[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:01.17,0:00:03.58,Default,,0000,0000,0000,,>> Congratulations,\Nyou have made it
Dialogue: 0,0:00:03.58,0:00:07.96,Default,,0000,0000,0000,,through the content\Nmodules of this class,
Dialogue: 0,0:00:07.96,0:00:09.88,Default,,0000,0000,0000,,and now you get
Dialogue: 0,0:00:09.88,0:00:12.90,Default,,0000,0000,0000,,to create your own\Nmedia criticism.
Dialogue: 0,0:00:12.90,0:00:14.24,Default,,0000,0000,0000,,So you have been reading
Dialogue: 0,0:00:14.24,0:00:17.68,Default,,0000,0000,0000,,the criticism of\Nother scholars,
Dialogue: 0,0:00:17.68,0:00:20.24,Default,,0000,0000,0000,,and now it is your turn,
Dialogue: 0,0:00:20.24,0:00:23.70,Default,,0000,0000,0000,,so congratulations for\Nmaking it this far.
Dialogue: 0,0:00:23.70,0:00:29.34,Default,,0000,0000,0000,,Your goal in Modules\N7 and 8 is to select
Dialogue: 0,0:00:29.34,0:00:32.40,Default,,0000,0000,0000,,a media artifact\Nto analyze and an
Dialogue: 0,0:00:32.40,0:00:34.62,Default,,0000,0000,0000,,appropriate\Ncritical lens to
Dialogue: 0,0:00:34.62,0:00:36.18,Default,,0000,0000,0000,,use in analyzing it,
Dialogue: 0,0:00:36.18,0:00:37.70,Default,,0000,0000,0000,,and then to produce that
Dialogue: 0,0:00:37.70,0:00:39.80,Default,,0000,0000,0000,,polished piece of\Nmedia criticism.
Dialogue: 0,0:00:39.80,0:00:41.92,Default,,0000,0000,0000,,So we will do this\Nin two steps.
Dialogue: 0,0:00:41.92,0:00:46.32,Default,,0000,0000,0000,,The first step is to\Nwrite a proposal,
Dialogue: 0,0:00:46.32,0:00:47.50,Default,,0000,0000,0000,,and you can find
Dialogue: 0,0:00:47.50,0:00:48.92,Default,,0000,0000,0000,,this document that\NI'm referring
Dialogue: 0,0:00:48.92,0:00:52.04,Default,,0000,0000,0000,,to linked from the\Nonline classroom.
Dialogue: 0,0:00:52.04,0:00:55.34,Default,,0000,0000,0000,,So before you can begin\Nwriting a proposal,
Dialogue: 0,0:00:55.34,0:00:56.86,Default,,0000,0000,0000,,you have to decide what
Dialogue: 0,0:00:56.86,0:00:58.70,Default,,0000,0000,0000,,it is that you'd\Nlike to write about.
Dialogue: 0,0:00:58.70,0:01:01.24,Default,,0000,0000,0000,,And the goal of\Nyour proposal is
Dialogue: 0,0:01:01.24,0:01:03.88,Default,,0000,0000,0000,,to tell me what
Dialogue: 0,0:01:03.88,0:01:06.86,Default,,0000,0000,0000,,your planned topic is
Dialogue: 0,0:01:06.86,0:01:09.60,Default,,0000,0000,0000,,and what you expect\Nyour argument might be.
Dialogue: 0,0:01:09.60,0:01:10.88,Default,,0000,0000,0000,,And then I can give you
Dialogue: 0,0:01:10.88,0:01:12.46,Default,,0000,0000,0000,,some feedback on whether
Dialogue: 0,0:01:12.46,0:01:15.84,Default,,0000,0000,0000,,that sounds like an\Nargument that can work,
Dialogue: 0,0:01:15.84,0:01:17.88,Default,,0000,0000,0000,,or maybe I have
Dialogue: 0,0:01:17.88,0:01:19.68,Default,,0000,0000,0000,,some suggestions\Nfor resources
Dialogue: 0,0:01:19.68,0:01:20.42,Default,,0000,0000,0000,,you could read to
Dialogue: 0,0:01:20.42,0:01:21.50,Default,,0000,0000,0000,,help you make\Nthat argument,
Dialogue: 0,0:01:21.50,0:01:23.22,Default,,0000,0000,0000,,or I might have some ways
Dialogue: 0,0:01:23.22,0:01:25.46,Default,,0000,0000,0000,,to clarify the argument
Dialogue: 0,0:01:25.46,0:01:26.88,Default,,0000,0000,0000,,or make the\Nargument better.
Dialogue: 0,0:01:26.88,0:01:28.88,Default,,0000,0000,0000,,So that's the goal
Dialogue: 0,0:01:28.88,0:01:31.36,Default,,0000,0000,0000,,of turning in\Nthe proposal.
Dialogue: 0,0:01:31.36,0:01:33.25,Default,,0000,0000,0000,,So first, you\Nhave to decide,
Dialogue: 0,0:01:33.25,0:01:35.01,Default,,0000,0000,0000,,what am I going\Nto analyze?
Dialogue: 0,0:01:35.01,0:01:36.49,Default,,0000,0000,0000,,So you could\Nselect a film,
Dialogue: 0,0:01:36.49,0:01:38.35,Default,,0000,0000,0000,,and we saw a couple\Nof examples of this,
Dialogue: 0,0:01:38.35,0:01:41.54,Default,,0000,0000,0000,,the Kristy Maddux article
Dialogue: 0,0:01:41.54,0:01:45.46,Default,,0000,0000,0000,,on Iron Jawed Angels\Nwould be one example.
Dialogue: 0,0:01:45.46,0:01:48.69,Default,,0000,0000,0000,,The Celeste\NLacroix article
Dialogue: 0,0:01:48.69,0:01:51.01,Default,,0000,0000,0000,,analyzed several films,
Dialogue: 0,0:01:51.01,0:01:54.47,Default,,0000,0000,0000,,looking at a common\Ntheme across the films.
Dialogue: 0,0:01:54.47,0:01:57.41,Default,,0000,0000,0000,,So those are some examples\Nof that approach.
Dialogue: 0,0:01:57.41,0:01:59.35,Default,,0000,0000,0000,,You could analyze\Na television show,
Dialogue: 0,0:01:59.35,0:02:00.87,Default,,0000,0000,0000,,and it might be\Na whole series
Dialogue: 0,0:02:00.87,0:02:02.91,Default,,0000,0000,0000,,that you analyze, it\Nmight be a season.
Dialogue: 0,0:02:02.91,0:02:04.59,Default,,0000,0000,0000,,You may have an argument
Dialogue: 0,0:02:04.59,0:02:08.27,Default,,0000,0000,0000,,that leads you to focus
Dialogue: 0,0:02:08.27,0:02:12.30,Default,,0000,0000,0000,,a special attention on
Dialogue: 0,0:02:12.30,0:02:15.02,Default,,0000,0000,0000,,just a couple of\Nkey episodes.
Dialogue: 0,0:02:15.02,0:02:17.48,Default,,0000,0000,0000,,That just depends on\Nwhat your argument is.
Dialogue: 0,0:02:17.48,0:02:20.34,Default,,0000,0000,0000,,You could analyze an\Nadvertising campaign.
Dialogue: 0,0:02:20.34,0:02:23.28,Default,,0000,0000,0000,,You could analyze\Nnews discourse
Dialogue: 0,0:02:23.28,0:02:25.38,Default,,0000,0000,0000,,about a particular topic.
Dialogue: 0,0:02:25.38,0:02:28.48,Default,,0000,0000,0000,,So the Jamie Landau\Narticle that
Dialogue: 0,0:02:28.48,0:02:31.68,Default,,0000,0000,0000,,you read for the module on
Dialogue: 0,0:02:31.68,0:02:33.76,Default,,0000,0000,0000,,queer criticism looks at
Dialogue: 0,0:02:33.76,0:02:35.92,Default,,0000,0000,0000,,lesbian and gay\Nfamilies as
Dialogue: 0,0:02:35.92,0:02:39.03,Default,,0000,0000,0000,,covered in the media\Nas an example.
Dialogue: 0,0:02:39.03,0:02:41.98,Default,,0000,0000,0000,,You could analyze\Nan activist
Dialogue: 0,0:02:41.98,0:02:45.70,Default,,0000,0000,0000,,or social movement\Nuse of the media.
Dialogue: 0,0:02:45.70,0:02:47.08,Default,,0000,0000,0000,,You could select another
Dialogue: 0,0:02:47.08,0:02:49.10,Default,,0000,0000,0000,,media text altogether.
Dialogue: 0,0:02:49.10,0:02:51.40,Default,,0000,0000,0000,,So we saw an example in
Dialogue: 0,0:02:51.40,0:02:55.10,Default,,0000,0000,0000,,the Thomas Leslie\Narticle of
Dialogue: 0,0:02:55.10,0:02:58.14,Default,,0000,0000,0000,,an analysis of\Npopular science books
Dialogue: 0,0:02:58.14,0:02:59.90,Default,,0000,0000,0000,,and science textbooks.
Dialogue: 0,0:02:59.90,0:03:03.16,Default,,0000,0000,0000,,So it's up to you\Nwhat you select.
Dialogue: 0,0:03:03.16,0:03:05.07,Default,,0000,0000,0000,,I really think you should
Dialogue: 0,0:03:05.07,0:03:07.23,Default,,0000,0000,0000,,select something that you
Dialogue: 0,0:03:07.23,0:03:13.96,Default,,0000,0000,0000,,find interesting or\Nprovocative in some way.
Dialogue: 0,0:03:13.96,0:03:19.99,Default,,0000,0000,0000,,So if you think about\Nwhy any of the authors
Dialogue: 0,0:03:19.99,0:03:22.31,Default,,0000,0000,0000,,that we read for
Dialogue: 0,0:03:22.31,0:03:26.37,Default,,0000,0000,0000,,this class wrote the\Npieces that they wrote,
Dialogue: 0,0:03:26.37,0:03:27.77,Default,,0000,0000,0000,,and you can think
Dialogue: 0,0:03:27.77,0:03:29.27,Default,,0000,0000,0000,,about this for the\Narticles we read,
Dialogue: 0,0:03:29.27,0:03:30.65,Default,,0000,0000,0000,,you can think about\Nit for the book
Dialogue: 0,0:03:30.65,0:03:32.63,Default,,0000,0000,0000,,review that you conducted.
Dialogue: 0,0:03:32.63,0:03:34.41,Default,,0000,0000,0000,,It really just depends
Dialogue: 0,0:03:34.41,0:03:36.98,Default,,0000,0000,0000,,on what you're\Ntrying to do.
Dialogue: 0,0:03:36.98,0:03:39.96,Default,,0000,0000,0000,,But think about why did
Dialogue: 0,0:03:39.96,0:03:41.60,Default,,0000,0000,0000,,these people write
Dialogue: 0,0:03:41.60,0:03:43.08,Default,,0000,0000,0000,,the articles\Nthat they wrote?
Dialogue: 0,0:03:43.08,0:03:44.88,Default,,0000,0000,0000,,And I would argue that
Dialogue: 0,0:03:44.88,0:03:47.24,Default,,0000,0000,0000,,they saw in those media
Dialogue: 0,0:03:47.24,0:03:49.70,Default,,0000,0000,0000,,texts something\Nthat struck
Dialogue: 0,0:03:49.70,0:03:52.88,Default,,0000,0000,0000,,them as unusual\Nor noteworthy.
Dialogue: 0,0:03:52.88,0:03:55.59,Default,,0000,0000,0000,,So Thomas Leslie is
Dialogue: 0,0:03:55.59,0:03:58.00,Default,,0000,0000,0000,,reading a popular\Nscience book,
Dialogue: 0,0:03:58.00,0:04:02.64,Default,,0000,0000,0000,,and he sees this\Nstory about Galileo,
Dialogue: 0,0:04:02.64,0:04:05.96,Default,,0000,0000,0000,,and he knows from his\Nhistorical reading
Dialogue: 0,0:04:05.96,0:04:08.44,Default,,0000,0000,0000,,and his historical\Nresearch,
Dialogue: 0,0:04:08.44,0:04:14.18,Default,,0000,0000,0000,,he notices that\Nthe story he
Dialogue: 0,0:04:14.18,0:04:19.74,Default,,0000,0000,0000,,finds in these\Npopular science books
Dialogue: 0,0:04:19.74,0:04:23.34,Default,,0000,0000,0000,,does not match up\Nwith historical fact.
Dialogue: 0,0:04:23.34,0:04:27.04,Default,,0000,0000,0000,,And he begins to wonder\Nif this is a pattern.
Dialogue: 0,0:04:27.04,0:04:29.06,Default,,0000,0000,0000,,So he starts to look\Nfor other books,
Dialogue: 0,0:04:29.06,0:04:31.34,Default,,0000,0000,0000,,and he notices a pattern.
Dialogue: 0,0:04:31.34,0:04:34.04,Default,,0000,0000,0000,,And then based\Non his research
Dialogue: 0,0:04:34.04,0:04:37.00,Default,,0000,0000,0000,,and based on his own\Ncreative thinking,
Dialogue: 0,0:04:37.00,0:04:39.94,Default,,0000,0000,0000,,he comes up with an\Nargument about that.
Dialogue: 0,0:04:39.94,0:04:43.12,Default,,0000,0000,0000,,First, he argues that\Nscience is a culture
Dialogue: 0,0:04:43.12,0:04:47.65,Default,,0000,0000,0000,,and that it can have\Na folklore about it.
Dialogue: 0,0:04:47.65,0:04:50.12,Default,,0000,0000,0000,,And then he argues
Dialogue: 0,0:04:50.12,0:04:52.10,Default,,0000,0000,0000,,that historical\Ninaccuracies in
Dialogue: 0,0:04:52.10,0:04:56.06,Default,,0000,0000,0000,,folklore resonate and they
Dialogue: 0,0:04:56.06,0:04:58.08,Default,,0000,0000,0000,,hold even though\Nthey aren't true,
Dialogue: 0,0:04:58.08,0:04:59.86,Default,,0000,0000,0000,,and finally, that\Nthe function
Dialogue: 0,0:04:59.86,0:05:01.02,Default,,0000,0000,0000,,of these stories is to
Dialogue: 0,0:05:01.02,0:05:04.59,Default,,0000,0000,0000,,link science to\Nintellectual morality.
Dialogue: 0,0:05:04.59,0:05:08.00,Default,,0000,0000,0000,,So he offers several\Nexamples from
Dialogue: 0,0:05:08.00,0:05:12.64,Default,,0000,0000,0000,,the books to\Nsubstantiate his claim.
Dialogue: 0,0:05:12.64,0:05:14.68,Default,,0000,0000,0000,,And then in the\Nend, he makes
Dialogue: 0,0:05:14.68,0:05:17.66,Default,,0000,0000,0000,,this conclusion\Nabout the Cold War,
Dialogue: 0,0:05:17.66,0:05:19.60,Default,,0000,0000,0000,,if you will, in\Nhis language
Dialogue: 0,0:05:19.60,0:05:22.36,Default,,0000,0000,0000,,between science\Nand religion.
Dialogue: 0,0:05:22.36,0:05:26.52,Default,,0000,0000,0000,,So it all began\Nwith his noticing
Dialogue: 0,0:05:26.52,0:05:28.56,Default,,0000,0000,0000,,this story that struck
Dialogue: 0,0:05:28.56,0:05:29.80,Default,,0000,0000,0000,,him as unusual because it
Dialogue: 0,0:05:29.80,0:05:31.04,Default,,0000,0000,0000,,didn't match up\Nwith what he
Dialogue: 0,0:05:31.04,0:05:33.91,Default,,0000,0000,0000,,understood the\Nfacts to be.
Dialogue: 0,0:05:33.91,0:05:36.39,Default,,0000,0000,0000,,And I could work through
Dialogue: 0,0:05:36.39,0:05:37.96,Default,,0000,0000,0000,,that same example with
Dialogue: 0,0:05:37.96,0:05:39.54,Default,,0000,0000,0000,,any of the other articles
Dialogue: 0,0:05:39.54,0:05:41.10,Default,,0000,0000,0000,,that we read or
Dialogue: 0,0:05:41.10,0:05:42.62,Default,,0000,0000,0000,,with any of the\Nbooks that you
Dialogue: 0,0:05:42.62,0:05:46.42,Default,,0000,0000,0000,,read for your book\Nreview projects.
Dialogue: 0,0:05:46.42,0:05:48.50,Default,,0000,0000,0000,,In every case, the author
Dialogue: 0,0:05:48.50,0:05:50.34,Default,,0000,0000,0000,,said, "Wait a second.
Dialogue: 0,0:05:50.34,0:05:52.14,Default,,0000,0000,0000,,Something isn't\Nright here."
Dialogue: 0,0:05:52.14,0:05:54.18,Default,,0000,0000,0000,,Or, "Wait a second.
Dialogue: 0,0:05:54.18,0:05:56.22,Default,,0000,0000,0000,,This is really\Ninteresting."
Dialogue: 0,0:05:56.22,0:05:58.54,Default,,0000,0000,0000,,And I wonder\Nwhat it means to
Dialogue: 0,0:05:58.54,0:06:01.68,Default,,0000,0000,0000,,think about this in a\Nnew or different way.
Dialogue: 0,0:06:01.68,0:06:04.26,Default,,0000,0000,0000,,So you certainly can pick
Dialogue: 0,0:06:04.26,0:06:06.90,Default,,0000,0000,0000,,something of which\Nyou are a fan,
Dialogue: 0,0:06:06.90,0:06:08.96,Default,,0000,0000,0000,,but the point of your\Npaper should not
Dialogue: 0,0:06:08.96,0:06:11.10,Default,,0000,0000,0000,,be this book is\Nreally great,
Dialogue: 0,0:06:11.10,0:06:14.81,Default,,0000,0000,0000,,or this movie\Nwas terrible,
Dialogue: 0,0:06:14.81,0:06:17.94,Default,,0000,0000,0000,,or I love this\Ntelevision show.
Dialogue: 0,0:06:17.94,0:06:20.20,Default,,0000,0000,0000,,You need to make a\Ncritical argument,
Dialogue: 0,0:06:20.20,0:06:22.74,Default,,0000,0000,0000,,and that doesn't\Nnecessarily mean negative,
Dialogue: 0,0:06:22.74,0:06:24.98,Default,,0000,0000,0000,,but it needs to be\Nan interpretive,
Dialogue: 0,0:06:24.98,0:06:26.86,Default,,0000,0000,0000,,critical argument based on
Dialogue: 0,0:06:26.86,0:06:29.32,Default,,0000,0000,0000,,evidence in the text from
Dialogue: 0,0:06:29.32,0:06:31.62,Default,,0000,0000,0000,,which your reader will
Dialogue: 0,0:06:31.62,0:06:32.88,Default,,0000,0000,0000,,learn something that the
Dialogue: 0,0:06:32.88,0:06:35.17,Default,,0000,0000,0000,,reader did not\Nknow before.
Dialogue: 0,0:06:35.17,0:06:39.08,Default,,0000,0000,0000,,So that's the focus\Nof the paper.
Dialogue: 0,0:06:39.08,0:06:41.54,Default,,0000,0000,0000,,You need to be able\Nto make an argument
Dialogue: 0,0:06:41.54,0:06:44.38,Default,,0000,0000,0000,,about what you see.
Dialogue: 0,0:06:44.38,0:06:49.38,Default,,0000,0000,0000,,So you notice that Leslie\Ndoes not just say,
Dialogue: 0,0:06:49.38,0:06:51.22,Default,,0000,0000,0000,,this story is bad
Dialogue: 0,0:06:51.22,0:06:53.76,Default,,0000,0000,0000,,or this story is\Npoorly written,
Dialogue: 0,0:06:53.76,0:06:55.68,Default,,0000,0000,0000,,he has a much
Dialogue: 0,0:06:55.68,0:06:58.04,Default,,0000,0000,0000,,more nuanced\Nargument than that.
Dialogue: 0,0:06:58.04,0:06:59.98,Default,,0000,0000,0000,,And the same is true of
Dialogue: 0,0:06:59.98,0:07:01.52,Default,,0000,0000,0000,,the other articles that we
Dialogue: 0,0:07:01.52,0:07:03.44,Default,,0000,0000,0000,,read for this class.
Dialogue: 0,0:07:03.44,0:07:07.38,Default,,0000,0000,0000,,They don't just say this\Nnews coverage is bad
Dialogue: 0,0:07:07.38,0:07:10.00,Default,,0000,0000,0000,,about gay and\Nlesbian families or
Dialogue: 0,0:07:10.00,0:07:13.31,Default,,0000,0000,0000,,the movie Iron Jawed\NAngels is awful,
Dialogue: 0,0:07:13.31,0:07:15.86,Default,,0000,0000,0000,,or that it's really great.
Dialogue: 0,0:07:15.86,0:07:17.79,Default,,0000,0000,0000,,In fact, Kristy Maddux
Dialogue: 0,0:07:17.79,0:07:19.62,Default,,0000,0000,0000,,begins her article\Nby saying,
Dialogue: 0,0:07:19.62,0:07:21.13,Default,,0000,0000,0000,,"I really like the movie,
Dialogue: 0,0:07:21.13,0:07:23.68,Default,,0000,0000,0000,,but I notice that
Dialogue: 0,0:07:23.68,0:07:26.31,Default,,0000,0000,0000,,it has some troubling\Nimplications."
Dialogue: 0,0:07:26.31,0:07:28.55,Default,,0000,0000,0000,,So she does begin by\Nstating she's a fan,
Dialogue: 0,0:07:28.55,0:07:30.39,Default,,0000,0000,0000,,but then she goes\Noff and makes
Dialogue: 0,0:07:30.39,0:07:32.68,Default,,0000,0000,0000,,an argument\Nabout the film.
Dialogue: 0,0:07:32.68,0:07:34.21,Default,,0000,0000,0000,,So think about that as you
Dialogue: 0,0:07:34.21,0:07:35.99,Default,,0000,0000,0000,,think about selecting\Nan artifact.
Dialogue: 0,0:07:35.99,0:07:37.55,Default,,0000,0000,0000,,You need to do\Nmore than just
Dialogue: 0,0:07:37.55,0:07:39.82,Default,,0000,0000,0000,,a critical review of it,
Dialogue: 0,0:07:39.82,0:07:43.65,Default,,0000,0000,0000,,the way that\NRoger Ebert might
Dialogue: 0,0:07:43.65,0:07:47.34,Default,,0000,0000,0000,,do a review of a film.
Dialogue: 0,0:07:47.34,0:07:49.44,Default,,0000,0000,0000,,You need to do something\Nmore than that.
Dialogue: 0,0:07:49.44,0:07:51.06,Default,,0000,0000,0000,,You're making an argument
Dialogue: 0,0:07:51.06,0:07:53.92,Default,,0000,0000,0000,,in a scholarly\Nconversation.
Dialogue: 0,0:07:53.92,0:07:56.36,Default,,0000,0000,0000,,So you have to think
Dialogue: 0,0:07:56.36,0:07:59.70,Default,,0000,0000,0000,,about what critical lens\Ndo you plan to use?
Dialogue: 0,0:07:59.70,0:08:01.38,Default,,0000,0000,0000,,How are you going to read
Dialogue: 0,0:08:01.38,0:08:03.18,Default,,0000,0000,0000,,this particular text?
Dialogue: 0,0:08:03.18,0:08:04.66,Default,,0000,0000,0000,,And so you have several
Dialogue: 0,0:08:04.66,0:08:06.14,Default,,0000,0000,0000,,examples from the class,
Dialogue: 0,0:08:06.14,0:08:07.62,Default,,0000,0000,0000,,the rhetorical,\Nthe cultural,
Dialogue: 0,0:08:07.62,0:08:09.28,Default,,0000,0000,0000,,the feminist, the queer,
Dialogue: 0,0:08:09.28,0:08:14.30,Default,,0000,0000,0000,,and the activist\Napplied lens.
Dialogue: 0,0:08:15.98,0:08:19.18,Default,,0000,0000,0000,,So you just need\Nto determine
Dialogue: 0,0:08:19.18,0:08:22.96,Default,,0000,0000,0000,,which lens would be\Nmost appropriate for
Dialogue: 0,0:08:22.96,0:08:25.94,Default,,0000,0000,0000,,helping you to make\Nan argument about
Dialogue: 0,0:08:25.94,0:08:30.02,Default,,0000,0000,0000,,the text and to do that,
Dialogue: 0,0:08:30.02,0:08:33.36,Default,,0000,0000,0000,,you go back to the\Nquestion I posed before.
Dialogue: 0,0:08:33.36,0:08:34.84,Default,,0000,0000,0000,,What about this media
Dialogue: 0,0:08:34.84,0:08:37.70,Default,,0000,0000,0000,,artifact stands\Nout to you?
Dialogue: 0,0:08:37.70,0:08:40.74,Default,,0000,0000,0000,,And if you're not
Dialogue: 0,0:08:40.74,0:08:43.44,Default,,0000,0000,0000,,certain exactly\Nwhat argument
Dialogue: 0,0:08:43.44,0:08:44.44,Default,,0000,0000,0000,,you'd like to make,
Dialogue: 0,0:08:44.44,0:08:47.22,Default,,0000,0000,0000,,you might think\Nthrough the lenses
Dialogue: 0,0:08:47.22,0:08:51.46,Default,,0000,0000,0000,,and apply them to\Nthe particular text.
Dialogue: 0,0:08:51.46,0:08:53.08,Default,,0000,0000,0000,,So you might say,
Dialogue: 0,0:08:53.08,0:08:58.08,Default,,0000,0000,0000,,I'd like to analyze\Nthis particular film,
Dialogue: 0,0:08:58.08,0:09:01.84,Default,,0000,0000,0000,,what would a queer lens\Nsay about this film?
Dialogue: 0,0:09:01.84,0:09:03.32,Default,,0000,0000,0000,,How would that be\Ndifferent from
Dialogue: 0,0:09:03.32,0:09:05.45,Default,,0000,0000,0000,,what a cultural\Nlens would say?
Dialogue: 0,0:09:05.45,0:09:07.92,Default,,0000,0000,0000,,Or a rhetorical lens.
Dialogue: 0,0:09:07.92,0:09:09.62,Default,,0000,0000,0000,,And so if you think about
Dialogue: 0,0:09:09.62,0:09:11.68,Default,,0000,0000,0000,,what these lenses\Nwould offer
Dialogue: 0,0:09:11.68,0:09:16.08,Default,,0000,0000,0000,,to reading or analyzing\Nyour artifact,
Dialogue: 0,0:09:16.08,0:09:18.92,Default,,0000,0000,0000,,you can determine\Nwhich one might be
Dialogue: 0,0:09:18.92,0:09:20.58,Default,,0000,0000,0000,,the most appropriate for
Dialogue: 0,0:09:20.58,0:09:22.78,Default,,0000,0000,0000,,the work that you're\Ntrying to do.
Dialogue: 0,0:09:22.95,0:09:26.29,Default,,0000,0000,0000,,Once you have done that,
Dialogue: 0,0:09:26.29,0:09:28.47,Default,,0000,0000,0000,,you need to think
Dialogue: 0,0:09:28.47,0:09:30.19,Default,,0000,0000,0000,,about what your\Nargument is.
Dialogue: 0,0:09:30.19,0:09:33.37,Default,,0000,0000,0000,,And along the\Nway, you can find
Dialogue: 0,0:09:33.37,0:09:34.69,Default,,0000,0000,0000,,a substantial amount of
Dialogue: 0,0:09:34.69,0:09:37.47,Default,,0000,0000,0000,,help in other\Nscholarly sources.
Dialogue: 0,0:09:37.47,0:09:38.87,Default,,0000,0000,0000,,So you're welcome to cite
Dialogue: 0,0:09:38.87,0:09:40.89,Default,,0000,0000,0000,,the work that we've\Nread in class,
Dialogue: 0,0:09:40.89,0:09:42.41,Default,,0000,0000,0000,,and you should also do
Dialogue: 0,0:09:42.41,0:09:45.18,Default,,0000,0000,0000,,other research about work
Dialogue: 0,0:09:45.18,0:09:47.60,Default,,0000,0000,0000,,from the lens that\Nyou're using,
Dialogue: 0,0:09:47.60,0:09:49.60,Default,,0000,0000,0000,,and even perhaps work
Dialogue: 0,0:09:49.60,0:09:53.72,Default,,0000,0000,0000,,on the media artifact\Nthat you are studying,
Dialogue: 0,0:09:53.72,0:09:55.36,Default,,0000,0000,0000,,or perhaps if\Nyou're studying
Dialogue: 0,0:09:55.36,0:09:57.72,Default,,0000,0000,0000,,a brand new movie or\Nsomething like that,
Dialogue: 0,0:09:57.72,0:09:59.30,Default,,0000,0000,0000,,there isn't going\Nto be previous
Dialogue: 0,0:09:59.30,0:10:01.00,Default,,0000,0000,0000,,research on that\Nexact movie,
Dialogue: 0,0:10:01.00,0:10:02.96,Default,,0000,0000,0000,,but there will be\Nprevious research
Dialogue: 0,0:10:02.96,0:10:04.56,Default,,0000,0000,0000,,on that kind of genre.
Dialogue: 0,0:10:04.56,0:10:07.44,Default,,0000,0000,0000,,So if you're going to\Nanalyze a horror film,
Dialogue: 0,0:10:07.44,0:10:11.52,Default,,0000,0000,0000,,you may want to look at\Nprevious analyses of
Dialogue: 0,0:10:11.52,0:10:16.28,Default,,0000,0000,0000,,horror films to help\Nyou make your argument.
Dialogue: 0,0:10:16.28,0:10:20.94,Default,,0000,0000,0000,,And so for the purposes\Nof the proposal,
Dialogue: 0,0:10:20.94,0:10:22.38,Default,,0000,0000,0000,,you should include at
Dialogue: 0,0:10:22.38,0:10:25.22,Default,,0000,0000,0000,,least three\Nannotated sources
Dialogue: 0,0:10:25.22,0:10:28.96,Default,,0000,0000,0000,,from scholarly work,
Dialogue: 0,0:10:28.96,0:10:31.66,Default,,0000,0000,0000,,so peer-reviewed journal\Narticles, books,
Dialogue: 0,0:10:31.66,0:10:33.44,Default,,0000,0000,0000,,or book chapters that
Dialogue: 0,0:10:33.44,0:10:35.70,Default,,0000,0000,0000,,you plan to use\Nin your paper.
Dialogue: 0,0:10:35.70,0:10:38.74,Default,,0000,0000,0000,,And if you look on\Nthe online classroom,
Dialogue: 0,0:10:38.74,0:10:41.54,Default,,0000,0000,0000,,you will see links to
Dialogue: 0,0:10:41.54,0:10:44.76,Default,,0000,0000,0000,,the reference\Nlibrarians page for
Dialogue: 0,0:10:44.76,0:10:48.93,Default,,0000,0000,0000,,this class to help\Nyou determine
Dialogue: 0,0:10:48.93,0:10:51.57,Default,,0000,0000,0000,,how to find\Nscholarly sources
Dialogue: 0,0:10:51.57,0:10:53.67,Default,,0000,0000,0000,,that will be appropriate\Nfor this project,
Dialogue: 0,0:10:53.67,0:10:57.07,Default,,0000,0000,0000,,and you'll also find\Nlinks to APA style
Dialogue: 0,0:10:57.07,0:10:59.19,Default,,0000,0000,0000,,to help you with
Dialogue: 0,0:10:59.19,0:11:02.25,Default,,0000,0000,0000,,citing those sources\Nappropriately.
Dialogue: 0,0:11:02.25,0:11:05.35,Default,,0000,0000,0000,,So for the three sources
Dialogue: 0,0:11:05.35,0:11:07.75,Default,,0000,0000,0000,,you use in your proposal,
Dialogue: 0,0:11:07.75,0:11:09.31,Default,,0000,0000,0000,,you should annotate them,
Dialogue: 0,0:11:09.31,0:11:11.91,Default,,0000,0000,0000,,and an annotation\Nas described here,
Dialogue: 0,0:11:11.91,0:11:14.23,Default,,0000,0000,0000,,is simply one or\Ntwo sentences
Dialogue: 0,0:11:14.23,0:11:16.67,Default,,0000,0000,0000,,where you summarize\Nthe argument in
Dialogue: 0,0:11:16.67,0:11:18.21,Default,,0000,0000,0000,,your article and
Dialogue: 0,0:11:18.21,0:11:20.45,Default,,0000,0000,0000,,then another sentence\Nto explain how
Dialogue: 0,0:11:20.45,0:11:22.43,Default,,0000,0000,0000,,the article is\Ngoing to help
Dialogue: 0,0:11:22.43,0:11:24.92,Default,,0000,0000,0000,,you in making the\Nargument in your paper.
Dialogue: 0,0:11:24.92,0:11:29.13,Default,,0000,0000,0000,,So again, to look\Nat the proposal,
Dialogue: 0,0:11:29.13,0:11:31.55,Default,,0000,0000,0000,,what you need in\Nthe proposal is to
Dialogue: 0,0:11:31.55,0:11:33.03,Default,,0000,0000,0000,,tell me what\Nmedia artifact
Dialogue: 0,0:11:33.03,0:11:34.15,Default,,0000,0000,0000,,you're going to analyze,
Dialogue: 0,0:11:34.15,0:11:36.33,Default,,0000,0000,0000,,what critical lens\Nyou plan to use,
Dialogue: 0,0:11:36.33,0:11:38.97,Default,,0000,0000,0000,,what argument you expect\Nthat you will make,
Dialogue: 0,0:11:38.97,0:11:40.47,Default,,0000,0000,0000,,and you're\Nwelcome to change
Dialogue: 0,0:11:40.47,0:11:42.89,Default,,0000,0000,0000,,this or to develop\Nit a little bit,
Dialogue: 0,0:11:42.89,0:11:45.17,Default,,0000,0000,0000,,but at least what you're\Nthinking right now.
Dialogue: 0,0:11:45.17,0:11:48.49,Default,,0000,0000,0000,,And then at least three\Nscholarly sources,
Dialogue: 0,0:11:48.49,0:11:50.57,Default,,0000,0000,0000,,including\Nannotations. And you
Dialogue: 0,0:11:50.57,0:11:52.71,Default,,0000,0000,0000,,can see here how I'm
Dialogue: 0,0:11:52.71,0:11:56.81,Default,,0000,0000,0000,,going to grade\Nthe proposal.
Dialogue: 0,0:11:57.46,0:12:00.58,Default,,0000,0000,0000,,You can then read the\Nrest of the guidelines
Dialogue: 0,0:12:00.58,0:12:03.70,Default,,0000,0000,0000,,for what the full paper\Nshould look like,
Dialogue: 0,0:12:03.70,0:12:05.92,Default,,0000,0000,0000,,but it really shouldn't\Nbe a surprise.
Dialogue: 0,0:12:05.92,0:12:08.34,Default,,0000,0000,0000,,You are doing a\Nshorter version of
Dialogue: 0,0:12:08.34,0:12:09.90,Default,,0000,0000,0000,,the books and articles
Dialogue: 0,0:12:09.90,0:12:11.60,Default,,0000,0000,0000,,that you have read\Nin this class.
Dialogue: 0,0:12:11.60,0:12:13.04,Default,,0000,0000,0000,,So by now, you know what
Dialogue: 0,0:12:13.04,0:12:15.20,Default,,0000,0000,0000,,a good media\Ncriticism looks like,
Dialogue: 0,0:12:15.20,0:12:18.32,Default,,0000,0000,0000,,and your goal is to\Nproduce your own with
Dialogue: 0,0:12:18.32,0:12:20.64,Default,,0000,0000,0000,,an original argument that
Dialogue: 0,0:12:20.64,0:12:22.24,Default,,0000,0000,0000,,I will learn\Nsomething from.
Dialogue: 0,0:12:22.24,0:12:24.77,Default,,0000,0000,0000,,So at some point,\Nafter you have
Dialogue: 0,0:12:24.77,0:12:26.01,Default,,0000,0000,0000,,turned in your proposal
Dialogue: 0,0:12:26.01,0:12:27.77,Default,,0000,0000,0000,,and received\Nfeedback from me,
Dialogue: 0,0:12:27.77,0:12:29.53,Default,,0000,0000,0000,,you should set up\Na meeting with me
Dialogue: 0,0:12:29.53,0:12:33.25,Default,,0000,0000,0000,,either face to face or\Nvia Google Hangout,
Dialogue: 0,0:12:33.25,0:12:35.25,Default,,0000,0000,0000,,and we can talk in
Dialogue: 0,0:12:35.25,0:12:37.63,Default,,0000,0000,0000,,specific about your\Npaper and your progress,
Dialogue: 0,0:12:37.63,0:12:39.09,Default,,0000,0000,0000,,and I'd be happy to answer
Dialogue: 0,0:12:39.09,0:12:41.67,Default,,0000,0000,0000,,any questions\Nthat you have.
Dialogue: 0,0:12:41.67,0:12:43.31,Default,,0000,0000,0000,,And again, use
Dialogue: 0,0:12:43.31,0:12:44.91,Default,,0000,0000,0000,,the articles that\Nwe've read in class,
Dialogue: 0,0:12:44.91,0:12:47.17,Default,,0000,0000,0000,,as well as the books\Nthat you've read for
Dialogue: 0,0:12:47.17,0:12:51.43,Default,,0000,0000,0000,,the book review\Nfor help in
Dialogue: 0,0:12:51.43,0:12:53.87,Default,,0000,0000,0000,,terms of a model for what
Dialogue: 0,0:12:53.87,0:12:58.83,Default,,0000,0000,0000,,a good piece of media\Ncriticism looks like.
Dialogue: 0,0:12:58.83,0:13:01.23,Default,,0000,0000,0000,,You're also welcome to
Dialogue: 0,0:13:01.23,0:13:04.24,Default,,0000,0000,0000,,ask questions of the\Nreference librarian.
Dialogue: 0,0:13:04.24,0:13:06.08,Default,,0000,0000,0000,,He is here to help you,
Dialogue: 0,0:13:06.08,0:13:09.25,Default,,0000,0000,0000,,and he's embedded\Nin the class,
Dialogue: 0,0:13:09.25,0:13:12.43,Default,,0000,0000,0000,,and he's also created\Nthe class page for us.
Dialogue: 0,0:13:12.43,0:13:16.71,Default,,0000,0000,0000,,So I hope that you will\Ntalk with Mark and
Dialogue: 0,0:13:16.71,0:13:18.91,Default,,0000,0000,0000,,thank him for\Nbeing with us
Dialogue: 0,0:13:18.91,0:13:21.97,Default,,0000,0000,0000,,and also ask him any\Nquestions that you have.
Dialogue: 0,0:13:21.97,0:13:24.33,Default,,0000,0000,0000,,So I am helpful\Nand willing to
Dialogue: 0,0:13:24.33,0:13:26.78,Default,,0000,0000,0000,,be a resource,\Nhe's very helpful,
Dialogue: 0,0:13:26.78,0:13:27.74,Default,,0000,0000,0000,,and he's here to be
Dialogue: 0,0:13:27.74,0:13:29.52,Default,,0000,0000,0000,,a resource so that\Nyou have a lot
Dialogue: 0,0:13:29.52,0:13:32.50,Default,,0000,0000,0000,,of support if you need\Nit along the way.
Dialogue: 0,0:13:32.50,0:13:33.48,Default,,0000,0000,0000,,So the goal of
Dialogue: 0,0:13:33.48,0:13:35.26,Default,,0000,0000,0000,,this video was\Njust to give you
Dialogue: 0,0:13:35.26,0:13:37.06,Default,,0000,0000,0000,,a sense of what\Nthe guidelines
Dialogue: 0,0:13:37.06,0:13:38.88,Default,,0000,0000,0000,,are for the final project,
Dialogue: 0,0:13:38.88,0:13:40.60,Default,,0000,0000,0000,,as well as the
Dialogue: 0,0:13:40.60,0:13:42.54,Default,,0000,0000,0000,,first step of the\Nfinal project,
Dialogue: 0,0:13:42.54,0:13:44.34,Default,,0000,0000,0000,,which is the proposal
Dialogue: 0,0:13:44.34,0:13:47.38,Default,,0000,0000,0000,,that you're turning\Nin in this module.