0:00:06.015,0:00:09.552 Robert Adams: Light 0:00:09.792,0:00:14.923 Well, Kenneth Clark remarked in one of his books, that 0:00:14.923,0:00:24.525 The thing that distinguishes a landscape painter is an especially intense emotional response to light. 0:00:25.207,0:00:28.092 I do believe that's true. 0:00:28.092,0:00:36.539 There are, sounds crazy to say, but in my dark room, in Colorado, 0:00:36.539,0:00:42.306 After I've been working for days, or sometimes months outside, and if I was working in the dark room, 0:00:42.306,0:00:49.101 And I knew that it was day time, I swear I could tell, in the dark room, 0:00:49.101,0:00:54.417 When the sun came in and out from behind clouds. 0:00:54.910,0:00:59.048 Light is a physical thing that you're working with. 0:00:59.048,0:01:04.713 It's also obviously metaphor. It's what you are working with to arrive at metaphors. 0:01:04.713,0:01:12.898 It's the age-old symbol for truth. It's the expression of truth. 0:01:12.898,0:01:19.113 Yeah, it's a loaded thing, but fundamentally though, 0:01:19.113,0:01:27.847 It's just a deeply mysterious, compelling ingredient 0:01:27.847,0:01:34.513 For your understanding of life and your response to it. 0:01:36.014,0:01:39.163 I'm not sure if I can say anything more about it. 0:01:39.163,0:01:45.947 It's at the center of why one makes pictures and how one makes them.