41.360,0:05:44.079
i'm so happy for that by the way and

0:05:44.080,0:05:45.839
basically what i hope this exercise will

0:05:45.840,0:05:47.679
lead to and i'm

0:05:47.680,0:05:49.359
i keep on repeating i'm totally honest i

0:05:49.360,0:05:50.879
don't know if i'm going to try to build

0:05:50.880,0:05:53.038
this machine what i'm trying to find out

0:05:53.039,0:05:54.879
is that if we can have a cad

0:05:54.880,0:05:57.359
file that is promising enough to embark

0:05:57.360,0:05:59.198
on that crazy journey

0:05:59.199,0:06:01.119
and

0:06:01.120,0:06:03.918
what i want to do so let's go to the

0:06:03.919,0:06:06.478
next step on the list let's get into the

0:06:06.479,0:06:07.519
nouns

0:06:07.520,0:06:10.239
so what i want to do is that i want to

0:06:10.240,0:06:11.918
take things

0:06:11.919,0:06:15.840
are that one and the same thing

0:06:16.000,0:06:17.999
i want to take things that are known

0:06:18.000,0:06:20.478
unknowns and move them over to known

0:06:20.479,0:06:21.439
knowns

0:06:21.440,0:06:25.119
there are some special important ones

0:06:25.120,0:06:26.559
that i think

0:06:26.560,0:06:29.519
i want to talk about today so let's just

0:06:29.520,0:06:31.599
get into a little bit on about this

0:06:31.600,0:06:33.279
system

0:06:33.280,0:06:35.999
and i just want to show you a website i

0:06:36.000,0:06:36.879
found

0:06:36.880,0:06:39.999
i never worked with this system but um i

0:06:40.000,0:06:40.719
think

0:06:40.720,0:06:43.918
this was a good um

0:06:43.919,0:06:46.079
a website so i'm just going to give

0:06:46.080,0:06:48.638
very quick uh overview how to use the

0:06:48.639,0:06:50.399
nouns and unknown technique to manage

0:06:50.400,0:06:52.638
assumptions

0:06:52.639,0:06:55.039
um

0:06:55.120,0:06:57.519
what assumptions are there that we know

0:06:57.520,0:06:59.439
they have been validated

0:06:59.440,0:07:02.478
what assumptions are there

0:07:02.479,0:07:04.959
that we can know but have not yet been

0:07:04.960,0:07:06.478
validated those are the ones i want to

0:07:06.479,0:07:07.999
focus on in this stream

0:07:08.000,0:07:10.079
what assumptions are there that we

0:07:10.080,0:07:11.918
cannot know

0:07:11.919,0:07:13.038
and

0:07:13.039,0:07:15.359
they put this in this kind of square so

0:07:15.360,0:07:17.758
i'm taking the words in this square from

0:07:17.759,0:07:21.359
from this website it's a famous method

0:07:21.360,0:07:23.198
and so quickly high level about each

0:07:23.199,0:07:25.439
category known knowns

0:07:25.440,0:07:27.119
known knowns are assumptions that have

0:07:27.120,0:07:29.758
been validated and are now facts however

0:07:29.759,0:07:31.679
it is important to note that known

0:07:31.680,0:07:34.318
knowns are not necessarily static

0:07:34.319,0:07:36.399
no knowns could change over the course

0:07:36.400,0:07:39.038
of a project the price or a lead time

0:07:39.039,0:07:40.799
for a certain component can

0:07:40.800,0:07:42.799
significantly change the scope cost or

0:07:42.800,0:07:44.399
schedule making them important to

0:07:44.400,0:07:47.839
identify and monitor as a potential risk

0:07:47.840,0:07:49.758
so when i say

0:07:49.759,0:07:51.439
um

0:07:51.440,0:07:54.399
when when i say here

0:07:54.400,0:07:56.959
that i know the programming wheel how

0:07:56.960,0:07:59.038
the programming will work so basically

0:07:59.039,0:08:01.198
how i'm going to use this is that i want

0:08:01.199,0:08:01.889
to show you

0:08:01.890,0:08:04.079
[Music]

0:08:04.080,0:08:06.799
the unresolved questions i have the the

0:08:06.800,0:08:08.799
most important unresolved questions the

0:08:08.800,0:08:10.478
known unknowns

0:08:10.479,0:08:12.638
for um

0:08:12.639,0:08:14.318
getting to the point where i know if the

0:08:14.319,0:08:16.959
machine will be viable or not

0:08:16.960,0:08:17.899
so um

0:08:17.900,0:08:19.038
[Music]

0:08:19.039,0:08:21.038
my known nodes now for example i just

0:08:21.039,0:08:23.598
made some example is program a b change

0:08:23.599,0:08:25.439
we have solved that

0:08:25.440,0:08:27.279
we have made an assumption that we have

0:08:27.280,0:08:30.239
solved that it can change but it it

0:08:30.240,0:08:33.359
belongs in the known knowns category

0:08:33.360,0:08:35.278
i have an assumption about how i want to

0:08:35.279,0:08:37.199
make the programming pin i have an

0:08:37.200,0:08:38.799
assumption about how i want to make the

0:08:38.800,0:08:40.718
programming wheel

0:08:40.719,0:08:42.799
three weeks ago i didn't have those so

0:08:42.800,0:08:44.958
that's that's progress so let's check

0:08:44.959,0:08:49.519
the second category the known unknowns

0:08:49.600,0:08:51.679
known unknowns are assumptions that we

0:08:51.680,0:08:53.759
haven't or can't validate

0:08:53.760,0:08:55.599
most assumptions identified during

0:08:55.600,0:08:57.999
project planning start in this category

0:08:58.000,0:09:02.640
they can be classified into three types

0:09:04.160,0:09:06.879
first assumptions that can become known

0:09:06.880,0:09:09.999
knowns if they're validated that's what

0:09:10.000,0:09:12.159
i'm going to talk about today

0:09:12.160,0:09:14.559
let's get um

0:09:14.560,0:09:17.359
straight into the third category unknown

0:09:17.360,0:09:18.479
nouns

0:09:18.480,0:09:19.679
and this is

0:09:19.680,0:09:20.879
where i have to read to actually

0:09:20.880,0:09:24.320
understand better myself here

0:09:24.480,0:09:26.879
where known knowns and known unknowns

0:09:26.880,0:09:28.719
are assumptions that can be dealt with

0:09:28.720,0:09:31.679
proactively

0:09:31.680,0:09:34.879
beforehand that's what we're doing now

0:09:34.880,0:09:37.278
unknown knowns and unknown unknowns are

0:09:37.279,0:09:38.879
issues that must be dealt with

0:09:38.880,0:09:41.359
reactively which is very very

0:09:41.360,0:09:44.159
interesting so in a design process

0:09:44.160,0:09:45.518
we're

0:09:45.519,0:09:48.159
only planning for the for the two top

0:09:48.160,0:09:50.319
squares the no nouns and the known

0:09:50.320,0:09:52.879
unknowns but we have to be prepared to

0:09:52.880,0:09:53.919
react

0:09:53.920,0:09:55.278
in a good way

0:09:55.279,0:09:57.359
to the two bottom categories unknowns

0:09:57.360,0:10:00.399
unknown unknowns

0:10:01.040,0:10:03.838
so what are unknown nouns unknowns are

0:10:03.839,0:10:05.039
assumptions that could have been

0:10:05.040,0:10:07.278
identified as no knowns in the planning

0:10:07.279,0:10:10.159
but weren't things we missed

0:10:10.160,0:10:13.359
and they are now affecting the project

0:10:13.360,0:10:15.199
unknown knowns occur most often as a

0:10:15.200,0:10:17.359
result of poor communication

0:10:17.360,0:10:19.518
a project manager knows that a certain

0:10:19.519,0:10:21.999
township reviews permit applications

0:10:22.000,0:10:24.239
only once per month but fails to

0:10:24.240,0:10:26.639
volunteer this information or is not

0:10:26.640,0:10:29.039
asked the next project manager working

0:10:29.040,0:10:31.359
with this township experience the same

0:10:31.360,0:10:32.879
pain point

0:10:32.880,0:10:34.078
okay

0:10:34.079,0:10:35.359
so

0:10:35.360,0:10:37.439
let me try to just understand this

0:10:37.440,0:10:38.639
category

0:10:38.640,0:10:40.959
um

0:10:41.519,0:10:43.838
the way they said it here is that i

0:10:43.839,0:10:46.078
don't know but somebody does and they

0:10:46.079,0:10:47.289
ain't telling

0:10:47.290,0:10:49.119
[Laughter]

0:10:49.120,0:10:53.119
it is things that can be forecasted but

0:10:53.120,0:10:54.239
wasn't

0:10:54.240,0:10:56.159
so we don't know it

0:10:56.160,0:10:59.119
um but someone else does we should have

0:10:59.120,0:11:02.398
known it is there any way that we can

0:11:02.399,0:11:04.639
i can know what site this is on people

0:11:04.640,0:11:08.399
want the link to it oh yeah

0:11:08.880,0:11:09.639
the

0:11:09.640,0:11:12.719
persimmongroup.com personal group

0:11:12.720,0:11:15.039
the persimmon group.com

0:11:15.040,0:11:18.479
and the dhe is in the same word

0:11:18.480,0:11:21.640
the persimmongroup.com

0:11:23.040,0:11:24.398
i should have put the link in the

0:11:24.399,0:11:27.119
description if you can find it

0:11:27.120,0:11:30.479
let's quickly look at the last square

0:11:30.480,0:11:33.518
unknown unknowns

0:11:33.519,0:11:36.479
chalk them up to murphy's law

0:11:36.480,0:11:38.879
meaning things you can't control unknown

0:11:38.880,0:11:41.518
unknowns are true surprises a project

0:11:41.519,0:11:43.759
that encounters a major delay due to a

0:11:43.760,0:11:45.518
political coup in the country where

0:11:45.519,0:11:47.518
equipment is manufactured

0:11:47.519,0:11:49.119
unknown announce should be shared

0:11:49.120,0:11:51.039
through lessons learned for future risk

0:11:51.040,0:11:53.759
considerations for projects as a known

0:11:53.760,0:11:56.760
unknown

0:11:58.240,0:12:01.599
force i wrote like in my um

0:12:01.600,0:12:04.799
in my version here i wrote force major

0:12:04.800,0:12:06.159
murphy's law

0:12:06.160,0:12:09.199
and a famous stoic technique is to only

0:12:09.200,0:12:11.199
try to focus on the things that you have

0:12:11.200,0:12:15.119
control over and in that exercise um

0:12:15.120,0:12:16.559
part of it is

0:12:16.560,0:12:18.719
admitting and realizing how little you

0:12:18.720,0:12:20.799
have control over in your life for

0:12:20.800,0:12:22.239
example the stoic says that you have

0:12:22.240,0:12:24.719
control over your goals for example so

0:12:24.720,0:12:26.799
focus on what goals you're setting

0:12:26.800,0:12:28.958
um

0:12:28.959,0:12:32.398
so the fourth square down to the right

0:12:32.399,0:12:36.399
we can kind of know that it's there

0:12:36.839,0:12:39.759
there's murphy's law

0:12:39.760,0:12:42.319
stuff can happen but these are exactly

0:12:42.320,0:12:45.039
the events that no one can predict so

0:12:45.040,0:12:47.039
that square is okay

0:12:47.040,0:12:50.398
unknown unknowns http a stock material

0:12:50.399,0:12:52.479
for programming wheel it's not an

0:12:52.480,0:12:54.398
unknown knowns it should be up here in

0:12:54.399,0:12:57.200
known unknowns

0:12:57.360,0:12:59.919
if someone in chat has suggestions for

0:12:59.920,0:13:02.239
anything i can put here in unknown

0:13:02.240,0:13:04.159
knowns

0:13:04.160,0:13:05.599
that relates to the mar machine 3

0:13:05.600,0:13:07.278
project

0:13:07.279,0:13:08.799
i would love to because i can't actually

0:13:08.800,0:13:11.039
think of examples it doesn't really

0:13:11.040,0:13:13.039
matter because the business end of this

0:13:13.040,0:13:15.759
live stream happens up here

0:13:15.760,0:13:17.439
so

0:13:17.440,0:13:19.359
why did i want to talk about this and

0:13:19.360,0:13:21.838
why did i want to work with this today

0:13:21.839,0:13:23.759
it's because i feel

0:13:23.760,0:13:24.638
that

0:13:24.639,0:13:27.679
this helps me point out what i need to

0:13:27.680,0:13:30.799
spend my focus on from here

0:13:30.800,0:13:32.159
so

0:13:32.160,0:13:34.958
in this list here what are the most

0:13:34.959,0:13:37.518
important known unknowns up to the right

0:13:37.519,0:13:40.799
here i can't highlight it for you

0:13:40.800,0:13:43.198
i can do that no wow thank you for that

0:13:43.199,0:13:45.359
zoom

0:13:45.360,0:13:45.869
um

0:13:45.870,0:13:47.679
[Music]

0:13:47.680,0:13:49.039
so

0:13:49.040,0:13:51.039
the big things

0:13:51.040,0:13:52.078
um

0:13:52.079,0:13:53.919
which i think is

0:13:53.920,0:13:57.198
highly important that we focus on now

0:13:57.199,0:13:58.319
is

0:13:58.320,0:14:00.239
machine footprint

0:14:00.240,0:14:04.319
let's try to color that text red

0:14:04.320,0:14:06.799
did i do it correctly i did but i want

0:14:06.800,0:14:08.958
to make it really red

0:14:08.959,0:14:11.279
there

0:14:11.839,0:14:13.039
this is

0:14:13.040,0:14:14.078
something

0:14:14.079,0:14:16.879
that is on top of my mind instrument

0:14:16.880,0:14:19.359
positions same thing there

0:14:19.360,0:14:21.919
uh important

0:14:21.920,0:14:24.638
double release gate to one hit point

0:14:24.639,0:14:27.039
not as important for now pac-man or

0:14:27.040,0:14:29.759
escapement gate not as important for now

0:14:29.760,0:14:31.759
https stock material for programming

0:14:31.760,0:14:34.559
wheel not as important for now

0:14:34.560,0:14:36.638
marble size and material

0:14:36.639,0:14:39.198
and so i put this in the same thing but

0:14:39.199,0:14:40.319
it doesn't matter because i want to make

0:14:40.320,0:14:42.078
them both red

0:14:42.079,0:14:43.278
um

0:14:43.279,0:14:45.119
bowden hydraulics cost

0:14:45.120,0:14:48.000
and friction because

0:14:48.160,0:14:51.759
let's start with the bowden cable um

0:14:51.760,0:14:55.518
if it's true that a bowden cable have

0:14:55.519,0:14:56.838
less enough

0:14:56.839,0:15:00.319
um little enough friction so i can place

0:15:00.320,0:15:02.078
a module on the side

0:15:02.079,0:15:03.119
um

0:15:03.120,0:15:05.759
and activate the mechanics somewhere and

0:15:05.760,0:15:07.999
pull maybe a one and a half meter long

0:15:08.000,0:15:10.638
bowden cable and it's fast enough for a

0:15:10.639,0:15:13.359
marble gate and it's timely accurate

0:15:13.360,0:15:15.359
that would open up a design space where

0:15:15.360,0:15:16.638
we can have

0:15:16.639,0:15:18.078
instruments far away from the

0:15:18.079,0:15:19.838
programming wheel

0:15:19.839,0:15:21.759
and i never worked with boarding cables

0:15:21.760,0:15:24.159
i don't know anything about them so it's

0:15:24.160,0:15:26.799
a known unknown i do not know if this

0:15:26.800,0:15:28.799
would work for the machine

0:15:28.800,0:15:29.919
um

0:15:29.920,0:15:32.559
and the marble size and material like i

0:15:32.560,0:15:34.958
bought some rubber balls and some wooden

0:15:34.959,0:15:37.838
balls but i haven't really gone into it

0:15:37.839,0:15:40.958
um and this will also if we realize that

0:15:40.959,0:15:43.278
we want 40 millimeters

0:15:43.279,0:15:44.398
marbles

0:15:44.399,0:15:48.159
that will give a lot of um

0:15:48.160,0:15:50.398
it will have a big impact on the future

0:15:50.399,0:15:52.879
design of of the marble machine 3. and

0:15:52.880,0:15:55.039
sort of interrupting your mark no no did

0:15:55.040,0:15:57.679
you want unknown knowns from chat yes

0:15:57.680,0:15:59.758
yeah let's start off with something here

0:15:59.759,0:16:00.559
then

0:16:00.560,0:16:02.398
from john h

0:16:02.399,0:16:05.039
unknowns can cad demo the entire machine

0:16:05.040,0:16:07.758
to validate functionality and marbles

0:16:07.759,0:16:10.399
question mark

0:16:11.839,0:16:15.119
that's a good suggestion john anons can

0:16:15.120,0:16:17.278
cad demo the entire machine to validate

0:16:17.279,0:16:19.119
functionality and marbles

0:16:19.120,0:16:22.120
um

0:16:22.800,0:16:24.559
so i'm i'm just thinking i think this

0:16:24.560,0:16:27.679
should be um

0:16:27.680,0:16:31.198
um this is a very good place to start i

0:16:31.199,0:16:34.879
just think why is it not a known unknown

0:16:34.880,0:16:38.240
what makes an unknown

0:16:38.560,0:16:40.719
i don't know but okay i don't know what

0:16:40.720,0:16:44.638
somebody does and they ain't telling

0:16:44.639,0:16:48.559
does it qualify as an unknown known

0:16:48.560,0:16:51.039
i'm gonna put it there i i like the idea

0:16:51.040,0:16:52.799
yeah start with that and we have another

0:16:52.800,0:16:54.159
one coming up

0:16:54.160,0:16:55.278
can

0:16:55.279,0:16:56.239
um

0:16:56.240,0:16:58.078
physics

0:16:58.079,0:17:00.239
physics seem

0:17:00.240,0:17:03.739
validate the machine

0:17:03.740,0:17:06.078
[Music]

0:17:06.079,0:17:08.798
and i'm going to put that in black

0:17:08.799,0:17:11.759
yeah and satish kumar unknown known the

0:17:11.760,0:17:14.639
maximum marble flow rate needed for a

0:17:14.640,0:17:17.640
song

0:17:18.000,0:17:20.319
um

0:17:20.959,0:17:24.799
i think that's a known unknown

0:17:29.600,0:17:30.879
because

0:17:30.880,0:17:33.279
if we go back to the website

0:17:33.280,0:17:34.239
um

0:17:34.240,0:17:36.399
let's try to understand that

0:17:36.400,0:17:38.079
it's a good suggestion i just want to

0:17:38.080,0:17:40.239
learn here let's try to understand the

0:17:40.240,0:17:41.759
difference between

0:17:41.760,0:17:43.759
known unknowns and unknown knowns

0:17:43.760,0:17:45.439
because i'm a little bit not clear on

0:17:45.440,0:17:46.558
that

0:17:46.559,0:17:48.799
so

0:17:49.760,0:17:51.918
known unknowns are assumption that we

0:17:51.919,0:17:53.918
haven't

0:17:53.919,0:17:56.239
or can't validate

0:17:56.240,0:17:57.599
three types

0:17:57.600,0:17:59.599
let me read everything

0:17:59.600,0:18:01.359
assumptions that can become no unknowns

0:18:01.360,0:18:03.279
if they are validated assumptions that

0:18:03.280,0:18:04.479
can become

0:18:04.480,0:18:06.399
no known at some point in the future but

0:18:06.400,0:18:08.798
not now okay so we don't we can't access

0:18:08.799,0:18:11.279
the information now but it can be known

0:18:11.280,0:18:13.519
yeah it can be known in the future

0:18:13.520,0:18:15.839
assumptions that can't become known

0:18:15.840,0:18:16.959
knowns

0:18:16.960,0:18:19.678
because we can't control them also

0:18:19.679,0:18:21.519
that's things that always stay in that

0:18:21.520,0:18:23.199
category

0:18:23.200,0:18:25.038
the last type of no-no's those that

0:18:25.039,0:18:27.279
can't be controlled flux in the price of

0:18:27.280,0:18:29.119
fuel estimated weather delays for a

0:18:29.120,0:18:30.719
construction project should be

0:18:30.720,0:18:33.119
classified as risks in project planning

0:18:33.120,0:18:34.159
okay

0:18:34.160,0:18:35.519
so a

0:18:35.520,0:18:40.479
shorter shortage of marbles globally

0:18:40.480,0:18:41.279
yes

0:18:41.280,0:18:43.839
marvel shortage because uh sudden

0:18:43.840,0:18:46.239
increase in war machine popularity

0:18:46.240,0:18:47.119
um

0:18:47.120,0:18:50.480
so let's see now what

0:18:52.240,0:18:54.639
ah so here it is i read it i had to read

0:18:54.640,0:18:55.759
it again

0:18:55.760,0:18:57.918
no knowns and known unknowns are

0:18:57.919,0:18:59.519
assumptions that can be dealt with

0:18:59.520,0:19:01.359
proactively

0:19:01.360,0:19:03.038
um

0:19:03.039,0:19:05.199
unknown knowns and unknown unknowns are

0:19:05.200,0:19:06.558
issues that must be dealt with

0:19:06.559,0:19:08.558
reactively

0:19:08.559,0:19:10.239
unknowns are assumptions that could have

0:19:10.240,0:19:13.200
been identified that

0:19:13.440,0:19:15.119
could have been this is where i'm a

0:19:15.120,0:19:17.999
little confused but aware and and is now

0:19:18.000,0:19:20.798
affecting the project unknowns occur

0:19:20.799,0:19:22.959
most often as the result

0:19:22.960,0:19:25.359
of poor communication

0:19:25.360,0:19:26.719
also

0:19:26.720,0:19:29.600
so it's not that we

0:19:29.760,0:19:31.599
so can you bring up the last comment

0:19:31.600,0:19:33.840
again

0:19:34.080,0:19:35.359
um

0:19:35.360,0:19:39.119
so your suggestion here is uh i think

0:19:39.120,0:19:42.159
it's a now known unknown okay

0:19:42.160,0:19:45.759
marble flow rate i'm gonna make uh some

0:19:45.760,0:19:48.558
smaller uh type so we can fit more

0:19:48.559,0:19:50.159
suggestions

0:19:50.160,0:19:51.599
um

0:19:51.600,0:19:54.079
so marble flow rate is a known unknown

0:19:54.080,0:19:56.319
because we can validate

0:19:56.320,0:19:58.559
um

0:20:01.200,0:20:04.719
and cookie crumbs unknown known is when

0:20:04.720,0:20:09.200
you know the question but not the answer

0:20:14.480,0:20:16.798
ah that's a good

0:20:16.799,0:20:18.959
that's that that's a good definition

0:20:18.960,0:20:21.119
when you know the question but not know

0:20:21.120,0:20:23.199
the answer

0:20:23.200,0:20:25.119
yeah i don't know what somebody does and

0:20:25.120,0:20:28.320
they ain't telling so

0:20:29.039,0:20:31.440
um

0:20:31.919,0:20:33.199
yeah

0:20:33.200,0:20:35.279
so this this is gonna be like part two

0:20:35.280,0:20:37.999
of this exercise is to better understand

0:20:38.000,0:20:39.918
the square down to the left because i'm

0:20:39.919,0:20:41.678
a little bit confused about it and it

0:20:41.679,0:20:43.279
doesn't really matter for now because i

0:20:43.280,0:20:45.038
understand the first two and those are

0:20:45.039,0:20:47.519
the ones that i'm working with but

0:20:47.520,0:20:51.199
known unknown what are boo champ no not

0:20:51.200,0:20:53.519
known what are the minimum deliverable

0:20:53.520,0:20:55.999
product does the machine need the drums

0:20:56.000,0:20:58.559
included

0:20:58.880,0:21:01.038
um

0:21:01.039,0:21:03.119
so that's that's a nice one i think

0:21:03.120,0:21:04.798
there's something in product design

0:21:04.799,0:21:07.199
called mvp

0:21:07.200,0:21:09.759
uh which is

0:21:09.760,0:21:10.649
minimum

0:21:10.650,0:21:12.479
[Music]

0:21:12.480,0:21:14.239
valid

0:21:14.240,0:21:16.319
valuable

0:21:16.320,0:21:17.359
valid

0:21:17.360,0:21:19.919
product

0:21:20.240,0:21:21.839
can you search for mvp in product

0:21:21.840,0:21:26.479
development uh yeah not in sports

0:21:26.480,0:21:28.799
um

0:21:29.760,0:21:31.519
minimum

0:21:31.520,0:21:34.159
valuable

0:21:34.799,0:21:37.038
minimum viable product that's that's the

0:21:37.039,0:21:38.959
word thank you so much

0:21:38.960,0:21:41.279
minimum viable product i think that's

0:21:41.280,0:21:43.199
what you mean people champ

0:21:43.200,0:21:45.199
what are the minimum deliverable product

0:21:45.200,0:21:47.279
that's minimum viable product i think

0:21:47.280,0:21:49.199
that's exactly what you mean does the

0:21:49.200,0:21:52.479
machine need the drums included

0:21:52.480,0:21:53.678
um

0:21:53.679,0:21:56.399
yeah so the minimum viable product is

0:21:56.400,0:21:58.158
exactly what we're writing in our design

0:21:58.159,0:22:00.239
requirements document

0:22:00.240,0:22:01.199
um

0:22:01.200,0:22:03.359
that's that is actually

0:22:03.360,0:22:05.199
so

0:22:05.200,0:22:07.199
i think this exercise will

0:22:07.200,0:22:09.918
help me choose what to focus on and also

0:22:09.919,0:22:13.519
explain to you why

0:22:13.520,0:22:15.599
the thing that i'm researching right now

0:22:15.600,0:22:18.480
in in my head

0:22:19.120,0:22:20.239
so

0:22:20.240,0:22:22.798
i'm going to try to choose

0:22:22.799,0:22:24.239
some things

0:22:24.240,0:22:27.439
and i'm going to try to take research

0:22:27.440,0:22:29.519
these known unknowns

0:22:29.520,0:22:30.879
and

0:22:30.880,0:22:32.879
make it possible for me to drag them

0:22:32.880,0:22:36.399
over so they become known knowns

0:22:36.400,0:22:38.959
and i think when i have enough known

0:22:38.960,0:22:41.599
knowns i will be able to make a decision

0:22:41.600,0:22:45.279
if this project is feasible or or not

0:22:45.280,0:22:47.279
yeah and i thought this was a

0:22:47.280,0:22:49.359
nice explanation from doro or in other

0:22:49.360,0:22:52.079
words our suggestions are unknown knowns

0:22:52.080,0:22:54.879
for you as long as you aren't

0:22:54.880,0:22:56.798
aware of them once you know about them

0:22:56.799,0:23:00.798
they will go to known unknowns

0:23:00.799,0:23:02.558
and that's interesting

0:23:02.559,0:23:04.959
because you couldn't foresee

0:23:04.960,0:23:06.959
yeah eventual problems because you

0:23:06.960,0:23:09.519
didn't know about them yeah yeah

0:23:09.520,0:23:12.400
and i think like

0:23:12.880,0:23:13.759
since

0:23:13.760,0:23:17.599
we're working in a digital file in cad

0:23:17.600,0:23:21.359
i think like it will be much easier for

0:23:21.360,0:23:23.759
for example the whole community to call

0:23:23.760,0:23:24.798
out

0:23:24.799,0:23:27.519
what for me are unknown nouns

0:23:27.520,0:23:29.359
and tell them to me and so i can put

0:23:29.360,0:23:31.678
them into known unknowns or even know

0:23:31.679,0:23:33.119
nouns later

0:23:33.120,0:23:34.639
so let's

0:23:34.640,0:23:38.719
let's um let's talk about these four red

0:23:38.720,0:23:40.639
uh things

0:23:40.640,0:23:41.139
um

0:23:41.140,0:23:43.599
[Music]

0:23:43.600,0:23:44.959
before

0:23:44.960,0:23:46.719
we're and actually that's actually where

0:23:46.720,0:23:48.719
we're going into

0:23:48.720,0:23:50.719
um i think we're done actually with the

0:23:50.720,0:23:54.799
known step this is basically

0:23:55.039,0:23:56.879
most what i wanted to show you is my

0:23:56.880,0:23:59.199
relationship to these four red items

0:23:59.200,0:24:01.839
marble size and material

0:24:01.840,0:24:04.959
is bowden cables or hydraulic cables a

0:24:04.960,0:24:07.038
viable option

0:24:07.039,0:24:09.759
the the machine x footprint

0:24:09.760,0:24:11.918
short if we can make if we're allowed to

0:24:11.919,0:24:14.239
make it big i know i can make this

0:24:14.240,0:24:16.719
machine work if we if we need to make it

0:24:16.720,0:24:18.319
small and everything is convoluted and

0:24:18.320,0:24:20.399
sit on top of each other

0:24:20.400,0:24:22.079
i don't know if i even want to try to do

0:24:22.080,0:24:23.759
it i also don't even know if i want to

0:24:23.760,0:24:25.519
try to build a big machine

0:24:25.520,0:24:27.278
so that's a machine footprint discussion

0:24:27.279,0:24:30.479
and then instrument positions

0:24:30.480,0:24:32.479
maybe instrument positions and machine

0:24:32.480,0:24:35.038
footprint is the same thing actually

0:24:35.039,0:24:37.759
yeah it's the same i'm going to remove

0:24:37.760,0:24:39.439
the second one

0:24:39.440,0:24:43.199
and i'm going to um i'm going to add

0:24:43.200,0:24:45.278
instrument positions to marvel

0:24:45.279,0:24:47.359
machine footprint

0:24:47.360,0:24:49.678
it's the same thing

0:24:49.679,0:24:51.839
um

0:24:51.840,0:24:54.400
inst

0:24:55.600,0:24:57.119
this is kind of interesting as well from

0:24:57.120,0:24:59.678
the organ guy unknown knowns your

0:24:59.679,0:25:01.759
current design requirements are too

0:25:01.760,0:25:04.400
ambitious

0:25:06.799,0:25:10.798
ah that's a super nice one um

0:25:10.799,0:25:12.558
because that was

0:25:12.559,0:25:14.798
exactly what happened

0:25:14.799,0:25:16.158
um

0:25:16.159,0:25:19.120
i love to show this

0:25:19.760,0:25:20.879
you're

0:25:20.880,0:25:23.119
so if we go back to when when i saw

0:25:23.120,0:25:25.359
myself three days ago on a video and i

0:25:25.360,0:25:29.119
was like god i was naive i was so naive

0:25:29.120,0:25:31.199
and i went only on like adrena i was

0:25:31.200,0:25:34.079
going only on adrenaline at that time my

0:25:34.080,0:25:35.759
current design requirements were too

0:25:35.760,0:25:37.599
ambitious for

0:25:37.600,0:25:39.199
for my skill

0:25:39.200,0:25:41.119
and um

0:25:41.120,0:25:42.798
i know that oregon guy thinks that i

0:25:42.799,0:25:44.719
should use also 22 tracks so maybe

0:25:44.720,0:25:46.719
that's what you're getting at here

0:25:46.720,0:25:48.079
unknown

0:25:48.080,0:25:50.558
and i agree with you like the 37 double

0:25:50.559,0:25:54.239
drop vibraphone with 174 registrators

0:25:54.240,0:25:57.199
are kind of are perhaps too ambitious we

0:25:57.200,0:25:59.359
and you don't know that until you know

0:25:59.360,0:26:02.239
it so that's unknown so this was a

0:26:02.240,0:26:04.879
fantastic example uh so i'm gonna write

0:26:04.880,0:26:06.719
it here

0:26:06.720,0:26:09.720
um

0:26:13.520,0:26:15.038
current

0:26:15.039,0:26:18.000
d r

0:26:18.159,0:26:19.119
to

0:26:19.120,0:26:22.080
ambitious

0:26:22.320,0:26:25.359
i should probably not use abbreviations

0:26:25.360,0:26:26.319
because

0:26:26.320,0:26:29.038
we are too this is abstract enough as it

0:26:29.039,0:26:30.399
is

0:26:30.400,0:26:31.999
we're trying to go a mainstream

0:26:32.000,0:26:34.719
evergreen here

0:26:34.720,0:26:37.720
requirements

0:26:42.390,0:26:45.678
[Music]

0:26:45.679,0:26:47.999
photoshop is absolutely the the software

0:26:48.000,0:26:51.599
to use for this presentation by the way

0:26:51.600,0:26:54.639
definitely simple and easy

0:26:54.640,0:26:57.599
to go to microsoft paint

0:26:57.600,0:27:00.158
from windows

0:27:00.159,0:27:02.239
98 or something that we saw earlier

0:27:02.240,0:27:04.559
today

0:27:04.640,0:27:08.319
so so this is super nice unknown knowns

0:27:08.320,0:27:10.558
can physics invalidate the machine

0:27:10.559,0:27:13.359
current design uh requirements to

0:27:13.360,0:27:16.719
ambitious or or or not

0:27:16.720,0:27:19.039
um

0:27:19.120,0:27:21.678
so i boiled it down

0:27:21.679,0:27:23.038
to

0:27:23.039,0:27:25.119
three

0:27:25.120,0:27:26.959
things now marble size and material

0:27:26.960,0:27:29.439
about in hydraulics cost friction

0:27:29.440,0:27:31.359
machine footprint

0:27:31.360,0:27:33.519
so

0:27:33.520,0:27:35.599
now you know how i think about

0:27:35.600,0:27:38.079
choosing next step and these red ones

0:27:38.080,0:27:40.639
are the ones that i wanna investigate

0:27:40.640,0:27:43.038
and if possible try to validate these

0:27:43.039,0:27:45.839
three two known nouns

0:27:45.840,0:27:48.398
and i wanna start today with a

0:27:48.399,0:27:51.999
brainstorming session with sir 3k oh wow

0:27:52.000,0:27:54.319
we're already there yeah we're there and

0:27:54.320,0:27:56.079
you can keep on suggesting

0:27:56.080,0:27:58.239
things to put into the squares but for

0:27:58.240,0:28:01.199
now i'm gonna play a mall if i can

0:28:01.200,0:28:02.959
it's important for me

0:28:02.960,0:28:05.439
this is important for all of us

0:28:05.440,0:28:08.639
here this is how we heard it

0:28:08.640,0:28:13.119
ah that's where there we go

0:28:13.120,0:28:15.038
oh yeah so

0:28:15.039,0:28:19.999
this is kind of how i how i uh how i was

0:28:20.000,0:28:22.320
before

0:28:25.279,0:28:26.959
and the difference here is that is alan

0:28:26.960,0:28:29.678
turing who says that

0:28:29.679,0:28:31.119
and um

0:28:31.120,0:28:32.639
no comparison

0:28:32.640,0:28:35.519
uh otherwise between me and alan turing

0:28:35.520,0:28:38.398
so um we are on step three

0:28:38.399,0:28:41.999
yes let's see how to do this let's go to

0:28:42.000,0:28:46.239
cad and let's just look at our craziness

0:28:46.240,0:28:48.959
here our beautiful machine

0:28:48.960,0:28:51.839
so sir 3k um

0:28:51.840,0:28:54.558
we had a slide earlier that was

0:28:54.559,0:28:57.918
brilliant um can we pick that up the

0:28:57.919,0:29:00.239
comparison between the modular versus

0:29:00.240,0:29:01.599
the all

0:29:01.600,0:29:02.879
one design

0:29:02.880,0:29:05.038
give me a second i think that's a great

0:29:05.039,0:29:07.519
start to to kick this brainstorming

0:29:07.520,0:29:08.639
session off

0:29:08.640,0:29:13.840
i'm also gonna sketch on my sketch pad

0:29:16.640,0:29:18.239
so i've had a

0:29:18.240,0:29:20.480
like

0:29:21.279,0:29:23.759
very pessimistic feeling the last days

0:29:23.760,0:29:25.119
um

0:29:25.120,0:29:26.879
yes

0:29:26.880,0:29:28.319
hannes is getting annoyed with me

0:29:28.320,0:29:30.558
because my hype is gone

0:29:30.559,0:29:33.359
and i can't cope with that i just go on

0:29:33.360,0:29:36.158
pure hope here

0:29:36.159,0:29:40.239
i'm my i'm i'm zero hype right now um

0:29:40.240,0:29:42.719
because i don't see a way forward right

0:29:42.720,0:29:47.439
now and i and and what i mean is that it

0:29:47.440,0:29:49.519
might be good it might be good that i

0:29:49.520,0:29:51.439
don't think i know how to do this

0:29:51.440,0:29:53.359
like uh what was his name the dune

0:29:53.360,0:29:54.558
composer

0:29:54.559,0:29:56.719
hanziman like hans simmer doesn't know

0:29:56.720,0:29:59.038
how to compose the music for your movie

0:29:59.039,0:30:01.359
i do not know how to design uh this

0:30:01.360,0:30:04.080
marble machine

0:30:06.640,0:30:09.439
so we're gonna show you a

0:30:09.440,0:30:12.639
suggestion that was sent in um

0:30:12.640,0:30:14.479
by a viewer

0:30:14.480,0:30:16.319
um which is a

0:30:16.320,0:30:18.879
very very nice rundown

0:30:18.880,0:30:20.239
of kind of

0:30:20.240,0:30:22.398
the two approaches the modular design to

0:30:22.399,0:30:23.839
the left

0:30:23.840,0:30:26.798
and all in one design to the right and

0:30:26.799,0:30:28.239
i just wanted

0:30:28.240,0:30:31.519
hannes sir 3k would you please

0:30:31.520,0:30:34.079
tell the viewers about your

0:30:34.080,0:30:35.119
feeling

0:30:35.120,0:30:37.439
of the dna of the first machine and

0:30:37.440,0:30:39.759
everything you told me the other day

0:30:39.760,0:30:41.439
oh wow that's a tall order do you want

0:30:41.440,0:30:43.119
me to remember that what was our

0:30:43.120,0:30:45.599
discussion the dna

0:30:45.600,0:30:47.359
i just need to get in that mind frame

0:30:47.360,0:30:48.558
again

0:30:48.559,0:30:51.599
the mind frame

0:30:51.600,0:30:53.999
yeah but it's like um

0:30:54.000,0:30:55.278
um

0:30:55.279,0:30:56.879
programming language with frame and

0:30:56.880,0:30:58.639
you're about so maybe that's why you

0:30:58.640,0:31:00.158
don't have a mindset you have mind

0:31:00.159,0:31:01.678
frames or something

0:31:01.679,0:31:06.640
what we talked about yeah is that

0:31:09.120,0:31:11.278
what is the marble machine actually like

0:31:11.279,0:31:15.119
it's the cool thing that is one machine

0:31:15.120,0:31:17.918
that has so many things like convoluted

0:31:17.919,0:31:20.158
i hope i'm intertwined

0:31:20.159,0:31:21.918
and it's it's like a rube goldberg

0:31:21.919,0:31:24.719
machine everything happens um

0:31:24.720,0:31:27.119
at the same time in one machine and it's

0:31:27.120,0:31:28.879
kind of hard to understand how it works

0:31:28.880,0:31:31.359
but it's kind but it works and it's like

0:31:31.360,0:31:32.798
intriguing because it's this little

0:31:32.799,0:31:34.719
small music box and out of it comes

0:31:34.720,0:31:37.518
something big and huge

0:31:37.519,0:31:39.679
and

0:31:40.640,0:31:43.119
how much would that be lost

0:31:43.120,0:31:44.639
if we went

0:31:44.640,0:31:46.319
for a much bigger machine where

0:31:46.320,0:31:49.119
everything is separated and

0:31:49.120,0:31:51.918
if if we can go to um

0:31:51.919,0:31:54.879
actually to the sketch pad when i find

0:31:54.880,0:31:56.319
we don't we don't have to put the

0:31:56.320,0:31:58.639
modules apart from each other

0:31:58.640,0:31:59.599
um

0:31:59.600,0:32:00.479
so

0:32:00.480,0:32:03.278
if i can find

0:32:03.279,0:32:04.398
um

0:32:04.399,0:32:06.479
so yeah here for example

0:32:06.480,0:32:09.119
so here's the modules this is a modular

0:32:09.120,0:32:10.239
design

0:32:10.240,0:32:12.398
and everything is apart so it looks like

0:32:12.399,0:32:13.839
yeah that's three machines that's not

0:32:13.840,0:32:15.918
the marble machine but we can have this

0:32:15.919,0:32:17.119
mindset

0:32:17.120,0:32:19.119
and put them into

0:32:19.120,0:32:20.479
one machine

0:32:20.480,0:32:22.960
like this

0:32:23.279,0:32:26.398
so here here's bowden cables allowing us

0:32:26.399,0:32:27.999
to spread out the instruments which is

0:32:28.000,0:32:29.278
good for

0:32:29.279,0:32:31.278
and we can also do

0:32:31.279,0:32:32.239
um

0:32:32.240,0:32:35.038
something that i think is the closest

0:32:35.039,0:32:37.199
uh this one

0:32:37.200,0:32:38.798
but actually vibraphone and drums would

0:32:38.799,0:32:41.518
change place here

0:32:41.519,0:32:45.518
do we have the wide mm3 uh slide

0:32:45.519,0:32:48.239
uh i can find it maybe we don't have the

0:32:48.240,0:32:50.558
keynote

0:32:50.559,0:32:52.079
um

0:32:52.080,0:32:55.278
never mind so i'm gonna give you your uh

0:32:55.279,0:32:57.518
your the path here

0:32:57.519,0:33:01.039
um or that or um

0:33:01.200,0:33:04.158
what you were talking about is like

0:33:04.159,0:33:07.678
the dna of one machine

0:33:07.679,0:33:12.559
versus the modular design yeah and

0:33:13.600,0:33:15.918
basically you said a lot of smart things

0:33:15.919,0:33:17.999
about that can you just repeat them

0:33:18.000,0:33:19.678
please can i just repeat everything i

0:33:19.679,0:33:22.079
said and then i have like yeah here we

0:33:22.080,0:33:23.999
have holdsworth

0:33:24.000,0:33:25.999
hands also

0:33:26.000,0:33:28.879
the whole in one is the spirit it is

0:33:28.880,0:33:31.839
kind of the point of the machine

0:33:31.840,0:33:33.999
and that's perhaps a little bit where i

0:33:34.000,0:33:39.000
was going right when we talked about it

0:33:39.840,0:33:41.119
and

0:33:41.120,0:33:43.278
for me the dna of it all i talked about

0:33:43.279,0:33:45.999
on the streams earlier as well

0:33:46.000,0:33:48.558
it's like it's not a self-playing

0:33:48.559,0:33:50.719
machine altogether it's the interaction

0:33:50.720,0:33:54.239
between you and the machine also

0:33:54.240,0:33:56.158
and that's why i get so annoyed when i

0:33:56.159,0:33:59.599
hear mallet machine i know you're joking

0:33:59.600,0:34:00.959
i have to provide context because that

0:34:00.960,0:34:03.038
was the previous stream

0:34:03.039,0:34:06.239
i even contemplated building a mallet

0:34:06.240,0:34:08.398
machine instead

0:34:08.399,0:34:10.719
so no marbles because it's formed from

0:34:10.720,0:34:13.838
function absolutism but that's

0:34:13.839,0:34:15.838
that i agree

0:34:15.839,0:34:17.039
is

0:34:17.040,0:34:19.678
too much of a step into a new family of

0:34:19.679,0:34:22.319
something else

0:34:22.320,0:34:24.720
go on

0:34:26.159,0:34:28.479
as the chat says

0:34:28.480,0:34:31.279
like the main spirit of it having it is

0:34:31.280,0:34:34.799
everything in one it's not modular

0:34:34.800,0:34:36.878
connected together

0:34:36.879,0:34:40.480
a lot of like extension

0:34:40.720,0:34:41.838
i don't know

0:34:41.839,0:34:43.519
okay so give let me

0:34:43.520,0:34:44.959
can you bring that comment up again i

0:34:44.960,0:34:46.838
thought it was really nice

0:34:46.839,0:34:50.559
um the whole holdsworth hands the whole

0:34:50.560,0:34:53.279
in the in one is the spirit

0:34:53.280,0:34:55.439
it is kind of the point of the machine

0:34:55.440,0:34:58.479
so my question for you holdsworth hands

0:34:58.480,0:35:00.399
i i love your comment

0:35:00.400,0:35:02.879
uh let me draw something for you okay

0:35:02.880,0:35:04.239
mac

0:35:04.240,0:35:06.399
to me the coolest part is that it's one

0:35:06.400,0:35:09.838
machine i'm in the one machine camp

0:35:09.839,0:35:11.759
let me ask the audience something here

0:35:11.760,0:35:13.598
to you kmac and to holdsworth and to

0:35:13.599,0:35:17.000
everyone else

0:35:17.599,0:35:20.078
if the machine was large so um so we

0:35:20.079,0:35:22.799
have here alternative one

0:35:22.800,0:35:24.959
this is the all-in-one that we know and

0:35:24.960,0:35:25.999
love

0:35:26.000,0:35:28.838
and that i don't think will give

0:35:28.839,0:35:32.399
me the music requirements that i feel i

0:35:32.400,0:35:33.999
need

0:35:34.000,0:35:37.040
that's why i think

0:35:38.560,0:35:40.799
but maybe maybe maybe

0:35:40.800,0:35:43.439
like um organ guy said

0:35:43.440,0:35:45.039
the current design requirements are too

0:35:45.040,0:35:48.479
ambitious uh so so this is the

0:35:48.480,0:35:49.759
this is

0:35:49.760,0:35:52.479
let's call this the classic

0:35:52.480,0:35:55.118
classic footprint

0:35:55.119,0:35:57.519
and i have also here like this is kinda

0:35:57.520,0:35:59.519
same as i think then perhaps marcus

0:35:59.520,0:36:00.719
hoffman

0:36:00.720,0:36:02.799
modular is a marble machine but not

0:36:02.800,0:36:05.358
vintage marble machine

0:36:05.359,0:36:07.519
that's kind of the same vein of the dna

0:36:07.520,0:36:10.838
like the whole feel about it

0:36:10.839,0:36:14.319
yeah so

0:36:14.320,0:36:16.399
on the completely

0:36:16.400,0:36:19.279
other side of the spectra let's make it

0:36:19.280,0:36:21.999
i'm gonna draw it where can i draw

0:36:22.000,0:36:23.118
there

0:36:23.119,0:36:24.838
i'm gonna draw it down

0:36:24.839,0:36:25.629
here um

0:36:25.630,0:36:27.199
[Music]

0:36:27.200,0:36:30.320
let's draw it like this

0:36:30.720,0:36:32.078
we should look at pat mathews

0:36:32.079,0:36:35.039
orchestrion because i think it's a

0:36:35.040,0:36:37.279
i was a big badminton fan but that is a

0:36:37.280,0:36:39.039
mechanical music instrument project

0:36:39.040,0:36:41.039
that's kind of boring to watch

0:36:41.040,0:36:43.118
and it's actually spread out so it's a

0:36:43.119,0:36:44.719
lot of mechanical music instruments

0:36:44.720,0:36:45.999
everywhere

0:36:46.000,0:36:48.159
and um

0:36:48.160,0:36:52.959
it's not entertaining in my in my um

0:36:52.960,0:36:55.118
it's also media and solenoid controlled

0:36:55.119,0:36:58.239
and you know how i feel about that

0:36:58.240,0:37:00.739
um so down here

0:37:00.740,0:37:05.870
[Music]

0:37:07.520,0:37:09.439
and here's a comment that goes straight

0:37:09.440,0:37:12.239
to my heart from kmac once again

0:37:12.240,0:37:15.039
iron man 3 was lame because he had many

0:37:15.040,0:37:17.358
autonomous machines the coolest thing

0:37:17.359,0:37:19.118
about iron man is the man and the

0:37:19.119,0:37:22.319
machine interaction be the musical iron

0:37:22.320,0:37:24.640
man

0:37:30.160,0:37:32.319
that's so fun that's that's that's good

0:37:32.320,0:37:36.399
that's a good one kmac mr b fox 7075 as

0:37:36.400,0:37:38.639
a lot of people also suggests previous

0:37:38.640,0:37:41.039
machines only used one side there are

0:37:41.040,0:37:42.959
three other sides that can hold

0:37:42.960,0:37:45.118
instruments and i'm a little bit in this

0:37:45.119,0:37:47.679
camp as well we haven't really really

0:37:47.680,0:37:49.919
gone through the whole idea if you're

0:37:49.920,0:37:51.759
going this way i'm going to go

0:37:51.760,0:37:54.319
jean-michel circular on you all okay

0:37:54.320,0:37:57.439
because because like the circular thing

0:37:57.440,0:38:00.479
the circular thing opens up to me

0:38:00.480,0:38:03.039
uh the iron man thing and also that you

0:38:03.040,0:38:06.239
can have a stage podium that is actually

0:38:06.240,0:38:07.999
turning slowly

0:38:08.000,0:38:11.679
is actually really really not difficult

0:38:11.680,0:38:12.879
um

0:38:12.880,0:38:13.679
so

0:38:13.680,0:38:15.919
kmac by the way there is a fantastic

0:38:15.920,0:38:18.159
youtuber called kmac

0:38:18.160,0:38:20.159
who makes guitar videos

0:38:20.160,0:38:22.239
um and i don't think it's you in the

0:38:22.240,0:38:24.959
comments but if it was you i appreciate

0:38:24.960,0:38:27.039
your videos

0:38:27.040,0:38:30.040
um

0:38:32.800,0:38:34.879
one machine equals d machine several

0:38:34.880,0:38:37.679
machines equals machine band members i

0:38:37.680,0:38:39.919
would prefer the former rather than the

0:38:39.920,0:38:43.118
later yeah so so look check this out

0:38:43.119,0:38:44.719
we have a scale here

0:38:44.720,0:38:48.399
from one uh down to three

0:38:48.400,0:38:51.519
classic footprint completely modular

0:38:51.520,0:38:53.679
um

0:38:53.680,0:38:55.759
let me see if i can be a little fancy

0:38:55.760,0:38:57.199
should i be a little fancy of course i

0:38:57.200,0:38:58.319
should be a little fantastic this is

0:38:58.320,0:39:00.959
what we're all about here so i learned

0:39:00.960,0:39:04.639
that i can lower the layer opacity

0:39:04.640,0:39:06.239
there

0:39:06.240,0:39:08.159
then i'm gonna make a nice gradient

0:39:08.160,0:39:09.598
everyone

0:39:09.599,0:39:13.480
and while you do that

0:39:14.720,0:39:16.479
andrew hill the brand just being

0:39:16.480,0:39:18.319
brilliant here in chat supporting us

0:39:18.320,0:39:21.039
with a nice super chat here and says

0:39:21.040,0:39:24.399
it's it must solve the marble problem

0:39:24.400,0:39:26.799
elegantly it does not need to be

0:39:26.800,0:39:29.679
infinitely capable the elegance of

0:39:29.680,0:39:34.639
solution is the magic yes i so much

0:39:34.640,0:39:37.919
boom i so much resonate with this

0:39:37.920,0:39:39.759
um

0:39:39.760,0:39:42.760
sarah

0:39:45.440,0:39:47.439
also great perspective this one here

0:39:47.440,0:39:50.159
from r a ray been watching your videos

0:39:50.160,0:39:52.078
for years i don't particularly care what

0:39:52.079,0:39:54.838
form it takes as long as it's fully

0:39:54.839,0:39:56.559
mechanical

0:39:56.560,0:39:59.760
i resonate with that too

0:40:00.480,0:40:02.879
friction finsness henriksen a modular

0:40:02.880,0:40:04.559
machine looks like something i have seen

0:40:04.560,0:40:06.159
before

0:40:06.160,0:40:11.319
hole in one is something new and unique

0:40:16.880,0:40:19.439
yeah the modular has been done right

0:40:19.440,0:40:21.519
i don't know what i'm doing i just need

0:40:21.520,0:40:24.760
some colors

0:40:25.839,0:40:28.399
i think biebu champs said this earlier

0:40:28.400,0:40:30.479
but this is also interesting

0:40:30.480,0:40:33.679
just two modules the vibraphone plus

0:40:33.680,0:40:36.239
bass as one and a drum loop as another

0:40:36.240,0:40:38.159
then stack them they can look as one

0:40:38.160,0:40:39.118
machine

0:40:39.119,0:40:41.759
then if you finish the top you at least

0:40:41.760,0:40:46.000
have a product even without drums

0:40:46.160,0:40:47.439
so

0:40:47.440,0:40:49.358
this is exactly where i'm going because

0:40:49.359,0:40:51.358
i'm of course gonna present to you the

0:40:51.359,0:40:53.999
middle alternative here which i don't

0:40:54.000,0:40:55.118
know

0:40:55.119,0:40:58.318
how i perceive and i'm curious to hear

0:40:58.319,0:41:01.838
how you sir 3000 perceive this

0:41:01.839,0:41:03.999
because here

0:41:04.000,0:41:06.239
in the purple between the blue and the

0:41:06.240,0:41:08.480
red

0:41:09.119,0:41:12.959
wrong color so and i i'm i'm on edge

0:41:12.960,0:41:14.799
i'm on edge

0:41:14.800,0:41:17.040
two

0:41:18.240,0:41:19.598
we have

0:41:19.599,0:41:22.319
the broad

0:41:22.480,0:41:26.159
i don't also have any space left

0:41:26.160,0:41:30.078
we have the big all-in-one machine

0:41:30.079,0:41:33.079
um

0:41:34.000,0:41:35.679
can i please draw it somewhere where i

0:41:35.680,0:41:38.319
have place

0:41:41.680,0:41:45.280
so it's all in one

0:41:46.240,0:41:49.279
but we have the drums here to the right

0:41:49.280,0:41:51.199
drums

0:41:51.200,0:41:54.400
and here's the vibraphone

0:41:54.720,0:41:56.318
they're not on top of each other they're

0:41:56.319,0:41:57.759
not intertwined

0:41:57.760,0:42:01.560
and here's the bass guitar

0:42:02.560,0:42:05.839
and here's me playing it

0:42:06.240,0:42:09.759
uh so two is the

0:42:09.760,0:42:11.679
big

0:42:11.680,0:42:15.119
all-in-one yeah

0:42:15.440,0:42:16.799
so

0:42:16.800,0:42:19.838
sections not modules that's how i think

0:42:19.839,0:42:24.800
about it you know sections not modules

0:42:25.200,0:42:27.598
i don't need them to be modular

0:42:27.599,0:42:31.560
separated from each other

0:42:33.599,0:42:35.358
so everyone who has been like super

0:42:35.359,0:42:37.039
clear about your relationship to the

0:42:37.040,0:42:39.598
iron man

0:42:39.599,0:42:41.439
i've also seen the movie when iron man

0:42:41.440,0:42:43.759
is like you automatic bot go and fix

0:42:43.760,0:42:45.838
this problem and i i

0:42:45.839,0:42:47.598
you're right it's lame

0:42:47.599,0:42:48.639
um

0:42:48.640,0:42:50.880
so

0:42:52.079,0:42:54.479
if i build this monster

0:42:54.480,0:42:56.879
i think it would be like two meters wide

0:42:56.880,0:43:00.639
so so let's say that this is one meter

0:43:00.640,0:43:02.639
and let's say that this is two meter

0:43:02.640,0:43:05.199
let's just say that it's double

0:43:05.200,0:43:07.440
um

0:43:09.520,0:43:12.078
i feel real i really do not know what

0:43:12.079,0:43:14.318
relationship i have to this machine

0:43:14.319,0:43:16.159
um

0:43:16.160,0:43:19.118
what is it mainly that disturbs you with

0:43:19.119,0:43:23.519
the wide solution so you know what 2a

0:43:23.520,0:43:26.479
let's do a sneaky 2b

0:43:26.480,0:43:29.520
you know what that's gonna be

0:43:29.599,0:43:32.160
circular

0:43:33.119,0:43:36.078
that's a circular microphone right here

0:43:36.079,0:43:39.039
with the with the sp with the mushroom

0:43:39.040,0:43:41.439
and the the machine

0:43:41.440,0:43:44.318
to be circular

0:43:44.319,0:43:45.999
sorry hannes can you repeat that

0:43:46.000,0:43:47.118
question

0:43:47.119,0:43:50.239
uh basically what it is that really

0:43:50.240,0:43:54.399
grinds your gears with a wide machine

0:43:54.400,0:43:57.598
how come that seems so distant in your

0:43:57.599,0:43:59.999
mind it's like i'm scared because the

0:44:00.000,0:44:01.519
machine has taken over my life

0:44:01.520,0:44:05.039
completely and if i make it twice as big

0:44:05.040,0:44:06.399
it's like

0:44:06.400,0:44:09.039
it's physically intimidates me

0:44:09.040,0:44:10.959
uh and i'm just like

0:44:10.960,0:44:13.598
oh jesus christ

0:44:13.599,0:44:16.719
switching a 2 meter long 90 centimeter

0:44:16.720,0:44:19.118
like huge barrel

0:44:19.119,0:44:21.679
i mean it's it's the most epic ever

0:44:21.680,0:44:24.318
but am i just should i just make songs

0:44:24.319,0:44:26.239
with fewer notes on the vibraphone

0:44:26.240,0:44:28.719
because that is what what organ guy is

0:44:28.720,0:44:31.118
intending when he says maybe the maybe

0:44:31.119,0:44:33.358
the design requirements are um too

0:44:33.359,0:44:34.879
ambitious maybe you don't mean it like

0:44:34.880,0:44:37.199
that maybe it was just an example but

0:44:37.200,0:44:39.439
so the magic of the first machine is its

0:44:39.440,0:44:41.118
limitations

0:44:41.119,0:44:42.639
and

0:44:42.640,0:44:44.559
if i want a full-size vibraphone with

0:44:44.560,0:44:46.959
174 registrators

0:44:46.960,0:44:48.879
the programming wheel needs to be quite

0:44:48.880,0:44:50.399
big

0:44:50.400,0:44:52.399
and to machine that

0:44:52.400,0:44:54.879
i think we can do it but it's just

0:44:54.880,0:44:58.799
it becomes this behemoth

0:44:58.800,0:45:00.559
the circular thing would also be a

0:45:00.560,0:45:04.920
behemoth yeah so

0:45:05.760,0:45:07.039
what what what

0:45:07.040,0:45:09.279
what does what shot what do you think

0:45:09.280,0:45:12.318
about uh what is your reaction to the

0:45:12.319,0:45:14.318
mid

0:45:14.319,0:45:16.399
the mid alternative you see a lot of two

0:45:16.400,0:45:18.318
b's

0:45:18.319,0:45:20.639
and also stuff like this from sound or

0:45:20.640,0:45:22.479
you hash the machine can be white but

0:45:22.480,0:45:24.879
the prog wheel doesn't have to yeah i've

0:45:24.880,0:45:25.679
been

0:45:25.680,0:45:29.280
talking about as as well

0:45:29.680,0:45:33.358
so that machine let me let me let me

0:45:33.359,0:45:35.279
sketch that machine real quick

0:45:35.280,0:45:37.279
um

0:45:37.280,0:45:39.358
that's this machine and i

0:45:39.359,0:45:41.279
structure like

0:45:41.280,0:45:43.679
solution wise i completely believe in

0:45:43.680,0:45:44.879
this machine

0:45:44.880,0:45:47.999
um where where are the drums i put a

0:45:48.000,0:45:51.838
vibraphone here with me

0:45:51.839,0:45:53.519
here's the vibraphone

0:45:53.520,0:45:55.759
sticking outside a little bit

0:45:55.760,0:45:59.240
and here's the drums

0:46:02.880,0:46:04.719
like that

0:46:04.720,0:46:06.479
they have a loop wheel behind them

0:46:06.480,0:46:08.720
though

0:46:09.040,0:46:11.919
[Music]

0:46:11.920,0:46:15.400
and i'm here

0:46:21.520,0:46:25.359
so it's it's more spread out

0:46:25.760,0:46:29.039
yeah and a steel skin 667 says the

0:46:29.040,0:46:30.879
programming jump doesn't have to be that

0:46:30.880,0:46:32.479
much bigger you just need a bit more

0:46:32.480,0:46:35.439
room for the instruments that's the main

0:46:35.440,0:46:38.240
quarry right

0:46:39.280,0:46:42.318
so it's it's really not a bit more if we

0:46:42.319,0:46:44.479
put the drums and the vibraphones next

0:46:44.480,0:46:46.719
to each other it's a lot more

0:46:46.720,0:46:49.119
um

0:46:49.359,0:46:51.838
another idea a lot of people want to put

0:46:51.839,0:46:55.599
the drums under the vibrophone

0:46:55.760,0:46:57.358
and if we skip

0:46:57.359,0:46:59.118
having the drums marble played if the

0:46:59.119,0:47:01.279
drums are only loop played

0:47:01.280,0:47:02.719
or

0:47:02.720,0:47:04.879
recharged played by the programming

0:47:04.880,0:47:07.358
wheel which has been solved today

0:47:07.359,0:47:09.519
uh the spring recharge solution that's

0:47:09.520,0:47:12.078
that's not for not a discussion now if

0:47:12.079,0:47:15.118
we skip marbles on the drums

0:47:15.119,0:47:17.199
uh and only have the vibraphone and the

0:47:17.200,0:47:18.159
blaze

0:47:18.160,0:47:19.759
base marble played

0:47:19.760,0:47:23.800
we all of a sudden have

0:47:26.160,0:47:29.679
we can make a tighter footprint

0:47:29.680,0:47:32.400
all of a sudden

0:47:37.280,0:47:38.879
it's it's just that

0:47:38.880,0:47:41.280
like my

0:47:42.079,0:47:44.318
like this limitation of

0:47:44.319,0:47:46.318
notes on the vibraphone

0:47:46.319,0:47:48.719
which we did the other day the decision

0:47:48.720,0:47:50.318
matrix for

0:47:50.319,0:47:52.959
um

0:47:52.960,0:47:55.039
this is truly like

0:47:55.040,0:47:57.199
and also having the big acoustic drums

0:47:57.200,0:47:59.920
it's truly

0:48:00.559,0:48:02.879
making a big difference and

0:48:02.880,0:48:05.439
i mean you spent five years having not

0:48:05.440,0:48:07.679
having space for my components

0:48:07.680,0:48:10.078
so i i just feel like i don't know if i

0:48:10.079,0:48:11.598
want to spend

0:48:11.599,0:48:13.838
two more years trying to fit things into

0:48:13.839,0:48:16.318
spaces where that doesn't exist

0:48:16.319,0:48:18.558
no so

0:48:18.559,0:48:21.679
that's a big no-no then you can't be too

0:48:21.680,0:48:24.160
tight

0:48:26.320,0:48:29.199
[Music]

0:48:29.200,0:48:31.519
3d printer academy just sent a generous

0:48:31.520,0:48:33.118
super chat here saying are you

0:48:33.119,0:48:35.039
completely against remaking more machine

0:48:35.040,0:48:38.078
x with 50 less parts and complexity

0:48:38.079,0:48:40.558
stephen

0:48:40.559,0:48:43.358
so this is a great comment stephen thank

0:48:43.359,0:48:46.239
you so much 3d printer academy uh i

0:48:46.240,0:48:48.229
would have needed going to that school

0:48:48.230,0:48:49.679
[Laughter]

0:48:49.680,0:48:51.358
um

0:48:51.359,0:48:53.519
since

0:48:53.520,0:48:55.358
when i started trying 3d printing i

0:48:55.359,0:48:57.358
thought i knew everything talking about

0:48:57.359,0:48:58.078
the

0:48:58.079,0:49:00.159
the the known

0:49:00.160,0:49:02.479
the the unknown knowns and stuff like

0:49:02.480,0:49:03.439
that

0:49:03.440,0:49:05.760
um

0:49:06.319,0:49:08.719
uh what's happening here okay yeah i

0:49:08.720,0:49:11.919
went to the wrong wrong thing

0:49:11.920,0:49:13.439
um

0:49:13.440,0:49:14.799
let's go back

0:49:14.800,0:49:19.359
to cad and let's check this

0:49:27.760,0:49:30.639
there is no sound in the kick drum

0:49:30.640,0:49:33.358
of either of these instruments

0:49:33.359,0:49:35.118
in the room

0:49:35.119,0:49:37.039
i can show you exactly how the kick drum

0:49:37.040,0:49:38.719
sounds yeah

0:49:38.720,0:49:40.159
wait

0:49:40.160,0:49:43.039
can we do it in the action cam

0:49:43.040,0:49:46.880
of course we can

0:49:50.319,0:49:52.159
in the room the kick drum sounds like

0:49:52.160,0:49:55.359
this are you ready for it

0:49:57.760,0:50:00.558
yeah pretty much yeah

0:50:00.559,0:50:02.879
i've heard it and

0:50:02.880,0:50:04.639
remaking uh

0:50:04.640,0:50:08.319
if we go back to the image here

0:50:10.880,0:50:12.719
when i was touring with both my bands i

0:50:12.720,0:50:14.799
used contact microphones a lot and i put

0:50:14.800,0:50:16.719
them on under instruments and it's

0:50:16.720,0:50:18.318
magical what you can do with a contact

0:50:18.319,0:50:20.399
microphone so in an electrified

0:50:20.400,0:50:21.598
environment

0:50:21.599,0:50:24.479
you get a control that is unheard of i

0:50:24.480,0:50:27.838
showed the demo in the machine x videos

0:50:27.839,0:50:28.639
about

0:50:28.640,0:50:30.318
signal to noise ratio i put contact

0:50:30.319,0:50:33.760
microphones on symbols and stuff

0:50:33.920,0:50:35.999
i just want to go away from that for my

0:50:36.000,0:50:37.999
mu for my music career i just want to go

0:50:38.000,0:50:40.558
away from this electronic contact

0:50:40.559,0:50:42.399
microphone everything is fixed with

0:50:42.400,0:50:44.159
plugins in logic

0:50:44.160,0:50:47.199
i just want i want to build something

0:50:47.200,0:50:50.159
that sounds good in a room so in my

0:50:50.160,0:50:52.479
house in france when people came by and

0:50:52.480,0:50:54.959
they saw the machine all of them asked

0:50:54.960,0:50:57.039
me to play it

0:50:57.040,0:50:59.279
and i owe your heart and i was just like

0:50:59.280,0:51:01.358
[Laughter]

0:51:01.359,0:51:04.639
i just need to set up my 100 microphones

0:51:04.640,0:51:07.439
i was like i can't and even if i could

0:51:07.440,0:51:09.519
you wouldn't hear it so what i would

0:51:09.520,0:51:11.999
have to do to these people is here

0:51:12.000,0:51:14.159
take a couple of studio headphones and

0:51:14.160,0:51:16.558
let me just fix my hundred channels and

0:51:16.559,0:51:18.239
you hear the live mix through the

0:51:18.240,0:51:19.919
headphones and it was going to be

0:51:19.920,0:51:22.399
amazing and live on stage this is how

0:51:22.400,0:51:24.639
these instruments like live on when you

0:51:24.640,0:51:26.318
go to big concert you don't hear

0:51:26.319,0:51:28.959
anything acoustically everything is

0:51:28.960,0:51:31.439
so it was a machine

0:51:31.440,0:51:33.759
that was made for an amplified

0:51:33.760,0:51:35.358
environment and i think that is like

0:51:35.359,0:51:36.799
when you say do you want to rebuild the

0:51:36.800,0:51:38.799
margin x no

0:51:38.800,0:51:41.199
i'm not interested in making a machine

0:51:41.200,0:51:43.519
where someone super excited comes into a

0:51:43.520,0:51:45.598
room and immediately wants to hear the

0:51:45.599,0:51:47.999
machine and can't i want to have the

0:51:48.000,0:51:50.399
magic of the machine sounding pretty

0:51:50.400,0:51:52.239
good in the youtube videos when i'm

0:51:52.240,0:51:53.999
building it before i'm putting the

0:51:54.000,0:51:55.598
microphones on it

0:51:55.599,0:51:56.879
and it's sounding just even better

0:51:56.880,0:51:59.679
because [ __ ] in [ __ ] out is an old

0:51:59.680,0:52:02.479
musician stroke and it's so true and

0:52:02.480,0:52:04.159
it's like when a chef becomes better

0:52:04.160,0:52:06.318
with cooking the chef is not using like

0:52:06.319,0:52:08.399
100 million ingredients the chef is

0:52:08.400,0:52:11.519
using fresh best ingredients possible

0:52:11.520,0:52:15.039
and i'm so bored with like oh there's a

0:52:15.040,0:52:18.799
rise in the stupid snare drum

0:52:18.800,0:52:21.039
the rice belongs in the kitchen

0:52:21.040,0:52:23.439
uh the snare drum i'm gonna buy

0:52:23.440,0:52:27.439
off the shelf to make it sound like how

0:52:27.440,0:52:28.719
how do we

0:52:28.720,0:52:31.199
make a snare drum sound wait i have an

0:52:31.200,0:52:35.919
idea i'm gonna use a snare drum

0:52:35.920,0:52:38.879
i'm just so i'm done with it honestly

0:52:38.880,0:52:41.759
okay yeah so no which means we need a

0:52:41.760,0:52:43.279
full-size scenario we need a full-size

0:52:43.280,0:52:45.519
kick drum which makes there's no space

0:52:45.520,0:52:47.358
for a full-size kick drum on this

0:52:47.359,0:52:48.318
machine

0:52:48.319,0:52:50.239
um

0:52:50.240,0:52:51.999
if i want a lot of vibraphone channels

0:52:52.000,0:52:53.919
and maybe that's where like that's maybe

0:52:53.920,0:52:55.679
the trade-off that i'm not mature enough

0:52:55.680,0:52:58.159
to be able to make like maybe i just

0:52:58.160,0:53:00.959
need to go down to playing like there is

0:53:00.960,0:53:02.639
a song in swedish till paris i'm going

0:53:02.640,0:53:04.558
to tour the whole world playing till

0:53:04.559,0:53:08.319
parties till paris

0:53:09.119,0:53:11.598
and that's the only song

0:53:11.599,0:53:12.318
yeah

0:53:12.319,0:53:15.720
there is from

0:53:16.640,0:53:18.879
best cover version ever of till paris

0:53:18.880,0:53:21.118
but that's the only song the the machine

0:53:21.119,0:53:23.759
will be able to play um uh yeah

0:53:23.760,0:53:26.318
okay i'll leave it there sir 3k

0:53:26.319,0:53:28.639
help me out here another brilliant

0:53:28.640,0:53:31.199
beautiful support a nice super chatty

0:53:31.200,0:53:33.519
from andrew hildebrand yet again

0:53:33.520,0:53:36.078
original form feels like another player

0:53:36.079,0:53:39.279
on stage wide feels like a pickup truck

0:53:39.280,0:53:42.159
a non-character participant go with

0:53:42.160,0:53:44.879
human form reduce the range requirements

0:53:44.880,0:53:50.079
reduce the complexity embrace glory

0:53:53.280,0:53:56.280
yes

0:53:59.040,0:54:01.118
that's a good comment that's a good

0:54:01.119,0:54:03.919
comment uh so um i wanted to make this

0:54:03.920,0:54:06.399
video because i think it's uh it's

0:54:06.400,0:54:07.999
obvious dream because i think it's

0:54:08.000,0:54:10.480
obvious that

0:54:11.359,0:54:12.799
there is a

0:54:12.800,0:54:14.799
big identity crisis in the project right

0:54:14.800,0:54:16.799
now and it's good it's good we need to

0:54:16.800,0:54:18.239
have that because the first two machines

0:54:18.240,0:54:21.440
are too similar yeah

0:54:21.520,0:54:23.919
okay so what about another constraint

0:54:23.920,0:54:24.959
the

0:54:24.960,0:54:27.759
marbles playing the drums

0:54:27.760,0:54:29.439
i think it's kind of important that they

0:54:29.440,0:54:31.599
do

0:54:33.599,0:54:37.800
vibraphone next to the

0:54:38.799,0:54:40.719
so then we have let's go to this sketch

0:54:40.720,0:54:43.598
honest the 90 degree sketch uh

0:54:43.599,0:54:46.479
i have a lot of sketch here

0:54:46.480,0:54:48.399
here

0:54:48.400,0:54:51.519
let's i have to take this away

0:54:51.520,0:54:53.839
so

0:54:53.920,0:54:56.159
this is kind of another like in between

0:54:56.160,0:54:57.118
move

0:54:57.119,0:54:58.959
og forum feels like another player on

0:54:58.960,0:55:00.798
stage white feels like a pickup truck a

0:55:00.799,0:55:03.439
non-character participant

0:55:03.440,0:55:05.279
go with human form reduce the range

0:55:05.280,0:55:07.358
requirements reduce the complexity

0:55:07.359,0:55:09.838
embrace glory

0:55:09.839,0:55:12.880
the mutual command

0:55:15.599,0:55:16.719
i mean i

0:55:16.720,0:55:20.479
maybe i i can play cool bass lines

0:55:20.480,0:55:22.719
yeah you can i've heard them

0:55:22.720,0:55:25.040
um

0:55:27.119,0:55:28.879
oh what do we have here

0:55:28.880,0:55:30.639
oh wow

0:55:30.640,0:55:33.039
dynamic commander with a nice little

0:55:33.040,0:55:34.798
super chat here

0:55:34.799,0:55:37.999
two meters wide two times one meter

0:55:38.000,0:55:40.639
programming barrel side by side for

0:55:40.640,0:55:43.118
easier interchangeability

0:55:43.119,0:55:44.959
keep one barrel for vibraphone one

0:55:44.960,0:55:47.358
barrel for drums and bass that's one of

0:55:47.359,0:55:48.959
your favorite cities thank you for the

0:55:48.960,0:55:50.798
comment dynamic commander uh hannes can

0:55:50.799,0:55:53.919
you pull up the mmx wide sketch uh i can

0:55:53.920,0:55:55.919
try to find it yes because i think

0:55:55.920,0:55:59.598
that's one of the um absolutely so

0:55:59.599,0:56:02.078
the suggestion that we just made i can

0:56:02.079,0:56:04.159
actually make in cad right away it's

0:56:04.160,0:56:07.358
basically like this copy this

0:56:07.359,0:56:08.639
and

0:56:08.640,0:56:11.039
do this

0:56:11.040,0:56:14.239
and by having this um

0:56:14.240,0:56:15.679
separate

0:56:15.680,0:56:18.399
it's you you you don't have to change

0:56:18.400,0:56:19.919
the whole thing

0:56:19.920,0:56:22.078
and then we need to tour with six six

0:56:22.079,0:56:23.999
wheels and then we would actually move

0:56:24.000,0:56:26.879
the vibraphone let's do that

0:56:26.880,0:56:27.999
um

0:56:28.000,0:56:29.999
i should actually do more in cad like

0:56:30.000,0:56:31.279
this

0:56:31.280,0:56:32.479
and then we

0:56:32.480,0:56:35.919
we should actually move the bass

0:56:35.920,0:56:38.399
um i'm cutting your suggestion right

0:56:38.400,0:56:42.480
here this is this is it

0:56:42.640,0:56:43.919
to me it doesn't feel like a

0:56:43.920,0:56:45.759
non-playable character when i see it

0:56:45.760,0:56:48.719
like this to me this sounds like the and

0:56:48.720,0:56:50.558
and you know what's cool here we can

0:56:50.559,0:56:53.440
remove this wheel

0:56:53.520,0:56:55.199
check this out

0:56:55.200,0:56:58.318
let me copy the frame

0:56:58.319,0:57:00.640
um

0:57:01.119,0:57:02.078
no

0:57:02.079,0:57:05.040
yeah paste

0:57:07.839,0:57:09.999
look at this machine on us i just made

0:57:10.000,0:57:13.358
yeah you see now we are talking

0:57:13.359,0:57:15.199
because this frame on this side wouldn't

0:57:15.200,0:57:17.838
need to be that high

0:57:17.839,0:57:19.358
um

0:57:19.359,0:57:23.200
i should actually maybe do that

0:57:24.960,0:57:27.279
so so with a bow and cable we only have

0:57:27.280,0:57:29.519
six marbles to drop drop to drop on the

0:57:29.520,0:57:31.358
drums over here

0:57:31.359,0:57:33.279
um

0:57:33.280,0:57:35.439
but with the bowden cable we only need

0:57:35.440,0:57:38.879
to get six marbles over over there

0:57:38.880,0:57:42.879
this and we still only need two

0:57:42.880,0:57:44.879
wheels

0:57:44.880,0:57:46.558
of course my

0:57:46.559,0:57:49.520
depending on my

0:57:49.839,0:57:51.919
maybe i still need to remove some note

0:57:51.920,0:57:54.920
requirements

0:57:54.960,0:57:57.999
what if i make this machine but i

0:57:58.000,0:57:59.999
what if i make this machine

0:58:00.000,0:58:01.759
but i reduce the number of notes on the

0:58:01.760,0:58:02.529
vibraphone

0:58:02.530,0:58:03.759
[Music]

0:58:03.760,0:58:06.239
to just make it kind of not bigger than

0:58:06.240,0:58:08.399
this

0:58:08.400,0:58:10.078
and i should maybe put the frames

0:58:10.079,0:58:13.760
together so it doesn't look modular

0:58:13.839,0:58:17.759
and oh my oh my i hear another ring here

0:58:17.760,0:58:19.999
and it's uh

0:58:20.000,0:58:22.798
it's a question from fredward here you

0:58:22.799,0:58:25.838
focused on the dream machine having

0:58:25.839,0:58:27.358
everything you want

0:58:27.359,0:58:30.078
what is the absolute minimum machine

0:58:30.079,0:58:33.199
that would make you happy

0:58:33.200,0:58:35.439
thank you so much for your support this

0:58:35.440,0:58:37.079
is great fred ward um

0:58:37.080,0:58:38.159
[Music]

0:58:38.160,0:58:41.118
so we we talked we talked in the

0:58:41.119,0:58:43.439
in the photoshop document where are we

0:58:43.440,0:58:44.479
here

0:58:44.480,0:58:46.959
we talked about minimum viable product

0:58:46.960,0:58:48.159
mvp

0:58:48.160,0:58:51.199
and i think um there are two different

0:58:51.200,0:58:52.719
ones

0:58:52.720,0:58:54.239
uh

0:58:54.240,0:58:55.759
for

0:58:55.760,0:58:57.759
the audience

0:58:57.760,0:59:00.479
or for martin

0:59:00.480,0:59:02.479
and of course what we're trying to do

0:59:02.480,0:59:03.999
here which i'm so happy for is that

0:59:04.000,0:59:07.118
we're trying to find like alignment yes

0:59:07.119,0:59:09.659
um between

0:59:09.660,0:59:12.830
[Music]

0:59:14.720,0:59:16.798
and actually finishing something would

0:59:16.799,0:59:19.039
also would make me

0:59:19.040,0:59:20.639
i haven't finished anything in five

0:59:20.640,0:59:22.078
years

0:59:22.079,0:59:23.279
like

0:59:23.280,0:59:25.358
and that's why maybe like

0:59:25.359,0:59:26.959
to actually deliver on something

0:59:26.960,0:59:29.519
sometimes you also just have to deliver

0:59:29.520,0:59:31.679
um to actually deliver something but

0:59:31.680,0:59:33.759
here's the kicker

0:59:33.760,0:59:36.239
the larger i make the machine not not

0:59:36.240,0:59:37.759
100 true

0:59:37.760,0:59:40.239
the easier it is for me to deliver in

0:59:40.240,0:59:44.078
this setup everything has its own space

0:59:44.079,0:59:45.039
um

0:59:45.040,0:59:46.879
it's like

0:59:46.880,0:59:48.318
maybe i should move the programming

0:59:48.319,0:59:50.879
wheel into the middle a little bit let's

0:59:50.880,0:59:53.680
move it there

0:59:56.160,0:59:58.479
like is this is this a modular machine

0:59:58.480,1:00:01.679
or is this one machine

1:00:01.680,1:00:03.919
do you have the wide sketch

1:00:03.920,1:00:06.318
yes and i just want to we got a

1:00:06.319,1:00:08.318
another one here oh and now it feels

1:00:08.319,1:00:10.078
like we're we're begging for it but

1:00:10.079,1:00:11.919
we're super happy for this before he's

1:00:11.920,1:00:14.399
so you're so generous everyone this

1:00:14.400,1:00:16.239
means everything to us

1:00:16.240,1:00:20.399
and it's from sliceosporta who else

1:00:20.400,1:00:22.479
always with us love it

1:00:22.480,1:00:24.719
large doesn't necessarily mean difficult

1:00:24.720,1:00:26.719
it just means large

1:00:26.720,1:00:30.078
if it can easily disassemble reassemble

1:00:30.079,1:00:32.399
ship and transport who cares how large

1:00:32.400,1:00:34.719
it is if it fits your requirements

1:00:34.720,1:00:37.358
engineer the size to be easy to work

1:00:37.359,1:00:40.399
with yeah i totally uh agree slicer

1:00:40.400,1:00:43.839
sparta and and

1:00:46.240,1:00:49.118
here's the wide mm3 we love this

1:00:49.119,1:00:51.118
something about this yeah crafted by

1:00:51.119,1:00:53.679
aura so question to you shot when you

1:00:53.680,1:00:56.959
look at the sketch the wide mm3

1:00:56.960,1:00:59.358
do you feel that the magic is gone

1:00:59.359,1:01:02.240
do you feel that

1:01:02.720,1:01:05.279
or is the magic that we're making uh

1:01:05.280,1:01:10.159
like the best sounding most tight

1:01:10.160,1:01:12.318
acoustic mechanical music instrument

1:01:12.319,1:01:13.999
ever played it's not fully acoustic with

1:01:14.000,1:01:15.838
the electric bass

1:01:15.839,1:01:18.558
sorry for leading question

1:01:18.559,1:01:19.519
no no

1:01:19.520,1:01:20.479
give it

1:01:20.480,1:01:23.199
uh oh steelskin 667 looks like one

1:01:23.200,1:01:25.598
machine to me um

1:01:25.599,1:01:27.439
i just want to talk about another bias

1:01:27.440,1:01:29.838
like that that that we do have if if we

1:01:29.839,1:01:32.479
just go back to my favorite image here

1:01:32.480,1:01:33.919
and yes this was

1:01:33.920,1:01:35.999
nice i think from robert e can doll i

1:01:36.000,1:01:38.078
think we the audience wants to know what

1:01:38.079,1:01:40.959
you feel excited about yeah yeah

1:01:40.960,1:01:43.279
currently

1:01:43.280,1:01:46.799
currently robert i am um

1:01:48.720,1:01:51.519
i am basically just pessimistic about

1:01:51.520,1:01:53.919
the whole endeavor not about sitting

1:01:53.920,1:01:56.639
here working on it that is so much fun

1:01:56.640,1:01:58.639
but right now i'm just like

1:01:58.640,1:02:01.038
i'm i've become

1:02:01.039,1:02:03.919
i've become like a naysayer like from

1:02:03.920,1:02:05.679
being naive i think

1:02:05.680,1:02:07.118
i'm

1:02:07.119,1:02:09.919
i'm just so scared about how

1:02:09.920,1:02:12.798
naive i was before and how i unders

1:02:12.799,1:02:15.279
i didn't underestimate a little bit

1:02:15.280,1:02:17.679
i i was like in the wrong universe

1:02:17.680,1:02:19.439
before so i'm

1:02:19.440,1:02:21.999
so right now i'm

1:02:22.000,1:02:23.838
i think i feel excited about reaching

1:02:23.839,1:02:26.318
the point where i can know if i should

1:02:26.319,1:02:28.239
make this project or not like i'm

1:02:28.240,1:02:30.078
already doing one project the digital

1:02:30.079,1:02:33.759
file but if i can build it or not and

1:02:33.760,1:02:35.679
but then sometimes i get a tingle of

1:02:35.680,1:02:36.879
excitement

1:02:36.880,1:02:39.279
when i have 37 notes on a full-size

1:02:39.280,1:02:41.838
vibraphone with double drops that i can

1:02:41.839,1:02:42.879
program

1:02:42.880,1:02:45.679
mechanically jack druid this is the one

1:02:45.680,1:02:48.479
an abstract backpack if it works better

1:02:48.480,1:02:52.479
it is better white equals good then

1:02:52.480,1:02:53.598
so

1:02:53.599,1:02:55.279
what was the image i wanted to show

1:02:55.280,1:02:57.439
that's a nice uh comment

1:02:57.440,1:03:00.078
as well from abstract backpack

1:03:00.079,1:03:03.079
um

1:03:03.200,1:03:05.199
oh yeah i know which image i wanted to

1:03:05.200,1:03:06.798
show

1:03:06.799,1:03:08.558
and hang on

1:03:08.559,1:03:10.799
uh

1:03:11.599,1:03:13.919
oh i have a new setup that's why i'm

1:03:13.920,1:03:15.118
struggling

1:03:15.119,1:03:17.839
this

1:03:19.520,1:03:21.598
look what happened here from the first

1:03:21.599,1:03:23.838
machine everyone loves it

1:03:23.839,1:03:26.078
to the second machine i loved it so much

1:03:26.079,1:03:28.159
i tried to build the same machine

1:03:28.160,1:03:31.839
i don't want to repeat this mistake

1:03:33.839,1:03:36.799
i i think

1:03:37.280,1:03:39.038
if we really take down the design

1:03:39.039,1:03:40.318
requirements

1:03:40.319,1:03:42.239
i think we can build this machine and

1:03:42.240,1:03:44.399
make it work

1:03:44.400,1:03:46.399
but the question is do i want a mic a

1:03:46.400,1:03:49.439
vibraphone that is 20 centimeters away

1:03:49.440,1:03:51.199
from a snare drum and the answer to that

1:03:51.200,1:03:52.639
is no

1:03:52.640,1:03:55.118
i don't

1:03:55.119,1:03:57.519
can i record the instrument separately

1:03:57.520,1:03:59.118
in the studio and produce a fantastic

1:03:59.119,1:04:01.598
album where i do as every musicians do i

1:04:01.599,1:04:03.598
record track by track to make a nice

1:04:03.599,1:04:05.759
album for spotify

1:04:05.760,1:04:06.639
yes

1:04:06.640,1:04:08.798
will it sound okay live

1:04:08.799,1:04:10.318
yes

1:04:10.319,1:04:11.759
so this is another

1:04:11.760,1:04:15.279
this is another like thing can i

1:04:15.280,1:04:16.959
this is actually super important design

1:04:16.960,1:04:18.239
requirement

1:04:18.240,1:04:20.239
when i make the album

1:04:20.240,1:04:21.358
how much

1:04:21.359,1:04:24.479
studio sheeting will allow myself to do

1:04:24.480,1:04:27.598
and i think as any responsible musician

1:04:27.599,1:04:29.598
i will allow myself to do any kind of

1:04:29.599,1:04:32.558
studio shooting so actually this whole

1:04:32.559,1:04:33.838
thing that i worry about now that's a

1:04:33.839,1:04:36.479
snare drum is close to the vibraphone

1:04:36.480,1:04:39.199
for recording the album it maybe doesn't

1:04:39.200,1:04:40.719
matter

1:04:40.720,1:04:42.479
and toby williams brings something up

1:04:42.480,1:04:44.639
here being a naysayer is an important

1:04:44.640,1:04:48.239
step it's on the way to success

1:04:48.240,1:04:50.798
thanks tony that's kind of i'm digging

1:04:50.799,1:04:53.118
myself down in my pessimism right now

1:04:53.119,1:04:55.118
hannes is desperately trying to rescue

1:04:55.119,1:04:58.479
me from drowning in pessimism and it's

1:04:58.480,1:05:00.798
almost i'm flaunting how how negative i

1:05:00.799,1:05:02.719
am now because i'm secretly a little bit

1:05:02.720,1:05:04.479
proud just like you're hinting at

1:05:04.480,1:05:07.999
exactly as too much kraft says here

1:05:08.000,1:05:09.759
cheer up martin we'll be right there

1:05:09.760,1:05:13.279
cheering you on all the way also sir h3k

1:05:13.280,1:05:15.059
keep on

1:05:15.060,1:05:18.558
[Laughter]

1:05:18.559,1:05:21.199
it's so fun and what i love what i love

1:05:21.200,1:05:23.199
now i'm always wanted to make this

1:05:23.200,1:05:25.358
process transparent this process is

1:05:25.359,1:05:28.159
happening transparently right extremely

1:05:28.160,1:05:30.719
transparent together with you yeah i'm

1:05:30.720,1:05:31.759
i'm

1:05:31.760,1:05:34.078
i'm i'm for forgetting that we're it

1:05:34.079,1:05:35.679
feels like we're here with friends who

1:05:35.680,1:05:38.558
understands us it's a wonderful feeling

1:05:38.559,1:05:40.880
um

1:05:44.480,1:05:46.399
okay so if we

1:05:46.400,1:05:47.679
yeah so

1:05:47.680,1:05:49.439
this is a known unknown we're talking

1:05:49.440,1:05:51.358
about the footprint

1:05:51.359,1:05:54.239
to get everything to get any new viewers

1:05:54.240,1:05:57.679
into the fray i think it's a word okay i

1:05:57.680,1:05:59.519
just want to show what we did in the

1:05:59.520,1:06:01.999
beginning of the stream to um

1:06:02.000,1:06:04.959
we have identified what i think are the

1:06:04.960,1:06:07.838
most important known unknowns we want we

1:06:07.839,1:06:10.639
want to eventually move them

1:06:10.640,1:06:13.199
uh to this side to make them known

1:06:13.200,1:06:14.639
knowns

1:06:14.640,1:06:16.719
and we're talking right now about the

1:06:16.720,1:06:19.919
machine footprint and the machine dna

1:06:19.920,1:06:23.038
and it is very obvious that the previous

1:06:23.039,1:06:25.919
machines are so loved but i think there

1:06:25.920,1:06:26.798
is

1:06:26.799,1:06:28.879
maybe a trap there

1:06:28.880,1:06:32.159
in the love for our old machines

1:06:32.160,1:06:34.558
can you find uh on youtube patch

1:06:34.559,1:06:37.919
methini's orchestrion project uh

1:06:37.920,1:06:40.959
yeah soonish i am busy here reading the

1:06:40.960,1:06:43.199
wonderful chat and as max no million

1:06:43.200,1:06:45.919
says to make it feel less wide you could

1:06:45.920,1:06:47.999
be the two drums not in a straight line

1:06:48.000,1:06:51.279
so maybe like a 120 degree angle between

1:06:51.280,1:06:54.720
them oh that's a good idea

1:06:54.880,1:06:57.439
i mean and there we come also towards

1:06:57.440,1:07:00.318
the circular circular things so and also

1:07:00.319,1:07:02.479
here luis philippe

1:07:02.480,1:07:05.598
ingrass wider means easier to make and

1:07:05.599,1:07:08.399
easier to see things yeah definitely

1:07:08.400,1:07:10.159
totally agree

1:07:10.160,1:07:12.480
um

1:07:13.440,1:07:16.399
can i move around let me see if it

1:07:16.400,1:07:18.879
allows me i don't think so oh it does no

1:07:18.880,1:07:23.038
it doesn't it only moves in a group

1:07:23.039,1:07:26.078
okay let's see a bjorn guard

1:07:26.079,1:07:28.078
i think it needs to be somewhat

1:07:28.079,1:07:30.159
complicated to be interesting like a

1:07:30.160,1:07:33.519
mechanical watch versus a quartz watch

1:07:33.520,1:07:36.078
okay so that's in the dna for him

1:07:36.079,1:07:39.598
mechanical watch versus a quartz watch

1:07:39.599,1:07:41.598
yeah so so the internet

1:07:41.599,1:07:44.078
i totally agree with you bjorn um the

1:07:44.079,1:07:47.079
intertwinedness

1:07:47.520,1:07:48.558
uh

1:07:48.559,1:07:50.879
makes it exciting like how is it still

1:07:50.880,1:07:53.999
working despite the fact like it's the

1:07:54.000,1:07:56.239
antikythera mechanism like everything is

1:07:56.240,1:07:57.999
so compact and close to each other but

1:07:58.000,1:08:00.078
believe me

1:08:00.079,1:08:02.399
we would this would still be so busy we

1:08:02.400,1:08:04.318
don't have we have one percent of the

1:08:04.319,1:08:06.318
parts on screen right now

1:08:06.319,1:08:07.439
um

1:08:07.440,1:08:09.038
i'm thinking

1:08:09.039,1:08:11.118
you know what we had this nice comment

1:08:11.119,1:08:13.519
about the drum placement i'm going to go

1:08:13.520,1:08:15.358
and do some design actually and also

1:08:15.359,1:08:17.599
here speaking about drum placements from

1:08:17.600,1:08:20.318
red hot bagel for me some of the magic

1:08:20.319,1:08:22.399
is in the compactness can you go more

1:08:22.400,1:08:26.399
compact when drums aren't marble played

1:08:26.400,1:08:29.119
yes if the drums aren't marker played we

1:08:29.120,1:08:33.279
can go much more compact

1:08:33.440,1:08:37.278
but then the drum loop is only 16 beats

1:08:37.279,1:08:38.879
and with the marbles they can make

1:08:38.880,1:08:40.559
variations which i thought was so

1:08:40.560,1:08:42.479
magical

1:08:42.480,1:08:44.559
um let's go over to the drum kit

1:08:44.560,1:08:46.079
assembly and see if we can move things

1:08:46.080,1:08:48.798
around a little bit and some perspective

1:08:48.799,1:08:50.559
before i start looking for that clip you

1:08:50.560,1:08:53.119
wanted me to look at one bald man

1:08:53.120,1:08:55.519
bigger isn't always better just quote

1:08:55.520,1:08:57.838
unquote easier look at nasa versus

1:08:57.839,1:09:00.480
spacex

1:09:00.960,1:09:03.119
oh i don't know i should know the

1:09:03.120,1:09:04.559
reference

1:09:04.560,1:09:07.358
um

1:09:07.359,1:09:10.079
oh do you mean like the bigger uh like

1:09:10.080,1:09:12.718
company or rocket i'm probably rocket

1:09:12.719,1:09:14.960
like

1:09:17.759,1:09:21.358
i'm going to move

1:09:21.359,1:09:24.560
why is this like this

1:09:24.640,1:09:28.079
ah this didn't end up well

1:09:28.080,1:09:30.480
move

1:09:31.600,1:09:33.039
this is a

1:09:33.040,1:09:35.039
parametric designs i can actually move

1:09:35.040,1:09:38.318
it properly by activating this and going

1:09:38.319,1:09:41.759
down into my timeline

1:09:45.520,1:09:46.838
you know what i'm gonna

1:09:46.839,1:09:49.119
do i'm gonna do something here i'm gonna

1:09:49.120,1:09:51.278
make a copy of this i'm gonna kill all

1:09:51.279,1:09:52.639
the links

1:09:52.640,1:09:54.879
so we can move things around freely in

1:09:54.880,1:09:56.799
this design

1:09:56.800,1:09:57.678
um

1:09:57.679,1:10:00.399
i think that's the proper thing to do

1:10:00.400,1:10:03.519
let me cut this off and let me cut this

1:10:03.520,1:10:05.760
off

1:10:06.159,1:10:08.639
let me go into this view

1:10:08.640,1:10:09.759
so

1:10:09.760,1:10:11.759
i should have prepared this i'm going to

1:10:11.760,1:10:14.319
copy this one

1:10:14.320,1:10:17.039
and copy

1:10:17.040,1:10:19.759
i'm gonna open up this new sketch

1:10:19.760,1:10:21.039
sketch one

1:10:21.040,1:10:24.399
then we and i'm gonna kill

1:10:24.400,1:10:27.039
so what you do is that you can kill all

1:10:27.040,1:10:27.839
the

1:10:27.840,1:10:28.839
design

1:10:28.840,1:10:32.238
history in this copy

1:10:32.239,1:10:33.678
and then i can

1:10:33.679,1:10:35.919
kill the link

1:10:35.920,1:10:38.879
to the other things i'm just killing

1:10:38.880,1:10:40.639
all the design history so we can move

1:10:40.640,1:10:42.839
the drums freely

1:10:42.840,1:10:46.319
so let's do that

1:10:46.320,1:10:48.079
super fun to brainstorm with y'all i've

1:10:48.080,1:10:50.718
been longing for this

1:10:50.719,1:10:53.360
break link

1:10:57.280,1:11:00.879
and again the the thing with the

1:11:00.880,1:11:02.959
the straight line

1:11:02.960,1:11:05.119
is making it easier to

1:11:05.120,1:11:06.479
um

1:11:06.480,1:11:09.359
that doesn't work

1:11:09.360,1:11:11.198
can i move it like this

1:11:11.199,1:11:12.799
what was the hardest again you wanted me

1:11:12.800,1:11:14.559
to look for

1:11:14.560,1:11:16.799
oh it's because there's a rigid pap

1:11:16.800,1:11:19.119
methane orchestrion project

1:11:19.120,1:11:22.959
pat mathini while i love papathini um

1:11:22.960,1:11:24.319
this is a good example of when the

1:11:24.320,1:11:28.158
modular design becomes like i can show

1:11:28.159,1:11:29.839
where i think the modular design has

1:11:29.840,1:11:31.839
gone too far i don't think we can play

1:11:31.840,1:11:33.439
the music but we can probably look a

1:11:33.440,1:11:36.158
little bit on the video

1:11:36.159,1:11:38.219
um

1:11:38.220,1:11:39.759
[Music]

1:11:39.760,1:11:41.999
an excerpt from the orchestron project

1:11:42.000,1:11:44.960
perhaps yeah that's good

1:11:46.159,1:11:49.999
i hope it's muted no that's mute

1:11:50.000,1:11:52.479
why am i not allowed to move a single

1:11:52.480,1:11:55.840
thing in this card

1:12:01.840,1:12:05.839
there we also have someone

1:12:05.840,1:12:07.439
again

1:12:07.440,1:12:10.479
talking about let's see here hyper ban

1:12:10.480,1:12:12.479
can you put registrators instruments on

1:12:12.480,1:12:14.959
both sides of the drum it would

1:12:14.960,1:12:16.718
need a different mechanism on the

1:12:16.719,1:12:19.679
opposite side

1:12:20.480,1:12:22.238
can you put registration instruments on

1:12:22.239,1:12:24.479
both sides of the drum it would need a

1:12:24.480,1:12:26.718
different mechanism on that side so that

1:12:26.719,1:12:28.880
is

1:12:30.000,1:12:31.039
possible

1:12:31.040,1:12:33.440
for me

1:12:34.000,1:12:37.279
that that that is this 90 degree example

1:12:37.280,1:12:39.359
so on the ipad

1:12:39.360,1:12:41.519
uh if we go to the sketch pad

1:12:41.520,1:12:42.399
we are

1:12:42.400,1:12:44.079
kind of looking at that and

1:12:44.080,1:12:45.919
for me

1:12:45.920,1:12:49.119
one one like pivotal design tenant is

1:12:49.120,1:12:51.039
that if someone looks at looks at the

1:12:51.040,1:12:53.359
machine i always wanted them to be able

1:12:53.360,1:12:55.439
to look at all the action at the same

1:12:55.440,1:12:57.759
time so let's say that if we wrap the

1:12:57.760,1:13:00.079
instrument around one corner that should

1:13:00.080,1:13:04.440
be possible um

1:13:06.159,1:13:08.959
and and in this case if if the

1:13:08.960,1:13:11.279
drums are here and these are the loop

1:13:11.280,1:13:13.599
beaters

1:13:13.600,1:13:15.359
this loop will will have to be 90

1:13:15.360,1:13:16.839
degrees

1:13:16.840,1:13:19.759
uh facing this direction and the

1:13:19.760,1:13:21.759
programming wheel this direction

1:13:21.760,1:13:23.759
and we only have to have six channels

1:13:23.760,1:13:26.079
with marbles i only want

1:13:26.080,1:13:28.079
two here

1:13:28.080,1:13:30.879
two here and two here so we only have to

1:13:30.880,1:13:34.079
go over six times with six bowden cables

1:13:34.080,1:13:36.960
over to this side

1:13:43.440,1:13:48.080
you always love this didn't you sir 3k

1:13:48.480,1:13:50.800
yeah

1:13:50.960,1:13:52.399
here's all something we have talked

1:13:52.400,1:13:54.479
about in

1:13:54.480,1:13:56.639
different locations from jim

1:13:56.640,1:13:59.198
heber or jim herbert

1:13:59.199,1:14:00.959
to make the base more compact since the

1:14:00.960,1:14:02.718
person will not handling the guitar it

1:14:02.719,1:14:04.718
does not need the body all you need is

1:14:04.719,1:14:06.479
the neck and strings and pick up slash

1:14:06.480,1:14:09.039
electronics nice comment i said to hans

1:14:09.040,1:14:11.359
the other day

1:14:11.360,1:14:13.359
i'm actually prepared to use a stick

1:14:13.360,1:14:16.559
base so let's go back to cad

1:14:16.560,1:14:18.479
and

1:14:18.480,1:14:20.959
so i want i really wanted like a cello

1:14:20.960,1:14:22.959
shape and stuff like that

1:14:22.960,1:14:24.149
and

1:14:24.150,1:14:25.359
[Music]

1:14:25.360,1:14:27.839
i just said the other day

1:14:27.840,1:14:30.238
i'm actually con i actually prepared to

1:14:30.239,1:14:32.879
do some

1:14:32.880,1:14:34.158
um

1:14:34.159,1:14:35.839
soul searching

1:14:35.840,1:14:39.919
so let's cut this beautiful body away

1:14:39.920,1:14:43.919
let's make our dreams

1:14:43.920,1:14:47.039
let's dream some new dreams

1:14:47.040,1:14:49.999
and let's not be bogged down

1:14:50.000,1:14:51.519
by our old

1:14:51.520,1:14:54.079
dreams yeah it looks cool but perhaps it

1:14:54.080,1:14:56.399
doesn't need to be that way for and from

1:14:56.400,1:14:58.319
function dipoles are nice i will just

1:14:58.320,1:15:00.879
pull it up as well from b boo champ

1:15:00.880,1:15:02.959
i agree with whoever said that they

1:15:02.960,1:15:05.119
loved the way the mmx hyatt system

1:15:05.120,1:15:07.439
worked that was magical no marbles

1:15:07.440,1:15:11.119
involved and still magical oh like the

1:15:11.120,1:15:14.080
heist machine yeah

1:15:15.199,1:15:16.799
the loop drum

1:15:16.800,1:15:19.678
will be it's going to be crazy cool yeah

1:15:19.679,1:15:23.439
is it magical oh look at that i hate it

1:15:23.440,1:15:25.599
yeah for now we hate it

1:15:25.600,1:15:27.999
but space wise

1:15:28.000,1:15:30.319
well we need still if we're gonna we

1:15:30.320,1:15:32.399
play by more oh i figured out the other

1:15:32.400,1:15:33.439
day

1:15:33.440,1:15:36.238
uh by sorry i'm getting excited i

1:15:36.239,1:15:38.319
figured we love when you get excited man

1:15:38.320,1:15:39.919
i figured out a new pattern for the

1:15:39.920,1:15:42.479
hammer jammer of the bass so here we're

1:15:42.480,1:15:44.959
looking at the strings from the top

1:15:44.960,1:15:46.559
um

1:15:46.560,1:15:48.879
in the wrong order never mind and i

1:15:48.880,1:15:50.718
thought the hammer jammer needed to be

1:15:50.719,1:15:53.839
like this so eight hit points uh like

1:15:53.840,1:15:55.198
this

1:15:55.199,1:15:57.279
and they flare like this

1:15:57.280,1:15:58.079
uh

1:15:58.080,1:15:59.439
and one more

1:15:59.440,1:16:01.679
but

1:16:02.159,1:16:03.439
i think

1:16:03.440,1:16:06.158
that if we doesn't want to flare that we

1:16:06.159,1:16:08.559
could actually make the hit point

1:16:08.560,1:16:11.600
something like this

1:16:14.080,1:16:15.759
with the double because we need to

1:16:15.760,1:16:18.879
invent a double drop anyway

1:16:18.880,1:16:20.399
um

1:16:20.400,1:16:22.640
so

1:16:23.679,1:16:25.279
so then this t because i was thinking

1:16:25.280,1:16:27.839
when we make the bass smaller

1:16:27.840,1:16:29.839
so now you can see that the hit points

1:16:29.840,1:16:34.238
are almost as as the string size almost

1:16:34.239,1:16:36.480
um

1:16:36.880,1:16:37.839
okay

1:16:37.840,1:16:40.319
let's go to canned yeah and jockey

1:16:40.320,1:16:42.319
monster asks here what about beaters for

1:16:42.320,1:16:44.879
the drum like the bass and there are

1:16:44.880,1:16:47.119
beaters on the drums

1:16:47.120,1:16:49.599
beaters and marbles are getting dropped

1:16:49.600,1:16:50.479
yes

1:16:50.480,1:16:52.559
so i have them here

1:16:52.560,1:16:54.799
they are ugly right now they're only

1:16:54.800,1:16:56.479
there for

1:16:56.480,1:16:59.519
and this these beaters are four times

1:16:59.520,1:17:01.439
tighter

1:17:01.440,1:17:04.718
than the marbles where on the marble

1:17:04.719,1:17:07.599
machine x and arms were pretty tight so

1:17:07.600,1:17:09.599
i'm expecting really good performance

1:17:09.600,1:17:11.759
from the drum from the drummer and it

1:17:11.760,1:17:12.559
will

1:17:12.560,1:17:15.759
have like a solid foundation of the beat

1:17:15.760,1:17:16.399
so

1:17:16.400,1:17:17.599
so they're

1:17:17.600,1:17:19.439
they are tighter because this loop wheel

1:17:19.440,1:17:20.959
plays four times

1:17:20.960,1:17:22.959
rotates four times faster than this

1:17:22.960,1:17:24.079
wheel

1:17:24.080,1:17:24.339
um

1:17:24.340,1:17:26.399
[Music]

1:17:26.400,1:17:27.759
and

1:17:27.760,1:17:29.439
i actually thought it would rotate eight

1:17:29.440,1:17:31.119
times faster but i realized that was

1:17:31.120,1:17:32.879
even too fast

1:17:32.880,1:17:34.319
um

1:17:34.320,1:17:35.889
so where were we

1:17:35.890,1:17:37.999
[Music]

1:17:38.000,1:17:39.839
and i have another one to just

1:17:39.840,1:17:41.678
throw out here because this is also

1:17:41.679,1:17:44.479
interesting for one bald man curve the

1:17:44.480,1:17:46.479
front of all the instruments

1:17:46.480,1:17:48.158
drums in the middle split the vibraphone

1:17:48.159,1:17:50.639
between each side think crescent moon

1:17:50.640,1:17:53.919
machine is deeper not wider

1:17:53.920,1:17:55.039
curve

1:17:55.040,1:17:57.359
curved front curved front all the

1:17:57.360,1:17:58.799
instruments

1:17:58.800,1:18:00.799
drums in the middle

1:18:00.800,1:18:03.599
split the vibraphone between each side

1:18:03.600,1:18:06.639
think crescent moon

1:18:06.640,1:18:10.079
machine is deeper not wider also like

1:18:10.080,1:18:12.399
two flanks yeah

1:18:12.400,1:18:14.479
drums in the middle

1:18:14.480,1:18:17.999
split the vibraphone between each side

1:18:18.000,1:18:20.639
so i'm i'm very much in love with the

1:18:20.640,1:18:22.399
circular vibraphone

1:18:22.400,1:18:23.359
like if

1:18:23.360,1:18:25.039
like

1:18:25.040,1:18:27.119
and if somehow from a footprint

1:18:27.120,1:18:28.799
perspective that could be formed from

1:18:28.800,1:18:31.839
function i'm like oh yes

1:18:31.840,1:18:32.718
so

1:18:32.719,1:18:35.679
crescent moon

1:18:36.320,1:18:38.399
a bee boot champion i love this comment

1:18:38.400,1:18:40.718
also hammer jammer was my suggestion by

1:18:40.719,1:18:42.799
the way i expect either to be paid

1:18:42.800,1:18:45.599
billions from a genius of the mm3 or a

1:18:45.600,1:18:48.238
50 discount on your canadian mm3 world

1:18:48.239,1:18:50.718
tour concert

1:18:50.719,1:18:53.839
fantastic bibo the hammer jammer has

1:18:53.840,1:18:55.839
solved a lot thank you so much for that

1:18:55.840,1:18:58.158
suggestion i would love to have an

1:18:58.159,1:19:00.079
official like

1:19:00.080,1:19:03.359
way to record all those little small

1:19:03.360,1:19:04.879
contributions

1:19:04.880,1:19:06.559
maybe that's something that the

1:19:06.560,1:19:09.359
community can can start keeping track of

1:19:09.360,1:19:11.439
without starting to climb on each other

1:19:11.440,1:19:13.599
fighting for fighting for glory and

1:19:13.600,1:19:16.639
being being enemies mortal enemies

1:19:16.640,1:19:18.559
um

1:19:18.560,1:19:20.839
yeah the hammer jammer is great

1:19:20.840,1:19:24.079
um it's a deal it's a deal it's a deal

1:19:24.080,1:19:26.079
the discount is a deal

1:19:26.080,1:19:27.599
but no i'm not selling the battery

1:19:27.600,1:19:29.759
before it's made this time no probably

1:19:29.760,1:19:32.399
there will never be a torso so but

1:19:32.400,1:19:33.439
perhaps

1:19:33.440,1:19:35.759
we will tour the land of canada and we

1:19:35.760,1:19:38.079
can't just go and shake his hand

1:19:38.080,1:19:40.639
that would be fantastic 50 off for the

1:19:40.640,1:19:43.199
handshake

1:19:43.520,1:19:47.919
look at sir 3k who has a selling upgrade

1:19:47.920,1:19:50.238
and is now selling handshakes that went

1:19:50.239,1:19:51.759
fast i love it

1:19:51.760,1:19:54.079
love it love it we sweets are not good

1:19:54.080,1:19:56.079
marketing people we have to learn from

1:19:56.080,1:19:57.919
horrible from our friends across the

1:19:57.920,1:20:00.158
pond who are much better we think like

1:20:00.159,1:20:01.759
okay if we if we just sit in our

1:20:01.760,1:20:04.079
t-shirts people will buy that

1:20:04.080,1:20:05.759
but that's an excellent way to support

1:20:05.760,1:20:08.559
us is to buy merch from us look at the

1:20:08.560,1:20:10.559
selling upgrade on this box

1:20:10.560,1:20:13.599
my god isn't it beautiful where are we

1:20:13.600,1:20:15.359
so this is such an interesting

1:20:15.360,1:20:17.039
discussion we're having let's let's

1:20:17.040,1:20:18.479
let's try to

1:20:18.480,1:20:20.399
haul it back in

1:20:20.400,1:20:23.840
um so i i

1:20:24.639,1:20:27.359
the line of the drums

1:20:27.360,1:20:30.079
uh i've angled them

1:20:30.080,1:20:31.839
i've angled them a little bit like this

1:20:31.840,1:20:34.079
now but the fact to have things at the

1:20:34.080,1:20:35.359
straight line

1:20:35.360,1:20:38.638
is just the the easiest way for all the

1:20:38.639,1:20:40.399
dropping right

1:20:40.400,1:20:43.439
not only that but also for the

1:20:43.440,1:20:45.599
for the distance to the loop machine so

1:20:45.600,1:20:47.119
it's the same action on the kick drum

1:20:47.120,1:20:49.039
same action on this arm same space and

1:20:49.040,1:20:52.480
everything okay but

1:20:52.960,1:20:56.238
let's go to one of our images with a

1:20:56.239,1:20:57.519
mushroom

1:20:57.520,1:21:00.718
because another thing that wait let's go

1:21:00.719,1:21:03.678
here let's go to the

1:21:03.679,1:21:06.959
i can actually do that myself no oh wow

1:21:06.960,1:21:09.279
double one

1:21:09.280,1:21:10.799
so um

1:21:10.800,1:21:12.799
while you do that i just want to put up

1:21:12.800,1:21:15.119
here robert

1:21:15.120,1:21:17.839
i think you focus too much on drums i

1:21:17.840,1:21:19.759
think a really good vibraphone solution

1:21:19.760,1:21:22.559
with the sorta working mmx base is a

1:21:22.560,1:21:24.559
cool mvp

1:21:24.560,1:21:26.718
drums can be added later

1:21:26.719,1:21:29.359
i i i have that feeling as well robert i

1:21:29.360,1:21:31.678
i have this feeling that

1:21:31.679,1:21:32.479
like

1:21:32.480,1:21:34.718
imagine going to a concert and there's

1:21:34.719,1:21:36.309
an intro

1:21:36.310,1:21:37.139
[Music]

1:21:37.140,1:21:40.449
[Applause]

1:21:41.320,1:21:45.359
[Music]

1:21:45.360,1:21:47.469
all this is played by marbles

1:21:47.470,1:21:50.619
[Music]

1:21:51.199,1:21:53.359
no drums

1:21:53.360,1:21:54.638
and then we do

1:21:54.639,1:21:56.959
the program switch trick

1:21:56.960,1:22:00.159
and it's still only marbles

1:22:04.480,1:22:06.718
i showed this 100 times but what i mean

1:22:06.719,1:22:08.959
is that

1:22:08.960,1:22:10.559
this is why i want a full-size

1:22:10.560,1:22:11.759
vibraphone

1:22:11.760,1:22:13.519
it has to be a full-size vibraphone

1:22:13.520,1:22:15.839
kimuton yeah and you know what b

1:22:15.840,1:22:17.689
bootchamp accepts the deal

1:22:17.690,1:22:19.198
[Laughter]

1:22:19.199,1:22:21.039
wonderful vivo

1:22:21.040,1:22:22.559
um

1:22:22.560,1:22:24.479
fantastic and

1:22:24.480,1:22:27.759
i just realized the marble catcher

1:22:27.760,1:22:30.399
is also a red i just turned it red it's

1:22:30.400,1:22:32.718
also a red known unknown and that's

1:22:32.719,1:22:35.039
where i want to go to the circular um

1:22:35.040,1:22:35.999
sketch

1:22:36.000,1:22:39.919
can we pull that up sir 3k it's from the

1:22:39.920,1:22:42.638
no wait i have it in my um sketch pad

1:22:42.639,1:22:45.039
here because i sketched on the thing

1:22:45.040,1:22:46.479
here

1:22:46.480,1:22:47.599
oh yeah

1:22:47.600,1:22:49.119
let's see

1:22:49.120,1:22:50.839
there we go yeah

1:22:50.840,1:22:52.799
so

1:22:52.800,1:22:54.158
i'm

1:22:54.159,1:22:56.799
very worried about the marble uh

1:22:56.800,1:22:58.238
capturing

1:22:58.239,1:23:00.959
because i think it's gonna look ugly

1:23:00.960,1:23:01.919
and

1:23:01.920,1:23:04.320
um

1:23:04.560,1:23:07.039
to have

1:23:07.040,1:23:09.198
to have like a circular

1:23:09.199,1:23:10.638
cake thing

1:23:10.639,1:23:12.879
around the whole machine

1:23:12.880,1:23:15.599
and i come up like from a

1:23:15.600,1:23:18.399
huge musical birthday cake

1:23:18.400,1:23:19.599
um

1:23:19.600,1:23:22.239
it makes

1:23:22.400,1:23:25.040
so you remember

1:23:26.480,1:23:27.919
yes

1:23:27.920,1:23:30.238
exactly that's how that's that's exactly

1:23:30.239,1:23:32.158
i wanted you remember the joke with the

1:23:32.159,1:23:33.439
funnel

1:23:33.440,1:23:35.999
how can you ever forget it right

1:23:36.000,1:23:37.759
where did where where did we have it is

1:23:37.760,1:23:40.079
it here

1:23:40.080,1:23:41.678
let's get yes

1:23:41.679,1:23:44.480
it's in this cad

1:23:46.239,1:23:48.718
so we had this machine that we get in

1:23:48.719,1:23:50.559
the beginning yeah

1:23:50.560,1:23:52.718
um

1:23:52.719,1:23:54.238
and

1:23:54.239,1:23:55.119
then

1:23:55.120,1:23:57.119
i said like

1:23:57.120,1:24:00.799
that we solved the funnel issue

1:24:00.800,1:24:02.799
and it's still as funny as day and i

1:24:02.800,1:24:05.519
just mean if we go to that look at this

1:24:05.520,1:24:07.678
and go over to the sketch pad

1:24:07.679,1:24:09.439
it's the same yes

1:24:09.440,1:24:12.079
it's a brilliant idea and it's it would

1:24:12.080,1:24:14.559
just like

1:24:14.560,1:24:16.799
it's a way to turn this design

1:24:16.800,1:24:18.319
requirement of having something

1:24:18.320,1:24:19.919
capturing all the

1:24:19.920,1:24:22.158
all the um marbles

1:24:22.159,1:24:25.039
into kind of something beautiful

1:24:25.040,1:24:27.039
and

1:24:27.040,1:24:30.960
yeah it's a sean michelle shouted

1:24:43.280,1:24:46.238
i have adhd and love making music also

1:24:46.239,1:24:47.999
make a founder with holes to make a

1:24:48.000,1:24:50.638
circular vibraphone as i make a funnel

1:24:50.639,1:24:54.319
with holes to make a

1:24:54.320,1:24:56.959
circular vibraphone i'm

1:24:56.960,1:24:58.158
first of all i'm so happy for your

1:24:58.159,1:25:00.238
comment second of all i'm sorry your

1:25:00.239,1:25:03.439
username didn't it didn't work out

1:25:03.440,1:25:06.079
because i i failed with the mmx but this

1:25:06.080,1:25:10.079
is mmxt it's mmxt touring version now i

1:25:10.080,1:25:11.279
see it

1:25:11.280,1:25:13.599
still on point and valid

1:25:13.600,1:25:17.360
it's up to you martin to fail now

1:25:18.400,1:25:20.638
also make a funnel with holes to make a

1:25:20.639,1:25:23.359
circular vibrophone

1:25:23.360,1:25:26.360
so

1:25:27.120,1:25:28.879
let me let me sketch something about the

1:25:28.880,1:25:31.119
circular design that has been on my mind

1:25:31.120,1:25:33.439
um we're just brainstorming a high level

1:25:33.440,1:25:36.399
here if we have a circular vibraphone

1:25:36.400,1:25:37.678
the funnels

1:25:37.679,1:25:39.599
can be much larger because they are on

1:25:39.600,1:25:42.879
the outside of the perimeter so here

1:25:42.880,1:25:44.879
we have one measurement

1:25:44.880,1:25:47.039
but the funnels can be here and they can

1:25:47.040,1:25:48.638
be much larger

1:25:48.639,1:25:50.879
so with the circular vibraphone

1:25:50.880,1:25:52.399
we could potentially go back to

1:25:52.400,1:25:54.718
individual funnels which means that we

1:25:54.719,1:25:56.238
could go to this

1:25:56.239,1:25:58.079
feed

1:25:58.080,1:25:59.039
only

1:25:59.040,1:26:00.559
the red marbles

1:26:00.560,1:26:02.399
into the red channel

1:26:02.400,1:26:05.839
so there's a loop here which means

1:26:05.840,1:26:10.239
that we don't need a marble divider

1:26:10.719,1:26:14.879
so if it's true then we could um

1:26:14.880,1:26:19.679
so green marbles goes to green channel

1:26:20.080,1:26:21.678
with a circular design i have the

1:26:21.679,1:26:24.638
feeling and if i sketch it from the side

1:26:24.639,1:26:26.959
um i also have the feeling that we can

1:26:26.960,1:26:29.439
take back the cool funnel design if we

1:26:29.440,1:26:31.279
don't want the birthday cake

1:26:31.280,1:26:32.718
so if we have this

1:26:32.719,1:26:37.159
if we have the circular microphone here

1:26:39.679,1:26:41.599
a lot of engineers will be pissed off if

1:26:41.600,1:26:43.759
i'm going serious with this

1:26:43.760,1:26:45.119
um

1:26:45.120,1:26:47.198
that we can have like this and music

1:26:47.199,1:26:49.599
funnels coming back to us oh yeah the

1:26:49.600,1:26:53.279
flowers the the flowers that failed

1:26:53.280,1:26:56.799
the first flowers that ever failed

1:26:56.800,1:26:59.119
so i'm not drawing them so beautifully

1:26:59.120,1:27:01.039
here but

1:27:01.040,1:27:03.279
we get the point and we can have the

1:27:03.280,1:27:06.319
move when collecting

1:27:06.320,1:27:07.919
because

1:27:07.920,1:27:09.279
thanks to the fact that this distance

1:27:09.280,1:27:11.279
out here is much larger than the

1:27:11.280,1:27:13.919
distance in here

1:27:13.920,1:27:15.439
we could make the funnels big enough so

1:27:15.440,1:27:16.638
they are actually not missing the

1:27:16.639,1:27:19.439
marbles like on on

1:27:19.440,1:27:21.119
on the old and then

1:27:21.120,1:27:23.999
in this case i do want the plates to

1:27:24.000,1:27:28.719
move and imagine that the

1:27:29.040,1:27:30.879
resonator pipes

1:27:30.880,1:27:32.879
would be this church organ style so they

1:27:32.880,1:27:35.198
will be longer and they will be shorter

1:27:35.199,1:27:38.879
like this i mean it's so beautiful

1:27:38.880,1:27:41.839
true thing of butte

1:27:41.840,1:27:44.559
it's a true thing of you and then pute

1:27:44.560,1:27:46.399
and then we could continue

1:27:46.400,1:27:48.399
with the drums over here like like

1:27:48.400,1:27:51.279
people have suggested suggested

1:27:51.280,1:27:51.599
um

1:27:51.600,1:27:54.158
[Music]

1:27:54.159,1:27:59.000
and then i'm playing over here bass

1:28:00.480,1:28:02.559
there is something about this

1:28:02.560,1:28:05.439
yeah a slice of sport also commented

1:28:05.440,1:28:07.359
separating the vibraphone from the drums

1:28:07.360,1:28:09.599
should make it much easier to play

1:28:09.600,1:28:10.718
manually

1:28:10.719,1:28:13.198
imagine moving from the base over in

1:28:13.199,1:28:16.320
front of the vibe

1:28:16.639,1:28:18.960
yes

1:28:19.040,1:28:20.959
that's why i want the bass guitar next

1:28:20.960,1:28:22.799
to the vibraphone so i can just stretch

1:28:22.800,1:28:25.198
my hand and play like this

1:28:25.199,1:28:26.718
of course on the circular it's going to

1:28:26.719,1:28:28.638
be a little bit tricky

1:28:28.639,1:28:30.799
a circular chromatic

1:28:30.800,1:28:33.120
um

1:28:38.320,1:28:40.879
oh brilliant context question for us

1:28:40.880,1:28:43.359
here on vintage live as well

1:28:43.360,1:28:44.638
chief

1:28:44.639,1:28:47.439
asks here i love your channel i'm sure

1:28:47.440,1:28:48.959
you've answered this but will these

1:28:48.960,1:28:52.319
streams be edited at some point

1:28:52.320,1:28:54.479
i know these streams won't be edited but

1:28:54.480,1:28:56.959
over on the main wintergatan youtube

1:28:56.960,1:28:58.879
channel

1:28:58.880,1:29:01.919
we do weekly summaries of what we've

1:29:01.920,1:29:04.879
been doing this week somebody got on

1:29:04.880,1:29:05.999
live

1:29:06.000,1:29:08.959
so here we stream everything the whole

1:29:08.960,1:29:11.359
process and on wednesdays on the main

1:29:11.360,1:29:13.519
channel we summarize what's been going

1:29:13.520,1:29:16.559
on so if you want condensed versions

1:29:16.560,1:29:18.718
that's on wednesdays on the main

1:29:18.719,1:29:21.039
bintigota youtube channel

1:29:21.040,1:29:22.879
thank you so much

1:29:22.880,1:29:25.198
definitely thank you so much and i'm

1:29:25.199,1:29:27.919
trying to reign in this discussion too

1:29:27.920,1:29:30.319
maybe to get somewhere like what can we

1:29:30.320,1:29:31.919
get out of this

1:29:31.920,1:29:33.839
i really appreciate this discussion are

1:29:33.840,1:29:35.599
you just gonna derail me a little bit oh

1:29:35.600,1:29:39.198
yeah okay good so this is um all credit

1:29:39.199,1:29:40.718
to path methini

1:29:40.719,1:29:42.238
but

1:29:42.239,1:29:43.999
this is why i don't want to use

1:29:44.000,1:29:46.238
solenoids of course you have to go and

1:29:46.239,1:29:49.119
look at it it looks like any music

1:29:49.120,1:29:51.839
so this is a modular thing so pat is

1:29:51.840,1:29:53.359
standing in the middle oh there's the

1:29:53.360,1:29:54.959
mallet machine you're right i should not

1:29:54.960,1:29:57.919
build a mallet machine there we go

1:29:57.920,1:29:59.919
so they built all these mechanical

1:29:59.920,1:30:01.678
instruments

1:30:01.679,1:30:03.839
and they're standing everywhere apart

1:30:03.840,1:30:06.959
from where pat is and they put a drum

1:30:06.960,1:30:08.638
and they put a lamp i think on the drum

1:30:08.639,1:30:10.479
kit so the lamp is lighting up when the

1:30:10.480,1:30:12.079
kick is played

1:30:12.080,1:30:13.599
i don't know if this this looks like

1:30:13.600,1:30:15.919
it's filmed like any music do you think

1:30:15.920,1:30:18.718
this was inspired by pipe dream as well

1:30:18.719,1:30:22.319
and the 2013 2010 yeah it's after

1:30:22.320,1:30:24.479
pipedream i think

1:30:24.480,1:30:27.359
they have the tubular belts there and as

1:30:27.360,1:30:29.759
you can see like it's um

1:30:29.760,1:30:33.560
the piano is self-playing

1:30:34.880,1:30:36.559
also the mallets and the mallets are

1:30:36.560,1:30:38.238
actually obstructing the vibraphone did

1:30:38.239,1:30:40.559
you see how they built it um from two

1:30:40.560,1:30:42.559
sides there yeah

1:30:42.560,1:30:44.880
um

1:30:44.960,1:30:46.559
it's a little bit un

1:30:46.560,1:30:49.279
unfair to critique sound music video

1:30:49.280,1:30:52.159
with no sound

1:30:52.400,1:30:53.599
but

1:30:53.600,1:30:56.559
but the feeling that he so this is just

1:30:56.560,1:30:58.079
this is the feeling that i don't want

1:30:58.080,1:31:00.399
people to get when they go to our tour

1:31:00.400,1:31:03.678
it should not be like it should not be

1:31:03.679,1:31:05.039
so let's

1:31:05.040,1:31:06.479
let's say that we have

1:31:06.480,1:31:09.439
absolutely decided that it's not modular

1:31:09.440,1:31:11.919
in the sense with separate modules

1:31:11.920,1:31:13.599
standing far away from each other we

1:31:13.600,1:31:15.599
don't want to build that it has to be

1:31:15.600,1:31:17.919
one thing

1:31:17.920,1:31:19.678
yep can you go forward to see if the

1:31:19.679,1:31:21.279
drums um

1:31:21.280,1:31:23.359
are playing so we can see the so see we

1:31:23.360,1:31:26.238
can see the lights of the drums

1:31:26.239,1:31:28.559
let's see if something happens here

1:31:28.560,1:31:30.479
oh that's a sliding that's a cool thing

1:31:30.480,1:31:32.079
though look how it's sliding i think

1:31:32.080,1:31:33.999
it's making like chords and stuff i have

1:31:34.000,1:31:35.599
to go watch this

1:31:35.600,1:31:38.479
uh with sound after the stream

1:31:38.480,1:31:39.839
um

1:31:39.840,1:31:42.158
the self playing piano oh

1:31:42.159,1:31:43.919
they have oh we have to check this out

1:31:43.920,1:31:46.320
actually

1:31:47.040,1:31:47.919
but

1:31:47.920,1:31:48.959
yeah

1:31:48.960,1:31:52.319
bringing that on tour that's easy

1:31:52.320,1:31:55.440
oh there's a vibraphone

1:31:55.920,1:31:58.079
so there's solenoids this is a solenoid

1:31:58.080,1:32:00.079
party and like

1:32:00.080,1:32:02.400
um

1:32:02.480,1:32:05.279
and also of course i think

1:32:05.280,1:32:07.279
the light engineer

1:32:07.280,1:32:09.439
should have been fired before they

1:32:09.440,1:32:11.839
filmed this video you cannot see

1:32:11.840,1:32:13.359
anything no

1:32:13.360,1:32:15.519
give give it just white light

1:32:15.520,1:32:17.439
and this video would have been viral

1:32:17.440,1:32:20.479
give it these like stupid search lights

1:32:20.480,1:32:21.279
and

1:32:21.280,1:32:23.039
how many because it's not interesting

1:32:23.040,1:32:25.198
they need to do something with the light

1:32:25.199,1:32:27.198
boom

1:32:27.199,1:32:28.559
oh that's maybe

1:32:28.560,1:32:30.319
how i love patent athena yeah that's

1:32:30.320,1:32:31.759
that's really really cool it's taking

1:32:31.760,1:32:33.279
everything back how many views does the

1:32:33.280,1:32:34.319
video have

1:32:34.320,1:32:36.559
three hundred thousand yeah that's why

1:32:36.560,1:32:38.399
you have like not even one percent of

1:32:38.400,1:32:40.158
the machine video because the lightning

1:32:40.159,1:32:42.319
shows that's why you have floor painted

1:32:42.320,1:32:44.879
floor painting paper from bltm in your

1:32:44.880,1:32:47.198
music video that's how you make it viral

1:32:47.199,1:32:50.079
folks look at the cookie swedes

1:32:50.080,1:32:52.158
pat is wonderful i saw patmenting in

1:32:52.159,1:32:55.678
plainlivens.com actually zg1 like a big

1:32:55.679,1:32:58.559
organ register like left the base middle

1:32:58.560,1:33:01.279
vibrate and right drums in a wrinkled

1:33:01.280,1:33:04.319
half square

1:33:04.320,1:33:06.879
like left bass middle vibrophone and

1:33:06.880,1:33:09.519
drag drums in like a big organ register

1:33:09.520,1:33:12.079
yeah i like this uh we called half

1:33:12.080,1:33:14.238
square it's it's the

1:33:14.239,1:33:17.839
it's a 90 degree solution i think

1:33:17.840,1:33:18.718
so

1:33:18.719,1:33:21.999
how do we summarize all our collective

1:33:22.000,1:33:25.119
thoughts um first i just have more more

1:33:25.120,1:33:27.839
here oh wow dynamic commander remember

1:33:27.840,1:33:29.678
that the crowd watching the show would

1:33:29.679,1:33:32.479
be placed on a lower height than machine

1:33:32.480,1:33:33.839
catching marbles in front of the

1:33:33.840,1:33:36.718
vibraphone will block view

1:33:36.719,1:33:41.520
that's also very very very true um

1:33:42.400,1:33:45.439
one idea that is interesting is if we

1:33:45.440,1:33:46.879
can angle

1:33:46.880,1:33:48.559
and i was thinking about that actually

1:33:48.560,1:33:50.959
regards to that's a good that's a good

1:33:50.960,1:33:52.718
thought so if we if we go to the sketch

1:33:52.719,1:33:53.599
pad

1:33:53.600,1:33:56.479
so say the marble comes down here

1:33:56.480,1:33:57.599
if we make

1:33:57.600,1:34:00.559
more of an angle this time

1:34:00.560,1:34:04.238
um then the volume will be less but then

1:34:04.239,1:34:06.238
the marble will move

1:34:06.239,1:34:08.718
straight down right away i'm painting

1:34:08.719,1:34:10.799
outside there

1:34:10.800,1:34:13.039
um

1:34:13.040,1:34:15.919
but then the resonator will be in

1:34:15.920,1:34:18.399
and if we then have a circular

1:34:18.400,1:34:19.919
arrangement

1:34:19.920,1:34:22.238
these resonators will start to collide

1:34:22.239,1:34:24.959
so they have to be far apart so so so

1:34:24.960,1:34:26.799
they can fit

1:34:26.800,1:34:29.599
good sketching here

1:34:29.600,1:34:32.479
and that will also be very visual

1:34:32.480,1:34:34.158
because then we can have the funnels

1:34:34.159,1:34:36.399
below

1:34:36.400,1:34:39.198
to not obstruct the view yeah

1:34:39.199,1:34:40.718
i think on big shows we're going to have

1:34:40.719,1:34:42.959
like cameras also on big screens and

1:34:42.960,1:34:45.118
stuff like that but you do want

1:34:45.119,1:34:47.599
want to see the machine

1:34:47.600,1:34:49.839
yeah absolutely and a follow-up from

1:34:49.840,1:34:51.999
chief here oh good thank you so much

1:34:52.000,1:34:53.678
again just love your content and wish

1:34:53.679,1:34:54.959
you the best seeing you working to

1:34:54.960,1:34:58.079
achieve your dream is so awesome thank

1:34:58.080,1:35:00.718
you so much i'm

1:35:00.719,1:35:03.119
i am

1:35:03.199,1:35:05.919
right now i don't know if this

1:35:05.920,1:35:07.198
is a dream

1:35:07.199,1:35:10.158
that it will be only a pipe dream or or

1:35:10.159,1:35:12.879
if it can actually be something so

1:35:12.880,1:35:14.399
where do we summarize where we're

1:35:14.400,1:35:16.879
standing i wanna i wanna show you once

1:35:16.880,1:35:19.279
again where we started

1:35:19.280,1:35:21.359
um

1:35:21.360,1:35:23.439
this

1:35:23.440,1:35:25.599
and i think

1:35:25.600,1:35:27.439
the upcoming week

1:35:27.440,1:35:29.359
or weeks

1:35:29.360,1:35:30.638
i'm going to

1:35:30.639,1:35:34.639
keep on dive deeper in this

1:35:34.800,1:35:36.079
i

1:35:36.080,1:35:38.479
the bowden hydraulics means if we can

1:35:38.480,1:35:39.839
put an instrument

1:35:39.840,1:35:41.759
long further away from the programming

1:35:41.760,1:35:42.799
wheel

1:35:42.800,1:35:45.439
and the marble size and materials means

1:35:45.440,1:35:48.959
how much width do we need between gates

1:35:48.960,1:35:51.519
if i want big marbles like this 30 or 40

1:35:51.520,1:35:54.079
millimeters the gates naturally have to

1:35:54.080,1:35:56.399
be more wide apart

1:35:56.400,1:35:57.919
and yeah

1:35:57.920,1:36:00.399
i don't know

1:36:00.400,1:36:03.118
the mvp minimum viable product for the

1:36:03.119,1:36:05.678
audience or for martian thing this is

1:36:05.679,1:36:07.198
basically

1:36:07.199,1:36:09.118
i start to really understand why people

1:36:09.119,1:36:10.799
have said you have to write to sign

1:36:10.800,1:36:13.039
requirements before designing

1:36:13.040,1:36:15.519
so that's why i think in the upcoming

1:36:15.520,1:36:17.359
weeks

1:36:17.360,1:36:19.359
it's going to be a lot of sketching

1:36:19.360,1:36:21.999
and a lot of design requirement thinking

1:36:22.000,1:36:23.439
what do you think

1:36:23.440,1:36:25.118
what what is what are your high level

1:36:25.119,1:36:27.279
thoughts right now sir 3k about the

1:36:27.280,1:36:29.118
design

1:36:29.119,1:36:30.638
uh

1:36:30.639,1:36:33.039
okay yeah i'm reading chat so much so i

1:36:33.040,1:36:34.559
get influenced over there as well but i

1:36:34.560,1:36:36.238
see a lot of

1:36:36.239,1:36:38.559
uh like we talked about a hybrid between

1:36:38.560,1:36:42.639
the two a and two b ones

1:36:42.719,1:36:44.638
with all the sign

1:36:44.639,1:36:47.599
uh yeah let's go back to

1:36:47.600,1:36:49.519
yeah this is this is this is a good

1:36:49.520,1:36:51.839
summary

1:36:51.840,1:36:53.849
right here the 2a and 2b

1:36:53.850,1:36:56.899
[Music]

1:36:57.119,1:36:59.759
i i think where i'm sitting right now

1:36:59.760,1:37:02.638
version 1 another machine x

1:37:02.639,1:37:05.439
excluded version 3 completely modular

1:37:05.440,1:37:09.679
patentee orchestrion style excluded

1:37:10.320,1:37:13.678
big all-in-one sections not modules

1:37:13.679,1:37:18.079
square 90 degrees or circular

1:37:18.080,1:37:21.919
or a combination yeah i would uh we need

1:37:21.920,1:37:24.799
to think about all the placement of can

1:37:24.800,1:37:27.599
we play stuff on the side

1:37:27.600,1:37:31.040
can we play stuff in the back

1:37:32.159,1:37:36.079
safe space what is the time 1920

1:37:36.080,1:37:38.479
you know what i want to do

1:37:38.480,1:37:40.879
i want to do i want to do a 90 degree as

1:37:40.880,1:37:42.879
as fast as i can

1:37:42.880,1:37:44.079
uh

1:37:44.080,1:37:47.039
absolutely see if this cat want to work

1:37:47.040,1:37:49.599
with me let's take this

1:37:49.600,1:37:53.519
and let's turn it into a 90 degree thing

1:37:53.520,1:37:56.799
because i think i can actually move

1:37:56.800,1:37:58.959
okay i'm gonna give you a better better

1:37:58.960,1:38:01.520
better

1:38:03.130,1:38:06.199
[Music]

1:38:07.040,1:38:10.639
90 degree solution for the wind

1:38:11.600,1:38:13.999
i'm gonna show you the 90 degree i've

1:38:14.000,1:38:17.840
excluded it from my um

1:38:18.159,1:38:21.039
from my mind

1:38:21.040,1:38:23.359
toby instead of these

1:38:23.360,1:38:26.158
four options one two three you could do

1:38:26.159,1:38:28.079
something in between two a and two b in

1:38:28.080,1:38:29.839
front a straight vibraphone off the

1:38:29.840,1:38:32.238
shelf and on the sides a bit circular

1:38:32.239,1:38:34.479
like the bass and the drums

1:38:34.480,1:38:37.198
that's also very very interesting

1:38:37.199,1:38:39.039
so there is something with this design

1:38:39.040,1:38:40.559
it doesn't oh maybe it's because i have

1:38:40.560,1:38:43.198
to save it hang on is that why i can't

1:38:43.199,1:38:45.759
move things

1:38:45.760,1:38:47.919
why why don't you allow me to move this

1:38:47.920,1:38:50.080
i'm

1:38:50.159,1:38:53.520
it's so strange i think

1:38:53.840,1:38:56.158
satish kumar you should do a decision

1:38:56.159,1:38:58.559
matrix on this

1:38:58.560,1:39:00.319
ah interesting

1:39:00.320,1:39:01.919
you see chad has also learned our

1:39:01.920,1:39:03.678
viewers have learned now that's how you

1:39:03.679,1:39:07.840
do the tough decisions do a matrix

1:39:08.000,1:39:10.238
there's something with this

1:39:10.239,1:39:12.638
there's something here why why am i not

1:39:12.639,1:39:14.158
allowed to move

1:39:14.159,1:39:18.399
things here this one i can move

1:39:18.400,1:39:20.238
this one doesn't allow me to move is

1:39:20.239,1:39:21.999
there a rigid group or something

1:39:22.000,1:39:24.480
somewhere

1:39:25.520,1:39:28.319
i can move this one

1:39:28.320,1:39:32.320
but if i try to it won't go

1:39:35.760,1:39:38.399
and i kill the design history maybe if i

1:39:38.400,1:39:41.198
start the design history again

1:39:41.199,1:39:44.639
fusion is not working with me

1:39:44.880,1:39:47.279
no no

1:39:47.280,1:39:49.198
so i have to copy it and paste it again

1:39:49.199,1:39:50.879
i can do that

1:39:50.880,1:39:55.639
copy the whanau atsalini

1:40:01.360,1:40:03.999
thank you so much thank you so much

1:40:04.000,1:40:06.718
i managed to do a

1:40:06.719,1:40:09.439
workaround this is not this is not that

1:40:09.440,1:40:11.039
bad

1:40:11.040,1:40:12.799
this is maybe not that bad maybe there

1:40:12.800,1:40:15.198
is something to this

1:40:15.199,1:40:17.919
because what i really want is to not

1:40:17.920,1:40:20.879
have things on top of each other

1:40:20.880,1:40:23.279
so what happens now is i can

1:40:23.280,1:40:26.399
you like it i'm starting to getting some

1:40:26.400,1:40:28.559
minor goosebumps appearing

1:40:28.560,1:40:31.840
minor goosebumps

1:40:33.199,1:40:34.718
most of all

1:40:34.719,1:40:36.479
the machine itself will become like an

1:40:36.480,1:40:39.359
acoustic wall between the snare and the

1:40:39.360,1:40:41.198
vibraphone

1:40:41.199,1:40:43.118
um so i can put a snare on the side

1:40:43.119,1:40:45.519
where the height is i this doesn't look

1:40:45.520,1:40:47.760
bad

1:40:49.199,1:40:50.638
and let me just

1:40:50.639,1:40:53.760
put the snare in there

1:40:53.920,1:40:56.559
hey little stick bass

1:40:56.560,1:40:59.279
get over here get over here

1:40:59.280,1:41:00.718
get your ugly

1:41:00.719,1:41:02.879
face over here

1:41:02.880,1:41:05.439
little duckling

1:41:05.440,1:41:08.560
it's ugly duckling

1:41:10.800,1:41:13.359
you know what i don't hate it

1:41:13.360,1:41:15.599
no i know

1:41:15.600,1:41:18.959
because when when you look at it from

1:41:18.960,1:41:21.439
when you look at it from here

1:41:21.440,1:41:22.479
there we go

1:41:22.480,1:41:25.919
gmp 612 yes i love it

1:41:25.920,1:41:27.689
hang on [ __ ] we need to

1:41:27.690,1:41:29.198
[Music]

1:41:29.199,1:41:31.839
angle this fusion please let me angle

1:41:31.840,1:41:35.359
this okay so some some designs have some

1:41:35.360,1:41:36.238
uh

1:41:36.239,1:41:38.319
restrictions for some reason

1:41:38.320,1:41:40.718
so the loop wheel did you see what i did

1:41:40.719,1:41:42.959
i put it in a 90 degree angle because it

1:41:42.960,1:41:44.079
has to be

1:41:44.080,1:41:47.118
perpendicular to to the drums

1:41:47.119,1:41:50.559
so and magnus surrender loves it also he

1:41:50.560,1:41:52.559
has been posting suggestions i remember

1:41:52.560,1:41:54.559
that name we recognize you among us from

1:41:54.560,1:41:56.718
your great suggestions so so fun that

1:41:56.719,1:41:58.839
you're here live

1:41:58.840,1:42:01.839
um and this is pretty cool like imagine

1:42:01.840,1:42:04.718
seeing this wheel turning turning like

1:42:04.719,1:42:07.118
this and seeing this returning like holy

1:42:07.119,1:42:10.479
moly you like it yes

1:42:10.480,1:42:12.479
it has complexity without it being

1:42:12.480,1:42:14.879
complex right because they're going to

1:42:14.880,1:42:19.439
work pretty simple but it looks complex

1:42:19.440,1:42:22.238
listen to circle 3k it adds complexity

1:42:22.239,1:42:26.239
without it being complex wow

1:42:26.480,1:42:27.759
so now

1:42:27.760,1:42:31.759
i can move this uh friend

1:42:31.760,1:42:33.519
in here

1:42:33.520,1:42:37.118
esteban pratt perfect

1:42:37.119,1:42:39.039
and this says it all

1:42:39.040,1:42:42.040
bency

1:42:42.400,1:42:45.839
all the smiley emojis

1:42:45.840,1:42:48.159
um

1:42:48.320,1:42:51.118
well it's a little bit of a joy joy joy

1:42:51.119,1:42:53.198
calculation now because i don't know if

1:42:53.199,1:42:54.799
we can fit

1:42:54.800,1:42:56.879
that many programming tracks on this

1:42:56.880,1:42:59.839
small wheel yes yes yes yes yes yes so

1:42:59.840,1:43:01.919
let me try to

1:43:01.920,1:43:04.799
make you all a little bit maybe less

1:43:04.800,1:43:06.399
excited

1:43:06.400,1:43:08.879
marcus off man finally what the chat has

1:43:08.880,1:43:12.400
been screaming for days

1:43:13.040,1:43:15.919
um that's fun um

1:43:15.920,1:43:18.238
i'm going to just make the

1:43:18.239,1:43:20.959
wheel a little bit larger

1:43:20.960,1:43:24.479
i'm just going to put it out there

1:43:24.480,1:43:27.519
mike kelly perfect perfect example of

1:43:27.520,1:43:31.440
form from function okay yeah

1:43:33.119,1:43:35.678
imagine this angle you're you're seeing

1:43:35.679,1:43:38.879
like the drums play let me just make a

1:43:38.880,1:43:41.198
pattern on this drum beater

1:43:41.199,1:43:43.439
because that is going to make this this

1:43:43.440,1:43:45.039
is gonna make people fall in love with

1:43:45.040,1:43:46.638
this angle

1:43:46.639,1:43:48.319
um

1:43:48.320,1:43:49.919
so i'm just gonna

1:43:49.920,1:43:53.678
do a lot of bitters here let's do

1:43:53.679,1:43:55.118
10

1:43:55.119,1:43:57.198
now

1:43:57.199,1:44:00.080
let's do 10.

1:44:01.520,1:44:03.479
sometimes

1:44:03.480,1:44:06.479
[Laughter]

1:44:06.480,1:44:09.279
uh i have to redo that sorry for this

1:44:09.280,1:44:11.359
select directions

1:44:11.360,1:44:13.999
this direction and i

1:44:14.000,1:44:16.799
drag it out

1:44:16.800,1:44:20.079
and we need

1:44:20.080,1:44:22.479
let me just

1:44:22.480,1:44:25.359
nikita kutsulev it seems very difficult

1:44:25.360,1:44:27.359
to change the bottom wheel and that's

1:44:27.360,1:44:29.198
the beautiful thing that is not going to

1:44:29.199,1:44:31.118
be changed right

1:44:31.119,1:44:32.399
yeah it is going to be changed it's

1:44:32.400,1:44:34.399
going to be changed nikita you're

1:44:34.400,1:44:37.279
absolutely correct um well let's work on

1:44:37.280,1:44:40.159
that next time

1:44:45.360,1:44:47.519
yeah that's something we have to figure

1:44:47.520,1:44:48.399
out

1:44:48.400,1:44:49.839
um yeah

1:44:49.840,1:44:52.079
one step at a time this is just we're

1:44:52.080,1:44:55.359
getting a feel of is this even possible

1:44:55.360,1:44:56.959
yeah

1:44:56.960,1:44:59.839
aesthetic wise and work wise i'm going

1:44:59.840,1:45:02.479
to move the registrator assembly over

1:45:02.480,1:45:06.319
to the correct position like there

1:45:06.320,1:45:09.279
boom looks better

1:45:09.280,1:45:14.239
and i want to base a little bit closer

1:45:14.880,1:45:18.559
uh but maybe that's hopium

1:45:18.560,1:45:21.759
and i really want to

1:45:21.760,1:45:23.118
um

1:45:23.119,1:45:25.839
i want two rows of the vibraphone

1:45:25.840,1:45:27.198
let me

1:45:27.199,1:45:31.599
let me at least look at it one last time

1:45:31.600,1:45:35.118
here we go marvel machine three everyone

1:45:35.119,1:45:37.999
thanks for watching

1:45:38.000,1:45:40.638
now this is fun but it it's it's going

1:45:40.639,1:45:41.049
to be

1:45:41.050,1:45:43.279
[Music]

1:45:43.280,1:45:46.718
it's going to be a lot of so the fly

1:45:46.719,1:45:49.199
will you

1:45:50.400,1:45:53.599
oh i just had a i just had a crazy idea

1:45:53.600,1:45:56.479
i love those check this out

1:45:56.480,1:45:58.799
because this flywheel is the proudest

1:45:58.800,1:46:02.158
thing on the machine for me

1:46:02.159,1:46:04.319
what if

1:46:04.320,1:46:08.479
we move it into prime position

1:46:08.480,1:46:10.959
it should probably be low but i'm going

1:46:10.960,1:46:14.879
let me let me just entertain the thought

1:46:14.880,1:46:15.678
so

1:46:15.679,1:46:16.718
we're

1:46:16.719,1:46:18.319
we're moving it up

1:46:18.320,1:46:20.559
here

1:46:20.560,1:46:21.759
oh

1:46:21.760,1:46:25.198
like and because there it's like it's

1:46:25.199,1:46:27.599
because the flywheel is the ticking

1:46:27.600,1:46:29.759
thing inside a clock like it's it's the

1:46:29.760,1:46:33.118
thing that makes this all this possible

1:46:33.119,1:46:34.879
and i've been dreaming about showcasing

1:46:34.880,1:46:37.439
this flywheel ever since i started to

1:46:37.440,1:46:39.999
think about the machine i'm just gonna

1:46:40.000,1:46:42.638
uh get everything else oh yeah and i

1:46:42.639,1:46:44.879
totally agree with tessa here

1:46:44.880,1:46:47.919
oh my god this opens up so much space

1:46:47.920,1:46:50.719
for cup holders

1:46:51.600,1:46:54.959
test size part t-rex a team t-rex test

1:46:54.960,1:46:56.238
someone said that

1:46:56.239,1:46:57.678
with a cup holder on the machine you

1:46:57.679,1:46:59.519
would actually see how much vibrations

1:46:59.520,1:47:01.279
are incurring

1:47:01.280,1:47:03.039
are in the machine

1:47:03.040,1:47:06.019
that is true tessa

1:47:06.020,1:47:07.999
[Laughter]

1:47:08.000,1:47:09.439
that's funny

1:47:09.440,1:47:10.479
so

1:47:10.480,1:47:12.799
uh with the flywheel up there let me

1:47:12.800,1:47:16.560
just remove the flywheel down here

1:47:20.080,1:47:23.439
i'm getting a little bit giddy over here

1:47:23.440,1:47:25.519
it's almost like the circular thing

1:47:25.520,1:47:28.319
without being circular yeah

1:47:28.320,1:47:30.429
and of course like the top view

1:47:30.430,1:47:31.519
[Music]

1:47:31.520,1:47:33.118
the top view is just going to be

1:47:33.119,1:47:36.079
gorgeous look at this

1:47:36.080,1:47:37.919
yes

1:47:37.920,1:47:40.639
yes

1:47:44.560,1:47:46.319
and retro wave like with all the

1:47:46.320,1:47:48.799
arpeggios like

1:47:48.800,1:47:50.919
like we're on there

1:47:50.920,1:47:56.930
[Music]

1:47:59.480,1:48:02.670
[Music]

1:48:04.960,1:48:07.999
but it's hope you maybe maybe not maybe

1:48:08.000,1:48:10.159
not

1:48:13.760,1:48:16.158
nice like camera action when you when

1:48:16.159,1:48:19.840
you kind of fly here like

1:48:27.920,1:48:30.718
it is fun actually it is fun

1:48:30.719,1:48:33.198
what have we solved

1:48:33.199,1:48:34.879
the instruments are not on top of each

1:48:34.880,1:48:39.359
other that is that's that's something

1:48:39.360,1:48:41.679
um

1:48:42.159,1:48:45.359
desert pillar h3k excitement levels are

1:48:45.360,1:48:47.279
on point for sure and you know what they

1:48:47.280,1:48:49.198
are not faked

1:48:49.199,1:48:51.439
at all this is just genuine happiness

1:48:51.440,1:48:53.359
coming out of me

1:48:53.360,1:48:54.638
it

1:48:54.639,1:48:56.479
it's even more endearing for me in the

1:48:56.480,1:48:58.959
room because hannes know that i've been

1:48:58.960,1:49:00.959
tensed for two days so what he's

1:49:00.960,1:49:04.238
actually happy about is that he sees me

1:49:04.239,1:49:06.879
feeling a little bit better

1:49:06.880,1:49:08.959
plus that i think you love the look at

1:49:08.960,1:49:11.839
the machine let's turn the camera to

1:49:11.840,1:49:14.238
orthographic then it's not so cool okay

1:49:14.239,1:49:17.359
let's go back to perspective then see i

1:49:17.360,1:49:21.679
unlike the stream to like it again

1:49:22.159,1:49:24.479
that's that's brilliant that's a good

1:49:24.480,1:49:26.238
place for a reminder from me

1:49:26.239,1:49:28.959
if there are any new viewers please you

1:49:28.960,1:49:30.559
subscribe to this channel so you get all

1:49:30.560,1:49:32.479
the live stream notifications and also

1:49:32.480,1:49:34.238
like the videos because that helps us

1:49:34.239,1:49:36.158
tremendously actually so thank you so

1:49:36.159,1:49:37.839
much

1:49:37.840,1:49:41.960
for that unlocking and liking

1:49:42.159,1:49:45.439
a gonsonator says flywheel should be

1:49:45.440,1:49:49.359
lower for stability yeah yeah

1:49:49.360,1:49:51.039
there are trade-offs to be made here as

1:49:51.040,1:49:53.598
well but it's fun to explore this

1:49:53.599,1:49:55.839
i've been hearing it in chat a lot and

1:49:55.840,1:49:57.359
i've been thinking of it as well just to

1:49:57.360,1:49:59.198
see the possibilities with this

1:49:59.199,1:50:01.279
is exciting

1:50:01.280,1:50:01.999
so

1:50:02.000,1:50:04.238
regarding the flywheel i didn't think of

1:50:04.239,1:50:05.519
it actually

1:50:05.520,1:50:08.799
but you will really see it as well if

1:50:08.800,1:50:11.198
it's down there where it was

1:50:11.199,1:50:12.959
because um

1:50:12.960,1:50:16.719
let me see the drive train

1:50:17.119,1:50:19.198
i think it's this one i just have to

1:50:19.199,1:50:21.039
locate it

1:50:21.040,1:50:25.359
i'm going to put the old flywheel on

1:50:25.360,1:50:28.079
here so

1:50:28.080,1:50:29.839
when you're here if the flywheel is big

1:50:29.840,1:50:32.479
enough you will sense it rotating behind

1:50:32.480,1:50:35.198
the drums as well

1:50:35.199,1:50:37.039
so maybe form from function it should be

1:50:37.040,1:50:39.839
down there

1:50:39.840,1:50:42.079
and as bee boot champ says you know what

1:50:42.080,1:50:43.999
to say about incredibly dangerous

1:50:44.000,1:50:46.718
spinning metal flywheels always put them

1:50:46.719,1:50:48.959
as high as possible and ideally at head

1:50:48.960,1:50:51.960
heights

1:50:52.480,1:50:54.238
bibo i listened to you about the hammer

1:50:54.239,1:50:56.238
jammer i'm not sure i should listen this

1:50:56.239,1:50:57.839
time

1:50:57.840,1:50:59.519
um

1:50:59.520,1:51:01.519
well everyone this was

1:51:01.520,1:51:02.638
[Music]

1:51:02.639,1:51:04.479
this gives us all something to think

1:51:04.480,1:51:05.439
about

1:51:05.440,1:51:07.279
i think if we go back quickly to the

1:51:07.280,1:51:09.198
sketch pad

1:51:09.199,1:51:11.039
i think we're kind of in that middle

1:51:11.040,1:51:13.919
section with this one yeah we're kind of

1:51:13.920,1:51:15.198
in um

1:51:15.199,1:51:17.759
it's actually the 2c let's actually

1:51:17.760,1:51:19.118
let's actually

1:51:19.119,1:51:21.759
2c

1:51:21.760,1:51:25.039
is the 90 degree

1:51:25.040,1:51:29.039
tick tick tick tick tick in drums here

1:51:29.040,1:51:31.439
i like how that last sketch is

1:51:31.440,1:51:32.959
smallest

1:51:32.960,1:51:35.359
so we're kind of in that territory now

1:51:35.360,1:51:38.079
where um

1:51:38.080,1:51:41.360
it doesn't feel

1:51:41.840,1:51:44.718
module it doesn't feel modular it has it

1:51:44.719,1:51:47.960
it has

1:51:48.480,1:51:49.919
let's put this

1:51:49.920,1:51:50.779
next to

1:51:50.780,1:51:52.638
[Music]

1:51:52.639,1:51:55.919
i'm going to take a screenshot of this

1:51:55.920,1:51:58.079
here

1:51:58.080,1:52:00.399
and then

1:52:00.400,1:52:03.840
i'm going to open up

1:52:13.119,1:52:15.678
let can you entertain the audience when

1:52:15.679,1:52:16.718
i make

1:52:16.719,1:52:20.399
one thing here what are you asking of me

1:52:20.400,1:52:24.239
now that i'm at my happiest

1:52:24.400,1:52:27.519
and foundations here says to me hannes

1:52:27.520,1:52:29.039
please check the discord live stream

1:52:29.040,1:52:30.959
chat for a suggestion i will take a look

1:52:30.960,1:52:32.959
at that off stream

1:52:32.960,1:52:34.759
uh where we

1:52:34.760,1:52:37.439
soonish finished here so

1:52:37.440,1:52:39.678
but thank you so much i will take a look

1:52:39.679,1:52:42.000
at it

1:52:42.880,1:52:45.439
okay i'm gonna i'm gonna do this

1:52:45.440,1:52:47.919
and i'm just gonna prepare something for

1:52:47.920,1:52:49.118
you all

1:52:49.119,1:52:51.118
something to leave you all on a high

1:52:51.119,1:52:54.399
note here yeah um

1:52:54.400,1:52:56.479
lucas vandal says it by the way you

1:52:56.480,1:52:58.399
don't need the belt's pulley to be on

1:52:58.400,1:53:01.198
the same size of the barrel or same side

1:53:01.199,1:53:04.880
of the barrel i think he means right

1:53:06.560,1:53:07.479
and

1:53:07.480,1:53:10.399
cypunk215 try different orientations of

1:53:10.400,1:53:13.519
the instruments then rework the frame

1:53:13.520,1:53:15.840
yes

1:53:18.080,1:53:18.879
wow

1:53:18.880,1:53:20.879
this makes me happy at least

1:53:20.880,1:53:25.239
experimenting a little bit woohoo

1:53:30.000,1:53:32.319
one second yeah it's going to be worth

1:53:32.320,1:53:33.519
it

1:53:33.520,1:53:36.158
i know it's going to be

1:53:36.159,1:53:37.839
let me just

1:53:37.840,1:53:41.198
do this and nikolas stabelini double fly

1:53:41.199,1:53:43.999
wheel size and put it on the other side

1:53:44.000,1:53:45.999
double it

1:53:46.000,1:53:48.719
even bigger

1:53:50.000,1:53:51.759
and i see a lot of people has uploaded

1:53:51.760,1:53:54.319
sketches to dropbox and we will look at

1:53:54.320,1:53:57.519
them perhaps off stream we can't always

1:53:57.520,1:54:00.158
bring them up live here

1:54:00.159,1:54:02.158
but thank you so much for

1:54:02.159,1:54:04.399
suggesting stuff to us

1:54:04.400,1:54:06.879
you are the greatest crowd to have and

1:54:06.880,1:54:09.439
you're so kind and generous a lot of

1:54:09.440,1:54:11.039
super chats today

1:54:11.040,1:54:13.598
which is a

1:54:13.599,1:54:15.439
a way that you can contribute to us

1:54:15.440,1:54:17.118
since when

1:54:17.119,1:54:19.039
martin closed down patreon and youtube

1:54:19.040,1:54:21.759
members when the mmx was discontinued as

1:54:21.760,1:54:23.198
we say

1:54:23.199,1:54:26.319
super chats and buying our merch is

1:54:26.320,1:54:28.319
kind of like the only ways to support us

1:54:28.320,1:54:30.799
nowadays

1:54:30.800,1:54:32.238
so thank you very very much we

1:54:32.239,1:54:34.079
appreciate it especially very much

1:54:34.080,1:54:35.598
especially since we're really

1:54:35.599,1:54:38.319
professional with how we make that

1:54:38.320,1:54:39.598
that

1:54:39.599,1:54:41.919
sliding things around in the stream now

1:54:41.920,1:54:44.559
sincerely thank you everyone here is

1:54:44.560,1:54:47.198
where i want to leave you all today i've

1:54:47.199,1:54:50.638
put a third machine

1:54:50.639,1:54:52.959
i put a third machine and

1:54:52.960,1:54:56.238
what makes me happy is that it's clearly

1:54:56.239,1:54:58.399
not the same the same

1:54:58.400,1:55:00.959
but you can clearly feel that they're

1:55:00.960,1:55:04.559
related you know what put just hearts in

1:55:04.560,1:55:07.598
my eyes right now you love it this is

1:55:07.599,1:55:08.879
gonna be great

1:55:08.880,1:55:11.439
yeah and what else is great is that

1:55:11.440,1:55:13.279
having this process with you live is

1:55:13.280,1:55:16.799
making me very much happy i went from

1:55:16.800,1:55:21.919
i'm went from either skeptic to uh

1:55:21.920,1:55:25.118
careful um carefully optimistic yes

1:55:25.119,1:55:26.799
something like this

1:55:26.800,1:55:29.039
and i'm going to mark this live stream

1:55:29.040,1:55:31.839
as done thank you everyone for being so

1:55:31.840,1:55:34.238
fantastic and we wish you all a

1:55:34.239,1:55:37.379
fantastic day

1:55:37.380,1:55:41.909
[Music]