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[batuques]

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[Kevin Beasley] Não será assim o começo...

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[batuques]

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Acho que é o suficiente para começar.

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[batuques]

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[palmas]

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Então agora,

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eu tenho colocado bastante energia

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em uma exposição no Whitney,

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que é a minha primeira grande exposição aqui na cidade.

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O projeto tem diversas partes.

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Tem a instalação de som,

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que é colocada em torno da máquina de descaroçar algodão,

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e três grandes obras esculturais.

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A obra surgiu de uma experiência que e tive em uma reunião de família,

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em Valentines, Virginia, no verão de 2011.

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Eu dirigi para New Haven.

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E o terreno tem uma estrada tortuosa que leva até a casa.

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E eu olho para cima,

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e vejo os campos que estão plantados.

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Eu parei o carro e olhei,

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e eu pensei, "Uau, o que é isso?

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E eu abaixei a janela vi que era algodão.

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E me impressionou de uma forma que

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não conseguia entrar na minha cabeça.

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Emocionalmente, era muito pesado.

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Mentalmente, era muito pesado.

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Eu senti como se não tivesse reconciliado alguma coisa.

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Eu estava tipo, "Por que estou tão bravo com essa planta?

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Entende?

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Essa planta não está me fazendo nada além de

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crescer e ser bonita.

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E eu sinti que, tudo bem, tem muita coisa para desembrulhar

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que precisa acontecer.

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Sabe, eu quero realmente mostrar esse algodão aqui.

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Isso aqui foi tudo descaroçado.

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Isso é tudo algodão da Virginia,

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Valentines, Virginia.

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