[Script Info]
Title: 
[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Dialogue: 0,0:00:16.42,0:00:19.22,Default,,0000,0000,0000,,When you grow up \Nin a musical family as I did,
Dialogue: 0,0:00:19.62,0:00:23.20,Default,,0000,0000,0000,,it never occurs to you \Nnot to be a musician.
Dialogue: 0,0:00:23.64,0:00:27.64,Default,,0000,0000,0000,,As part of family activities \Nyou sing and dance together.
Dialogue: 0,0:00:27.88,0:00:30.61,Default,,0000,0000,0000,,No, really, that's what we do.
Dialogue: 0,0:00:31.19,0:00:36.04,Default,,0000,0000,0000,,And as you grow older, \Nyou find your own path.
Dialogue: 0,0:00:36.26,0:00:41.47,Default,,0000,0000,0000,,For me, it's the piano. \NIt's become my musical voice.
Dialogue: 0,0:00:42.34,0:00:46.34,Default,,0000,0000,0000,,At some point as you go \Ndeeper into this musical world,
Dialogue: 0,0:00:46.54,0:00:49.26,Default,,0000,0000,0000,,you typically learn and become conversant
Dialogue: 0,0:00:49.26,0:00:52.40,Default,,0000,0000,0000,,in the formal language \Nof your preferred music.
Dialogue: 0,0:00:52.63,0:00:56.33,Default,,0000,0000,0000,,This is true of classical \Nmusical systems worldwide.
Dialogue: 0,0:00:57.05,0:01:01.03,Default,,0000,0000,0000,,You learn the symbol system \Nof your preferred music.
Dialogue: 0,0:01:01.83,0:01:07.63,Default,,0000,0000,0000,,These symbols convey musical concepts \Nand practices of your preferred music.
Dialogue: 0,0:01:08.09,0:01:11.02,Default,,0000,0000,0000,,They also make it possible
Dialogue: 0,0:01:11.02,0:01:15.82,Default,,0000,0000,0000,,to preserve musical \Ncreations for the ages
Dialogue: 0,0:01:15.82,0:01:20.24,Default,,0000,0000,0000,,and to transfer musical ideas \Nto other musicians.
Dialogue: 0,0:01:20.81,0:01:24.12,Default,,0000,0000,0000,,So as a result of this kind of process,
Dialogue: 0,0:01:24.71,0:01:29.95,Default,,0000,0000,0000,,the musical score, that written document, \Nhas become extremely important.
Dialogue: 0,0:01:30.27,0:01:35.76,Default,,0000,0000,0000,,And musicians who know how to "read" \Nmusic are highly valued.
Dialogue: 0,0:01:36.34,0:01:40.09,Default,,0000,0000,0000,,Whether it's the shakuhachi, \Ntradition of Japan,
Dialogue: 0,0:01:40.33,0:01:45.13,Default,,0000,0000,0000,,or the chromatic musical system \Nof South India,
Dialogue: 0,0:01:45.52,0:01:49.06,Default,,0000,0000,0000,,or Gregorian Chant, Beethoven,
Dialogue: 0,0:01:49.06,0:01:53.16,Default,,0000,0000,0000,,movie music, patriotic songs,
Dialogue: 0,0:01:53.16,0:01:55.94,Default,,0000,0000,0000,,the musical score makes it \Npossible to recreate \N
Dialogue: 0,0:01:55.94,0:01:59.14,Default,,0000,0000,0000,,a musical experience any time, anywhere.
Dialogue: 0,0:01:59.95,0:02:04.62,Default,,0000,0000,0000,,As result, most of our music \Narrives to us ready-made.
Dialogue: 0,0:02:05.44,0:02:09.09,Default,,0000,0000,0000,,Ready-made for our consumption, \Nour entertainment,
Dialogue: 0,0:02:09.35,0:02:11.01,Default,,0000,0000,0000,,our enlightenment.
Dialogue: 0,0:02:11.69,0:02:17.02,Default,,0000,0000,0000,,We are typically passive consumers \Nof ready-made music,
Dialogue: 0,0:02:18.01,0:02:24.29,Default,,0000,0000,0000,,delivered to us by musicians who are \Nliterate in that musical system.
Dialogue: 0,0:02:25.99,0:02:32.75,Default,,0000,0000,0000,,But there is another world of music \Nwhere the emphasis is on doing it.
Dialogue: 0,0:02:32.98,0:02:35.60,Default,,0000,0000,0000,,Everyone, doing it.
Dialogue: 0,0:02:36.47,0:02:38.23,Default,,0000,0000,0000,,Let's go there.
Dialogue: 0,0:02:40.01,0:02:43.83,Default,,0000,0000,0000,,(Singing)
Dialogue: 0,0:02:47.31,0:02:51.31,Default,,0000,0000,0000,,(Singing)
Dialogue: 0,0:02:54.58,0:02:57.56,Default,,0000,0000,0000,,(Stamping and clapping)\NCome on.
Dialogue: 0,0:03:01.78,0:03:05.24,Default,,0000,0000,0000,,Shh...\N(Softer stamping and clapping)
Dialogue: 0,0:03:07.14,0:03:10.13,Default,,0000,0000,0000,,(Louder clapping)
Dialogue: 0,0:03:11.42,0:03:12.79,Default,,0000,0000,0000,,(Clapping stopped)
Dialogue: 0,0:03:13.61,0:03:16.87,Default,,0000,0000,0000,,(Singing)
Dialogue: 0,0:03:20.12,0:03:23.82,Default,,0000,0000,0000,,(Audience singing together)
Dialogue: 0,0:03:28.75,0:03:32.62,Default,,0000,0000,0000,,Okay, when did you get the music?
Dialogue: 0,0:03:35.00,0:03:39.28,Default,,0000,0000,0000,,When did you get the score? \NWhen did you learn the music?
Dialogue: 0,0:03:40.81,0:03:46.06,Default,,0000,0000,0000,,This is a fine example of the difference
Dialogue: 0,0:03:46.06,0:03:51.11,Default,,0000,0000,0000,,between music as a product,\Nmeaning the musical score,
Dialogue: 0,0:03:51.52,0:03:55.95,Default,,0000,0000,0000,,and the doing of it,\Nthe musical process.
Dialogue: 0,0:03:56.54,0:03:59.00,Default,,0000,0000,0000,,And this little improvisation
Dialogue: 0,0:03:59.00,0:04:04.81,Default,,0000,0000,0000,,was made possible because \Nwe're all born musical.
Dialogue: 0,0:04:05.47,0:04:12.06,Default,,0000,0000,0000,,That's right. You are born musical. \NWe're all born musical.
Dialogue: 0,0:04:13.44,0:04:15.79,Default,,0000,0000,0000,,What does that mean?
Dialogue: 0,0:04:16.57,0:04:19.40,Default,,0000,0000,0000,,You were born with \Ncertain musical capacities. \N
Dialogue: 0,0:04:19.40,0:04:21.66,Default,,0000,0000,0000,,They're innate.
Dialogue: 0,0:04:21.66,0:04:25.97,Default,,0000,0000,0000,,Let's think back on what\Nwe just did as an improvisation.
Dialogue: 0,0:04:27.09,0:04:30.95,Default,,0000,0000,0000,,I sang out a melody to you
Dialogue: 0,0:04:30.95,0:04:35.74,Default,,0000,0000,0000,,and your brain discerned\Nthat those were different pitches.
Dialogue: 0,0:04:35.74,0:04:38.60,Default,,0000,0000,0000,,That's called pitch discrimination.
Dialogue: 0,0:04:39.36,0:04:43.04,Default,,0000,0000,0000,,Then, I set a tempo \Nand a rhythmic pattern.
Dialogue: 0,0:04:43.04,0:04:47.49,Default,,0000,0000,0000,,You found the beat \Nand used your body to join in.
Dialogue: 0,0:04:47.49,0:04:50.38,Default,,0000,0000,0000,,That's called rhythmic entrainment.
Dialogue: 0,0:04:50.96,0:04:55.95,Default,,0000,0000,0000,,Then, you remembered the melody \Nthat I sang. You sang back to me.
Dialogue: 0,0:04:55.95,0:04:58.43,Default,,0000,0000,0000,,That's called musical memory.
Dialogue: 0,0:04:58.94,0:05:04.21,Default,,0000,0000,0000,,Pitch discrimination, \Nrhythmic entrainment, musical memory.
Dialogue: 0,0:05:04.70,0:05:07.39,Default,,0000,0000,0000,,These are things that you were born with.
Dialogue: 0,0:05:07.39,0:05:11.79,Default,,0000,0000,0000,,You didn't have to learn it. \NYou didn't have to buy it.
Dialogue: 0,0:05:11.79,0:05:16.48,Default,,0000,0000,0000,,They're virtually yours \Nfor being a Homo sapiens.
Dialogue: 0,0:05:18.15,0:05:25.10,Default,,0000,0000,0000,,We know this because new research \Nhas focused on infants and babies.
Dialogue: 0,0:05:26.27,0:05:31.33,Default,,0000,0000,0000,,Let's stick right now with\Nrhythmic entrainment.
Dialogue: 0,0:05:33.65,0:05:35.32,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:05:35.32,0:05:39.85,Default,,0000,0000,0000,,Here is a baby, just being balanced, \Nlistening to a drum track.
Dialogue: 0,0:05:40.46,0:05:42.76,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:05:42.76,0:05:44.83,Default,,0000,0000,0000,,She can't get enough with this.
Dialogue: 0,0:05:45.39,0:05:47.39,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:05:49.37,0:05:51.13,Default,,0000,0000,0000,,(Music stops)
Dialogue: 0,0:05:52.74,0:05:54.88,Default,,0000,0000,0000,,What this kind of research \Nhas shown us
Dialogue: 0,0:05:54.88,0:05:58.93,Default,,0000,0000,0000,,is that our brains are \Nbeautifully wired for music.
Dialogue: 0,0:05:59.46,0:06:02.77,Default,,0000,0000,0000,,This is not a right-brain, \Nleft-brain world.
Dialogue: 0,0:06:03.26,0:06:08.52,Default,,0000,0000,0000,,The music receptors in your brain \Nare all over the brain.
Dialogue: 0,0:06:10.10,0:06:12.90,Default,,0000,0000,0000,,Regardless of your preferred music.
Dialogue: 0,0:06:14.21,0:06:16.02,Default,,0000,0000,0000,,So this raises a question:
Dialogue: 0,0:06:16.02,0:06:21.53,Default,,0000,0000,0000,,if all of this in innate\Nand we're all pre-wired for music,
Dialogue: 0,0:06:22.100,0:06:25.84,Default,,0000,0000,0000,,what about other species?
Dialogue: 0,0:06:26.26,0:06:29.25,Default,,0000,0000,0000,,Let's stick with rhythmic \Nentrainment for the moment.
Dialogue: 0,0:06:30.20,0:06:32.01,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:06:32.01,0:06:33.92,Default,,0000,0000,0000,,Here is Snowball.
Dialogue: 0,0:06:33.92,0:06:37.07,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:06:37.07,0:06:43.62,Default,,0000,0000,0000,,(Music) (Laughter)
Dialogue: 0,0:06:54.38,0:06:56.98,Default,,0000,0000,0000,,(End of music) (Applause)
Dialogue: 0,0:06:57.94,0:07:00.06,Default,,0000,0000,0000,,He could do this all day.
Dialogue: 0,0:07:00.06,0:07:01.45,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:07:01.45,0:07:06.88,Default,,0000,0000,0000,,Okay, how about a sea lion? \NHere is Roland.
Dialogue: 0,0:07:08.86,0:07:12.57,Default,,0000,0000,0000,,(Music)
Dialogue: 0,0:07:17.27,0:07:20.38,Default,,0000,0000,0000,,(Same music, with faster tempo)
Dialogue: 0,0:07:26.45,0:07:30.75,Default,,0000,0000,0000,,This is my research with \Nour closest primate cousin: bonobo.
Dialogue: 0,0:07:31.21,0:07:34.35,Default,,0000,0000,0000,,(Bonobo drumming)
Dialogue: 0,0:07:35.17,0:07:40.49,Default,,0000,0000,0000,,(Voices of people talking to the bonobos)
Dialogue: 0,0:07:47.82,0:07:50.94,Default,,0000,0000,0000,,Okay, that's rhythmic entrainment.
Dialogue: 0,0:07:50.94,0:07:54.39,Default,,0000,0000,0000,,What about pitch discrimination \Nand musical memory?
Dialogue: 0,0:07:56.21,0:07:59.82,Default,,0000,0000,0000,,(Humpback whale calls)
Dialogue: 0,0:08:12.58,0:08:17.02,Default,,0000,0000,0000,,Let me talk a little bit about \Nhumpback whale song.
Dialogue: 0,0:08:17.80,0:08:25.40,Default,,0000,0000,0000,,All the males in a specific ocean \Nsing the same seasonal song.
Dialogue: 0,0:08:26.40,0:08:31.31,Default,,0000,0000,0000,,And they create this seasonal song \Nas a collaborative effort.
Dialogue: 0,0:08:31.31,0:08:36.18,Default,,0000,0000,0000,,It's done by one whale singing out phrase
Dialogue: 0,0:08:36.18,0:08:38.56,Default,,0000,0000,0000,,and if it's sung back to him,
Dialogue: 0,0:08:38.56,0:08:42.17,Default,,0000,0000,0000,,it's incorporated in this seasonal song.
Dialogue: 0,0:08:42.17,0:08:48.18,Default,,0000,0000,0000,,And they spend six months creating\Nthis seasonal song together.
Dialogue: 0,0:08:49.20,0:08:54.33,Default,,0000,0000,0000,,Then they go silent for six months, \Nwhile they go to the feeding grounds.
Dialogue: 0,0:08:54.88,0:08:58.20,Default,,0000,0000,0000,,When they resume singing \Nsix months later,
Dialogue: 0,0:08:58.20,0:09:02.79,Default,,0000,0000,0000,,they start with last year's seasonal song.
Dialogue: 0,0:09:02.79,0:09:06.71,Default,,0000,0000,0000,,Pitch discrimination, musical memory.
Dialogue: 0,0:09:07.78,0:09:10.74,Default,,0000,0000,0000,,So what does all of this mean?
Dialogue: 0,0:09:11.35,0:09:14.83,Default,,0000,0000,0000,,I work in a field called BioMusic,
Dialogue: 0,0:09:15.39,0:09:20.25,Default,,0000,0000,0000,,which studies musical brains\Nand musical capacities in all species.
Dialogue: 0,0:09:20.25,0:09:26.39,Default,,0000,0000,0000,,Because your ability to interact with \Nothers and with your environment
Dialogue: 0,0:09:26.73,0:09:30.74,Default,,0000,0000,0000,,is dependent on these musical capacities.
Dialogue: 0,0:09:34.61,0:09:39.79,Default,,0000,0000,0000,,They also forecast \Nyour ability to survive and to get along.
Dialogue: 0,0:09:40.88,0:09:44.67,Default,,0000,0000,0000,,Let's think about being together \Nwith our fellow human beings.
Dialogue: 0,0:09:45.94,0:09:51.37,Default,,0000,0000,0000,,Where would marching, \Nsinging together, dancing,
Dialogue: 0,0:09:51.37,0:09:56.56,Default,,0000,0000,0000,,team sports, even cheerleading be \Nwithout rhythmic entrainment?
Dialogue: 0,0:09:57.69,0:10:01.74,Default,,0000,0000,0000,,In a conversation with another person, \Nall speech doesn't have to come
Dialogue: 0,0:10:01.74,0:10:07.63,Default,,0000,0000,0000,,to a grinding halt of silence\Nfor the other person to begin speaking.
Dialogue: 0,0:10:08.06,0:10:11.82,Default,,0000,0000,0000,,No. The uptake of that conversation \Nby the other person
Dialogue: 0,0:10:11.82,0:10:17.28,Default,,0000,0000,0000,,happens at that natural rhythmic moment\Nthat has just flowed from you.
Dialogue: 0,0:10:17.28,0:10:21.06,Default,,0000,0000,0000,,This kind of conversational \Nturn-taking is rhythmical
Dialogue: 0,0:10:21.06,0:10:25.07,Default,,0000,0000,0000,,and your brain just does it automatically.
Dialogue: 0,0:10:25.07,0:10:28.41,Default,,0000,0000,0000,,Think about how you entrain with yourself.
Dialogue: 0,0:10:28.41,0:10:34.88,Default,,0000,0000,0000,,When you're walking, your arms naturally \Nrhythmically entrain to your walk.
Dialogue: 0,0:10:35.81,0:10:40.45,Default,,0000,0000,0000,,And if you are gesturing while you speak,
Dialogue: 0,0:10:40.45,0:10:44.13,Default,,0000,0000,0000,,your gestures automatically entrain\Nto your stress,
Dialogue: 0,0:10:44.13,0:10:46.99,Default,,0000,0000,0000,,and to the tempo of your speech.
Dialogue: 0,0:10:46.99,0:10:49.34,Default,,0000,0000,0000,,Rhythmic entrainment.
Dialogue: 0,0:10:50.32,0:10:52.45,Default,,0000,0000,0000,,As far as pitch discrimination \Nis concerned, \N
Dialogue: 0,0:10:52.45,0:10:54.26,Default,,0000,0000,0000,,in this whole room with cell phones,
Dialogue: 0,0:10:54.26,0:10:56.66,Default,,0000,0000,0000,,you all know what your \Nown ringtone sounds like.
Dialogue: 0,0:10:56.66,0:10:58.99,Default,,0000,0000,0000,,(Laughter)
Dialogue: 0,0:10:59.30,0:11:03.32,Default,,0000,0000,0000,,And we could all break out right now \Nin a course of Happy Birthday
Dialogue: 0,0:11:03.32,0:11:06.45,Default,,0000,0000,0000,,because of our musical memory.
Dialogue: 0,0:11:06.45,0:11:13.41,Default,,0000,0000,0000,,All these scenarios are supported by \Na magnificent musical communication system
Dialogue: 0,0:11:13.85,0:11:17.43,Default,,0000,0000,0000,,that resides within us and around us.
Dialogue: 0,0:11:18.74,0:11:24.100,Default,,0000,0000,0000,,And what we're finding in this research, \Nis that we're not alone,
Dialogue: 0,0:11:25.83,0:11:30.82,Default,,0000,0000,0000,,that these musical capacities are \Nembedded deeply in the wild.
Dialogue: 0,0:11:32.71,0:11:37.64,Default,,0000,0000,0000,,Furthermore,\Nthese musical capacities are primal.
Dialogue: 0,0:11:39.01,0:11:43.44,Default,,0000,0000,0000,,This has really profound implications \Nfor our species
Dialogue: 0,0:11:43.44,0:11:46.96,Default,,0000,0000,0000,,and for other species.
Dialogue: 0,0:11:47.46,0:11:53.79,Default,,0000,0000,0000,,I'm engaged in soundmapping \Nthe Meso-American Reef.
Dialogue: 0,0:11:53.79,0:11:59.17,Default,,0000,0000,0000,,We're dropping hydrophones at the \Nsecond largest reef system in the world,
Dialogue: 0,0:11:59.17,0:12:02.96,Default,,0000,0000,0000,,because vision is not \Nthe best tool in the ocean.
Dialogue: 0,0:12:03.50,0:12:06.36,Default,,0000,0000,0000,,We're capturing the sounds of the animals
Dialogue: 0,0:12:06.36,0:12:09.96,Default,,0000,0000,0000,,that live at the reef \Nand migrate by the reef.
Dialogue: 0,0:12:09.96,0:12:16.32,Default,,0000,0000,0000,,And we're learning, in a whole new way, \Nhow they interact with each other
Dialogue: 0,0:12:16.32,0:12:18.97,Default,,0000,0000,0000,,and with their environment.
Dialogue: 0,0:12:19.59,0:12:25.98,Default,,0000,0000,0000,,Returning to our species, \Nnew therapies are being developed
Dialogue: 0,0:12:25.98,0:12:31.47,Default,,0000,0000,0000,,that use this magnificent \Nmusical system in our brain
Dialogue: 0,0:12:31.76,0:12:35.88,Default,,0000,0000,0000,,to re-program damaged brains.
Dialogue: 0,0:12:36.50,0:12:42.34,Default,,0000,0000,0000,,So by using music-making, \Nwe can actually re-capture lost abilities
Dialogue: 0,0:12:42.34,0:12:45.59,Default,,0000,0000,0000,,due to stroke or traumatic brain injury.
Dialogue: 0,0:12:46.12,0:12:52.27,Default,,0000,0000,0000,,And, when it comes to interventions, \Nwe have new interventions
Dialogue: 0,0:12:52.27,0:12:56.04,Default,,0000,0000,0000,,that use music-making combination \Nwith hand-eye coordination
Dialogue: 0,0:12:56.34,0:12:59.74,Default,,0000,0000,0000,,to stimulate an increased learning.
Dialogue: 0,0:13:01.43,0:13:04.53,Default,,0000,0000,0000,,Going forward into the future,
Dialogue: 0,0:13:04.53,0:13:07.55,Default,,0000,0000,0000,,we want to continue to expand \Nour understanding
Dialogue: 0,0:13:07.55,0:13:11.49,Default,,0000,0000,0000,,of this fabulous music \Ncommunication system
Dialogue: 0,0:13:11.49,0:13:15.82,Default,,0000,0000,0000,,and to learn better \Nhow to use it to our advantage.
Dialogue: 0,0:13:16.76,0:13:24.10,Default,,0000,0000,0000,,So in the future, we will design sound \Nenvironments that support wellness.
Dialogue: 0,0:13:24.77,0:13:29.49,Default,,0000,0000,0000,,We will design sound environments \Nthat are prescriptive,
Dialogue: 0,0:13:29.49,0:13:34.13,Default,,0000,0000,0000,,and individualized, that support healing.
Dialogue: 0,0:13:34.13,0:13:38.01,Default,,0000,0000,0000,,We will manage the sound environments
Dialogue: 0,0:13:38.01,0:13:42.17,Default,,0000,0000,0000,,that will preserve \Nand protect other species.
Dialogue: 0,0:13:43.26,0:13:47.83,Default,,0000,0000,0000,,Consider that new technology \Nis now on the drawing board,
Dialogue: 0,0:13:48.05,0:13:52.50,Default,,0000,0000,0000,,that is going to be able \Nto record the sounds
Dialogue: 0,0:13:52.50,0:13:55.69,Default,,0000,0000,0000,,of individual cells within your body.
Dialogue: 0,0:13:57.19,0:14:00.60,Default,,0000,0000,0000,,That means that \Nwe can use patterns of sound \N
Dialogue: 0,0:14:00.60,0:14:05.46,Default,,0000,0000,0000,,in time to listen to cells \Nthat are healthy
Dialogue: 0,0:14:05.46,0:14:08.81,Default,,0000,0000,0000,,versus cells that are diseased.
Dialogue: 0,0:14:09.86,0:14:12.08,Default,,0000,0000,0000,,This opens up the possibilities for us
Dialogue: 0,0:14:12.08,0:14:16.50,Default,,0000,0000,0000,,to have a diagnostic tool \Nthat is not invasive,
Dialogue: 0,0:14:16.50,0:14:21.89,Default,,0000,0000,0000,,that listens to the body \Nand pinpoints diseased cells.
Dialogue: 0,0:14:23.33,0:14:28.51,Default,,0000,0000,0000,,And it may be possible \Nto write a code of sound waves
Dialogue: 0,0:14:28.51,0:14:32.63,Default,,0000,0000,0000,,to neutralize those diseased cells.
Dialogue: 0,0:14:34.42,0:14:36.58,Default,,0000,0000,0000,,You should also know that NASA
Dialogue: 0,0:14:36.58,0:14:40.67,Default,,0000,0000,0000,,has already sent recordings \Nof human music-making
Dialogue: 0,0:14:40.67,0:14:44.86,Default,,0000,0000,0000,,and whale songs \Ninto intergalactic space,
Dialogue: 0,0:14:45.61,0:14:48.12,Default,,0000,0000,0000,,with the possibility
Dialogue: 0,0:14:48.12,0:14:54.17,Default,,0000,0000,0000,,that extraterrestrial intelligent life
Dialogue: 0,0:14:54.17,0:14:57.95,Default,,0000,0000,0000,,will know us by these sounds,
Dialogue: 0,0:14:59.12,0:15:03.89,Default,,0000,0000,0000,,creating the possibility that \Nthe first communication with an E.T.
Dialogue: 0,0:15:03.89,0:15:07.25,Default,,0000,0000,0000,,may actually be a musical communication.
Dialogue: 0,0:15:09.06,0:15:14.71,Default,,0000,0000,0000,,With all this said, \Nperhaps we should reconsider
Dialogue: 0,0:15:14.71,0:15:18.78,Default,,0000,0000,0000,,the importance \Nof music-making in our lives
Dialogue: 0,0:15:18.78,0:15:24.02,Default,,0000,0000,0000,,and the role that it plays with educating \Nand mentoring our children.
Dialogue: 0,0:15:25.62,0:15:29.81,Default,,0000,0000,0000,,Because they're going to need \Nheight into musical capacities
Dialogue: 0,0:15:29.81,0:15:35.11,Default,,0000,0000,0000,,to be able to walk \Ninto these new careers and jobs.
Dialogue: 0,0:15:35.11,0:15:38.54,Default,,0000,0000,0000,,Music is not just an interactivity.
Dialogue: 0,0:15:38.54,0:15:42.04,Default,,0000,0000,0000,,It's a potent communication system
Dialogue: 0,0:15:43.05,0:15:49.69,Default,,0000,0000,0000,,that is embedded in the wild and\Nthat connects all the life on the planet.
Dialogue: 0,0:15:50.54,0:15:54.57,Default,,0000,0000,0000,,So, embrace your musicality.
Dialogue: 0,0:15:54.57,0:15:58.48,Default,,0000,0000,0000,,Experience this world as a musical place.
Dialogue: 0,0:15:58.48,0:16:05.12,Default,,0000,0000,0000,,And know that the future holds\Na robust and fast musical conversation.
Dialogue: 0,0:16:05.12,0:16:06.44,Default,,0000,0000,0000,,Thank you.
Dialogue: 0,0:16:06.44,0:16:08.55,Default,,0000,0000,0000,,(Applause)