WEBVTT

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(música eletrônica ambiente)

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(barulho de trem)

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(pessoas conversando)

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TANIA BRUGUERA: A estratégia do projeto Movimento Imigrante

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é abrir portas para as coisas que você já sabe,

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então encontrando algo que você já conhece,

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você sente que sabe o que está acontecendo

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e depois, isso te leva a lugares que você não conhece.

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(pessoas conversando)

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Para mim, o momento mais importante para uma peça de arte

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é quando as pessoas não tem certeza se aquilo é arte ou não,

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e este momento, para mim, é o mais produtivo.

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(música tradicional)

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Eu sou artista e preciso defender isso, porque estou indo além da arte

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porque estou tentando fazer coisas que não são vistas como arte.

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Como uma artista política, sempre quero que meu trabalho tenha consequências reais.

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O maior objetivo do Movimento Imigrante no começo dele

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era repensar a representação política dos imigrantes.

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Por que? Porque uma vez que você
se torna um imigrante,

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a primeira coisa
que é tirada de você

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é a oportunidade de falar sobre política

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e sobre você mesmo como
um ser humano político

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(música de cordas)

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Sinto que precisava fazer um movimento
de imigrantes nos EUA,

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porque quando alguém pergunta: 
"Onde você quer morar?"

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para qualquer pessoa no mundo,
ela diz: "Estados Unidos".

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(música tradicional em língua estrangeira)

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As pessoas no Movimento Imigrante
estão usando a arte

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para se empoderarem e para mudarem 
como pessoas e seres humanos

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Quero dar as boas-vindas a todos
a essa reunião

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no final desse ciclo do Movimento Imigrante.

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Estamos muito contentes com tudo,

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com os professores

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e com as pessoas que vêm aqui

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que fizeram do Movimento Imigrante

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a sua casa

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(barulho de trem)

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O Movimento Imigrante tem sido
diferente dos outros projetos.

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(barulho de cascos de cavalo)

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Para outros projetos, eu abri portas diferentes.

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A ideia completa da série Tatlin's Whisper
saiu do sentimento desconfortável

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que tive com as notícias,

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com o fato de que, como telespectadores das notícias,

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de um jeito estamos anestesiados
com um pouco das questões atuais.

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Eu fiz outros projetos, mas os que sobreviveram são

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o Tatlin's Whisper 5 e o Tatlin's Whisper 6,

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e no primeiro, eu quis trazer a polícia montada

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e pedir a eles para trabalharem normalmente,

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mas fazerem isso com pessoas no museu
ao invés de manifestantes.

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[POLICIAL] Esses são seus filhos?

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[VISITANTE] Sim.

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Eles poderiam ficar perto do pai ou da mãe?

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Isso, para não ficarem muito perto do cavalo.

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Que amável,

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muito bem.

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Okay, agora o cavalo vai andar para frente.

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Você poderia ficar ao lado, por favor?

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Que amável,

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muito obrigada,

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espere aí.

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[TANIA] Sempre senti que é muito fácil
apenas olhar para as notícias

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de algo acontecendo em outro lugar

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e apenas sentar e trocar de canal

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e eu queria que as pessoas entendessem como é

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ter a polícia com um cavalo indo atrás de você

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e te dizendo "Vá para lá, vá para lá",
como isso te faz sentir.

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(barulho de cascos de cavalo)

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Então pensei que é interessante

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encenar a repressão, sabendo que
o que você está fazendo

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na verdade protege pessoas.

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O segundo projeto, Tatlin's Whisper 6

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é onde uso toda a teatralidade,

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o espetáculo de um evento político em Cuba

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que é principalmente o pódio

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e um momento bem simples
de expectativa de discurso

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e também foi interessante que
em certo ponto,

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Fidel tinha desaparecido das notícias,

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mas ele é alguém que sentimos
um vazio na liderança,

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mesmo que o irmão tenha entrado,

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ele não fez mudanças ou
presença suficientes.

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