[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:20.57,0:00:24.47,Default,,0000,0000,0000,,Barry, do you think we should do something on here?\NI think I might want to do a tag back over there.
Dialogue: 0,0:00:24.47,0:00:26.63,Default,,0000,0000,0000,,BARRY MCGEE: Okay.
Dialogue: 0,0:00:26.63,0:00:28.90,Default,,0000,0000,0000,,[BOTH LAUGHING]\N
Dialogue: 0,0:00:32.30,0:00:34.67,Default,,0000,0000,0000,,KILGALLEN: We're nervous. [LAUGHS]
Dialogue: 0,0:01:04.74,0:01:11.80,Default,,0000,0000,0000,,Ok, you guys can look at something else for a while. [LAUGHS]
Dialogue: 0,0:01:11.80,0:01:13.69,Default,,0000,0000,0000,,Give her a stick.
Dialogue: 0,0:01:14.21,0:01:17.82,Default,,0000,0000,0000,,KILGALLEN: You want me to go up there?\NMCGEE: Okay.
Dialogue: 0,0:01:17.82,0:01:23.83,Default,,0000,0000,0000,,KILGALLEN: There are random women who write on trains, but there's one-offs that I might see.
Dialogue: 0,0:01:23.83,0:01:32.13,Default,,0000,0000,0000,,But, there's a woman who writes 'Judi Wynn' and I think I know where she works.
Dialogue: 0,0:01:32.92,0:01:38.20,Default,,0000,0000,0000,,There's a woman who writes 'Batwoman' and I think she's from Oregon somewhere.
Dialogue: 0,0:01:38.20,0:01:43.39,Default,,0000,0000,0000,,Yeah, there's not that many women who do it, at all.\NIt's definitely mostly men.
Dialogue: 0,0:01:45.60,0:01:47.65,Default,,0000,0000,0000,,MCGEE: Do you want to go look at the trains?
Dialogue: 0,0:01:47.65,0:01:48.62,Default,,0000,0000,0000,,[SOUND OF A TRAIN APPROACHING]\N
Dialogue: 0,0:01:48.62,0:01:51.71,Default,,0000,0000,0000,,KILGALLEN: Oh shit, Barry, we should be...\NThey're going to see us then, no?
Dialogue: 0,0:01:51.71,0:01:56.09,Default,,0000,0000,0000,,MCGEE: It's alright.\NKILGALLEN: Alright, let's go walk out then.
Dialogue: 0,0:01:56.09,0:01:59.39,Default,,0000,0000,0000,,MCGEE: Let's wave to them.\N
Dialogue: 0,0:01:59.52,0:02:02.13,Default,,0000,0000,0000,,KILGALLEN: Oh, because these trucks aren't even running.
Dialogue: 0,0:02:02.13,0:02:04.54,Default,,0000,0000,0000,,[SOUND OF TRAIN HORN]
Dialogue: 0,0:02:04.54,0:02:09.26,Default,,0000,0000,0000,,KILGALLEN: I do have a lot of heroines,\NAs well as a lot of heroes too, but...\N
Dialogue: 0,0:02:09.26,0:02:13.92,Default,,0000,0000,0000,,I like to paint images of women who I find inspiring,\N
Dialogue: 0,0:02:13.92,0:02:17.59,Default,,0000,0000,0000,,And I don't like to choose people that everybody knows.
Dialogue: 0,0:02:17.62,0:02:23.79,Default,,0000,0000,0000,,I like to choose people that just do small things, and yet somehow hit me in my heart.
Dialogue: 0,0:02:38.00,0:02:46.95,Default,,0000,0000,0000,,[SOUND OF A VIOLIN, ACOUSTIC GUITAR, AND BANJO GETTING READY TO PLAY]
Dialogue: 0,0:02:46.95,0:02:50.72,Default,,0000,0000,0000,,I got interested in "old-time" music, particularly the banjo, and
Dialogue: 0,0:02:50.72,0:02:57.36,Default,,0000,0000,0000,,In the beginning I would hear somebody playing music on a record,
Dialogue: 0,0:02:57.36,0:03:02.79,Default,,0000,0000,0000,,And then I wouldn't know what they look like at all but I would imagine what they look like, and draw it.
Dialogue: 0,0:03:02.79,0:03:06.53,Default,,0000,0000,0000,,[SOUND OF BANJO STRUMMING]\N
Dialogue: 0,0:03:06.53,0:03:12.33,Default,,0000,0000,0000,,The records I would buy would have no women on them, ever. And Matokie Slaughter, for instance,\N
Dialogue: 0,0:03:12.33,0:03:16.72,Default,,0000,0000,0000,,She was the first woman I ever saw on a record, on an old-time record.
Dialogue: 0,0:03:19.62,0:03:23.05,Default,,0000,0000,0000,,You know, I couldn't believe I had found a woman on there, and I didn't know it was a woman for a while,
Dialogue: 0,0:03:23.05,0:03:27.82,Default,,0000,0000,0000,,Because the name 'Matokie', I didn't know what gender that was.
Dialogue: 0,0:03:30.14,0:03:31.70,Default,,0000,0000,0000,,[SOUND OF BANJO STRUMMING CONTINUES]
Dialogue: 0,0:03:31.70,0:03:35.47,Default,,0000,0000,0000,,Algia Mae Hinton, she plays kind of bluesy guitar.\N
Dialogue: 0,0:03:35.47,0:03:36.73,Default,,0000,0000,0000,,[SOUND OF ACOUSTIC GUITAR PLAYING A BLUES RIFF WITH FEET TAPPING ON A STAGE]
Dialogue: 0,0:03:36.73,0:03:41.34,Default,,0000,0000,0000,,I saw her on a tape all about flat-footing and buck dancing.
Dialogue: 0,0:03:41.60,0:03:45.83,Default,,0000,0000,0000,,She would do the flat-footing, and then she would turn around and put her guitar on her back,
Dialogue: 0,0:03:45.83,0:03:50.52,Default,,0000,0000,0000,,And play the guitar, and dance, and it was pretty incredible.
Dialogue: 0,0:03:50.52,0:03:53.38,Default,,0000,0000,0000,,[SOUND OF ACOUSTIC GUITAR PLAYING A BLUES RIFF WITH FEET TAPPING ON A STAGE CONTINUES]
Dialogue: 0,0:04:02.14,0:04:06.22,Default,,0000,0000,0000,,She's a single mother and supports her children by playing her music.
Dialogue: 0,0:04:14.61,0:04:18.44,Default,,0000,0000,0000,,[SOUND OF ACOUSTIC GUITAR AND FEMALE VOCALIST SINGING 'LOS CORONES']\N
Dialogue: 0,0:04:19.35,0:04:22.72,Default,,0000,0000,0000,,Or, I used to read a lot about the history of swimming, and...
Dialogue: 0,0:04:22.74,0:04:27.31,Default,,0000,0000,0000,,The first woman to win the Olympics in 1912 was a woman named Fanny Durack.\N
Dialogue: 0,0:04:27.31,0:04:31.62,Default,,0000,0000,0000,,And she was from Australia, and she wore a full wool suit.
Dialogue: 0,0:04:34.13,0:04:37.30,Default,,0000,0000,0000,,And the reason she won is because she swam the Australian crawl
Dialogue: 0,0:04:37.30,0:04:40.48,Default,,0000,0000,0000,,And the other women weren't swimming that way.
Dialogue: 0,0:04:41.25,0:04:46.65,Default,,0000,0000,0000,,[SOUND OF ACOUSTIC GUITAR AND FEMALE VOCALIST CONTINUES]
Dialogue: 0,0:04:51.73,0:04:57.77,Default,,0000,0000,0000,,When I get down and don't feel like doing art, and I feel like giving it up,
Dialogue: 0,0:04:57.77,0:05:05.49,Default,,0000,0000,0000,,Then the thing that keeps me going is the fact that\NMaybe somebody will learn from what I'm doing.
Dialogue: 0,0:05:08.60,0:05:14.75,Default,,0000,0000,0000,,When you put your work out there and somebody comes up to you and thanks you for doing it,\N
Dialogue: 0,0:05:14.75,0:05:20.59,Default,,0000,0000,0000,,And especially when young people come up and thank me, that is why I do work.
Dialogue: 0,0:05:24.22,0:05:27.17,Default,,0000,0000,0000,,And I especially hope, you know, to inspire young women.\N
Dialogue: 0,0:05:27.17,0:05:34.00,Default,,0000,0000,0000,,Because I often feel like so much emphasis is put on how beautiful you are, and how thin you are,
Dialogue: 0,0:05:34.00,0:05:39.26,Default,,0000,0000,0000,,and not a lot of emphasis is put on what you can do and how smart you are.
Dialogue: 0,0:05:41.80,0:05:50.20,Default,,0000,0000,0000,,I'd like to change the emphasis of what's important when looking at a woman