0:00:01.945,0:00:04.736 [Financial District--Manhattan] 0:00:08.098,0:00:12.913 [New York Close Up] 0:00:15.061,0:00:20.210 [Lower Manhattan Cultural Council Workspace Studios] 0:00:25.160,0:00:31.883 ["Shana Moulton's Portable Performance"] 0:00:34.983,0:00:37.575 How did that look? Pretty good?[br] 0:00:38.617,0:00:41.250 Did it seem like I was scrolling my iPad or iPhone? 0:00:41.327,0:00:43.098 [Shana Moulton--Artist] 0:00:45.114,0:00:50.100 So that’s...that’s the sort of part I need to coordinate before I go is getting that timing right.[br] 0:00:51.378,0:00:53.792 OFF CAMERA: With obviously not your fingers but your full body? SHANA: Yeah, right. [br] 0:00:56.080,0:01:00.674 This is my wig bag. It’s all wigs. Well, and some bags. [br] 0:01:06.496,0:01:15.209 Okay, wig, book light, I think that’s it. Oh, I have a list.[br] 0:01:18.608,0:01:20.484 I got it. [br] 0:01:22.214,0:01:26.756 So I hadn’t been performing so much before I came to New York.[br] 0:01:28.629,0:01:37.684 And then I also didn’t have a studio then. I was so broke when I moved here, so I decided to try to build the set with stuff that I could animate on my computer.[br] 0:01:40.280,0:01:46.528 So that was like the first time I made this decision to scale down and make this portable performance. [br][br] 0:01:52.181,0:01:58.837 It’s usually like me running around on the subway or maybe a car service if I’m feeling really glamorous. [br] 0:02:00.998,0:02:08.579 With like all my props, you know on my arms, and uh, setting up half an hour before the performance starts.[br] 0:02:08.756,0:02:11.867 [Bronx River Art Center--Mott Haven, Bronx] 0:02:23.689,0:02:27.021 [Tonight is the opening] 0:02:28.722,0:02:35.088 With these performances I don’t really know exactly how big this projection will be you know in relationship to my body. [br] 0:02:36.361,0:02:40.163 You know if I’m like taller than this projection then that’s not going to really work. [br] 0:02:43.150,0:02:50.253 The worst is like if I get there and I can’t test you know the...the DVD and the projection. [br] 0:02:52.435,0:02:56.352 And I hate that feeling of not being totally prepared.[br] 0:03:05.136,0:03:16.855 You know at an opening the attention span is you know at a certain level and something a lot longer than ten minutes is just like too long or....[br] 0:03:17.068,0:03:21.933 I mean especially for my work it’s not about...it’s not really about that kind of challenge. [br] 0:03:23.044,0:03:24.733 How’s the makeup looking?[br] 0:03:24.841,0:03:25.854 OFF CAMERA: You’re getting there. [br] 0:03:25.977,0:03:28.228 SHANA: Okay. [LAUGHS][br] 0:03:29.186,0:03:37.023 Sometimes people don’t realize that I’m in a costume. They just think I’m a...the wacky woman skulking in the back.[br] 0:03:37.803,0:03:38.903 Are you starting? 0:03:39.626,9:59:59.000 [Erin Riley Lopez--Curator] 9:59:59.000,9:59:59.000 ERIN RILEY LOPEZ: Yeah...I wanted to...I didn’t realize you were out here.[br] 9:59:59.000,9:59:59.000 SHANA: I’ll be right behind you. [br] 9:59:59.000,9:59:59.000 ♪[br] 9:59:59.000,9:59:59.000 Leading up to the performance is totally nerve-wracking, but once I’ve started I love it. I’m like having a great time.[br] 9:59:59.000,9:59:59.000 ♪[br] 9:59:59.000,9:59:59.000 I eat pink. [br] 9:59:59.000,9:59:59.000 [APPLAUSE][br] 9:59:59.000,9:59:59.000 Yeah, it was a nice response, wasn’t it? Yeah, yeah, I was happy. I mean people...[br] 9:59:59.000,9:59:59.000 People tend to respond positively for most performance, so I don’t know if I can really go off that as, you know a gauge for how successful it really was but....[br] 9:59:59.000,9:59:59.000 I felt...I felt alright about it. You know.[br] 9:59:59.000,9:59:59.000 You know it’s...it’s a job. [br] 9:59:59.000,9:59:59.000 As long as I’m prepared it works out fine. [br]