0:00:30.367,0:00:31.785 [Então eu só puxo?] 0:00:39.550,0:00:40.767 [Bastante?] 0:00:41.084,0:00:42.851 [Posso puxar bastante?] 0:00:47.964,0:00:49.747 Improvisação é crucial. 0:00:50.664,0:00:55.580 Eu quero que o trabalho seja uma[br]experiência de algo vivo- 0:00:56.080,0:00:58.231 Para ter o sentimento de que foi[br]improvisado, 0:00:58.231,0:01:01.481 Para ver as decisões acontecendo de ao[br]vivo, 0:01:01.481,0:01:04.780 Do mesmo jeito que vemos um jogo[br]esportivo, 0:01:04.780,0:01:07.597 Do jeito que ouvimos Jazz. 0:01:35.097,0:01:37.864 O espontâneo é sempre onde está o que[br]é mais interessante, 0:01:37.864,0:01:40.630 para o artista e para o espectador. 0:01:40.747,0:01:43.881 A peça da "Enciclopédia", quando fui[br]para a França, por exemplo, 0:01:43.881,0:01:46.314 Nós fomos as lojas locais, 0:01:46.314,0:01:47.930 Na verdade, eu nem precisei ir as[br] 0:01:47.930,0:01:49.797 lojas locais-[br]Era o que comíamos, 0:01:49.797,0:01:51.097 O que estava no hotel, 0:01:51.097,0:01:53.497 E eu adicionei na peça. 0:01:58.030,0:02:01.880 0:02:01.880,0:02:04.914 0:02:04.914,0:02:07.880 0:02:07.880,0:02:09.315 0:02:09.315,0:02:11.564 0:02:11.564,0:02:14.597 0:02:25.248,0:02:27.080 0:02:27.080,0:02:28.780 0:02:28.780,0:02:30.680 0:02:30.680,0:02:32.363 0:02:32.363,0:02:35.014 0:02:42.830,0:02:45.030 0:02:45.030,0:02:48.280 0:02:48.280,0:02:49.498 0:02:49.498,0:02:52.114 0:02:52.114,0:02:55.298 0:02:55.765,0:02:58.219 0:02:58.219,0:02:59.719 0:02:59.719,0:03:01.486 0:03:01.486,0:03:03.586 0:03:03.586,0:03:05.253 0:03:05.253,0:03:08.037 0:03:08.302,0:03:11.370 0:03:11.453,0:03:14.570 0:03:14.570,0:03:17.019 0:03:17.019,0:03:19.436 0:03:19.436,0:03:21.935 0:03:21.935,0:03:25.236 0:03:39.669,0:03:41.285 0:03:41.285,0:03:44.019 0:03:44.019,0:03:46.369 0:03:46.369,0:03:49.486 0:03:49.869,0:03:52.219 0:03:52.219,0:03:55.986