1 00:00:10,140 --> 00:00:14,923 Well, Kenneth Clark remarked in one of his books, that 2 00:00:14,923 --> 00:00:24,525 The thing that distinguishes a landscape painter is an especially intense emotional response to light. 3 00:00:25,207 --> 00:00:28,092 I do believe that's true. 4 00:00:28,092 --> 00:00:36,539 There are, sounds crazy to say, but in my dark room, in Colorado, 5 00:00:36,539 --> 00:00:42,306 After I've been working for days, or sometimes months outside, and if I was working in the dark room, 6 00:00:42,306 --> 00:00:49,101 And I knew that it was day time, I swear I could tell, in the dark room, 7 00:00:49,101 --> 00:00:54,417 When the sun came in and out from behind clouds. 8 00:00:54,910 --> 00:00:59,048 Light is a physical thing that we are working with. 9 00:00:59,048 --> 00:01:04,713 It's also obviously a metaphor. It's what you are working with to arrive at metaphors. 10 00:01:04,713 --> 00:01:12,898 It's the age-old symbol for truth. It's the expression of truth. 11 00:01:12,898 --> 00:01:19,113 Yea, it's a loaded thing, but fundamentally though, 12 00:01:19,113 --> 00:01:27,847 It is just a deeply mysterious, compelling ingredient 13 00:01:27,847 --> 00:01:34,513 For your understanding of life and your response to it. 14 00:01:36,014 --> 00:01:39,163 I'm not sure if I can say anything more about it. 15 00:01:39,163 --> 00:01:45,947 It's at the center of why one makes pictures and how one makes one.