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(조용한 전자음악)

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(기차가 덜커덕 거리는 소리)

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(사람들의 대화 소리)

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타니아 부르게라: 이민 운동 프로젝트(Immigrant Movement project)의 전략은

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사람들이 이미 아는 것들의 문을 여는 것입니다.

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그러므로 이미 아는 무언가에 들어감으로써

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무슨 일이 일어나는지 이해한다고 느낄 수 있습니다.

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그리고 그렇기 때문에 이후에는 알지 못하는 다른 장소로 걸어들어갈 수도 있어요.

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(군중이 대화하는 소리)

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저한테, 예술작품을 만드는데 가장 중요한 순간은

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사람들이 그것이 예술인지 아닌지 모를 때입니다.

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그리고 이것이 저에게는 가장 생산적인 순간이에요.

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(경쾌한 전통 음악)

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저는 예술가입니다. 그리고 저 자신을 변호해야 합니다. 왜냐하면 제가 예술을 넘어선

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영역에까지 가려고 하고, 예술이라고 사람들이 간주하지 않는 일들을 시도하기 때문입니다.

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정치 예술사로서, 저는 저의 작품이 언제나 결과를 내기를 원합니다.

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처음 시작할 때 이민 운동의 주요한 목표는

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이민자들의 정치적 진술에 대해서 다시 생각하는 것이었습니다.

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왜냐고요?

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만약 여러분이 이민자가 된다면, 여러분이 맨 처음 경험할 수 있는 일은

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정치에 대해 이야기하고 정치적 존재로서 이야기할 기회를 박탈당하는

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것일 겁니다.

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(대담한 스트링 음악)

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저는 미국에서 이민자 운동을 해야 한다고 생각했습니다.

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왜냐하면 "어디에 살고 싶으세요?"라고 물어봤을 때 그들이 "미국이요"라고 말할 확률이 높으니까요.

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(경쾌한 전통 음악)

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(외국어로 노래함)

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이민운동에 참여한 사람들은 예술을

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자신을 보호하기 위한 수단으로, 그리고 사람들을 변화시키는 데 사용해요.

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저는 이민자 운동의 사이클과 그 맨 끝에서 만나게 되는

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이 모임에 오신 여러분을 환영하고 싶습니다.

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우리는 모든 것 때문에 행복합니다.

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선생님들과

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여기에 오신 분들

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이민자 운동을 그들의 터전으로

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만든 사람들을요.

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(기차가 덜컥거리는 소리)

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이민자 운동은 다른 프로젝트들과는 아주 다릅니다.

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(말발굽 소리)

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다른 작품들을 통해서 저는 다른 문을 열었습니다.

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타틀린의 속삭임 시리즈에서 사용했던 아이디어는 뉴스를 보면서 제가 받았던

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불편한 감정에서 나왔습니다.

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뉴스의 시청자로서 우리는 어떤 문제에서 마비된 감각을 가지게

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될 수 있습니다.

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저는 다른 시리즈들도 만들었는데, 그중에 성공적이었던 것이

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타틀린의 속삭임 5와 6이었습니다.

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첫 번째 시리즈에서 저는 말을 탄 경찰을 출연시키고 싶었습니다.

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그리고 그들에게 일상적인 일을 하라고 시키는 거죠.

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그러나 시위자들이 아닌 미술관에 방문한 사람들과 함께 이 일을 했습니다.

50
00:04:03,590 --> 00:04:04,993
[경찰관] 이들이 당신의 아이들입니까?

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[방문자] 네.

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엄마나 아빠와 함께 설 수 있나요?

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그거에요. 그들이 너무 가까워요.

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아주 좋아요.

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잘했어요.

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좋아요. 말이 앞으로 걸을거에요.

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옆으로 비켜 서주실 수 있나요?

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잘했어요.

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아주 고맙습니다.

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거기에서 기다리세요.

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[타니아] 저는 다른 곳에서 일어나는 뉴스를 보는 것이 너무 쉽다고

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언제나 생각했습니다.

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그냥 앉아서 채널을 바꾸는게 다니까요.

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그리고 저는 사람들이 이해하기를 바랐어요.

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언제 경찰관이 당신에게 다가와서

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"저쪽으로 가세요"라고 말할 때 어떤 느낌을 받는지에 대해서요.

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(말이 발굽소리를 냄)

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어쩐 장소에서 억압을 받을 때

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당신이 실제로 하는 일이 사람들을 보호하는 일이라는

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사실이 아주 인상적이었다고 생각을 합니다.

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두번째는 타틀린의 속삭임 #6입니다.

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저는 이 작품에서 모든 연출법을 다 사용했어요. 쿠바의 정치적 사건들을 전면에 내세웠습니다.

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이 작품에서 연단이 맨 앞에 나오고 있고요 연설을 들기를 기대하는 사람들이 보이는

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아주 단순한 순간입니다.

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또한 이 지점에서부터

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피델이

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00:16:51,195 --> 00:16:52,966


273
00:16:53,877 --> 00:16:57,790


274
00:17:00,935 --> 00:17:05,149


275
00:17:05,149 --> 00:17:06,119


276
00:17:06,400 --> 00:17:11,669


277
00:17:12,370 --> 00:17:16,079


278
00:17:16,079 --> 00:17:20,596


279
00:17:20,596 --> 00:17:24,484


280
00:17:24,484 --> 00:17:30,935


281
00:17:40,280 --> 00:17:43,103


282
00:17:43,103 --> 00:17:46,483


283
00:17:46,483 --> 00:17:50,193


284
00:17:50,193 --> 00:17:52,463


285
00:17:52,463 --> 00:17:55,873


286
00:17:57,034 --> 00:17:59,548


287
00:17:59,548 --> 00:18:01,240


288
00:18:01,240 --> 00:18:05,896


289
00:18:06,434 --> 00:18:09,789


290
00:18:09,789 --> 00:18:15,257


291
00:18:15,257 --> 00:18:20,018