[Script Info]
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:00.23,0:00:04.59,Default,,0000,0000,0000,,Ce l'ho fatta, Watson! Sono riuscito\Na connettere tutti i punti!
Dialogue: 0,0:00:04.59,0:00:08.09,Default,,0000,0000,0000,,Lo sponsor di questo video è\NCampfire Blaze!
Dialogue: 0,0:00:08.09,0:00:11.30,Default,,0000,0000,0000,,Sai, spesso quando leggo dei libri o\Nguardo dei telefilm finisco sempre
Dialogue: 0,0:00:11.30,0:00:15.58,Default,,0000,0000,0000,,per pensarci troppo. Credo sia un effetto\Ncollaterale delle mie "analisi critiche"
Dialogue: 0,0:00:15.58,0:00:19.58,Default,,0000,0000,0000,,e del mio approccio pseudo-professionale\Nall'arte e ai media: ogni volta
Dialogue: 0,0:00:19.58,0:00:21.44,Default,,0000,0000,0000,,che entro in contatto con una storia,\Nnon riesco a fare a meno
Dialogue: 0,0:00:21.44,0:00:23.66,Default,,0000,0000,0000,,a smontarla e a vedere come funziona.\NUn po' come quando...
Dialogue: 0,0:00:23.66,0:00:26.73,Default,,0000,0000,0000,,...ascolto un attore per capire quanto\Nè bravo o trovo un luogo comune
Dialogue: 0,0:00:26.73,0:00:28.38,Default,,0000,0000,0000,,e giudico la trama da lì. Cose così.
Dialogue: 0,0:00:28.38,0:00:32.38,Default,,0000,0000,0000,,L'unico genere che fa eccezione alla\Nregola, stranamente, è il genere giallo.
Dialogue: 0,0:00:32.38,0:00:36.22,Default,,0000,0000,0000,,Proprio quelle storie scritte perché il\Npubblico ci pensi criticamente,
Dialogue: 0,0:00:36.22,0:00:40.04,Default,,0000,0000,0000,,con me non funzionano. Sia perché non sono\Nbrava a notare le cose e trascuro le parti
Dialogue: 0,0:00:40.04,0:00:43.47,Default,,0000,0000,0000,,con gli indizi nascosti, sia perché non\Nsono brava con i nomi e non riesco
Dialogue: 0,0:00:43.47,0:00:47.57,Default,,0000,0000,0000,,a ordinare mentalmente i sospetti. Ma\Nanche con i misteri scritti bene, con
Dialogue: 0,0:00:47.57,0:00:51.20,Default,,0000,0000,0000,,personaggi ben distinti e che ti danno\Nindizi sufficienti per risolvere il caso,
Dialogue: 0,0:00:51.20,0:00:53.17,Default,,0000,0000,0000,,non li trovo avvincenti e spesso faccio
Dialogue: 0,0:00:53.17,0:00:54.75,Default,,0000,0000,0000,,prima a indovinare dai cliché.
Dialogue: 0,0:00:54.75,0:00:56.36,Default,,0000,0000,0000,,In Agatha Christie, il sospetto più\Nprobabile sarà
Dialogue: 0,0:00:56.36,0:00:58.25,Default,,0000,0000,0000,,il personaggio celibe più adatto.
Dialogue: 0,0:00:58.25,0:01:01.98,Default,,0000,0000,0000,,Li leggo ancora e mi piacciono, ma il più\Ndelle volte il finale mi coglierà sempre
Dialogue: 0,0:01:01.98,0:01:04.51,Default,,0000,0000,0000,,alla sprovvista. Non sono brava a connettere\Ni puntini da sola.
Dialogue: 0,0:01:04.51,0:01:08.48,Default,,0000,0000,0000,,Ed è per questo che adoro e apprezzo il\Npersonaggio tipo che è al centro
Dialogue: 0,0:01:08.48,0:01:12.54,Default,,0000,0000,0000,,di ogni mistero: il detective. Il solo\Nincaricato di unire i puntini e
Dialogue: 0,0:01:12.54,0:01:16.16,Default,,0000,0000,0000,,rivelare al pubblico come sono andate\Ndavvero le cose. Senza i detective,
Dialogue: 0,0:01:16.16,0:01:20.16,Default,,0000,0000,0000,,per le persone come me, i Watson del mondo,\Ni gialli non avrebbero nessuna attrattiva.
Dialogue: 0,0:01:20.16,0:01:22.49,Default,,0000,0000,0000,,Ora, i detective non si trovano solo\Nnei gialli,
Dialogue: 0,0:01:22.49,0:01:24.17,Default,,0000,0000,0000,,ma son pur sempre inestricabilmente
Dialogue: 0,0:01:24.17,0:01:27.97,Default,,0000,0000,0000,,legati a questo genere. I detective investigano\Nla situazione e risolvono enigmi - i gialli
Dialogue: 0,0:01:27.97,0:01:31.45,Default,,0000,0000,0000,,girano intorno alla risoluzione di dati\Nenigmi, ma misteri ed eventi simili
Dialogue: 0,0:01:31.45,0:01:35.03,Default,,0000,0000,0000,,si trovano in storie di ogni sorta, per cui\Nl'archetipo del detective può essere
Dialogue: 0,0:01:35.03,0:01:38.64,Default,,0000,0000,0000,,incluso senza problemi in qualunque genere\Ne struttura narrativa. Se la storia include
Dialogue: 0,0:01:38.64,0:01:40.99,Default,,0000,0000,0000,,qualunque genere di enigma, puoi metterci\Ndentro anche un detective
Dialogue: 0,0:01:40.99,0:01:44.97,Default,,0000,0000,0000,,Ora, quello del "detective" è un mestiere\Ne un ruolo, non un genere di personaggio,
Dialogue: 0,0:01:44.97,0:01:48.28,Default,,0000,0000,0000,,per cui qualunque personaggio può\Nindossarne le vesti, ma ci sono dei
Dialogue: 0,0:01:48.28,0:01:51.93,Default,,0000,0000,0000,,sottotipi molto popolari che sono in essenza\Npersonaggi di repertorio. Il "detective noir
Dialogue: 0,0:01:51.93,0:01:53.68,Default,,0000,0000,0000,,{\i1}hardboiled{\i0}" in genere è un alcolista
Dialogue: 0,0:01:53.68,0:01:57.50,Default,,0000,0000,0000,,o un tossicodipendente tormentato con\Nconflitti interiori costanti, una visione
Dialogue: 0,0:01:57.50,0:02:01.10,Default,,0000,0000,0000,,stanca e disillusa della vita e una grande\Nviavai di signore dai costumi discutibili
Dialogue: 0,0:02:01.10,0:02:03.98,Default,,0000,0000,0000,,che passano nel suo ufficio - ed è buffo,\Nperché mentre questo archetipo
Dialogue: 0,0:02:03.98,0:02:08.04,Default,,0000,0000,0000,,è molto famoso, i classici detective noir\Nnon hanno nulla in comune con i luoghi comuni
Dialogue: 0,0:02:08.04,0:02:12.22,Default,,0000,0000,0000,,che ne sono nati. Sam Spade, protagonista\Nde "Il mistero del falco", il film noir più
Dialogue: 0,0:02:12.22,0:02:16.19,Default,,0000,0000,0000,,iconico, non ha quasi personalità né\Ntragicità, e alla morte del suo socio
Dialogue: 0,0:02:16.19,0:02:17.19,Default,,0000,0000,0000,,-
Dialogue: 0,0:02:17.19,0:02:19.93,Default,,0000,0000,0000,,reagisce con poco più di un lieve fastidio.\NIl tipico detective noir {\i1}hardboiled{\i0}
Dialogue: 0,0:02:19.93,0:02:24.37,Default,,0000,0000,0000,,è più simile a Dick Tracy che a un vero\Nprotagonista noir. Poi c'è il "detective
Dialogue: 0,0:02:24.37,0:02:27.61,Default,,0000,0000,0000,,gentiluomo", quasi diametralmente opposto\Nal detective {\i1}hardboiled{\i0}, un avventuriero
Dialogue: 0,0:02:27.61,0:02:31.60,Default,,0000,0000,0000,,aristocratico e stiloso, sempre ben istruito\Ne quasi sempre britannico che spesso
Dialogue: 0,0:02:31.60,0:02:35.38,Default,,0000,0000,0000,,scontra le corna contro una polizia goffa\Ne piena di gente delle classi più basse.
Dialogue: 0,0:02:35.38,0:02:38.56,Default,,0000,0000,0000,,Sherlock Holmes, il detective più famoso\Nin letteratura, ha generato un'intera
Dialogue: 0,0:02:38.56,0:02:42.87,Default,,0000,0000,0000,,banda di pseudo-Sherlock - tutti eccentrici,\Nastuti, focalizzati su un approccio scientifico
Dialogue: 0,0:02:42.87,0:02:46.93,Default,,0000,0000,0000,,e generalmente accompagnati da un amico\Ndi lunga data che funge anche da biografo.
Dialogue: 0,0:02:46.93,0:02:49.33,Default,,0000,0000,0000,,Questo punto di vista in terza persona\Nnon è unico:
Dialogue: 0,0:02:49.33,0:02:51.35,Default,,0000,0000,0000,,anzi, è uno dei pochi modi di
Dialogue: 0,0:02:51.35,0:02:54.55,Default,,0000,0000,0000,,esporre un mistero a un pubblico.\NVedi, il problema con i gialli è
Dialogue: 0,0:02:54.55,0:02:56.35,Default,,0000,0000,0000,,che il pubblico non può conoscere
Dialogue: 0,0:02:56.35,0:02:57.90,Default,,0000,0000,0000,,il quadro completo fino alla fine.
Dialogue: 0,0:02:57.90,0:03:01.16,Default,,0000,0000,0000,,Ci dev'essere sempre qualcosa di nascosto\Nda rivelare. Perciò il pubblico
Dialogue: 0,0:03:01.16,0:03:05.35,Default,,0000,0000,0000,,non può avere un punto di vista onnisciente\Nma nemmeno una focalizzazione interna
Dialogue: 0,0:03:05.35,0:03:08.59,Default,,0000,0000,0000,,sul detective, perché quasi tutti i gialli\Nhanno una parte risolutiva
Dialogue: 0,0:03:08.59,0:03:12.15,Default,,0000,0000,0000,,in cui si rivela il colpo di scena e tutto\Ninizia ad avere senso. Questa parte
Dialogue: 0,0:03:12.15,0:03:15.91,Default,,0000,0000,0000,,inizia quando il detective {\i1}rivela{\i0} cosa sta\Nsuccedendo, non quando lo {\i1}scopre{\i0},
Dialogue: 0,0:03:15.91,0:03:19.81,Default,,0000,0000,0000,,per cui se il pubblico vede già nella testa\Ndel detective, lo viene a sapere troppo presto.
Dialogue: 0,0:03:19.81,0:03:22.06,Default,,0000,0000,0000,,Alcune storie risolvono il problema\Ndando il
Dialogue: 0,0:03:22.06,0:03:23.33,Default,,0000,0000,0000,,punto di vista del detective e facendogli
Dialogue: 0,0:03:23.33,0:03:26.57,Default,,0000,0000,0000,,pensare cose come "certo! ho trovato!\Nora è tutto chiaro!" e rivelando
Dialogue: 0,0:03:26.57,0:03:29.30,Default,,0000,0000,0000,,le informazioni che hanno scoperto nella\Nparte risolutiva.
Dialogue: 0,0:03:29.30,0:03:31.08,Default,,0000,0000,0000,,Altrimenti, quasi tutti i gialli usano
Dialogue: 0,0:03:31.08,0:03:34.96,Default,,0000,0000,0000,,una focalizzazione esterna, o su un\Nnarratore in terza persona tutt'altro che
Dialogue: 0,0:03:34.96,0:03:38.14,Default,,0000,0000,0000,,onnisciente o su un altro personaggio che\Nnon è il detective e che funge
Dialogue: 0,0:03:38.14,0:03:40.85,Default,,0000,0000,0000,,da rappresentante del pubblico.\NQuesta però non è una regola ferrea.
Dialogue: 0,0:03:40.85,0:03:44.20,Default,,0000,0000,0000,,C'è una "scala" di sorta che determina più\No meno con che genere di storia
Dialogue: 0,0:03:44.20,0:03:47.37,Default,,0000,0000,0000,,(e di detective) avremo a che fare.\NDa un lato abbiamo i gialli che
Dialogue: 0,0:03:47.37,0:03:51.36,Default,,0000,0000,0000,,svelano al pubblico quasi tutto.\NÈ abbastanza raro, e qualcuno
Dialogue: 0,0:03:51.36,0:03:55.20,Default,,0000,0000,0000,,potrebbe dire che queste storie non siano\Nveri e propri gialli. L'esempio più iconico
Dialogue: 0,0:03:55.20,0:03:56.20,Default,,0000,0000,0000,,è forse Colombo,
Dialogue: 0,0:03:56.20,0:04:00.27,Default,,0000,0000,0000,,un noto telefilm giallo degli anni '70 in cui\Nogni episodio inizia con una panoramica
Dialogue: 0,0:04:00.27,0:04:04.14,Default,,0000,0000,0000,,completa del delitto. Sappiamo chi e come\Nl'ha commesso, come l'ha nascosto e spesso
Dialogue: 0,0:04:04.14,0:04:08.32,Default,,0000,0000,0000,,anche il movente. Il "mistero" non è {\i1}chi{\i0}\Nl'abbia fatto, ma {\i1}come{\i0} farà il Tenente
Dialogue: 0,0:04:08.32,0:04:12.06,Default,,0000,0000,0000,,Colombo a catturarli. Come tutti i misteri,\Ngli episodi hanno rivelazioni finali
Dialogue: 0,0:04:12.06,0:04:16.22,Default,,0000,0000,0000,,di vario genere, ma in genere rivelano qualcosa\Nche Colombo ha fatto o scoperto fuori campo:
Dialogue: 0,0:04:16.22,0:04:20.14,Default,,0000,0000,0000,,il colpo di scena non è nel delitto, ma\Nnella sua soluzione. Questo avviene spesso
Dialogue: 0,0:04:20.14,0:04:23.79,Default,,0000,0000,0000,,anche nelle storie in cui il detective è\Nl'antagonista e il protagonista dalla cui
Dialogue: 0,0:04:23.79,0:04:26.76,Default,,0000,0000,0000,,prospettiva vediamo la storia è il vero\Ncriminale da catturare.
Dialogue: 0,0:04:26.76,0:04:28.73,Default,,0000,0000,0000,,Queste diventano spesso lotte d'ingegno
Dialogue: 0,0:04:28.73,0:04:30.36,Default,,0000,0000,0000,,in cui la conoscenza del pubblico
Dialogue: 0,0:04:30.36,0:04:33.64,Default,,0000,0000,0000,,è maggiore di quella dei singoli personaggi.\NLo stesso vale per alcune storie
Dialogue: 0,0:04:33.64,0:04:37.16,Default,,0000,0000,0000,,di Sherlock Holmes: non c'è alcun\Nmistero in "Uno scandalo in Boemia",
Dialogue: 0,0:04:37.16,0:04:41.23,Default,,0000,0000,0000,,ma la sorpresa finale è che Adler è riuscita\Na raggirare i trucchi furtivi di Holmes
Dialogue: 0,0:04:41.23,0:04:43.95,Default,,0000,0000,0000,,e a lasciare il paese con il nuovo marito\Ne con la foto che lui voleva.
Dialogue: 0,0:04:43.95,0:04:47.87,Default,,0000,0000,0000,,Per un giallo è più comune dare al pubblico\Nintorno al 70/80% delle informazioni
Dialogue: 0,0:04:47.87,0:04:51.08,Default,,0000,0000,0000,,importanti. In genere non conosciamo il\Ncolpevole e non sempre conosciamo
Dialogue: 0,0:04:51.08,0:04:54.00,Default,,0000,0000,0000,,il movente: per mantenerli oscuri durante\Nle indagini, le storie
Dialogue: 0,0:04:54.00,0:04:55.58,Default,,0000,0000,0000,,dei personaggi verranno spesso
Dialogue: 0,0:04:55.58,0:04:59.54,Default,,0000,0000,0000,,confuse o nascoste, per evitare che sia\Ntroppo facile scartare sospetti
Dialogue: 0,0:04:59.54,0:05:00.85,Default,,0000,0000,0000,,e restringere il campo.
Dialogue: 0,0:05:00.85,0:05:04.15,Default,,0000,0000,0000,,Queste storie ci daranno spesso qualcosa\Nsul modus operandi (se qualcuno
Dialogue: 0,0:05:04.15,0:05:07.91,Default,,0000,0000,0000,,è stato avvelenato, un'autopsia ci dirà il\Nveleno) e una vasta selezione di sospetti
Dialogue: 0,0:05:07.91,0:05:12.01,Default,,0000,0000,0000,,fra cui trovare il colpevole.
Dialogue: 0,0:05:12.01,0:05:15.29,Default,,0000,0000,0000,,
Dialogue: 0,0:05:15.29,0:05:18.64,Default,,0000,0000,0000,,
Dialogue: 0,0:05:18.64,0:05:22.14,Default,,0000,0000,0000,,
Dialogue: 0,0:05:22.14,0:05:25.98,Default,,0000,0000,0000,,
Dialogue: 0,0:05:25.98,0:05:29.37,Default,,0000,0000,0000,,
Dialogue: 0,0:05:29.37,0:05:30.37,Default,,0000,0000,0000,,
Dialogue: 0,0:05:30.37,0:05:32.26,Default,,0000,0000,0000,,
Dialogue: 0,0:05:32.26,0:05:34.28,Default,,0000,0000,0000,,
Dialogue: 0,0:05:34.28,0:05:39.01,Default,,0000,0000,0000,,
Dialogue: 0,0:05:39.01,0:05:42.37,Default,,0000,0000,0000,,
Dialogue: 0,0:05:42.37,0:05:46.09,Default,,0000,0000,0000,,
Dialogue: 0,0:05:46.09,0:05:50.16,Default,,0000,0000,0000,,
Dialogue: 0,0:05:50.16,0:05:53.36,Default,,0000,0000,0000,,
Dialogue: 0,0:05:53.36,0:05:54.36,Default,,0000,0000,0000,,
Dialogue: 0,0:05:54.36,0:05:57.57,Default,,0000,0000,0000,,
Dialogue: 0,0:05:57.57,0:05:59.09,Default,,0000,0000,0000,,
Dialogue: 0,0:05:59.09,0:06:02.99,Default,,0000,0000,0000,,
Dialogue: 0,0:06:02.99,0:06:03.99,Default,,0000,0000,0000,,
Dialogue: 0,0:06:03.99,0:06:07.79,Default,,0000,0000,0000,,
Dialogue: 0,0:06:07.79,0:06:10.95,Default,,0000,0000,0000,,
Dialogue: 0,0:06:10.95,0:06:15.37,Default,,0000,0000,0000,,
Dialogue: 0,0:06:15.37,0:06:18.64,Default,,0000,0000,0000,,
Dialogue: 0,0:06:18.64,0:06:22.14,Default,,0000,0000,0000,,
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Dialogue: 0,0:06:25.37,0:06:26.37,Default,,0000,0000,0000,,
Dialogue: 0,0:06:26.37,0:06:28.18,Default,,0000,0000,0000,,
Dialogue: 0,0:06:28.18,0:06:30.97,Default,,0000,0000,0000,,
Dialogue: 0,0:06:30.97,0:06:35.20,Default,,0000,0000,0000,,
Dialogue: 0,0:06:35.20,0:06:38.61,Default,,0000,0000,0000,,
Dialogue: 0,0:06:38.61,0:06:40.53,Default,,0000,0000,0000,,
Dialogue: 0,0:06:40.53,0:06:43.68,Default,,0000,0000,0000,,
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Dialogue: 0,0:06:54.79,0:06:55.79,Default,,0000,0000,0000,,
Dialogue: 0,0:06:55.79,0:06:58.63,Default,,0000,0000,0000,,
Dialogue: 0,0:06:58.63,0:07:02.74,Default,,0000,0000,0000,,
Dialogue: 0,0:07:02.74,0:07:07.30,Default,,0000,0000,0000,,
Dialogue: 0,0:07:07.30,0:07:09.59,Default,,0000,0000,0000,,
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Dialogue: 0,0:07:12.64,0:07:15.63,Default,,0000,0000,0000,,
Dialogue: 0,0:07:15.63,0:07:20.09,Default,,0000,0000,0000,,
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