WEBVTT

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我们应该要做一点夏南瓜浓鸡汤

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好啊

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我们有奥哈卡奶酪

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在我们那里，总是不能少了塔可和玉米饼

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我能帮点什么？

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我们得洗一下这些

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要不我来洗一下西葫芦？

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我们来洗洗吧

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我当时刚开始我的职业生涯

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你是我最早

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从生活中作画的人之一

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因为你特别有耐心而且可以来坐无数次

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我最终画了你女儿和你所有家人

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我觉得艺术是获得更多自信的一种方式

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它描绘出更绚丽多彩的生活

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我认为它帮助我沉静下来

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颜色啊——

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我觉得它改变我们。

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Verónica和Marissa一家是

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我在很多年前

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曾画过的一家人

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我和他们的缘分到现在已经延续了十余年

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你可以坐在那里，差不多，比如说脸部——

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当你和你妈妈一起躺在家里时

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我试图把这一幕复制下来

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这大概就是脸如何——

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那椅子够高吗？

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这件作品是再访Marissa和Verónica在皇后区的家

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是重温那张沙发 我曾在很多年前

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画过Marissa和她父亲

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和她妈妈、纸画，还有他们客厅里

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所有的装饰品

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因为我们住在独卧公寓

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我父母基本睡在外面的客厅里

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因为他们不想让我睡在沙发上

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尽管我们家空间有限，有时可以说是很小

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却充满了欢乐

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架上的琴谱里有用纳瓦特尔语写的歌曲

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那个音箱是我妈妈最好的朋友

NOTE Paragraph

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她会在家里大声放音乐

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也会带它去公园上保龄球课

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我妈妈还很喜欢骑自行车

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但她的妈妈总是批评她

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告诉她骑自行车是男人做的事

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对她来说（骑自行车）也是一种反抗

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她知道自己可以去到任何地方

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我感觉每次和Veronica坐在一起

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我们都会聊Marissa聊个不停

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因为我和你妈妈都为你在康奈尔大学读书感到无比骄傲

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但实际上我非常以她为荣

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因为她是我最大的灵感源泉之一

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我觉得我最早的记忆之一就是和我母亲一起画画

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一起画跳舞的人们

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她手中铅笔的舞动是我对艺术最早的记忆之一

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我在墨西哥城长大

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我祖父三岁时从白俄罗斯来到墨西哥

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然后我妈妈来 到墨西哥学习艺术史

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西班牙语里有句谚语是”Ni de aquí ni de allá“

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意味着你即不是从这里来，也不是从那里来

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因为我总是半个墨西哥人半个美国人

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我从小和我母亲在墨西哥说英语长大

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我后来有幸成为一个美国公民

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我没有很多移民在这里的担忧

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没有证件的不安

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为了去芝加哥艺术学院学习

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我搬去了在中西部的芝加哥

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读研究生时

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我一直在画抽象

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然后我搬到了纽约

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开始画这些小的静物画

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它们的灵感来自墨西哥街头小贩的插花艺术

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我开始学习心理学

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有一个哲学家

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伊曼纽尔·列维纳斯

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谈到所有的伦理道德都来自于面对面的关系

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与另一个人的交会诱发出某种伦理需求

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那种想法最终潜入了我的作品

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与其他人坐在一起并把他们从生活画进面面里

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很多绘画

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因为它们的物质性

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它们的姿态和肌理

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几乎让人感觉到另一个人的存在

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我很喜欢捕捉

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那些人们沉浸在自我思考和探索内心世界的时刻

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描绘那些陷入沉思的人

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那些自我存在的瞬间

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我过去总在 纠结到底是做一名社会工作者还是做个画家

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我觉得直到 时至今日

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我才在某种程度上将两者结合了起来

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我是通过国际移民运动认识 Aliza 的

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那时我十二岁

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那时很久以前的事了

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欢迎来这

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塔妮娅是一位古巴艺术家

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她创立了国际移民运动

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第一乐章名为 "前奏曲"

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我妈妈当时非常积极

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然后开始和艾莉莎一起上课

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我第一次见到塔尼亚·布鲁格拉应该是在2012年

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我被她的项目深深打动并告诉她我想

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以某种方式参与其中

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我想教一堂课

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她告诉我英语是眼下最要紧的

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所以我设计了一门课

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基本上是为一群妇女开设的课程

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类似通过艺术史学英语

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很多课程最后都变成了女性主义艺术史

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因为这是她们最想知道的

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我永远不会忘记

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因为我上了你教的

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通过弗里达的故事学英语的课

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是艺术让我开始领会一些英语单词

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我对人们的故事特别感兴趣

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于是我问塔妮娅能不能在小角落建一个临时画室

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然后晚上我可以把我的画留在那里

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再回来画班上的每个人

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然后又开始画他们的家族成员

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单说能够走进那个空间这一点

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感受到支持

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（由于）我父母的移民身份

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他们会去寻求援助

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我认为这个地方

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带来了很多希望

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一切都没有止步于那个物理空间

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比如说“移动印刷力量“

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是我一直迄今为止仍在参与的一个艺术集体

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还有我妈妈一直在参与的"Mujeres en Movimiento"

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我就是有这种求知欲

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但从没想过自己是可以一直坚持下去的那种人

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通过视频自学并在那里跳舞

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同事们也就是其他的母亲会告诉我

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你能做到 你跳的很不错

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我还是觉得有些尴尬

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我喜欢打破那些成见和刻板印象

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还有那些不安全感

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