[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.49,0:00:03.53,Default,,0000,0000,0000,,Probably a lot of you know\Nthe story of the two salesmen
Dialogue: 0,0:00:03.55,0:00:06.47,Default,,0000,0000,0000,,who went down to Africa in the 1900s.
Dialogue: 0,0:00:06.49,0:00:09.13,Default,,0000,0000,0000,,They were sent down to find\Nif there was any opportunity
Dialogue: 0,0:00:09.16,0:00:10.36,Default,,0000,0000,0000,,for selling shoes,
Dialogue: 0,0:00:10.39,0:00:12.72,Default,,0000,0000,0000,,and they wrote telegrams\Nback to Manchester.
Dialogue: 0,0:00:13.31,0:00:14.55,Default,,0000,0000,0000,,And one of them wrote,
Dialogue: 0,0:00:14.58,0:00:17.74,Default,,0000,0000,0000,,"Situation hopeless. Stop.\NThey don't wear shoes."
Dialogue: 0,0:00:18.29,0:00:19.90,Default,,0000,0000,0000,,And the other one wrote,
Dialogue: 0,0:00:19.93,0:00:22.94,Default,,0000,0000,0000,,"Glorious opportunity.\NThey don't have any shoes yet."
Dialogue: 0,0:00:22.96,0:00:24.26,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:00:24.28,0:00:27.44,Default,,0000,0000,0000,,Now, there's a similar situation\Nin the classical music world,
Dialogue: 0,0:00:27.47,0:00:31.38,Default,,0000,0000,0000,,because there are some people who think\Nthat classical music is dying.
Dialogue: 0,0:00:32.23,0:00:35.71,Default,,0000,0000,0000,,And there are some of us\Nwho think you ain't seen nothing yet.
Dialogue: 0,0:00:36.53,0:00:39.98,Default,,0000,0000,0000,,And rather than go\Ninto statistics and trends,
Dialogue: 0,0:00:40.00,0:00:42.74,Default,,0000,0000,0000,,and tell you about all the orchestras\Nthat are closing,
Dialogue: 0,0:00:42.76,0:00:45.22,Default,,0000,0000,0000,,and the record companies that are folding,
Dialogue: 0,0:00:45.24,0:00:48.59,Default,,0000,0000,0000,,I thought we should do\Nan experiment tonight.
Dialogue: 0,0:00:48.96,0:00:52.32,Default,,0000,0000,0000,,Actually, it's not really an experiment,\Nbecause I know the outcome.
Dialogue: 0,0:00:52.34,0:00:53.60,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:00:53.63,0:00:55.02,Default,,0000,0000,0000,,But it's like an experiment.
Dialogue: 0,0:00:55.54,0:00:56.87,Default,,0000,0000,0000,,Now, before we start --
Dialogue: 0,0:00:56.90,0:00:59.98,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:01:00.00,0:01:02.44,Default,,0000,0000,0000,,Before we start, I need to do two things.
Dialogue: 0,0:01:02.46,0:01:06.54,Default,,0000,0000,0000,,One is I want to remind you\Nof what a seven-year-old child
Dialogue: 0,0:01:06.56,0:01:08.57,Default,,0000,0000,0000,,sounds like when he plays the piano.
Dialogue: 0,0:01:08.60,0:01:10.70,Default,,0000,0000,0000,,Maybe you have this child at home.
Dialogue: 0,0:01:10.73,0:01:12.19,Default,,0000,0000,0000,,He sounds something like this.
Dialogue: 0,0:01:12.21,0:01:14.78,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:01:30.40,0:01:32.29,Default,,0000,0000,0000,,(Music ends)
Dialogue: 0,0:01:32.31,0:01:34.49,Default,,0000,0000,0000,,I see some of you recognize this child.
Dialogue: 0,0:01:35.15,0:01:38.54,Default,,0000,0000,0000,,Now, if he practices for a year\Nand takes lessons, he's now eight
Dialogue: 0,0:01:38.56,0:01:39.74,Default,,0000,0000,0000,,and he sounds like this.
Dialogue: 0,0:01:39.77,0:01:41.09,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:01:45.89,0:01:47.08,Default,,0000,0000,0000,,(Music ends)
Dialogue: 0,0:01:47.11,0:01:49.98,Default,,0000,0000,0000,,He practices for another year\Nand takes lessons -- he's nine.
Dialogue: 0,0:01:50.00,0:01:51.63,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:01:55.16,0:01:56.64,Default,,0000,0000,0000,,(Music ends)
Dialogue: 0,0:01:56.66,0:01:59.95,Default,,0000,0000,0000,,Then he practices for another year\Nand takes lessons -- now he's 10.
Dialogue: 0,0:01:59.97,0:02:02.19,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:02:04.68,0:02:05.88,Default,,0000,0000,0000,,(Music ends)
Dialogue: 0,0:02:05.90,0:02:07.66,Default,,0000,0000,0000,,At that point, they usually give up.
Dialogue: 0,0:02:07.68,0:02:08.98,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:02:09.00,0:02:11.27,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:02:11.29,0:02:14.98,Default,,0000,0000,0000,,Now, if you'd waited for one more year,\Nyou would have heard this.
Dialogue: 0,0:02:15.00,0:02:17.10,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:02:22.97,0:02:24.40,Default,,0000,0000,0000,,(Music ends)
Dialogue: 0,0:02:24.43,0:02:27.61,Default,,0000,0000,0000,,Now, what happened was not\Nmaybe what you thought,
Dialogue: 0,0:02:27.63,0:02:30.43,Default,,0000,0000,0000,,which is, he suddenly\Nbecame passionate, engaged,
Dialogue: 0,0:02:30.46,0:02:34.34,Default,,0000,0000,0000,,involved, got a new teacher,\Nhe hit puberty, or whatever it is.
Dialogue: 0,0:02:34.36,0:02:37.86,Default,,0000,0000,0000,,What actually happened\Nwas the impulses were reduced.
Dialogue: 0,0:02:37.88,0:02:41.48,Default,,0000,0000,0000,,You see, the first time, he was playing\Nwith an impulse on every note.
Dialogue: 0,0:02:41.51,0:02:44.39,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:02:44.41,0:02:46.76,Default,,0000,0000,0000,,And the second,\Nwith an impulse every other note.
Dialogue: 0,0:02:46.78,0:02:48.90,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:02:48.92,0:02:50.82,Default,,0000,0000,0000,,You can see it by looking at my head.
Dialogue: 0,0:02:50.84,0:02:52.56,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:02:52.58,0:02:55.85,Default,,0000,0000,0000,,The nine-year-old put\Nan impulse on every four notes.
Dialogue: 0,0:02:55.88,0:02:57.98,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:02:58.00,0:02:59.87,Default,,0000,0000,0000,,The 10-year-old, on every eight notes.
Dialogue: 0,0:02:59.89,0:03:01.98,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:03:02.00,0:03:05.38,Default,,0000,0000,0000,,And the 11-year-old,\None impulse on the whole phrase.
Dialogue: 0,0:03:05.41,0:03:08.13,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:03:08.15,0:03:10.62,Default,,0000,0000,0000,,I don't know how\Nwe got into this position.
Dialogue: 0,0:03:10.64,0:03:12.69,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:03:12.71,0:03:15.83,Default,,0000,0000,0000,,I didn't say, "I'm going to move\Nmy shoulder over, move my body."
Dialogue: 0,0:03:15.86,0:03:17.45,Default,,0000,0000,0000,,No, the music pushed me over,
Dialogue: 0,0:03:17.47,0:03:19.80,Default,,0000,0000,0000,,which is why I call it\None-buttock playing.
Dialogue: 0,0:03:19.82,0:03:21.52,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:03:21.55,0:03:22.90,Default,,0000,0000,0000,,It can be the other buttock.
Dialogue: 0,0:03:22.93,0:03:25.90,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:03:26.39,0:03:29.87,Default,,0000,0000,0000,,You know, a gentleman was once\Nwatching a presentation I was doing,
Dialogue: 0,0:03:29.90,0:03:31.82,Default,,0000,0000,0000,,when I was working with a young pianist.
Dialogue: 0,0:03:31.84,0:03:34.18,Default,,0000,0000,0000,,He was the president\Nof a corporation in Ohio.
Dialogue: 0,0:03:34.20,0:03:36.46,Default,,0000,0000,0000,,I was working with\Nthis young pianist, and said,
Dialogue: 0,0:03:36.49,0:03:38.97,Default,,0000,0000,0000,,"The trouble with you\Nis you're a two-buttock player.
Dialogue: 0,0:03:38.99,0:03:40.75,Default,,0000,0000,0000,,You should be a one-buttock player."
Dialogue: 0,0:03:40.77,0:03:42.65,Default,,0000,0000,0000,,I moved his body while he was playing.
Dialogue: 0,0:03:42.68,0:03:45.08,Default,,0000,0000,0000,,And suddenly, the music took off.\NIt took flight.
Dialogue: 0,0:03:45.10,0:03:47.55,Default,,0000,0000,0000,,The audience gasped\Nwhen they heard the difference.
Dialogue: 0,0:03:47.57,0:03:49.55,Default,,0000,0000,0000,,Then I got a letter from this gentleman.
Dialogue: 0,0:03:49.57,0:03:50.83,Default,,0000,0000,0000,,He said, "I was so moved.
Dialogue: 0,0:03:50.86,0:03:53.08,Default,,0000,0000,0000,,I went back and I transformed\Nmy entire company
Dialogue: 0,0:03:53.10,0:03:54.50,Default,,0000,0000,0000,,into a one-buttock company."
Dialogue: 0,0:03:54.53,0:03:57.98,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:03:58.00,0:04:00.90,Default,,0000,0000,0000,,Now, the other thing I wanted\Nto do is to tell you about you.
Dialogue: 0,0:04:00.92,0:04:02.98,Default,,0000,0000,0000,,There are 1,600 people, I believe.
Dialogue: 0,0:04:03.00,0:04:06.69,Default,,0000,0000,0000,,My estimation is that probably 45 of you
Dialogue: 0,0:04:06.71,0:04:09.60,Default,,0000,0000,0000,,are absolutely passionate\Nabout classical music.
Dialogue: 0,0:04:09.62,0:04:14.35,Default,,0000,0000,0000,,You adore classical music.\NYour FM is always on that classical dial.
Dialogue: 0,0:04:14.37,0:04:16.98,Default,,0000,0000,0000,,You have CDs in your car,\Nand you go to the symphony,
Dialogue: 0,0:04:17.00,0:04:18.90,Default,,0000,0000,0000,,your children are playing instruments.
Dialogue: 0,0:04:18.92,0:04:21.60,Default,,0000,0000,0000,,You can't imagine your life\Nwithout classical music.
Dialogue: 0,0:04:21.62,0:04:23.64,Default,,0000,0000,0000,,That's the first group, quite small.
Dialogue: 0,0:04:23.67,0:04:25.49,Default,,0000,0000,0000,,Then there's another bigger group.
Dialogue: 0,0:04:25.52,0:04:27.63,Default,,0000,0000,0000,,The people who don't mind classical music.
Dialogue: 0,0:04:27.65,0:04:28.66,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:04:28.68,0:04:30.73,Default,,0000,0000,0000,,You know, you've come home\Nfrom a long day,
Dialogue: 0,0:04:30.75,0:04:33.44,Default,,0000,0000,0000,,and you take a glass of wine,\Nand you put your feet up.
Dialogue: 0,0:04:33.46,0:04:36.08,Default,,0000,0000,0000,,A little Vivaldi in the background\Ndoesn't do any harm.
Dialogue: 0,0:04:36.10,0:04:37.44,Default,,0000,0000,0000,,That's the second group.
Dialogue: 0,0:04:37.47,0:04:38.78,Default,,0000,0000,0000,,Now comes the third group:
Dialogue: 0,0:04:38.80,0:04:41.00,Default,,0000,0000,0000,,people who never listen\Nto classical music.
Dialogue: 0,0:04:41.02,0:04:42.98,Default,,0000,0000,0000,,It's just simply not part of your life.
Dialogue: 0,0:04:43.00,0:04:45.84,Default,,0000,0000,0000,,You might hear it like second-hand\Nsmoke at the airport ...
Dialogue: 0,0:04:45.87,0:04:46.98,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:04:47.00,0:04:49.29,Default,,0000,0000,0000,,-- and maybe a little bit\Nof a march from "Aida"
Dialogue: 0,0:04:49.31,0:04:50.69,Default,,0000,0000,0000,,when you come into the hall.
Dialogue: 0,0:04:50.71,0:04:52.30,Default,,0000,0000,0000,,But otherwise, you never hear it.
Dialogue: 0,0:04:52.32,0:04:53.96,Default,,0000,0000,0000,,That's probably the largest group.
Dialogue: 0,0:04:53.98,0:04:55.73,Default,,0000,0000,0000,,And then there's a very small group.
Dialogue: 0,0:04:55.75,0:04:58.57,Default,,0000,0000,0000,,These are the people\Nwho think they're tone-deaf.
Dialogue: 0,0:04:59.03,0:05:01.32,Default,,0000,0000,0000,,Amazing number of people think\Nthey're tone-deaf.
Dialogue: 0,0:05:01.35,0:05:03.71,Default,,0000,0000,0000,,Actually, I hear a lot,\N"My husband is tone-deaf."
Dialogue: 0,0:05:03.73,0:05:04.73,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:05:04.76,0:05:06.81,Default,,0000,0000,0000,,Actually, you cannot be tone-deaf.
Dialogue: 0,0:05:06.83,0:05:08.06,Default,,0000,0000,0000,,Nobody is tone-deaf.
Dialogue: 0,0:05:08.08,0:05:10.56,Default,,0000,0000,0000,,If you were tone-deaf,\Nyou couldn't change the gears
Dialogue: 0,0:05:10.58,0:05:12.46,Default,,0000,0000,0000,,on your car, in a stick shift car.
Dialogue: 0,0:05:12.49,0:05:14.40,Default,,0000,0000,0000,,You couldn't tell the difference between
Dialogue: 0,0:05:14.42,0:05:16.42,Default,,0000,0000,0000,,somebody from Texas\Nand somebody from Rome.
Dialogue: 0,0:05:17.16,0:05:18.96,Default,,0000,0000,0000,,And the telephone. The telephone.
Dialogue: 0,0:05:18.98,0:05:20.32,Default,,0000,0000,0000,,If your mother calls
Dialogue: 0,0:05:20.34,0:05:23.52,Default,,0000,0000,0000,,on the miserable telephone,\Nshe calls and says, "Hello,"
Dialogue: 0,0:05:23.54,0:05:26.25,Default,,0000,0000,0000,,you not only know who it is,\Nyou know what mood she's in.
Dialogue: 0,0:05:26.84,0:05:30.59,Default,,0000,0000,0000,,You have a fantastic ear.\NEverybody has a fantastic ear.
Dialogue: 0,0:05:30.61,0:05:32.51,Default,,0000,0000,0000,,So nobody is tone-deaf.
Dialogue: 0,0:05:32.53,0:05:33.68,Default,,0000,0000,0000,,But I tell you what.
Dialogue: 0,0:05:33.71,0:05:36.66,Default,,0000,0000,0000,,It doesn't work for me\Nto go on with this thing,
Dialogue: 0,0:05:36.69,0:05:40.43,Default,,0000,0000,0000,,with such a wide gulf\Nbetween those who understand,
Dialogue: 0,0:05:40.46,0:05:42.86,Default,,0000,0000,0000,,love and are passionate\Nabout classical music,
Dialogue: 0,0:05:42.89,0:05:45.61,Default,,0000,0000,0000,,and those who have\Nno relationship to it at all.
Dialogue: 0,0:05:45.63,0:05:48.12,Default,,0000,0000,0000,,The tone-deaf people,\Nthey're no longer here.
Dialogue: 0,0:05:48.14,0:05:50.11,Default,,0000,0000,0000,,But even between those three categories,
Dialogue: 0,0:05:50.13,0:05:51.44,Default,,0000,0000,0000,,it's too wide a gulf.
Dialogue: 0,0:05:51.46,0:05:55.88,Default,,0000,0000,0000,,So I'm not going to go on\Nuntil every single person in this room,
Dialogue: 0,0:05:55.90,0:06:00.60,Default,,0000,0000,0000,,downstairs and in Aspen,\Nand everybody else looking,
Dialogue: 0,0:06:00.62,0:06:04.46,Default,,0000,0000,0000,,will come to love\Nand understand classical music.
Dialogue: 0,0:06:04.98,0:06:06.68,Default,,0000,0000,0000,,So that's what we're going to do.
Dialogue: 0,0:06:06.71,0:06:12.28,Default,,0000,0000,0000,,Now, you notice that there is not\Nthe slightest doubt in my mind
Dialogue: 0,0:06:12.30,0:06:15.02,Default,,0000,0000,0000,,that this is going to work,\Nif you look at my face, right?
Dialogue: 0,0:06:15.05,0:06:18.98,Default,,0000,0000,0000,,It's one of the characteristics\Nof a leader that he not doubt
Dialogue: 0,0:06:19.00,0:06:22.98,Default,,0000,0000,0000,,for one moment the capacity\Nof the people he's leading
Dialogue: 0,0:06:23.00,0:06:25.16,Default,,0000,0000,0000,,to realize whatever he's dreaming.
Dialogue: 0,0:06:25.89,0:06:28.81,Default,,0000,0000,0000,,Imagine if Martin Luther King\Nhad said, "I have a dream.
Dialogue: 0,0:06:28.84,0:06:31.05,Default,,0000,0000,0000,,Of course, I'm not sure\Nthey'll be up to it."
Dialogue: 0,0:06:31.07,0:06:33.98,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:06:34.00,0:06:36.34,Default,,0000,0000,0000,,All right. So I'm going\Nto take a piece of Chopin.
Dialogue: 0,0:06:36.36,0:06:38.63,Default,,0000,0000,0000,,This is a beautiful prelude by Chopin.
Dialogue: 0,0:06:39.20,0:06:40.67,Default,,0000,0000,0000,,Some of you will know it.
Dialogue: 0,0:06:41.77,0:06:44.51,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:07:11.12,0:07:13.43,Default,,0000,0000,0000,,Do you know what I think\Nprobably happened here?
Dialogue: 0,0:07:13.46,0:07:16.14,Default,,0000,0000,0000,,When I started, you thought,\N"How beautiful that sounds."
Dialogue: 0,0:07:16.16,0:07:18.53,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:07:28.97,0:07:31.07,Default,,0000,0000,0000,,"I don't think we should\Ngo to the same place
Dialogue: 0,0:07:31.10,0:07:32.90,Default,,0000,0000,0000,,for our summer holidays next year."
Dialogue: 0,0:07:32.92,0:07:35.54,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:07:35.57,0:07:36.93,Default,,0000,0000,0000,,It's funny, isn't it?
Dialogue: 0,0:07:36.96,0:07:42.20,Default,,0000,0000,0000,,It's funny how those thoughts\Nkind of waft into your head.
Dialogue: 0,0:07:42.23,0:07:43.46,Default,,0000,0000,0000,,And of course --
Dialogue: 0,0:07:43.48,0:07:45.34,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:07:45.36,0:07:48.18,Default,,0000,0000,0000,,Of course, if the piece is long\Nand you've had a long day,
Dialogue: 0,0:07:48.20,0:07:49.62,Default,,0000,0000,0000,,you might actually drift off.
Dialogue: 0,0:07:49.64,0:07:51.81,Default,,0000,0000,0000,,Then your companion\Nwill dig you in the ribs
Dialogue: 0,0:07:51.84,0:07:54.87,Default,,0000,0000,0000,,and say, "Wake up! It's culture!"\NAnd then you feel even worse.
Dialogue: 0,0:07:54.89,0:07:55.95,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:07:55.98,0:07:58.97,Default,,0000,0000,0000,,But has it ever occurred to you\Nthat the reason you feel sleepy
Dialogue: 0,0:07:58.99,0:08:01.80,Default,,0000,0000,0000,,in classical music is not\Nbecause of you, but because of us?
Dialogue: 0,0:08:01.83,0:08:03.66,Default,,0000,0000,0000,,Did anybody think while I was playing,
Dialogue: 0,0:08:03.69,0:08:05.65,Default,,0000,0000,0000,,"Why is he using so many impulses?"
Dialogue: 0,0:08:05.67,0:08:08.78,Default,,0000,0000,0000,,If I'd done this with my head you\Ncertainly would have thought it.
Dialogue: 0,0:08:08.80,0:08:10.94,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:08:14.55,0:08:15.70,Default,,0000,0000,0000,,(Music ends)
Dialogue: 0,0:08:15.72,0:08:18.88,Default,,0000,0000,0000,,And for the rest of your life,\Nevery time you hear classical music,
Dialogue: 0,0:08:18.90,0:08:22.68,Default,,0000,0000,0000,,you'll always be able to know\Nif you hear those impulses.
Dialogue: 0,0:08:23.09,0:08:25.08,Default,,0000,0000,0000,,So let's see what's really going on here.
Dialogue: 0,0:08:25.10,0:08:28.01,Default,,0000,0000,0000,,We have a B. This is a B.
Dialogue: 0,0:08:28.04,0:08:29.32,Default,,0000,0000,0000,,The next note is a C.
Dialogue: 0,0:08:29.80,0:08:31.98,Default,,0000,0000,0000,,And the job of the C is to make the B sad.
Dialogue: 0,0:08:32.00,0:08:33.60,Default,,0000,0000,0000,,And it does, doesn't it?
Dialogue: 0,0:08:33.62,0:08:35.37,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:08:35.40,0:08:36.61,Default,,0000,0000,0000,,Composers know that.
Dialogue: 0,0:08:36.63,0:08:39.21,Default,,0000,0000,0000,,If they want sad music,\Nthey just play those two notes.
Dialogue: 0,0:08:39.24,0:08:42.98,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:08:43.00,0:08:45.53,Default,,0000,0000,0000,,But basically, it's just a B,\Nwith four sads.
Dialogue: 0,0:08:45.56,0:08:47.98,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:08:48.00,0:08:49.40,Default,,0000,0000,0000,,Now, it goes down to A.
Dialogue: 0,0:08:50.90,0:08:52.44,Default,,0000,0000,0000,,Now to G.
Dialogue: 0,0:08:52.46,0:08:53.69,Default,,0000,0000,0000,,And then to F.
Dialogue: 0,0:08:53.71,0:08:55.77,Default,,0000,0000,0000,,So we have B, A, G, F.
Dialogue: 0,0:08:56.38,0:08:57.98,Default,,0000,0000,0000,,And if we have B, A, G, F,
Dialogue: 0,0:08:58.00,0:08:59.59,Default,,0000,0000,0000,,what do we expect next?
Dialogue: 0,0:08:59.61,0:09:02.72,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:09:03.19,0:09:04.59,Default,,0000,0000,0000,,That might have been a fluke.
Dialogue: 0,0:09:04.61,0:09:05.77,Default,,0000,0000,0000,,Let's try it again.
Dialogue: 0,0:09:05.80,0:09:08.56,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:09:09.44,0:09:10.72,Default,,0000,0000,0000,,Oh, the TED choir.
Dialogue: 0,0:09:10.75,0:09:13.90,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:09:13.93,0:09:16.79,Default,,0000,0000,0000,,And you notice nobody is tone-deaf, right?
Dialogue: 0,0:09:16.82,0:09:18.02,Default,,0000,0000,0000,,Nobody is.
Dialogue: 0,0:09:18.04,0:09:19.89,Default,,0000,0000,0000,,You know, every village in Bangladesh
Dialogue: 0,0:09:19.91,0:09:24.77,Default,,0000,0000,0000,,and every hamlet in China\N-- everybody knows:
Dialogue: 0,0:09:24.80,0:09:27.24,Default,,0000,0000,0000,,da, da, da, da -- da.
Dialogue: 0,0:09:27.26,0:09:29.21,Default,,0000,0000,0000,,Everybody knows, who's expecting that E.
Dialogue: 0,0:09:29.24,0:09:31.44,Default,,0000,0000,0000,,Chopin didn't want to reach the E there,
Dialogue: 0,0:09:31.46,0:09:32.99,Default,,0000,0000,0000,,because what will have happened?
Dialogue: 0,0:09:33.81,0:09:36.18,Default,,0000,0000,0000,,It will be over, like Hamlet.\NDo you remember?
Dialogue: 0,0:09:36.20,0:09:37.41,Default,,0000,0000,0000,,Act One, scene three,
Dialogue: 0,0:09:37.44,0:09:39.46,Default,,0000,0000,0000,,he finds out his uncle killed his father.
Dialogue: 0,0:09:39.48,0:09:42.22,Default,,0000,0000,0000,,He keeps on going up\Nto his uncle and almost killing him.
Dialogue: 0,0:09:42.24,0:09:45.41,Default,,0000,0000,0000,,And then he backs away,\Nhe goes up to him again, almost kills him.
Dialogue: 0,0:09:45.43,0:09:47.48,Default,,0000,0000,0000,,The critics sitting in the back row there,
Dialogue: 0,0:09:47.50,0:09:50.98,Default,,0000,0000,0000,,they have to have an opinion,\Nso they say, "Hamlet is a procrastinator."
Dialogue: 0,0:09:51.00,0:09:53.52,Default,,0000,0000,0000,,Or they say, "Hamlet has\Nan Oedipus complex."
Dialogue: 0,0:09:53.55,0:09:55.80,Default,,0000,0000,0000,,No, otherwise the play\Nwould be over, stupid.
Dialogue: 0,0:09:55.82,0:09:56.91,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:09:56.93,0:09:59.52,Default,,0000,0000,0000,,That's why Shakespeare puts\Nall that stuff in Hamlet --
Dialogue: 0,0:09:59.55,0:10:01.61,Default,,0000,0000,0000,,Ophelia going mad,\Nthe play within the play,
Dialogue: 0,0:10:01.64,0:10:03.60,Default,,0000,0000,0000,,and Yorick's skull, and the gravediggers.
Dialogue: 0,0:10:03.62,0:10:05.26,Default,,0000,0000,0000,,That's in order to delay --
Dialogue: 0,0:10:05.29,0:10:06.92,Default,,0000,0000,0000,,until Act Five, he can kill him.
Dialogue: 0,0:10:06.95,0:10:08.86,Default,,0000,0000,0000,,It's the same with the Chopin.
Dialogue: 0,0:10:08.88,0:10:11.29,Default,,0000,0000,0000,,He's just about to reach the E,
Dialogue: 0,0:10:11.32,0:10:13.92,Default,,0000,0000,0000,,and he says, "Oops, better\Ngo back up and do it again."
Dialogue: 0,0:10:14.57,0:10:16.06,Default,,0000,0000,0000,,So he does it again.
Dialogue: 0,0:10:16.54,0:10:17.77,Default,,0000,0000,0000,,Now, he gets excited.
Dialogue: 0,0:10:17.79,0:10:19.98,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:10:20.01,0:10:21.98,Default,,0000,0000,0000,,That's excitement, don't worry about it.
Dialogue: 0,0:10:22.00,0:10:24.83,Default,,0000,0000,0000,,Now, he gets to F-sharp,\Nand finally he goes down to E,
Dialogue: 0,0:10:25.85,0:10:27.14,Default,,0000,0000,0000,,but it's the wrong chord --
Dialogue: 0,0:10:27.16,0:10:29.37,Default,,0000,0000,0000,,because the chord\Nhe's looking for is this one,
Dialogue: 0,0:10:30.82,0:10:31.97,Default,,0000,0000,0000,,and instead he does ...
Dialogue: 0,0:10:32.60,0:10:35.15,Default,,0000,0000,0000,,Now, we call that a deceptive cadence,
Dialogue: 0,0:10:35.18,0:10:36.39,Default,,0000,0000,0000,,because it deceives us.
Dialogue: 0,0:10:36.41,0:10:38.90,Default,,0000,0000,0000,,I tell my students,\N"If you have a deceptive cadence,
Dialogue: 0,0:10:38.93,0:10:41.15,Default,,0000,0000,0000,,raise your eyebrows,\Nand everybody will know."
Dialogue: 0,0:10:41.17,0:10:43.08,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:10:43.10,0:10:46.78,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:10:46.81,0:10:48.47,Default,,0000,0000,0000,,Right.
Dialogue: 0,0:10:48.50,0:10:50.42,Default,,0000,0000,0000,,He gets to E, but it's the wrong chord.
Dialogue: 0,0:10:50.44,0:10:51.64,Default,,0000,0000,0000,,Now, he tries E again.
Dialogue: 0,0:10:51.66,0:10:53.12,Default,,0000,0000,0000,,That chord doesn't work.
Dialogue: 0,0:10:53.15,0:10:55.54,Default,,0000,0000,0000,,Now, he tries the E again.\NThat chord doesn't work.
Dialogue: 0,0:10:55.57,0:10:57.68,Default,,0000,0000,0000,,Now, he tries E again,\Nand that doesn't work.
Dialogue: 0,0:10:58.12,0:10:59.27,Default,,0000,0000,0000,,And then finally ...
Dialogue: 0,0:11:02.17,0:11:05.02,Default,,0000,0000,0000,,There was a gentleman\Nin the front row who went, "Mmm."
Dialogue: 0,0:11:05.04,0:11:06.29,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:11:06.32,0:11:09.67,Default,,0000,0000,0000,,It's the same gesture\Nhe makes when he comes home
Dialogue: 0,0:11:09.70,0:11:12.38,Default,,0000,0000,0000,,after a long day, turns off\Nthe key in his car and says,
Dialogue: 0,0:11:12.41,0:11:13.66,Default,,0000,0000,0000,,"Aah, I'm home."
Dialogue: 0,0:11:13.68,0:11:15.31,Default,,0000,0000,0000,,Because we all know where home is.
Dialogue: 0,0:11:15.33,0:11:18.57,Default,,0000,0000,0000,,So this is a piece which goes\Nfrom away to home.
Dialogue: 0,0:11:18.60,0:11:21.80,Default,,0000,0000,0000,,I'm going to play it all the way through\Nand you're going to follow.
Dialogue: 0,0:11:21.82,0:11:23.44,Default,,0000,0000,0000,,B, C, B, C, B, C, B --
Dialogue: 0,0:11:23.47,0:11:25.16,Default,,0000,0000,0000,,down to A, down to G, down to F.
Dialogue: 0,0:11:25.18,0:11:27.77,Default,,0000,0000,0000,,Almost goes to E, but otherwise\Nthe play would be over.
Dialogue: 0,0:11:27.80,0:11:29.81,Default,,0000,0000,0000,,He goes back up to B,\Nhe gets very excited.
Dialogue: 0,0:11:29.84,0:11:31.30,Default,,0000,0000,0000,,Goes to F-sharp. Goes to E.
Dialogue: 0,0:11:31.32,0:11:33.38,Default,,0000,0000,0000,,It's the wrong chord.\NIt's the wrong chord.
Dialogue: 0,0:11:33.40,0:11:35.74,Default,,0000,0000,0000,,And finally goes to E, and it's home.
Dialogue: 0,0:11:35.77,0:11:39.20,Default,,0000,0000,0000,,And what you're going to see\Nis one-buttock playing.
Dialogue: 0,0:11:39.23,0:11:40.98,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:11:41.00,0:11:44.18,Default,,0000,0000,0000,,Because for me, to join the B to the E,
Dialogue: 0,0:11:44.20,0:11:50.12,Default,,0000,0000,0000,,I have to stop thinking\Nabout every single note along the way,
Dialogue: 0,0:11:50.14,0:11:54.90,Default,,0000,0000,0000,,and start thinking about the long,\Nlong line from B to E.
Dialogue: 0,0:11:55.51,0:12:00.01,Default,,0000,0000,0000,,You know, we were just in South Africa,\Nand you can't go to South Africa
Dialogue: 0,0:12:00.04,0:12:02.63,Default,,0000,0000,0000,,without thinking of Mandela\Nin jail for 27 years.
Dialogue: 0,0:12:03.32,0:12:05.15,Default,,0000,0000,0000,,What was he thinking about? Lunch?
Dialogue: 0,0:12:05.54,0:12:08.98,Default,,0000,0000,0000,,No, he was thinking\Nabout the vision for South Africa
Dialogue: 0,0:12:09.00,0:12:10.54,Default,,0000,0000,0000,,and for human beings.
Dialogue: 0,0:12:10.57,0:12:13.52,Default,,0000,0000,0000,,This is about vision.\NThis is about the long line.
Dialogue: 0,0:12:13.55,0:12:15.81,Default,,0000,0000,0000,,Like the bird who flies over the field
Dialogue: 0,0:12:15.83,0:12:19.57,Default,,0000,0000,0000,,and doesn't care about the fences\Nunderneath, all right?
Dialogue: 0,0:12:19.60,0:12:22.69,Default,,0000,0000,0000,,So now, you're going to follow\Nthe line all the way from B to E.
Dialogue: 0,0:12:22.72,0:12:26.06,Default,,0000,0000,0000,,And I've one last request before I play\Nthis piece all the way through.
Dialogue: 0,0:12:26.63,0:12:30.45,Default,,0000,0000,0000,,Would you think of somebody who you adore,
Dialogue: 0,0:12:30.47,0:12:31.85,Default,,0000,0000,0000,,who's no longer there?
Dialogue: 0,0:12:32.52,0:12:34.88,Default,,0000,0000,0000,,A beloved grandmother, a lover --
Dialogue: 0,0:12:34.90,0:12:39.02,Default,,0000,0000,0000,,somebody in your life\Nwho you love with all your heart,
Dialogue: 0,0:12:39.05,0:12:41.12,Default,,0000,0000,0000,,but that person is no longer with you.
Dialogue: 0,0:12:42.26,0:12:44.22,Default,,0000,0000,0000,,Bring that person into your mind,
Dialogue: 0,0:12:44.25,0:12:46.22,Default,,0000,0000,0000,,and at the same time,
Dialogue: 0,0:12:46.25,0:12:49.71,Default,,0000,0000,0000,,follow the line all the way from B to E,
Dialogue: 0,0:12:49.73,0:12:52.79,Default,,0000,0000,0000,,and you'll hear everything\Nthat Chopin had to say.
Dialogue: 0,0:12:58.36,0:13:01.36,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:14:45.08,0:14:46.56,Default,,0000,0000,0000,,(Music ends)
Dialogue: 0,0:14:48.00,0:14:51.00,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:14:56.52,0:14:58.52,Default,,0000,0000,0000,,Now, you may be wondering --
Dialogue: 0,0:14:58.54,0:15:01.54,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:15:03.67,0:15:04.82,Default,,0000,0000,0000,,(Applause ends)
Dialogue: 0,0:15:04.84,0:15:06.73,Default,,0000,0000,0000,,You may be wondering why I'm clapping.
Dialogue: 0,0:15:06.76,0:15:08.67,Default,,0000,0000,0000,,Well, I did this at a school in Boston
Dialogue: 0,0:15:08.70,0:15:11.89,Default,,0000,0000,0000,,with about 70 seventh\Ngraders, 12-year-olds.
Dialogue: 0,0:15:12.48,0:15:14.25,Default,,0000,0000,0000,,I did exactly what I did with you,
Dialogue: 0,0:15:14.28,0:15:16.13,Default,,0000,0000,0000,,and I explained the whole thing.
Dialogue: 0,0:15:16.16,0:15:17.98,Default,,0000,0000,0000,,At the end, they went crazy, clapping.
Dialogue: 0,0:15:18.00,0:15:19.79,Default,,0000,0000,0000,,I was clapping. They were clapping.
Dialogue: 0,0:15:19.81,0:15:21.67,Default,,0000,0000,0000,,Finally, I said, "Why am I clapping?"
Dialogue: 0,0:15:21.69,0:15:24.03,Default,,0000,0000,0000,,And one of them said,\N"Because we were listening."
Dialogue: 0,0:15:24.05,0:15:27.98,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:15:28.00,0:15:31.19,Default,,0000,0000,0000,,Think of it. 1,600 people, busy people,
Dialogue: 0,0:15:31.22,0:15:33.56,Default,,0000,0000,0000,,involved in all sorts of different things,
Dialogue: 0,0:15:33.58,0:15:37.41,Default,,0000,0000,0000,,listening, understanding and being moved
Dialogue: 0,0:15:37.43,0:15:38.75,Default,,0000,0000,0000,,by a piece by Chopin.
Dialogue: 0,0:15:39.51,0:15:40.76,Default,,0000,0000,0000,,Now, that is something.
Dialogue: 0,0:15:40.78,0:15:43.49,Default,,0000,0000,0000,,Am I sure that every single\Nperson followed that,
Dialogue: 0,0:15:43.51,0:15:45.11,Default,,0000,0000,0000,,understood it, was moved by it?
Dialogue: 0,0:15:45.13,0:15:46.43,Default,,0000,0000,0000,,Of course, I can't be sure.
Dialogue: 0,0:15:46.46,0:15:48.72,Default,,0000,0000,0000,,But I'll tell you what happened\Nto me in Ireland
Dialogue: 0,0:15:48.74,0:15:50.39,Default,,0000,0000,0000,,during the Troubles, 10 years ago,
Dialogue: 0,0:15:50.42,0:15:53.34,Default,,0000,0000,0000,,and I was working with some Catholic\Nand Protestant kids
Dialogue: 0,0:15:53.36,0:15:55.80,Default,,0000,0000,0000,,on conflict resolution.
Dialogue: 0,0:15:55.82,0:15:57.50,Default,,0000,0000,0000,,And I did this with them --
Dialogue: 0,0:15:57.53,0:16:00.01,Default,,0000,0000,0000,,a risky thing to do,\Nbecause they were street kids.
Dialogue: 0,0:16:00.98,0:16:03.46,Default,,0000,0000,0000,,And one of them came to me\Nthe next morning
Dialogue: 0,0:16:03.49,0:16:04.69,Default,,0000,0000,0000,,and he said,
Dialogue: 0,0:16:04.71,0:16:07.59,Default,,0000,0000,0000,,"You know, I've never listened\Nto classical music in my life,
Dialogue: 0,0:16:07.61,0:16:09.72,Default,,0000,0000,0000,,but when you played\Nthat shopping piece ..."
Dialogue: 0,0:16:09.74,0:16:11.51,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:16:11.54,0:16:15.00,Default,,0000,0000,0000,,He said, "My brother was shot last year\Nand I didn't cry for him.
Dialogue: 0,0:16:15.76,0:16:17.78,Default,,0000,0000,0000,,But last night,\Nwhen you played that piece,
Dialogue: 0,0:16:17.81,0:16:19.62,Default,,0000,0000,0000,,he was the one I was thinking about.
Dialogue: 0,0:16:20.51,0:16:22.58,Default,,0000,0000,0000,,And I felt the tears\Nstreaming down my face.
Dialogue: 0,0:16:22.60,0:16:25.13,Default,,0000,0000,0000,,And it felt really\Ngood to cry for my brother."
Dialogue: 0,0:16:25.73,0:16:28.18,Default,,0000,0000,0000,,So I made up my mind at that moment
Dialogue: 0,0:16:28.21,0:16:32.06,Default,,0000,0000,0000,,that classical music is for everybody.
Dialogue: 0,0:16:32.91,0:16:34.08,Default,,0000,0000,0000,,Everybody.
Dialogue: 0,0:16:35.00,0:16:37.50,Default,,0000,0000,0000,,Now, how would you walk --
Dialogue: 0,0:16:37.52,0:16:41.33,Default,,0000,0000,0000,,my profession, the music profession\Ndoesn't see it that way.
Dialogue: 0,0:16:41.77,0:16:44.99,Default,,0000,0000,0000,,They say three percent of the population\Nlikes classical music.
Dialogue: 0,0:16:45.01,0:16:48.27,Default,,0000,0000,0000,,If only we could move it to four percent,\Nour problems would be over.
Dialogue: 0,0:16:48.29,0:16:49.33,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:16:49.35,0:16:52.98,Default,,0000,0000,0000,,How would you walk?\NHow would you talk? How would you be?
Dialogue: 0,0:16:53.00,0:16:56.34,Default,,0000,0000,0000,,If you thought, "Three percent\Nof the population likes classical music,
Dialogue: 0,0:16:56.36,0:16:58.36,Default,,0000,0000,0000,,if only we could move it to four percent."
Dialogue: 0,0:16:58.39,0:17:00.50,Default,,0000,0000,0000,,How would you walk or talk?\NHow would you be?
Dialogue: 0,0:17:00.53,0:17:02.96,Default,,0000,0000,0000,,If you thought, "Everybody\Nloves classical music --
Dialogue: 0,0:17:02.99,0:17:04.100,Default,,0000,0000,0000,,they just haven't found out about it yet."
Dialogue: 0,0:17:05.40,0:17:07.99,Default,,0000,0000,0000,,See, these are totally different worlds.
Dialogue: 0,0:17:08.39,0:17:10.66,Default,,0000,0000,0000,,Now, I had an amazing experience.
Dialogue: 0,0:17:10.69,0:17:11.93,Default,,0000,0000,0000,,I was 45 years old,
Dialogue: 0,0:17:11.95,0:17:13.74,Default,,0000,0000,0000,,I'd been conducting for 20 years,
Dialogue: 0,0:17:13.76,0:17:15.96,Default,,0000,0000,0000,,and I suddenly had a realization.
Dialogue: 0,0:17:16.77,0:17:19.61,Default,,0000,0000,0000,,The conductor of an orchestra\Ndoesn't make a sound.
Dialogue: 0,0:17:20.48,0:17:22.84,Default,,0000,0000,0000,,My picture appears\Non the front of the CD --
Dialogue: 0,0:17:22.86,0:17:25.76,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:17:25.78,0:17:27.79,Default,,0000,0000,0000,,But the conductor doesn't make a sound.
Dialogue: 0,0:17:27.81,0:17:29.63,Default,,0000,0000,0000,,He depends, for his power,
Dialogue: 0,0:17:29.66,0:17:32.51,Default,,0000,0000,0000,,on his ability to make\Nother people powerful.
Dialogue: 0,0:17:33.48,0:17:35.39,Default,,0000,0000,0000,,And that changed everything for me.
Dialogue: 0,0:17:35.41,0:17:37.15,Default,,0000,0000,0000,,It was totally life-changing.
Dialogue: 0,0:17:37.17,0:17:38.68,Default,,0000,0000,0000,,People in my orchestra said,
Dialogue: 0,0:17:38.71,0:17:40.94,Default,,0000,0000,0000,,"Ben, what happened?"\NThat's what happened.
Dialogue: 0,0:17:40.96,0:17:45.66,Default,,0000,0000,0000,,I realized my job was to awaken\Npossibility in other people.
Dialogue: 0,0:17:46.69,0:17:49.40,Default,,0000,0000,0000,,And of course, I wanted to know\Nwhether I was doing that.
Dialogue: 0,0:17:49.43,0:17:50.62,Default,,0000,0000,0000,,How do you find out?
Dialogue: 0,0:17:50.64,0:17:51.95,Default,,0000,0000,0000,,You look at their eyes.
Dialogue: 0,0:17:51.97,0:17:54.93,Default,,0000,0000,0000,,If their eyes are shining,\Nyou know you're doing it.
Dialogue: 0,0:17:55.87,0:17:58.24,Default,,0000,0000,0000,,You could light up a village\Nwith this guy's eyes.
Dialogue: 0,0:17:58.26,0:17:59.28,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:17:59.30,0:18:02.55,Default,,0000,0000,0000,,Right. So if the eyes are shining,\Nyou know you're doing it.
Dialogue: 0,0:18:02.57,0:18:05.26,Default,,0000,0000,0000,,If the eyes are not shining,\Nyou get to ask a question.
Dialogue: 0,0:18:05.28,0:18:06.69,Default,,0000,0000,0000,,And this is the question:
Dialogue: 0,0:18:06.72,0:18:09.28,Default,,0000,0000,0000,,who am I being
Dialogue: 0,0:18:09.30,0:18:11.57,Default,,0000,0000,0000,,that my players' eyes are not shining?
Dialogue: 0,0:18:11.60,0:18:13.45,Default,,0000,0000,0000,,We can do that with our children, too.
Dialogue: 0,0:18:13.48,0:18:16.35,Default,,0000,0000,0000,,Who am I being,
Dialogue: 0,0:18:16.37,0:18:18.54,Default,,0000,0000,0000,,that my children's eyes are not shining?
Dialogue: 0,0:18:19.06,0:18:21.45,Default,,0000,0000,0000,,That's a totally different world.
Dialogue: 0,0:18:21.48,0:18:26.54,Default,,0000,0000,0000,,Now, we're all about to end\Nthis magical, on-the-mountain week,
Dialogue: 0,0:18:26.56,0:18:28.30,Default,,0000,0000,0000,,we're going back into the world.
Dialogue: 0,0:18:28.84,0:18:32.58,Default,,0000,0000,0000,,And I say, it's appropriate\Nfor us to ask the question,
Dialogue: 0,0:18:32.60,0:18:36.88,Default,,0000,0000,0000,,who are we being as we go back\Nout into the world?
Dialogue: 0,0:18:37.57,0:18:39.92,Default,,0000,0000,0000,,And you know, I have\Na definition of success.
Dialogue: 0,0:18:39.94,0:18:41.18,Default,,0000,0000,0000,,For me, it's very simple.
Dialogue: 0,0:18:41.20,0:18:43.21,Default,,0000,0000,0000,,It's not about wealth and fame and power.
Dialogue: 0,0:18:43.24,0:18:45.66,Default,,0000,0000,0000,,It's about how many shining eyes\NI have around me.
Dialogue: 0,0:18:46.21,0:18:48.57,Default,,0000,0000,0000,,So now, I have one last thought,
Dialogue: 0,0:18:48.60,0:18:52.93,Default,,0000,0000,0000,,which is that it really makes\Na difference what we say --
Dialogue: 0,0:18:52.95,0:18:54.75,Default,,0000,0000,0000,,the words that come out of our mouth.
Dialogue: 0,0:18:55.51,0:18:58.28,Default,,0000,0000,0000,,I learned this from a woman\Nwho survived Auschwitz,
Dialogue: 0,0:18:58.30,0:18:59.77,Default,,0000,0000,0000,,one of the rare survivors.
Dialogue: 0,0:18:59.80,0:19:02.69,Default,,0000,0000,0000,,She went to Auschwitz\Nwhen she was 15 years old.
Dialogue: 0,0:19:04.00,0:19:05.15,Default,,0000,0000,0000,,And ...
Dialogue: 0,0:19:06.99,0:19:09.01,Default,,0000,0000,0000,,And her brother was eight,
Dialogue: 0,0:19:09.03,0:19:10.76,Default,,0000,0000,0000,,and the parents were lost.
Dialogue: 0,0:19:11.78,0:19:16.15,Default,,0000,0000,0000,,And she told me this, she said,
Dialogue: 0,0:19:16.18,0:19:18.63,Default,,0000,0000,0000,,"We were in the train going to Auschwitz,
Dialogue: 0,0:19:18.65,0:19:21.52,Default,,0000,0000,0000,,and I looked down and saw\Nmy brother's shoes were missing.
Dialogue: 0,0:19:22.10,0:19:25.40,Default,,0000,0000,0000,,I said, 'Why are you so stupid,\Ncan't you keep your things together
Dialogue: 0,0:19:25.43,0:19:26.65,Default,,0000,0000,0000,,for goodness' sake?'"
Dialogue: 0,0:19:26.67,0:19:29.34,Default,,0000,0000,0000,,The way an elder sister might speak\Nto a younger brother.
Dialogue: 0,0:19:31.28,0:19:34.00,Default,,0000,0000,0000,,Unfortunately, it was the last\Nthing she ever said to him,
Dialogue: 0,0:19:34.02,0:19:35.55,Default,,0000,0000,0000,,because she never saw him again.
Dialogue: 0,0:19:35.57,0:19:36.84,Default,,0000,0000,0000,,He did not survive.
Dialogue: 0,0:19:37.37,0:19:39.90,Default,,0000,0000,0000,,And so when she came out\Nof Auschwitz, she made a vow.
Dialogue: 0,0:19:40.23,0:19:41.46,Default,,0000,0000,0000,,She told me this.
Dialogue: 0,0:19:41.48,0:19:44.90,Default,,0000,0000,0000,,She said, "I walked out\Nof Auschwitz into life
Dialogue: 0,0:19:44.93,0:19:46.31,Default,,0000,0000,0000,,and I made a vow.
Dialogue: 0,0:19:46.70,0:19:47.93,Default,,0000,0000,0000,,And the vow was,
Dialogue: 0,0:19:47.96,0:19:53.10,Default,,0000,0000,0000,,"I will never say anything that couldn't\Nstand as the last thing I ever say."
Dialogue: 0,0:19:54.57,0:19:56.17,Default,,0000,0000,0000,,Now, can we do that? No.
Dialogue: 0,0:19:56.19,0:19:59.05,Default,,0000,0000,0000,,And we'll make ourselves wrong\Nand others wrong.
Dialogue: 0,0:20:00.18,0:20:02.59,Default,,0000,0000,0000,,But it is a possibility to live into.
Dialogue: 0,0:20:03.62,0:20:04.91,Default,,0000,0000,0000,,Thank you.
Dialogue: 0,0:20:04.94,0:20:07.94,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:20:11.48,0:20:12.90,Default,,0000,0000,0000,,Shining eyes.
Dialogue: 0,0:20:12.92,0:20:14.34,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:20:14.36,0:20:15.74,Default,,0000,0000,0000,,Shining eyes.
Dialogue: 0,0:20:15.76,0:20:18.76,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:20:22.00,0:20:24.47,Default,,0000,0000,0000,,Thank you, thank you.