WEBVTT 00:00:10.015 --> 00:00:15.602 I mean if you go back and read Langston Hughes' essay from 1929, 00:00:15.602 --> 00:00:19.100 I think it was, "The Negro Artist and the Racial Mountain." 00:00:19.100 --> 00:00:24.653 He opens it with a question from a young poet who approaches him and says, 00:00:24.653 --> 00:00:32.897 "I don't wanna be a black poet, I just wanna be a poet." But what does that mean, really. 00:00:33.880 --> 00:00:38.703 In his essay, he says, what that artist is really saying is "I wanna be a white artist." 00:00:38.703 --> 00:00:42.605 Because they are not burned by the problem of race. 00:00:43.316 --> 00:00:46.117 To not be called a black artist seems to perform some kind of 00:00:46.117 --> 00:00:48.899 Liberating function in the minds of a lot of people. 00:00:50.698 --> 00:00:54.900 So who needs to not know, or who needs to not think of you as a black artist 00:00:54.900 --> 00:00:57.733 in order for you to become a real artist? 00:01:00.216 --> 00:01:07.058 The painting is the painting. And black painters have done all kind of work all the time, 00:01:07.058 --> 00:01:10.448 So it's not a question of whether they represent or whether they don't represent. 00:01:10.448 --> 00:01:13.725 But it's the treatment of whichever of forms they engage in. 00:01:13.725 --> 00:01:19.100 That's what determines the value of the work. Not whether you call them a black artist or not.