[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:01.06,0:00:04.70,Default,,0000,0000,0000,,I'm not quite sure whether\NI really want to see a snare drum
Dialogue: 0,0:00:04.72,0:00:06.80,Default,,0000,0000,0000,,at nine o'clock or so in the morning.
Dialogue: 0,0:00:06.82,0:00:08.22,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:00:08.24,0:00:12.31,Default,,0000,0000,0000,,But anyway, it's just great\Nto see such a full theater,
Dialogue: 0,0:00:12.34,0:00:15.62,Default,,0000,0000,0000,,and really, I must thank\NHerbie Hancock and his colleagues
Dialogue: 0,0:00:15.64,0:00:18.15,Default,,0000,0000,0000,,for such a great presentation.
Dialogue: 0,0:00:18.17,0:00:21.24,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:00:21.27,0:00:23.45,Default,,0000,0000,0000,,One of the interesting things, of course,
Dialogue: 0,0:00:23.48,0:00:30.43,Default,,0000,0000,0000,,is the combination of that raw hand\Non the instrument and technology,
Dialogue: 0,0:00:30.91,0:00:35.55,Default,,0000,0000,0000,,and what he said about listening\Nto our young people.
Dialogue: 0,0:00:35.58,0:00:39.27,Default,,0000,0000,0000,,Of course, my job is all about listening.
Dialogue: 0,0:00:40.09,0:00:46.04,Default,,0000,0000,0000,,And my aim, really,\Nis to teach the world to listen.
Dialogue: 0,0:00:46.06,0:00:49.65,Default,,0000,0000,0000,,That's my only real aim in life.
Dialogue: 0,0:00:50.39,0:00:56.53,Default,,0000,0000,0000,,And it sounds quite simple,\Nbut actually, it's quite a big, big job.
Dialogue: 0,0:00:56.56,0:01:01.82,Default,,0000,0000,0000,,Because you know, when you look\Nat a piece of music, for example,
Dialogue: 0,0:01:01.85,0:01:05.31,Default,,0000,0000,0000,,if I just open my little motorbike bag --
Dialogue: 0,0:01:06.65,0:01:09.66,Default,,0000,0000,0000,,we have here, hopefully,
Dialogue: 0,0:01:09.68,0:01:15.30,Default,,0000,0000,0000,,a piece of music that is full\Nof little black dots on the page.
Dialogue: 0,0:01:16.49,0:01:20.26,Default,,0000,0000,0000,,And, you know, we open it up ...
Dialogue: 0,0:01:22.73,0:01:24.01,Default,,0000,0000,0000,,And I read the music.
Dialogue: 0,0:01:24.55,0:01:28.27,Default,,0000,0000,0000,,So technically, I can actually read this.
Dialogue: 0,0:01:29.00,0:01:32.98,Default,,0000,0000,0000,,I will follow the instructions,\Nthe tempo markings, the dynamics.
Dialogue: 0,0:01:33.59,0:01:36.77,Default,,0000,0000,0000,,I will do exactly as I'm told.
Dialogue: 0,0:01:37.72,0:01:41.11,Default,,0000,0000,0000,,And so therefore, because time is short,
Dialogue: 0,0:01:41.13,0:01:48.03,Default,,0000,0000,0000,,if I just played you, literally,\Nthe first, maybe, two lines or so --
Dialogue: 0,0:01:48.74,0:01:52.23,Default,,0000,0000,0000,,It's very straightforward; there's nothing\Ntoo difficult about the piece.
Dialogue: 0,0:01:52.26,0:01:55.57,Default,,0000,0000,0000,,But here, I'm being told\Nthat the piece of music is very quick.
Dialogue: 0,0:01:56.55,0:01:59.56,Default,,0000,0000,0000,,I'm being told where to play on the drum.
Dialogue: 0,0:01:59.58,0:02:02.50,Default,,0000,0000,0000,,I'm being told which part\Nof the stick to use.
Dialogue: 0,0:02:03.85,0:02:06.44,Default,,0000,0000,0000,,And I'm being told the dynamic.
Dialogue: 0,0:02:06.47,0:02:11.07,Default,,0000,0000,0000,,And I'm also being told\Nthat the drum is without snares.
Dialogue: 0,0:02:11.09,0:02:14.11,Default,,0000,0000,0000,,Snares on, snares off.
Dialogue: 0,0:02:14.13,0:02:19.98,Default,,0000,0000,0000,,So therefore, if I translate\Nthis piece of music,
Dialogue: 0,0:02:20.01,0:02:22.01,Default,,0000,0000,0000,,we have this idea.
Dialogue: 0,0:02:23.07,0:02:25.28,Default,,0000,0000,0000,,(Drum sounds)
Dialogue: 0,0:02:50.82,0:02:53.24,Default,,0000,0000,0000,,(Drum sounds end)
Dialogue: 0,0:02:53.27,0:02:54.53,Default,,0000,0000,0000,,And so on.
Dialogue: 0,0:02:54.56,0:02:58.04,Default,,0000,0000,0000,,My career would probably last\Nabout five years.
Dialogue: 0,0:02:58.06,0:02:59.07,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:02:59.09,0:03:03.61,Default,,0000,0000,0000,,However, what I have to do as a musician
Dialogue: 0,0:03:03.64,0:03:07.75,Default,,0000,0000,0000,,is do everything that is not on the music;
Dialogue: 0,0:03:07.77,0:03:12.77,Default,,0000,0000,0000,,everything that there isn't time\Nto learn from a teacher,
Dialogue: 0,0:03:12.80,0:03:16.36,Default,,0000,0000,0000,,or to talk about, even, from a teacher.
Dialogue: 0,0:03:16.38,0:03:21.24,Default,,0000,0000,0000,,But it's the things you notice when\Nyou're not actually with your instrument
Dialogue: 0,0:03:21.26,0:03:26.51,Default,,0000,0000,0000,,that, in fact, become so interesting,\Nand that you want to explore
Dialogue: 0,0:03:26.53,0:03:29.100,Default,,0000,0000,0000,,through this tiny, tiny surface of a drum.
Dialogue: 0,0:03:30.02,0:03:32.72,Default,,0000,0000,0000,,So there, we experience the translation.
Dialogue: 0,0:03:32.75,0:03:36.22,Default,,0000,0000,0000,,Now we'll experience the interpretation.
Dialogue: 0,0:03:37.08,0:03:38.85,Default,,0000,0000,0000,,(Drum sounds)
Dialogue: 0,0:04:18.98,0:04:20.98,Default,,0000,0000,0000,,(Drum sounds end)
Dialogue: 0,0:04:22.51,0:04:29.51,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:04:30.06,0:04:32.77,Default,,0000,0000,0000,,Now my career may last a little longer.
Dialogue: 0,0:04:32.79,0:04:34.12,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:04:34.14,0:04:37.43,Default,,0000,0000,0000,,But in a way, you know,\Nit's the same if I look at you
Dialogue: 0,0:04:37.45,0:04:41.79,Default,,0000,0000,0000,,and I see a nice, bright young lady\Nwith a pink top on.
Dialogue: 0,0:04:41.82,0:04:45.24,Default,,0000,0000,0000,,I see that you're clutching\Na teddy bear, etc., etc.
Dialogue: 0,0:04:45.26,0:04:49.82,Default,,0000,0000,0000,,So I get a basic idea\Nas to what you might be about,
Dialogue: 0,0:04:49.84,0:04:54.21,Default,,0000,0000,0000,,what you might like, what you might do\Nas a profession, etc., etc.
Dialogue: 0,0:04:54.64,0:05:01.00,Default,,0000,0000,0000,,However, that's just the initial idea\NI may have that we all get
Dialogue: 0,0:05:01.03,0:05:04.61,Default,,0000,0000,0000,,when we actually look\Nand we try to interpret.
Dialogue: 0,0:05:04.63,0:05:06.93,Default,,0000,0000,0000,,But actually it's so unbelievably shallow.
Dialogue: 0,0:05:06.96,0:05:09.86,Default,,0000,0000,0000,,In the same way, I look\Nat the music; I get a basic idea;
Dialogue: 0,0:05:09.89,0:05:14.18,Default,,0000,0000,0000,,I wonder what technically might be hard,\Nor, you know, what I want to do.
Dialogue: 0,0:05:14.20,0:05:15.69,Default,,0000,0000,0000,,Just the basic feeling.
Dialogue: 0,0:05:15.72,0:05:18.38,Default,,0000,0000,0000,,However, that is simply not enough.
Dialogue: 0,0:05:18.40,0:05:22.72,Default,,0000,0000,0000,,And I think what Herbie said:\Nplease listen, listen.
Dialogue: 0,0:05:22.74,0:05:26.38,Default,,0000,0000,0000,,We have to listen\Nto ourselves, first of all.
Dialogue: 0,0:05:26.40,0:05:30.15,Default,,0000,0000,0000,,If I play, for example,\Nholding the stick --
Dialogue: 0,0:05:30.17,0:05:33.22,Default,,0000,0000,0000,,where literally I do not let go\Nof the stick --
Dialogue: 0,0:05:33.25,0:05:35.81,Default,,0000,0000,0000,,(Drum sound)
Dialogue: 0,0:05:35.84,0:05:39.66,Default,,0000,0000,0000,,you'll experience quite a lot\Nof shock coming up through the arm.
Dialogue: 0,0:05:39.68,0:05:42.00,Default,,0000,0000,0000,,And you feel really quite --\Nbelieve it or not --
Dialogue: 0,0:05:42.03,0:05:45.27,Default,,0000,0000,0000,,detached from the instrument\Nand from the stick,
Dialogue: 0,0:05:45.30,0:05:49.42,Default,,0000,0000,0000,,even though I'm actually holding\Nthe stick quite tightly.
Dialogue: 0,0:05:49.44,0:05:50.87,Default,,0000,0000,0000,,(Drum sound)
Dialogue: 0,0:05:50.89,0:05:54.85,Default,,0000,0000,0000,,By holding it tightly,\NI feel strangely more detached.
Dialogue: 0,0:05:54.87,0:05:56.59,Default,,0000,0000,0000,,If I just simply let go
Dialogue: 0,0:05:56.61,0:06:01.81,Default,,0000,0000,0000,,and allow my hand, my arm,\Nto be more of a support system,
Dialogue: 0,0:06:01.83,0:06:03.03,Default,,0000,0000,0000,,suddenly --
Dialogue: 0,0:06:03.05,0:06:05.07,Default,,0000,0000,0000,,(Drum sound)
Dialogue: 0,0:06:05.09,0:06:08.55,Default,,0000,0000,0000,,I have more dynamic with less effort.
Dialogue: 0,0:06:08.57,0:06:09.75,Default,,0000,0000,0000,,Much more --
Dialogue: 0,0:06:09.77,0:06:11.52,Default,,0000,0000,0000,,(Drum sound)
Dialogue: 0,0:06:11.55,0:06:14.48,Default,,0000,0000,0000,,and I just feel, at last,\None with the stick
Dialogue: 0,0:06:14.50,0:06:16.16,Default,,0000,0000,0000,,and one with the drum.
Dialogue: 0,0:06:16.19,0:06:18.30,Default,,0000,0000,0000,,And I'm doing far, far less.
Dialogue: 0,0:06:18.32,0:06:21.74,Default,,0000,0000,0000,,So in the same way that I need\Ntime with this instrument,
Dialogue: 0,0:06:21.76,0:06:27.09,Default,,0000,0000,0000,,I need time with people\Nin order to interpret them.
Dialogue: 0,0:06:27.11,0:06:29.80,Default,,0000,0000,0000,,Not just translate them,\Nbut interpret them.
Dialogue: 0,0:06:29.82,0:06:36.01,Default,,0000,0000,0000,,If, for example, I play just\Na few bars of a piece of music
Dialogue: 0,0:06:37.29,0:06:42.68,Default,,0000,0000,0000,,for which I think of myself\Nas a technician --
Dialogue: 0,0:06:42.70,0:06:46.96,Default,,0000,0000,0000,,that is, someone who is basically\Na percussion player --
Dialogue: 0,0:06:46.98,0:06:49.23,Default,,0000,0000,0000,,(Marimba sounds)
Dialogue: 0,0:06:57.97,0:06:59.87,Default,,0000,0000,0000,,(Marimba sounds end)
Dialogue: 0,0:06:59.89,0:07:03.08,Default,,0000,0000,0000,,And so on, if I think of myself\Nas a musician --
Dialogue: 0,0:07:03.11,0:07:05.17,Default,,0000,0000,0000,,(Marimba sounds)
Dialogue: 0,0:07:22.87,0:07:24.91,Default,,0000,0000,0000,,(Marimba sounds end)
Dialogue: 0,0:07:24.93,0:07:26.11,Default,,0000,0000,0000,,And so on.
Dialogue: 0,0:07:26.13,0:07:29.99,Default,,0000,0000,0000,,There is a little bit of a difference\Nthere that is worth just --
Dialogue: 0,0:07:30.02,0:07:32.57,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:07:32.59,0:07:33.98,Default,,0000,0000,0000,,thinking about.
Dialogue: 0,0:07:34.00,0:07:37.91,Default,,0000,0000,0000,,And I remember when I was 12 years old,
Dialogue: 0,0:07:37.93,0:07:41.05,Default,,0000,0000,0000,,and I started playing timpani\Nand percussion,
Dialogue: 0,0:07:41.08,0:07:43.50,Default,,0000,0000,0000,,and my teacher said,
Dialogue: 0,0:07:43.53,0:07:49.18,Default,,0000,0000,0000,,"Well, how are we going to do this?\NYou know, music is about listening."
Dialogue: 0,0:07:49.21,0:07:53.88,Default,,0000,0000,0000,,And I said, "Yes, I agree with that,\Nso what's the problem?"
Dialogue: 0,0:07:53.90,0:07:56.32,Default,,0000,0000,0000,,And he said, "Well,\Nhow are you going to hear this?
Dialogue: 0,0:07:56.34,0:07:57.90,Default,,0000,0000,0000,,How are you going to hear that?"
Dialogue: 0,0:07:57.93,0:08:00.01,Default,,0000,0000,0000,,And I said, "Well, how do you hear it?"
Dialogue: 0,0:08:00.51,0:08:03.98,Default,,0000,0000,0000,,He said, "Well, I think\NI hear it through here."
Dialogue: 0,0:08:04.00,0:08:09.37,Default,,0000,0000,0000,,And I said, "Well, I think I do too,\Nbut I also hear it through my hands,
Dialogue: 0,0:08:09.40,0:08:12.94,Default,,0000,0000,0000,,through my arms, cheekbones, my scalp,
Dialogue: 0,0:08:12.96,0:08:15.98,Default,,0000,0000,0000,,my tummy, my chest, my legs and so on."
Dialogue: 0,0:08:16.00,0:08:20.83,Default,,0000,0000,0000,,And so we began our lessons\Nevery single time
Dialogue: 0,0:08:20.86,0:08:24.80,Default,,0000,0000,0000,,tuning drums, in particular,\Nthe kettle drums, or timpani
Dialogue: 0,0:08:24.82,0:08:29.84,Default,,0000,0000,0000,,to such a narrow pitch interval,\Nso something like --
Dialogue: 0,0:08:30.61,0:08:33.22,Default,,0000,0000,0000,,(Marimba sounds)
Dialogue: 0,0:08:35.04,0:08:36.21,Default,,0000,0000,0000,,that of a difference.
Dialogue: 0,0:08:36.24,0:08:37.44,Default,,0000,0000,0000,,Then gradually:
Dialogue: 0,0:08:37.46,0:08:38.62,Default,,0000,0000,0000,,(Marimba sounds)
Dialogue: 0,0:08:38.64,0:08:39.82,Default,,0000,0000,0000,,And gradually:
Dialogue: 0,0:08:39.85,0:08:41.64,Default,,0000,0000,0000,,(Marimba sounds)
Dialogue: 0,0:08:41.66,0:08:45.72,Default,,0000,0000,0000,,And it's amazing that when you do\Nopen your body up,
Dialogue: 0,0:08:45.75,0:08:49.72,Default,,0000,0000,0000,,and open your hand up to allow\Nthe vibration to come through,
Dialogue: 0,0:08:49.74,0:08:52.07,Default,,0000,0000,0000,,that in fact the tiny, tiny difference --
Dialogue: 0,0:08:52.09,0:08:54.15,Default,,0000,0000,0000,,(Marimba sounds)
Dialogue: 0,0:08:54.18,0:09:00.26,Default,,0000,0000,0000,,can be felt with just the tiniest\Npart of your finger, there.
Dialogue: 0,0:09:00.28,0:09:03.15,Default,,0000,0000,0000,,And so what we would do\Nis that I would put my hands
Dialogue: 0,0:09:03.17,0:09:05.49,Default,,0000,0000,0000,,on the wall of the music room,
Dialogue: 0,0:09:05.51,0:09:10.70,Default,,0000,0000,0000,,and together, we would "listen"\Nto the sounds of the instruments,
Dialogue: 0,0:09:10.73,0:09:14.56,Default,,0000,0000,0000,,and really try to connect\Nwith those sounds
Dialogue: 0,0:09:14.59,0:09:18.98,Default,,0000,0000,0000,,far, far more broadly\Nthan simply depending on the ear.
Dialogue: 0,0:09:19.00,0:09:23.65,Default,,0000,0000,0000,,Because of course, the ear\Nis subject to all sorts of things.
Dialogue: 0,0:09:23.67,0:09:26.64,Default,,0000,0000,0000,,The room we happen to be in,\Nthe amplification,
Dialogue: 0,0:09:26.66,0:09:29.40,Default,,0000,0000,0000,,the quality of the instrument,\Nthe type of sticks --
Dialogue: 0,0:09:29.42,0:09:31.50,Default,,0000,0000,0000,,(Marimba sounds)
Dialogue: 0,0:09:35.84,0:09:37.79,Default,,0000,0000,0000,,(Marimba sounds end)
Dialogue: 0,0:09:37.82,0:09:39.63,Default,,0000,0000,0000,,Etc., etc., they're all different.
Dialogue: 0,0:09:39.66,0:09:41.66,Default,,0000,0000,0000,,(Marimba sounds)
Dialogue: 0,0:09:44.12,0:09:46.21,Default,,0000,0000,0000,,(Marimba sounds end)
Dialogue: 0,0:09:46.24,0:09:50.82,Default,,0000,0000,0000,,Same amount of weight,\Nbut different sound colors.
Dialogue: 0,0:09:50.85,0:09:53.75,Default,,0000,0000,0000,,And that's basically what we are;\Nwe're just human beings,
Dialogue: 0,0:09:53.78,0:09:56.94,Default,,0000,0000,0000,,but we all have our own\Nlittle sound colors, as it were,
Dialogue: 0,0:09:56.96,0:10:00.61,Default,,0000,0000,0000,,that make up these extraordinary\Npersonalities and characters
Dialogue: 0,0:10:00.64,0:10:02.51,Default,,0000,0000,0000,,and interests and things.
Dialogue: 0,0:10:02.53,0:10:05.53,Default,,0000,0000,0000,,And as I grew older, I then auditioned
Dialogue: 0,0:10:05.56,0:10:07.98,Default,,0000,0000,0000,,for the Royal Academy of Music in London,
Dialogue: 0,0:10:08.00,0:10:12.27,Default,,0000,0000,0000,,and they said, "Well, no, we won't\Naccept you, because we haven't a clue,
Dialogue: 0,0:10:12.30,0:10:16.95,Default,,0000,0000,0000,,you know, of the future\Nof a so-called 'deaf musician.'"
Dialogue: 0,0:10:16.98,0:10:21.50,Default,,0000,0000,0000,,And I just couldn't quite accept that.
Dialogue: 0,0:10:21.53,0:10:28.09,Default,,0000,0000,0000,,And so therefore, I said to them,\N"Well, look, if you refuse --
Dialogue: 0,0:10:28.12,0:10:31.44,Default,,0000,0000,0000,,if you refuse me through those reasons,
Dialogue: 0,0:10:31.47,0:10:36.24,Default,,0000,0000,0000,,as opposed to the ability to perform
Dialogue: 0,0:10:36.26,0:10:42.98,Default,,0000,0000,0000,,and to understand and love\Nthe art of creating sound --
Dialogue: 0,0:10:43.00,0:10:49.24,Default,,0000,0000,0000,,then we have to think very, very hard\Nabout the people you do actually accept."
Dialogue: 0,0:10:49.26,0:10:53.52,Default,,0000,0000,0000,,And as a result,\Nonce we got over a little hurdle,
Dialogue: 0,0:10:53.54,0:10:55.55,Default,,0000,0000,0000,,and having to audition twice,
Dialogue: 0,0:10:55.58,0:10:57.79,Default,,0000,0000,0000,,they accepted me.
Dialogue: 0,0:10:57.82,0:10:59.18,Default,,0000,0000,0000,,And not only that,
Dialogue: 0,0:10:59.21,0:11:04.85,Default,,0000,0000,0000,,what had happened was that it changed\Nthe whole role of the music institutions
Dialogue: 0,0:11:04.87,0:11:06.83,Default,,0000,0000,0000,,throughout the United Kingdom.
Dialogue: 0,0:11:06.85,0:11:10.80,Default,,0000,0000,0000,,Under no circumstances were they to refuse
Dialogue: 0,0:11:10.82,0:11:14.74,Default,,0000,0000,0000,,any application whatsoever
Dialogue: 0,0:11:14.76,0:11:18.27,Default,,0000,0000,0000,,on the basis of whether someone\Nhad no arms, no legs --
Dialogue: 0,0:11:18.29,0:11:22.82,Default,,0000,0000,0000,,they could still perhaps play a wind\Ninstrument if it was supported on a stand.
Dialogue: 0,0:11:23.37,0:11:29.62,Default,,0000,0000,0000,,No circumstances at all\Nwere used to refuse any entry.
Dialogue: 0,0:11:29.65,0:11:34.48,Default,,0000,0000,0000,,And every single entry\Nhad to be listened to, experienced,
Dialogue: 0,0:11:34.51,0:11:37.07,Default,,0000,0000,0000,,and then, based on the musical ability,
Dialogue: 0,0:11:37.09,0:11:42.34,Default,,0000,0000,0000,,then that person\Ncould either enter or not.
Dialogue: 0,0:11:42.37,0:11:45.52,Default,,0000,0000,0000,,And so therefore, this in turn meant
Dialogue: 0,0:11:45.54,0:11:49.18,Default,,0000,0000,0000,,that there was an extremely\Ninteresting bunch of students
Dialogue: 0,0:11:49.20,0:11:52.56,Default,,0000,0000,0000,,who arrived in these various\Nmusic institutions,
Dialogue: 0,0:11:52.58,0:11:57.07,Default,,0000,0000,0000,,and I have to say, many of them now\Nin the professional orchestras
Dialogue: 0,0:11:57.09,0:11:59.07,Default,,0000,0000,0000,,throughout the world.
Dialogue: 0,0:11:59.10,0:12:01.78,Default,,0000,0000,0000,,The interesting thing\Nabout this as well, though --
Dialogue: 0,0:12:01.80,0:12:05.98,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:12:06.00,0:12:12.79,Default,,0000,0000,0000,,is quite simply that not only were people\Nconnected with sound --
Dialogue: 0,0:12:12.81,0:12:14.32,Default,,0000,0000,0000,,which is basically all of us --
Dialogue: 0,0:12:14.35,0:12:19.27,Default,,0000,0000,0000,,we well know that music\Nreally is our daily medicine.
Dialogue: 0,0:12:19.30,0:12:21.98,Default,,0000,0000,0000,,I say "music," but actually\NI mean "sound."
Dialogue: 0,0:12:22.00,0:12:26.62,Default,,0000,0000,0000,,Because some of the extraordinary\Nthings I've experienced as a musician --
Dialogue: 0,0:12:26.65,0:12:30.79,Default,,0000,0000,0000,,when you may have a 15-year-old lad
Dialogue: 0,0:12:30.81,0:12:35.54,Default,,0000,0000,0000,,who has got the most\Nincredible challenges,
Dialogue: 0,0:12:35.56,0:12:38.30,Default,,0000,0000,0000,,who may not be able\Nto control his movements,
Dialogue: 0,0:12:38.33,0:12:41.34,Default,,0000,0000,0000,,who may be deaf,\Nwho may be blind, etc., etc. --
Dialogue: 0,0:12:41.36,0:12:47.39,Default,,0000,0000,0000,,suddenly, if that young lad\Nsits close to this instrument,
Dialogue: 0,0:12:47.42,0:12:50.23,Default,,0000,0000,0000,,and perhaps even lies\Nunderneath the marimba,
Dialogue: 0,0:12:50.25,0:12:55.98,Default,,0000,0000,0000,,and you play something\Nthat's so incredibly organ-like, almost --
Dialogue: 0,0:12:56.00,0:12:58.86,Default,,0000,0000,0000,,I don't really have\Nthe right sticks, perhaps --
Dialogue: 0,0:12:58.88,0:13:02.71,Default,,0000,0000,0000,,but something like this --\Nlet me change --
Dialogue: 0,0:13:04.94,0:13:07.47,Default,,0000,0000,0000,,(Soft marimba sounds)
Dialogue: 0,0:13:50.17,0:13:52.80,Default,,0000,0000,0000,,(Soft marimba sounds end)
Dialogue: 0,0:13:52.83,0:13:55.71,Default,,0000,0000,0000,,Something that's so unbelievably simple --
Dialogue: 0,0:13:55.73,0:14:00.05,Default,,0000,0000,0000,,but he would be experiencing\Nsomething that I wouldn't be,
Dialogue: 0,0:14:00.08,0:14:02.49,Default,,0000,0000,0000,,because I'm on top of the sound.
Dialogue: 0,0:14:02.52,0:14:04.78,Default,,0000,0000,0000,,I have the sound coming this way.
Dialogue: 0,0:14:04.81,0:14:08.37,Default,,0000,0000,0000,,He would have the sound\Ncoming through the resonators.
Dialogue: 0,0:14:08.39,0:14:11.52,Default,,0000,0000,0000,,If there were no resonators\Non here, we would have:
Dialogue: 0,0:14:11.89,0:14:16.97,Default,,0000,0000,0000,,(Marimba sounds)
Dialogue: 0,0:14:18.11,0:14:20.42,Default,,0000,0000,0000,,So he would have a fullness of sound
Dialogue: 0,0:14:20.45,0:14:23.45,Default,,0000,0000,0000,,that those of you in the front few rows\Nwouldn't experience,
Dialogue: 0,0:14:23.47,0:14:26.62,Default,,0000,0000,0000,,those of you in the back few rows\Nwouldn't experience, either.
Dialogue: 0,0:14:26.64,0:14:29.73,Default,,0000,0000,0000,,Every single one of us,\Ndepending on where we're sitting,
Dialogue: 0,0:14:29.76,0:14:33.53,Default,,0000,0000,0000,,will experience this sound\Nquite, quite differently.
Dialogue: 0,0:14:33.56,0:14:36.43,Default,,0000,0000,0000,,And of course, being\Nthe participator of the sound,
Dialogue: 0,0:14:36.45,0:14:41.28,Default,,0000,0000,0000,,and that is, starting from the idea\Nof what type of sound
Dialogue: 0,0:14:41.30,0:14:44.59,Default,,0000,0000,0000,,I want to produce,\Nfor example, this sound:
Dialogue: 0,0:14:45.00,0:14:47.00,Default,,0000,0000,0000,,(No sound)
Dialogue: 0,0:14:51.17,0:14:52.34,Default,,0000,0000,0000,,Can you hear anything?
Dialogue: 0,0:14:54.11,0:14:56.85,Default,,0000,0000,0000,,Exactly -- because\NI'm not even touching it.
Dialogue: 0,0:14:56.88,0:14:58.40,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:14:58.43,0:15:03.05,Default,,0000,0000,0000,,But yet, we get the sensation\Nof something happening.
Dialogue: 0,0:15:03.08,0:15:05.64,Default,,0000,0000,0000,,In the same way\Nthat when I see a tree moves,
Dialogue: 0,0:15:05.66,0:15:09.88,Default,,0000,0000,0000,,then I imagine that tree\Nmaking a rustling sound.
Dialogue: 0,0:15:09.90,0:15:11.13,Default,,0000,0000,0000,,Do you see what I mean?
Dialogue: 0,0:15:11.15,0:15:15.27,Default,,0000,0000,0000,,Whatever the eye sees,\Nthen there's always sound happening.
Dialogue: 0,0:15:15.29,0:15:19.49,Default,,0000,0000,0000,,So there's always, always that huge --
Dialogue: 0,0:15:19.51,0:15:23.80,Default,,0000,0000,0000,,I mean, just this kaleidoscope\Nof things to draw from.
Dialogue: 0,0:15:23.82,0:15:29.79,Default,,0000,0000,0000,,So all of my performances\Nare based on entirely what I experience,
Dialogue: 0,0:15:29.82,0:15:32.31,Default,,0000,0000,0000,,and not by learning a piece of music,
Dialogue: 0,0:15:32.34,0:15:34.54,Default,,0000,0000,0000,,putting on someone else's\Ninterpretation of it,
Dialogue: 0,0:15:34.56,0:15:37.74,Default,,0000,0000,0000,,buying all the CDs possible\Nof that particular piece of music,
Dialogue: 0,0:15:37.76,0:15:39.13,Default,,0000,0000,0000,,and so on and so forth,
Dialogue: 0,0:15:39.16,0:15:45.51,Default,,0000,0000,0000,,because that isn't giving me enough\Nof something that is so raw and so basic,
Dialogue: 0,0:15:45.53,0:15:50.66,Default,,0000,0000,0000,,and something that I can fully\Nexperience the journey of.
Dialogue: 0,0:15:50.68,0:15:54.91,Default,,0000,0000,0000,,So it may be that, in certain halls,
Dialogue: 0,0:15:54.93,0:15:59.70,Default,,0000,0000,0000,,this dynamic may well work.
Dialogue: 0,0:16:00.17,0:16:02.46,Default,,0000,0000,0000,,(Soft marimba sounds)
Dialogue: 0,0:16:07.37,0:16:09.37,Default,,0000,0000,0000,,(Soft marimba sounds end)
Dialogue: 0,0:16:09.40,0:16:10.93,Default,,0000,0000,0000,,It may be that in other halls,
Dialogue: 0,0:16:10.95,0:16:14.19,Default,,0000,0000,0000,,they're simply not going\Nto experience that at all,
Dialogue: 0,0:16:14.21,0:16:18.42,Default,,0000,0000,0000,,and so therefore, my level of soft,\Ngentle playing may have to be --
Dialogue: 0,0:16:18.44,0:16:21.60,Default,,0000,0000,0000,,(Marimba sounds)
Dialogue: 0,0:16:40.47,0:16:42.47,Default,,0000,0000,0000,,(Marimba sounds end)
Dialogue: 0,0:16:42.50,0:16:43.84,Default,,0000,0000,0000,,Do you see what I mean?
Dialogue: 0,0:16:43.86,0:16:50.12,Default,,0000,0000,0000,,So, because of this explosion\Nin access to sound,
Dialogue: 0,0:16:50.14,0:16:52.65,Default,,0000,0000,0000,,especially through the Deaf community,
Dialogue: 0,0:16:52.68,0:16:57.10,Default,,0000,0000,0000,,this has not only affected\Nhow music institutions,
Dialogue: 0,0:16:57.13,0:17:03.90,Default,,0000,0000,0000,,how schools for the deaf treat sound,\Nand not just as a means of therapy --
Dialogue: 0,0:17:03.92,0:17:06.54,Default,,0000,0000,0000,,although, of course,\Nbeing a participator of music,
Dialogue: 0,0:17:06.56,0:17:09.16,Default,,0000,0000,0000,,that definitely is the case as well --
Dialogue: 0,0:17:09.18,0:17:14.28,Default,,0000,0000,0000,,but it's meant that acousticians\Nhave had to really think
Dialogue: 0,0:17:14.30,0:17:18.33,Default,,0000,0000,0000,,about the types of halls\Nthey put together.
Dialogue: 0,0:17:18.35,0:17:20.81,Default,,0000,0000,0000,,There are so few halls in this world
Dialogue: 0,0:17:20.84,0:17:26.16,Default,,0000,0000,0000,,that actually have\Nvery good acoustics, dare I say.
Dialogue: 0,0:17:26.18,0:17:31.76,Default,,0000,0000,0000,,But by that I mean, where you can\Nabsolutely do anything you imagine.
Dialogue: 0,0:17:31.79,0:17:36.61,Default,,0000,0000,0000,,The tiniest, softest, softest sound\Nto something that is so broad,
Dialogue: 0,0:17:36.63,0:17:39.35,Default,,0000,0000,0000,,so huge, so incredible.
Dialogue: 0,0:17:39.38,0:17:40.77,Default,,0000,0000,0000,,There's always something:
Dialogue: 0,0:17:40.79,0:17:43.30,Default,,0000,0000,0000,,it may sound good up there,\Nmay not be so good there;
Dialogue: 0,0:17:43.32,0:17:45.46,Default,,0000,0000,0000,,it may be great there,\Nbut terrible up there;
Dialogue: 0,0:17:45.49,0:17:49.67,Default,,0000,0000,0000,,maybe terrible over there,\Nbut not too bad there, etc., etc.
Dialogue: 0,0:17:49.70,0:17:54.12,Default,,0000,0000,0000,,So to find an actual hall is incredible --
Dialogue: 0,0:17:54.14,0:17:58.22,Default,,0000,0000,0000,,for which you can play\Nexactly what you imagine,
Dialogue: 0,0:17:58.24,0:18:01.35,Default,,0000,0000,0000,,without it being cosmetically enhanced.
Dialogue: 0,0:18:01.37,0:18:06.43,Default,,0000,0000,0000,,So therefore, acousticians\Nare actually in conversation
Dialogue: 0,0:18:06.46,0:18:09.75,Default,,0000,0000,0000,,with people who are hearing impaired,
Dialogue: 0,0:18:09.77,0:18:14.62,Default,,0000,0000,0000,,and who are participators of sound.
Dialogue: 0,0:18:14.65,0:18:16.48,Default,,0000,0000,0000,,And this is quite interesting.
Dialogue: 0,0:18:16.50,0:18:20.49,Default,,0000,0000,0000,,I cannot give you any detail
Dialogue: 0,0:18:20.51,0:18:24.25,Default,,0000,0000,0000,,as far as what is actually happening\Nwith those halls,
Dialogue: 0,0:18:24.27,0:18:28.38,Default,,0000,0000,0000,,but it's just the fact\Nthat they are going to a group of people
Dialogue: 0,0:18:28.40,0:18:32.35,Default,,0000,0000,0000,,for whom so many years, we've been saying,
Dialogue: 0,0:18:32.37,0:18:35.72,Default,,0000,0000,0000,,"Well, how on earth can they experience\Nmusic? They're deaf."
Dialogue: 0,0:18:35.74,0:18:39.05,Default,,0000,0000,0000,,We go like that, and we imagine\Nthat's what deafness is about.
Dialogue: 0,0:18:39.08,0:18:42.21,Default,,0000,0000,0000,,Or we go like that, and we imagine\Nthat's what blindness is about.
Dialogue: 0,0:18:42.24,0:18:46.06,Default,,0000,0000,0000,,If we see someone in a wheelchair,\Nwe assume they cannot walk.
Dialogue: 0,0:18:46.08,0:18:49.61,Default,,0000,0000,0000,,It may be that they can walk\Nthree, four, five steps.
Dialogue: 0,0:18:49.63,0:18:52.48,Default,,0000,0000,0000,,That, to them, means they can walk.
Dialogue: 0,0:18:53.59,0:18:56.63,Default,,0000,0000,0000,,In a year's time,\Nit could be two extra steps.
Dialogue: 0,0:18:57.30,0:19:00.05,Default,,0000,0000,0000,,In another year's time, three extra steps.
Dialogue: 0,0:19:00.08,0:19:04.78,Default,,0000,0000,0000,,Those are hugely important\Naspects to think about.
Dialogue: 0,0:19:04.80,0:19:08.98,Default,,0000,0000,0000,,So when we do listen to each other,
Dialogue: 0,0:19:09.00,0:19:12.69,Default,,0000,0000,0000,,it's unbelievably important for us
Dialogue: 0,0:19:12.71,0:19:17.33,Default,,0000,0000,0000,,to really test our listening skills,
Dialogue: 0,0:19:17.36,0:19:20.83,Default,,0000,0000,0000,,to really use our bodies\Nas a resonating chamber,
Dialogue: 0,0:19:20.85,0:19:22.50,Default,,0000,0000,0000,,to stop the judgment.
Dialogue: 0,0:19:22.52,0:19:26.40,Default,,0000,0000,0000,,For me, as a musician who deals\Nwith 99 percent of new music,
Dialogue: 0,0:19:26.42,0:19:28.34,Default,,0000,0000,0000,,it's very easy for me to say,
Dialogue: 0,0:19:28.37,0:19:31.97,Default,,0000,0000,0000,,"Oh yes, I like that piece.\NNo, I don't like that piece," and so on.
Dialogue: 0,0:19:31.99,0:19:37.12,Default,,0000,0000,0000,,And I just find that I have to give\Nthose pieces of music real time.
Dialogue: 0,0:19:37.14,0:19:40.42,Default,,0000,0000,0000,,It may be that the chemistry\Nisn't quite right between myself
Dialogue: 0,0:19:40.44,0:19:42.22,Default,,0000,0000,0000,,and that particular piece of music,
Dialogue: 0,0:19:42.24,0:19:46.72,Default,,0000,0000,0000,,but that doesn't mean I have the right\Nto say it's a bad piece of music.
Dialogue: 0,0:19:47.08,0:19:52.18,Default,,0000,0000,0000,,And you know, one of the great things\Nabout being a musician
Dialogue: 0,0:19:52.20,0:19:55.76,Default,,0000,0000,0000,,is that it is so unbelievably fluid.
Dialogue: 0,0:19:55.78,0:20:00.18,Default,,0000,0000,0000,,So there are no rules, no right,\Nno wrong, this way, that way.
Dialogue: 0,0:20:00.21,0:20:05.04,Default,,0000,0000,0000,,If I asked you to clap --\Nmaybe I can do this.
Dialogue: 0,0:20:05.06,0:20:11.44,Default,,0000,0000,0000,,If I can just say, "Please clap\Nand create the sound of thunder."
Dialogue: 0,0:20:11.46,0:20:14.76,Default,,0000,0000,0000,,I'm assuming we've all\Nexperienced thunder.
Dialogue: 0,0:20:14.78,0:20:16.36,Default,,0000,0000,0000,,Now, I don't mean just the sound;
Dialogue: 0,0:20:16.39,0:20:21.30,Default,,0000,0000,0000,,I mean really listen\Nto that thunder within yourselves.
Dialogue: 0,0:20:21.33,0:20:23.79,Default,,0000,0000,0000,,And please try to create that\Nthrough your clapping.
Dialogue: 0,0:20:23.81,0:20:25.76,Default,,0000,0000,0000,,Try, just -- please try.
Dialogue: 0,0:20:25.78,0:20:29.05,Default,,0000,0000,0000,,(Loud clapping sounds)
Dialogue: 0,0:20:33.56,0:20:34.71,Default,,0000,0000,0000,,(Clapping ends)
Dialogue: 0,0:20:35.10,0:20:36.46,Default,,0000,0000,0000,,Snow.
Dialogue: 0,0:20:36.48,0:20:38.62,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:20:38.64,0:20:39.81,Default,,0000,0000,0000,,Snow.
Dialogue: 0,0:20:39.84,0:20:42.07,Default,,0000,0000,0000,,(Soft clapping sounds)
Dialogue: 0,0:20:42.10,0:20:43.64,Default,,0000,0000,0000,,Have you ever heard snow?
Dialogue: 0,0:20:43.67,0:20:44.82,Default,,0000,0000,0000,,Audience: No.
Dialogue: 0,0:20:44.84,0:20:46.100,Default,,0000,0000,0000,,Evelyn Glennie: Well, then, stop clapping.
Dialogue: 0,0:20:47.02,0:20:48.42,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:20:48.45,0:20:51.65,Default,,0000,0000,0000,,Try again. Try again: snow.
Dialogue: 0,0:20:52.02,0:20:55.06,Default,,0000,0000,0000,,(No sound)
Dialogue: 0,0:20:55.82,0:20:57.43,Default,,0000,0000,0000,,See, you're awake.
Dialogue: 0,0:20:58.10,0:20:59.34,Default,,0000,0000,0000,,Rain.
Dialogue: 0,0:20:59.71,0:21:01.40,Default,,0000,0000,0000,,(Light clapping sounds)
Dialogue: 0,0:21:01.89,0:21:03.34,Default,,0000,0000,0000,,EG: (Laughs)
Dialogue: 0,0:21:04.35,0:21:07.08,Default,,0000,0000,0000,,Not bad. Not bad.
Dialogue: 0,0:21:07.11,0:21:11.86,Default,,0000,0000,0000,,The interesting thing here, though,\Nis that I asked a group of kids
Dialogue: 0,0:21:11.89,0:21:13.59,Default,,0000,0000,0000,,not so long ago
Dialogue: 0,0:21:13.62,0:21:15.78,Default,,0000,0000,0000,,exactly the same question.
Dialogue: 0,0:21:15.80,0:21:19.18,Default,,0000,0000,0000,,Now -- great imagination,\Nthank you very much.
Dialogue: 0,0:21:19.21,0:21:22.03,Default,,0000,0000,0000,,However, not one of you got out\Nof your seats to think,
Dialogue: 0,0:21:22.05,0:21:23.72,Default,,0000,0000,0000,,"Right! How can I clap?
Dialogue: 0,0:21:23.74,0:21:24.97,Default,,0000,0000,0000,,OK, maybe:
Dialogue: 0,0:21:24.99,0:21:27.50,Default,,0000,0000,0000,,(Clapping sounds)
Dialogue: 0,0:21:27.52,0:21:30.36,Default,,0000,0000,0000,,Maybe I can use my jewelry\Nto create extra sounds.
Dialogue: 0,0:21:30.38,0:21:34.42,Default,,0000,0000,0000,,Maybe I can use the other parts\Nof my body to create extra sounds."
Dialogue: 0,0:21:34.44,0:21:39.83,Default,,0000,0000,0000,,Not a single one of you thought\Nabout clapping in a slightly different way
Dialogue: 0,0:21:39.86,0:21:42.97,Default,,0000,0000,0000,,other than sitting in your seats\Nthere and using two hands.
Dialogue: 0,0:21:42.100,0:21:45.14,Default,,0000,0000,0000,,In the same way, when we listen to music,
Dialogue: 0,0:21:45.17,0:21:49.11,Default,,0000,0000,0000,,we assume that it's all being\Nfed through here.
Dialogue: 0,0:21:49.13,0:21:51.68,Default,,0000,0000,0000,,This is how we experience music.
Dialogue: 0,0:21:51.70,0:21:53.37,Default,,0000,0000,0000,,Of course, it's not.
Dialogue: 0,0:21:53.40,0:21:56.22,Default,,0000,0000,0000,,We experience thunder, thunder, thunder.
Dialogue: 0,0:21:56.24,0:21:57.44,Default,,0000,0000,0000,,Think, think, think.
Dialogue: 0,0:21:57.46,0:21:59.35,Default,,0000,0000,0000,,Listen, listen, listen.
Dialogue: 0,0:21:59.85,0:22:03.60,Default,,0000,0000,0000,,Now, what can we do with thunder?
Dialogue: 0,0:22:04.27,0:22:09.66,Default,,0000,0000,0000,,I remember my teacher, when I first\Nstarted, my very first lesson,
Dialogue: 0,0:22:09.68,0:22:13.07,Default,,0000,0000,0000,,I was all prepared\Nwith sticks, ready to go.
Dialogue: 0,0:22:13.09,0:22:17.89,Default,,0000,0000,0000,,And instead of him saying,\N"OK, Evelyn, please, feet slightly apart,
Dialogue: 0,0:22:17.91,0:22:23.75,Default,,0000,0000,0000,,arms at a more or less 90-degree angle,\Nsticks in a more or less V shape,
Dialogue: 0,0:22:23.78,0:22:26.82,Default,,0000,0000,0000,,keep this amount of space here, etc.
Dialogue: 0,0:22:26.84,0:22:29.40,Default,,0000,0000,0000,,Please keep your back straight,\Netc., etc., etc." --
Dialogue: 0,0:22:29.42,0:22:33.59,Default,,0000,0000,0000,,where I was just probably going to end up\Nabsolutely rigid, frozen,
Dialogue: 0,0:22:33.61,0:22:35.62,Default,,0000,0000,0000,,and I would not be able to strike the drum
Dialogue: 0,0:22:35.64,0:22:37.86,Default,,0000,0000,0000,,because I was thinking\Nof so many other things,
Dialogue: 0,0:22:37.89,0:22:40.45,Default,,0000,0000,0000,,he said, "Evelyn, take this drum\Naway for seven days,
Dialogue: 0,0:22:40.48,0:22:42.26,Default,,0000,0000,0000,,and I'll see you next week."
Dialogue: 0,0:22:42.28,0:22:44.69,Default,,0000,0000,0000,,So -- heavens! What was I to do?
Dialogue: 0,0:22:44.71,0:22:47.19,Default,,0000,0000,0000,,I no longer required the sticks.
Dialogue: 0,0:22:47.22,0:22:49.36,Default,,0000,0000,0000,,I wasn't allowed to have these sticks.
Dialogue: 0,0:22:49.39,0:22:53.02,Default,,0000,0000,0000,,I had to basically look\Nat this particular drum,
Dialogue: 0,0:22:53.05,0:22:54.72,Default,,0000,0000,0000,,see how it was made,
Dialogue: 0,0:22:54.74,0:22:57.76,Default,,0000,0000,0000,,what these little lugs did,\Nwhat the snares did.
Dialogue: 0,0:22:57.78,0:23:00.74,Default,,0000,0000,0000,,Turned it upside down,\Nexperimented with the shell.
Dialogue: 0,0:23:00.76,0:23:02.47,Default,,0000,0000,0000,,(Drum sounds)
Dialogue: 0,0:23:02.50,0:23:03.84,Default,,0000,0000,0000,,Experimented with the head.
Dialogue: 0,0:23:03.87,0:23:05.33,Default,,0000,0000,0000,,(Drum sounds)
Dialogue: 0,0:23:05.35,0:23:07.13,Default,,0000,0000,0000,,Experimented with my body.
Dialogue: 0,0:23:07.16,0:23:08.95,Default,,0000,0000,0000,,(Drum sounds)
Dialogue: 0,0:23:08.98,0:23:10.80,Default,,0000,0000,0000,,Experimented with jewelry.
Dialogue: 0,0:23:10.82,0:23:12.91,Default,,0000,0000,0000,,Experimented with all sorts of things.
Dialogue: 0,0:23:12.94,0:23:16.32,Default,,0000,0000,0000,,(Drum sounds)
Dialogue: 0,0:23:19.36,0:23:21.83,Default,,0000,0000,0000,,(Drum sounds end)
Dialogue: 0,0:23:23.18,0:23:26.38,Default,,0000,0000,0000,,And of course, I returned\Nwith all sorts of bruises.
Dialogue: 0,0:23:26.41,0:23:27.66,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:23:27.68,0:23:31.04,Default,,0000,0000,0000,,But nevertheless, it was such\Nan unbelievable experience,
Dialogue: 0,0:23:31.06,0:23:35.77,Default,,0000,0000,0000,,because where on earth are you going\Nto experience that in a piece of music?
Dialogue: 0,0:23:35.79,0:23:39.78,Default,,0000,0000,0000,,Where on earth are you going\Nto experience that in a study book?
Dialogue: 0,0:23:39.80,0:23:43.51,Default,,0000,0000,0000,,So we never, ever dealt\Nwith actual study books.
Dialogue: 0,0:23:43.53,0:23:46.19,Default,,0000,0000,0000,,So for example,\None of the things that we learn
Dialogue: 0,0:23:46.21,0:23:50.89,Default,,0000,0000,0000,,when we are dealing\Nwith being a percussion player
Dialogue: 0,0:23:50.92,0:23:52.28,Default,,0000,0000,0000,,as opposed to a musician,
Dialogue: 0,0:23:52.30,0:23:55.91,Default,,0000,0000,0000,,is basically, straightforward\Nsingle-stroke rolls.
Dialogue: 0,0:23:55.93,0:23:59.55,Default,,0000,0000,0000,,(Drum sounds)
Dialogue: 0,0:23:59.58,0:24:01.69,Default,,0000,0000,0000,,Like that, and then\Nwe get a little faster --
Dialogue: 0,0:24:01.71,0:24:02.88,Default,,0000,0000,0000,,(Drum sounds)
Dialogue: 0,0:24:02.90,0:24:04.10,Default,,0000,0000,0000,,and a little faster --
Dialogue: 0,0:24:04.12,0:24:05.30,Default,,0000,0000,0000,,(Drum sounds)
Dialogue: 0,0:24:05.33,0:24:07.81,Default,,0000,0000,0000,,and a little faster,\Nand so on and so forth.
Dialogue: 0,0:24:07.83,0:24:09.27,Default,,0000,0000,0000,,What does this piece require?
Dialogue: 0,0:24:09.30,0:24:10.67,Default,,0000,0000,0000,,Single-stroke rolls.
Dialogue: 0,0:24:10.69,0:24:13.89,Default,,0000,0000,0000,,(Drum sound)
Dialogue: 0,0:24:13.92,0:24:17.38,Default,,0000,0000,0000,,So why can't I then do that\Nwhilst learning a piece of music?
Dialogue: 0,0:24:17.40,0:24:20.22,Default,,0000,0000,0000,,And that's exactly what he did.
Dialogue: 0,0:24:20.24,0:24:25.60,Default,,0000,0000,0000,,And interestingly, the older I became,\Nand when I became a full-time student
Dialogue: 0,0:24:25.62,0:24:30.88,Default,,0000,0000,0000,,at a so-called "music institution,"\Nall of that went out of the window.
Dialogue: 0,0:24:30.90,0:24:33.64,Default,,0000,0000,0000,,We had to study from study books.
Dialogue: 0,0:24:33.67,0:24:37.77,Default,,0000,0000,0000,,And constantly, the question, "Well, why?\NWhy? What is this relating to?
Dialogue: 0,0:24:37.79,0:24:39.39,Default,,0000,0000,0000,,I need to play a piece of music."
Dialogue: 0,0:24:39.42,0:24:41.17,Default,,0000,0000,0000,,"Well, this will help your control."
Dialogue: 0,0:24:41.20,0:24:43.76,Default,,0000,0000,0000,,"Well, how? Why do I need to learn that?
Dialogue: 0,0:24:43.78,0:24:46.28,Default,,0000,0000,0000,,I need to relate it to a piece of music.
Dialogue: 0,0:24:46.31,0:24:48.87,Default,,0000,0000,0000,,You know, I need to say something.
Dialogue: 0,0:24:48.89,0:24:51.00,Default,,0000,0000,0000,,Why am I practicing paradiddles?
Dialogue: 0,0:24:51.02,0:24:55.01,Default,,0000,0000,0000,,(Drum sounds)
Dialogue: 0,0:24:55.03,0:24:58.90,Default,,0000,0000,0000,,Is it just literally for control,\Nfor hand-stick control?
Dialogue: 0,0:24:58.92,0:25:00.30,Default,,0000,0000,0000,,Why am I doing that?
Dialogue: 0,0:25:00.33,0:25:02.73,Default,,0000,0000,0000,,I need to have the reason,
Dialogue: 0,0:25:02.75,0:25:08.33,Default,,0000,0000,0000,,and the reason has to be by saying\Nsomething through the music."
Dialogue: 0,0:25:08.36,0:25:12.85,Default,,0000,0000,0000,,And by saying something through music,\Nwhich basically is sound,
Dialogue: 0,0:25:12.88,0:25:17.25,Default,,0000,0000,0000,,we then can reach all sorts\Nof things to all sorts of people.
Dialogue: 0,0:25:17.27,0:25:21.52,Default,,0000,0000,0000,,But I don't want to take responsibility\Nof your emotional baggage.
Dialogue: 0,0:25:21.54,0:25:23.77,Default,,0000,0000,0000,,That's up to you,\Nwhen you walk through a hall,
Dialogue: 0,0:25:23.79,0:25:29.13,Default,,0000,0000,0000,,because that then determines\Nwhat and how we listen to certain things.
Dialogue: 0,0:25:29.15,0:25:34.43,Default,,0000,0000,0000,,I may feel sorrowful, or happy,\Nor exhilarated, or angry
Dialogue: 0,0:25:34.46,0:25:36.24,Default,,0000,0000,0000,,when I play certain pieces of music,
Dialogue: 0,0:25:36.27,0:25:41.14,Default,,0000,0000,0000,,but I'm not necessarily wanting you\Nto feel exactly the same thing.
Dialogue: 0,0:25:41.17,0:25:44.27,Default,,0000,0000,0000,,So please, the next time\Nyou go to a concert,
Dialogue: 0,0:25:44.30,0:25:47.94,Default,,0000,0000,0000,,just allow your body to open up,
Dialogue: 0,0:25:47.96,0:25:51.05,Default,,0000,0000,0000,,allow your body to be\Nthis resonating chamber.
Dialogue: 0,0:25:51.07,0:25:54.35,Default,,0000,0000,0000,,Be aware that you're not going\Nto experience the same thing
Dialogue: 0,0:25:54.37,0:25:56.08,Default,,0000,0000,0000,,as the performer is.
Dialogue: 0,0:25:56.10,0:25:59.84,Default,,0000,0000,0000,,The performer is in the worst possible\Nposition for the actual sound,
Dialogue: 0,0:25:59.87,0:26:03.42,Default,,0000,0000,0000,,because they're hearing\Nthe contact of the stick --
Dialogue: 0,0:26:03.45,0:26:04.96,Default,,0000,0000,0000,,(Drum sound)
Dialogue: 0,0:26:04.98,0:26:07.85,Default,,0000,0000,0000,,on the drum, or the mallet\Non the bit of wood,
Dialogue: 0,0:26:07.88,0:26:10.06,Default,,0000,0000,0000,,or the bow on the string, etc.,
Dialogue: 0,0:26:10.09,0:26:14.22,Default,,0000,0000,0000,,or the breath that's creating\Nthe sound from wind and brass.
Dialogue: 0,0:26:14.25,0:26:16.77,Default,,0000,0000,0000,,They're experiencing that rawness there.
Dialogue: 0,0:26:16.79,0:26:20.64,Default,,0000,0000,0000,,But yet they're experiencing\Nsomething so unbelievably pure,
Dialogue: 0,0:26:20.66,0:26:24.50,Default,,0000,0000,0000,,which is before the sound\Nis actually happening.
Dialogue: 0,0:26:24.52,0:26:31.08,Default,,0000,0000,0000,,Please take note of the life of the sound\Nafter the actual initial strike,
Dialogue: 0,0:26:31.10,0:26:33.50,Default,,0000,0000,0000,,or breath, is being pulled.
Dialogue: 0,0:26:33.53,0:26:37.78,Default,,0000,0000,0000,,Just experience the whole\Njourney of that sound
Dialogue: 0,0:26:37.80,0:26:41.40,Default,,0000,0000,0000,,in the same way that I wished\NI'd experienced the whole journey
Dialogue: 0,0:26:41.42,0:26:45.85,Default,,0000,0000,0000,,of this particular conference,\Nrather than just arriving last night.
Dialogue: 0,0:26:45.88,0:26:50.53,Default,,0000,0000,0000,,But I hope maybe we can share\None or two things as the day progresses.
Dialogue: 0,0:26:50.56,0:26:53.30,Default,,0000,0000,0000,,But thank you very much for having me!
Dialogue: 0,0:26:53.32,0:26:56.55,Default,,0000,0000,0000,,(Applause)
Dialogue: 0,0:26:59.26,0:27:00.96,Default,,0000,0000,0000,,(Applause ends)
Dialogue: 0,0:27:12.96,0:27:15.98,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:31:37.63,0:31:39.90,Default,,0000,0000,0000,,(Music ends)
Dialogue: 0,0:31:43.24,0:31:50.24,Default,,0000,0000,0000,,(Applause)