[Script Info] Title: [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Dialogue: 0,0:00:09.18,0:00:11.76,Default,,0000,0000,0000,,I think we're going to make\Nsome calabacitas. Dialogue: 0,0:00:11.76,0:00:12.39,Default,,0000,0000,0000,,Okay. Dialogue: 0,0:00:12.39,0:00:15.26,Default,,0000,0000,0000,,We have Oaxaca cheese. Dialogue: 0,0:00:15.26,0:00:19.77,Default,,0000,0000,0000,,In my region, you can't forget\Nabout tacos and tortillas. Dialogue: 0,0:00:20.23,0:00:21.48,Default,,0000,0000,0000,,What do you want me to do? Dialogue: 0,0:00:21.90,0:00:23.44,Default,,0000,0000,0000,,We have to wash them. Dialogue: 0,0:00:23.69,0:00:25.23,Default,,0000,0000,0000,,Should I wash the zucchinis? Dialogue: 0,0:00:26.03,0:00:27.69,Default,,0000,0000,0000,,Let's wash them. Dialogue: 0,0:00:34.49,0:00:36.12,Default,,0000,0000,0000,,I was starting out my career, Dialogue: 0,0:00:36.12,0:00:39.16,Default,,0000,0000,0000,,and you were one of \Nthe first people who Dialogue: 0,0:00:39.16,0:00:40.92,Default,,0000,0000,0000,,I started painting from life, Dialogue: 0,0:00:40.92,0:00:44.17,Default,,0000,0000,0000,,because you were very patient and\Nyou sat there a thousand times. Dialogue: 0,0:00:44.21,0:00:48.21,Default,,0000,0000,0000,,I ended up painting your \Ndaughter and all your family. Dialogue: 0,0:00:48.63,0:00:54.01,Default,,0000,0000,0000,,I think art is also a way\Nto gain more confidence. Dialogue: 0,0:00:54.22,0:00:59.68,Default,,0000,0000,0000,,It depicts a more colorful life. Dialogue: 0,0:00:59.68,0:01:02.69,Default,,0000,0000,0000,,I think it helps me to be in harmony. Dialogue: 0,0:01:02.69,0:01:04.61,Default,,0000,0000,0000,,The colors-- Dialogue: 0,0:01:04.65,0:01:06.73,Default,,0000,0000,0000,,I think it transforms us. Dialogue: 0,0:01:26.29,0:01:28.88,Default,,0000,0000,0000,,There's one family, Verónica and Marissa, Dialogue: 0,0:01:28.88,0:01:30.05,Default,,0000,0000,0000,,that I've painted Dialogue: 0,0:01:30.34,0:01:31.30,Default,,0000,0000,0000,,over the years. Dialogue: 0,0:01:31.30,0:01:34.51,Default,,0000,0000,0000,,Now my relationship with them\Nhas extended over 10 years. Dialogue: 0,0:01:36.97,0:01:40.14,Default,,0000,0000,0000,,You can sit there, more or less, \Nlike the face-- Dialogue: 0,0:01:40.43,0:01:42.98,Default,,0000,0000,0000,,I'm trying to replicate\Nthis when you were laying down Dialogue: 0,0:01:42.98,0:01:44.85,Default,,0000,0000,0000,,with your mom at your home. Dialogue: 0,0:01:45.31,0:01:47.15,Default,,0000,0000,0000,,I think that was how the face-- Dialogue: 0,0:01:47.15,0:01:49.11,Default,,0000,0000,0000,,Is that tall enough for you? Dialogue: 0,0:02:01.04,0:02:06.79,Default,,0000,0000,0000,,This body of work is revisiting Marissa\Nand Verónica in their home in Queens. Dialogue: 0,0:02:10.96,0:02:14.30,Default,,0000,0000,0000,,Revisiting that couch that \NI painted Marissa in with her father Dialogue: 0,0:02:14.30,0:02:15.30,Default,,0000,0000,0000,,many years ago, Dialogue: 0,0:02:18.68,0:02:23.14,Default,,0000,0000,0000,,with her mom and their papel picado,\Nand all their accouterments Dialogue: 0,0:02:23.14,0:02:24.14,Default,,0000,0000,0000,,of their living room. Dialogue: 0,0:02:30.78,0:02:32.90,Default,,0000,0000,0000,,Because we live\Nin a one-bedroom apartment, Dialogue: 0,0:02:32.90,0:02:35.61,Default,,0000,0000,0000,,my parents would mostly sleep\Noutside in the living room Dialogue: 0,0:02:35.61,0:02:38.07,Default,,0000,0000,0000,,because they didn't want to let \Nme sleep on the sofa. Dialogue: 0,0:02:38.62,0:02:42.66,Default,,0000,0000,0000,,Even though our space is very limited\Nand it's very small sometimes, Dialogue: 0,0:02:42.66,0:02:44.91,Default,,0000,0000,0000,,it's filled with a lot of joy. Dialogue: 0,0:02:46.62,0:02:51.80,Default,,0000,0000,0000,,The music sheet on the stand\Nhas songs written in Náhuatl. Dialogue: 0,0:02:52.26,0:02:54.51,Default,,0000,0000,0000,,That speaker is my mom's best friend. Dialogue: 0,0:02:55.22,0:02:59.39,Default,,0000,0000,0000,,She blasts music at home,\Nand then she also takes it to the park Dialogue: 0,0:02:59.39,0:03:02.10,Default,,0000,0000,0000,,for her bailoterapia classes. Dialogue: 0,0:03:02.89,0:03:05.44,Default,,0000,0000,0000,,My mom really loves the bicycle. Dialogue: 0,0:03:06.02,0:03:09.10,Default,,0000,0000,0000,,Her mom would always criticize her,\Ntelling her that's something Dialogue: 0,0:03:09.10,0:03:11.06,Default,,0000,0000,0000,,that a man does. Dialogue: 0,0:03:11.73,0:03:16.20,Default,,0000,0000,0000,,For her, it's also a form of resistance,\Nknowing that she can really go anywhere. Dialogue: 0,0:03:17.28,0:03:23.12,Default,,0000,0000,0000,,I feel like whenever I get together with Veronica, \Nwe talk about Marissa non-stop. Dialogue: 0,0:03:23.29,0:03:26.41,Default,,0000,0000,0000,,because your mom and I are \Nboth so proud of your Dialogue: 0,0:03:26.41,0:03:28.21,Default,,0000,0000,0000,,being in college at Cornell. Dialogue: 0,0:03:29.17,0:03:32.00,Default,,0000,0000,0000,,No, but I'm actually very proud of her Dialogue: 0,0:03:32.00,0:03:34.34,Default,,0000,0000,0000,,because she's one of my biggest inspirations. Dialogue: 0,0:03:43.35,0:03:47.14,Default,,0000,0000,0000,,I think one of my earliest memories\Nis actually drawing with my mother, Dialogue: 0,0:03:47.14,0:03:48.52,Default,,0000,0000,0000,,drawing dancers with her. Dialogue: 0,0:03:48.98,0:03:52.61,Default,,0000,0000,0000,,Her pencil moving is one\Nof my earliest recollections of art. Dialogue: 0,0:03:53.52,0:03:55.24,Default,,0000,0000,0000,,I grew up in Mexico City. Dialogue: 0,0:03:55.69,0:04:00.49,Default,,0000,0000,0000,,My grandfather came from Belorussia\Nto Mexico when he was three Dialogue: 0,0:04:00.49,0:04:04.70,Default,,0000,0000,0000,,and my mother arrived to Mexico\Nto study Art History. Dialogue: 0,0:04:07.12,0:04:09.54,Default,,0000,0000,0000,,There's a saying in Spanish,\N"Ni de aquí ni de allá," Dialogue: 0,0:04:09.54,0:04:11.75,Default,,0000,0000,0000,,which means you're neither from\Nhere nor from there Dialogue: 0,0:04:11.75,0:04:14.96,Default,,0000,0000,0000,,because I was always half Mexican,\Nhalf American. Dialogue: 0,0:04:14.96,0:04:17.97,Default,,0000,0000,0000,,I grew up speaking English \Nwith my mother in Mexico. Dialogue: 0,0:04:20.93,0:04:24.43,Default,,0000,0000,0000,,I had the privilege of being\Nan American citizen. Dialogue: 0,0:04:24.43,0:04:28.77,Default,,0000,0000,0000,,I didn't have the fear that a lot\Nof immigrants have here, Dialogue: 0,0:04:28.77,0:04:30.94,Default,,0000,0000,0000,,that might not have papers. Dialogue: 0,0:04:33.11,0:04:38.24,Default,,0000,0000,0000,,I moved to the Midwest, to Chicago,\Nto study art at the Art Institute of Chicago. Dialogue: 0,0:04:39.53,0:04:43.07,Default,,0000,0000,0000,,I went through a period in grad school\Nwhere I was an abstract painter. Dialogue: 0,0:04:46.16,0:04:47.50,Default,,0000,0000,0000,,Then I moved to New York. Dialogue: 0,0:04:47.50,0:04:50.25,Default,,0000,0000,0000,,I started to make\Nthese little still-life paintings. Dialogue: 0,0:04:50.25,0:04:54.88,Default,,0000,0000,0000,,They were inspired by street vendors\Nin Mexico with flower arrangements. Dialogue: 0,0:04:56.13,0:04:58.17,Default,,0000,0000,0000,,I started studying psychology. Dialogue: 0,0:04:58.17,0:05:02.97,Default,,0000,0000,0000,,This one philosopher, Emmanuel Levinas,\Ntalks about how all ethics comes Dialogue: 0,0:05:02.97,0:05:04.60,Default,,0000,0000,0000,,from the face-to-face relationship. Dialogue: 0,0:05:05.26,0:05:09.68,Default,,0000,0000,0000,,The encounter with another person\Nthat elicits an ethical demand. Dialogue: 0,0:05:09.68,0:05:13.06,Default,,0000,0000,0000,,That ended up coming into my work,\Nthis idea of sitting Dialogue: 0,0:05:13.06,0:05:16.06,Default,,0000,0000,0000,,with somebody face-to-face\Nand painting them from life. Dialogue: 0,0:05:17.78,0:05:20.15,Default,,0000,0000,0000,,A lot of painting,\Nbecause of its materiality Dialogue: 0,0:05:20.15,0:05:23.32,Default,,0000,0000,0000,,and because of its gesture\Nand texture, almost feels like the presence Dialogue: 0,0:05:23.32,0:05:24.49,Default,,0000,0000,0000,,of another person. Dialogue: 0,0:05:25.49,0:05:28.41,Default,,0000,0000,0000,,I love capturing a moment\Nwhen a person might be lost Dialogue: 0,0:05:28.41,0:05:31.71,Default,,0000,0000,0000,,in their own thoughts and imagining\Nwhat their interiority might be. Dialogue: 0,0:05:32.58,0:05:35.21,Default,,0000,0000,0000,,Depicting people in moments\Nof contemplation Dialogue: 0,0:05:35.21,0:05:36.96,Default,,0000,0000,0000,,where they're for themselves. Dialogue: 0,0:05:38.13,0:05:42.47,Default,,0000,0000,0000,,I was always torn between whether I wanted\Nto be a social worker or a painter. Dialogue: 0,0:05:42.47,0:05:46.55,Default,,0000,0000,0000,,I feel like it took all my life\Npretty much up to this point Dialogue: 0,0:05:46.55,0:05:49.72,Default,,0000,0000,0000,,where I've integrated both of \Nthose things in some ways. Dialogue: 0,0:05:55.10,0:05:59.65,Default,,0000,0000,0000,,I met Aliza through IMI,\NImmigrant Movement International, Dialogue: 0,0:06:00.36,0:06:02.65,Default,,0000,0000,0000,,back when I was 12 years old. Dialogue: 0,0:06:02.65,0:06:04.11,Default,,0000,0000,0000,,It was a long time ago. Dialogue: 0,0:06:04.32,0:06:07.24,Default,,0000,0000,0000,,Welcome to this-- Dialogue: 0,0:06:07.24,0:06:09.79,Default,,0000,0000,0000,,Tania is this Cuban artist. Dialogue: 0,0:06:09.91,0:06:12.54,Default,,0000,0000,0000,,She founded Immigrant\NMovement International. Dialogue: 0,0:06:15.08,0:06:17.79,Default,,0000,0000,0000,,The first movement called “Prelude.” Dialogue: 0,0:06:17.79,0:06:21.05,Default,,0000,0000,0000,,My mom got really involved\Nand then started taking some classes Dialogue: 0,0:06:21.05,0:06:22.01,Default,,0000,0000,0000,,with Aliza. Dialogue: 0,0:06:24.18,0:06:29.81,Default,,0000,0000,0000,,I think it was 2012 when\NI first met Tania Bruguera and Dialogue: 0,0:06:29.81,0:06:33.98,Default,,0000,0000,0000,,I was so moved by her project\Nthat I told her I wanted Dialogue: 0,0:06:33.98,0:06:37.27,Default,,0000,0000,0000,,to participate somehow and I\Nwanted to teach a class. Dialogue: 0,0:06:37.27,0:06:40.69,Default,,0000,0000,0000,,She told me that what was most\Nneeded were English skills, Dialogue: 0,0:06:40.69,0:06:45.90,Default,,0000,0000,0000,,so I devised a class that was basically\Nfor a group of women, like English Dialogue: 0,0:06:45.90,0:06:48.12,Default,,0000,0000,0000,,through art history. Dialogue: 0,0:06:48.12,0:06:50.41,Default,,0000,0000,0000,,A lot of it ended up being\Nfeminist art history Dialogue: 0,0:06:50.41,0:06:52.33,Default,,0000,0000,0000,,because it's what they were\Nasking me about. Dialogue: 0,0:06:52.66,0:06:57.71,Default,,0000,0000,0000,,I'll never forget that it was\Nbecause of the class I took with you Dialogue: 0,0:06:57.71,0:06:59.75,Default,,0000,0000,0000,,on how to learn English Dialogue: 0,0:06:59.75,0:07:01.63,Default,,0000,0000,0000,,through Frida's story. Dialogue: 0,0:07:01.75,0:07:07.22,Default,,0000,0000,0000,,It was through art that I began\Nto grasp some English words. Dialogue: 0,0:07:09.18,0:07:12.93,Default,,0000,0000,0000,,I got so interested in the\Npeople's stories that I asked Tania Dialogue: 0,0:07:12.93,0:07:16.18,Default,,0000,0000,0000,,if I could set up a makeshift\Nstudio in one little corner Dialogue: 0,0:07:16.18,0:07:18.02,Default,,0000,0000,0000,,and I'd leave my paintings overnight. Dialogue: 0,0:07:18.02,0:07:21.57,Default,,0000,0000,0000,,I'd come back and depict\Nevery person in my class. Dialogue: 0,0:07:23.61,0:07:27.78,Default,,0000,0000,0000,,And then I started to depict\Ntheir extended families as well. Dialogue: 0,0:07:30.03,0:07:32.16,Default,,0000,0000,0000,,Just being able to walk into that space, Dialogue: 0,0:07:32.74,0:07:34.04,Default,,0000,0000,0000,,feeling supported. Dialogue: 0,0:07:34.04,0:07:35.91,Default,,0000,0000,0000,,My parent’s immigration status, Dialogue: 0,0:07:35.91,0:07:39.21,Default,,0000,0000,0000,,they would go in looking for support. Dialogue: 0,0:07:39.33,0:07:41.17,Default,,0000,0000,0000,,I think it was also a place that brought Dialogue: 0,0:07:41.17,0:07:42.17,Default,,0000,0000,0000,,a lot of hope. Dialogue: 0,0:07:48.76,0:07:52.56,Default,,0000,0000,0000,,Things have still continued\Nbeyond the physical space, Dialogue: 0,0:07:53.06,0:07:55.72,Default,,0000,0000,0000,,like Mobile Print Power,\Nwhich is an art collective Dialogue: 0,0:07:55.72,0:07:59.02,Default,,0000,0000,0000,,that I'm still part of til this day. Dialogue: 0,0:08:02.69,0:08:06.49,Default,,0000,0000,0000,,And Mujeres en Movimiento that\Nmy mom is still doing. Dialogue: 0,0:08:09.03,0:08:11.82,Default,,0000,0000,0000,,I just had this desire to learn, Dialogue: 0,0:08:12.03,0:08:15.62,Default,,0000,0000,0000,,never imagining that I'd be the one\Nto stick around afterward, Dialogue: 0,0:08:15.62,0:08:19.42,Default,,0000,0000,0000,,self-guiding with videos,\Nand then finding myself dancing there. Dialogue: 0,0:08:19.42,0:08:22.13,Default,,0000,0000,0000,,Fellow colleagues,\Nmothers who would tell me, Dialogue: 0,0:08:22.13,0:08:25.30,Default,,0000,0000,0000,,“You can do it, yes, you nailed it,\Nyou danced beautifully.” Dialogue: 0,0:08:25.30,0:08:28.76,Default,,0000,0000,0000,,I was a little embarrassed. Dialogue: 0,0:08:31.47,0:08:36.64,Default,,0000,0000,0000,,I loved breaking those stigmas,\Nthose stereotypes, Dialogue: 0,0:08:36.64,0:08:38.77,Default,,0000,0000,0000,,those insecurities. Dialogue: 0,0:08:42.40,0:08:45.73,Default,,0000,0000,0000,,Ever since I moved here from Mexico,\NI've been living in Corona. Dialogue: 0,0:08:48.19,0:08:51.40,Default,,0000,0000,0000,,My dad and sisters were already here, Dialogue: 0,0:08:51.40,0:08:55.08,Default,,0000,0000,0000,,but I was sad leaving my mom\Nand my community Dialogue: 0,0:08:55.08,0:08:56.66,Default,,0000,0000,0000,,and not knowing anyone here. Dialogue: 0,0:08:57.24,0:09:00.25,Default,,0000,0000,0000,,Adapting was a challenge. Dialogue: 0,0:09:02.83,0:09:06.13,Default,,0000,0000,0000,,I feel like I started to connect\Nwith the community Dialogue: 0,0:09:06.13,0:09:08.21,Default,,0000,0000,0000,,when Marissa began school. Dialogue: 0,0:09:09.42,0:09:13.09,Default,,0000,0000,0000,,Reach out, connect with more \Npeople or in places Dialogue: 0,0:09:13.09,0:09:16.72,Default,,0000,0000,0000,,like schools, libraries, or museums. Dialogue: 0,0:09:19.22,0:09:22.44,Default,,0000,0000,0000,,I don't say this thinking, \N“I've done all of this myself.” Dialogue: 0,0:09:22.44,0:09:26.48,Default,,0000,0000,0000,,It’s been the strength of\Na warrior community. Dialogue: 0,0:09:31.28,0:09:34.99,Default,,0000,0000,0000,,It's very special to come back\Nto Queens almost 10 years Dialogue: 0,0:09:34.99,0:09:36.87,Default,,0000,0000,0000,,after the Immigrant\NMovement International, Dialogue: 0,0:09:36.87,0:09:39.74,Default,,0000,0000,0000,,to be in residence at the Queens Museum. Dialogue: 0,0:09:40.62,0:09:44.33,Default,,0000,0000,0000,,I reverted back to the class\NI was teaching at IMI. Dialogue: 0,0:09:44.75,0:09:47.50,Default,,0000,0000,0000,,There's a group of women \Nthat lead a food pantry Dialogue: 0,0:09:47.50,0:09:50.63,Default,,0000,0000,0000,,that every Wednesday gets\Ndistributed in the museum. Dialogue: 0,0:09:50.63,0:09:53.68,Default,,0000,0000,0000,,And so I wanted to do\Nsomething for these volunteers. Dialogue: 0,0:09:55.89,0:10:00.52,Default,,0000,0000,0000,,Every Tuesday night I'm teaching a class\Nthrough art-making this time, Dialogue: 0,0:10:01.02,0:10:03.35,Default,,0000,0000,0000,,and I've taught them drawing and painting. Dialogue: 0,0:10:04.64,0:10:06.69,Default,,0000,0000,0000,,Ready? Let’s get started. Dialogue: 0,0:10:07.32,0:10:11.86,Default,,0000,0000,0000,,Today is the last class\Nwhere we'll all be together, Dialogue: 0,0:10:12.36,0:10:15.03,Default,,0000,0000,0000,,taking a look at all the pieces\Nwe've crafted over the semester. Dialogue: 0,0:10:15.11,0:10:17.20,Default,,0000,0000,0000,,We call it the Group Critique. Dialogue: 0,0:10:17.24,0:10:18.12,Default,,0000,0000,0000,,Group Critique. Dialogue: 0,0:10:18.12,0:10:20.33,Default,,0000,0000,0000,,I've named mine “Mi Libertad” (My Freedom). Dialogue: 0,0:10:20.33,0:10:23.87,Default,,0000,0000,0000,,When I was going through\Nsome really tough times, Dialogue: 0,0:10:23.87,0:10:27.38,Default,,0000,0000,0000,,I loved running through \Nthe countryside on horseback. Dialogue: 0,0:10:28.38,0:10:34.59,Default,,0000,0000,0000,,The more I ran with the wind \Nwhipping my face, the freer I felt. Dialogue: 0,0:10:34.59,0:10:35.93,Default,,0000,0000,0000,,It was as if I could fly. Dialogue: 0,0:10:36.34,0:10:40.47,Default,,0000,0000,0000,,Hence, I named it “My Freedom”\Nafter a mare I had. Dialogue: 0,0:10:43.02,0:10:44.94,Default,,0000,0000,0000,,This painting is meant to represent Dialogue: 0,0:10:44.94,0:10:47.27,Default,,0000,0000,0000,,something quite simple\Nand straightforward: materialism. Dialogue: 0,0:10:47.44,0:10:49.36,Default,,0000,0000,0000,,We see fragments of banknotes, but why? Dialogue: 0,0:10:49.36,0:10:51.94,Default,,0000,0000,0000,,Because it destroys families,\Nit shatters homes. Dialogue: 0,0:10:52.11,0:10:54.78,Default,,0000,0000,0000,,We lose lives at the borders. Dialogue: 0,0:10:54.86,0:10:57.95,Default,,0000,0000,0000,,This country indeed welcomes us,\Nimmensely so, Dialogue: 0,0:10:57.95,0:10:59.24,Default,,0000,0000,0000,,but it also separates us. Dialogue: 0,0:10:59.58,0:11:00.78,Default,,0000,0000,0000,,I have this next painting. Dialogue: 0,0:11:00.91,0:11:03.79,Default,,0000,0000,0000,,The next painting symbolizes the \Nendurance of Indigenous woman Dialogue: 0,0:11:03.79,0:11:06.46,Default,,0000,0000,0000,,because I am a descendant of the Cañaris. Dialogue: 0,0:11:08.21,0:11:10.42,Default,,0000,0000,0000,,Sometimes we are voices\Nthat go unheard, Dialogue: 0,0:11:10.42,0:11:12.55,Default,,0000,0000,0000,,at times we are invisible. Dialogue: 0,0:11:12.84,0:11:17.05,Default,,0000,0000,0000,,But despite that, we are a\Npowerful force here in this country. Dialogue: 0,0:11:18.09,0:11:19.18,Default,,0000,0000,0000,,Thank you. Dialogue: 0,0:11:20.72,0:11:24.22,Default,,0000,0000,0000,,When you have that sense of agency\Nof expressing yourself. Dialogue: 0,0:11:24.22,0:11:27.69,Default,,0000,0000,0000,,You can also share resources\Nwith each other and feel a sense Dialogue: 0,0:11:27.69,0:11:29.98,Default,,0000,0000,0000,,of empowerment in that community. Dialogue: 0,0:11:31.69,0:11:34.28,Default,,0000,0000,0000,,For people to really feel\Nlike they can use the museum Dialogue: 0,0:11:34.28,0:11:35.32,Default,,0000,0000,0000,,as a resource Dialogue: 0,0:11:35.32,0:11:37.66,Default,,0000,0000,0000,,and as a space that's really for them. Dialogue: 0,0:11:41.12,0:11:44.91,Default,,0000,0000,0000,,I also am interested in\Nthe structural economy of paintings Dialogue: 0,0:11:44.91,0:11:46.100,Default,,0000,0000,0000,,and I've done profit sharing Dialogue: 0,0:11:46.100,0:11:48.16,Default,,0000,0000,0000,,when I work with a community Dialogue: 0,0:11:48.16,0:11:50.88,Default,,0000,0000,0000,,or with a particular individual\Nover a long period of time. Dialogue: 0,0:11:52.29,0:11:56.46,Default,,0000,0000,0000,,With this particular family, I gave them the \Nfirst paintings that I made of them Dialogue: 0,0:11:56.46,0:11:59.22,Default,,0000,0000,0000,,and they were able to \Nbenefit later on from that. Dialogue: 0,0:12:01.30,0:12:03.76,Default,,0000,0000,0000,,I work as a housekeeper, Dialogue: 0,0:12:03.76,0:12:07.23,Default,,0000,0000,0000,,but that wasn't enough for me \Nto get by for one year Dialogue: 0,0:12:07.23,0:12:10.02,Default,,0000,0000,0000,,or some months\Nduring the pandemic. Dialogue: 0,0:12:10.02,0:12:13.94,Default,,0000,0000,0000,,The gallery was able to provide us with\Nmoney so that we could pull through. Dialogue: 0,0:12:13.94,0:12:15.48,Default,,0000,0000,0000,,For me, that was a relief, Aliza. Dialogue: 0,0:12:15.48,0:12:16.99,Default,,0000,0000,0000,,I’ll never forget it. Dialogue: 0,0:12:29.21,0:12:30.46,Default,,0000,0000,0000,,Do you know who is there? Dialogue: 0,0:12:30.46,0:12:31.96,Default,,0000,0000,0000,,Who is it? Dialogue: 0,0:12:31.96,0:12:33.38,Default,,0000,0000,0000,,Do you see yourself? Dialogue: 0,0:12:41.22,0:12:43.26,Default,,0000,0000,0000,,I believe that creating spaces Dialogue: 0,0:12:43.26,0:12:48.06,Default,,0000,0000,0000,,where we practice art\Nor make art Dialogue: 0,0:12:48.06,0:12:50.23,Default,,0000,0000,0000,,is a way to connect. Dialogue: 0,0:12:50.23,0:12:51.60,Default,,0000,0000,0000,,It is the most beautiful way. Dialogue: 0,0:12:55.23,0:12:59.99,Default,,0000,0000,0000,,Being with this community here,\Nit’s like finding a home in a way. Dialogue: 0,0:13:02.62,0:13:05.41,Default,,0000,0000,0000,,Aliza, hello! Dialogue: 0,0:13:06.08,0:13:07.74,Default,,0000,0000,0000,,So nice to see you. Dialogue: 0,0:13:11.100,0:13:15.92,Default,,0000,0000,0000,,The biggest resource we have is\Nthese relationships and the communities Dialogue: 0,0:13:15.92,0:13:17.25,Default,,0000,0000,0000,,that have continued. Dialogue: 0,0:13:18.88,0:13:21.80,Default,,0000,0000,0000,,Your resources are your \Npeople around you.